Queen of Tears

Plotholes, tropes and bad writing.

Let me start off by saying that I was hooked for the first 11 episodes. Yes, the story is soap opera-y but the actors and actresses acted the heck out of what was given to them. Kim Soo-hyun can do no wrong and I’ve always enjoyed Kim ji-won so the problem is not because of them (or the production, cinematography, styling, etc). It’s the writing.

The last few episodes were just so painful to watch. Common sense were non existent, villains just did whatever the heck they please, the story just dragged and more and more tropes are being added.

I’m serious - nothing made sense.

Like, how did the SML think that he can just “erase” the FL’s past by throwing away some pictures and mementos. She exposed him on national tv and have recordings of him threatening her! It’s so dumb.

Why is our smart ML not more careful? The SML and his mom literally stole, threatened and put a hit on him. Like maybe get some bodyguards or let the hospital know, “hey there’s this guy that’s dangerous to the patient, beware!”

Why weren’t FL’s family with her in Germany?

Why did it take so long to convince her to do the surgery!? I thought the choice was a no brainer.

Anyway - if I didn’t have only two episodes left I would’ve just dropped this drama. I will finish it.

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Become Predictable and Boring in the end.

I watched the whole series, but it didn't bring anything new or exciting. At first, it seemed promising, especially in how it explored the main character's story. When Vincenzo made a cameo, things got interesting. But then, it went downhill. The show became all about drama, ignoring other important storylines. Some scenes dragged on too long, with lots of unnecessary emotions and twists that didn't matter.

The show looked good with its camera work, acting, and music, but it had some big problems. The bad guy was shallow, just after money and power. And the main girl's family was portrayed as kind of dumb, which didn't make sense. The story was too predictable, following a basic pattern with choices that didn't seem real.

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Worst Korean Drama script of all time

I cannot even imagine how the same scriptwriter who gave us Crash Landing on You somehow managed to come up with this steaming pile of excrement. Colleges and universities should use this as a case study in bad writing. It constantly insults the viewers intelligence to the point that one is left completely exasperated and confused at how it could even exist. This viewer only managed to reach the end it all through a combination of hate watching and intrigue at how such a high end, expensive major studio production with top class actors and soundtrack could come to this. One completely idiotic, unrealistic, completely unbelievable plot twist after another with every conceivable k-drama trope after another used and then reused until the viewer feels brutalized by the stupidity of it all. This show is dog ____.

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Rivers of artificial tears

I know, I know, this show is the talk of the town and rating its socks off. However, I’m going to be an outlier. Please allow me to explain.

The star power of our leads combined with the portfolio of our writer-nim (who penned CLOY, MLFTS, etc) should guarantee an instant classic. It is certainly a hit but after finishing the show, I am not convinced that it scored the home run.

At the start of the series, the relationship of the OTP is at their lowest ebb. Of course, the goal is to watch them rise above it all and make us swoon. The series largely archived this with consummate skill. However, this is also its Achilles heel from my perspective.

Even a few episodes in, I can’t help but feel that I’m watching a parade of hand crafted scenes designed to either showcase the visuals of our leads or to hit us with the feels, hard. There is no doubt that this is a S class production on every level. Of course, there are buckets of tears and our handsome ML brought his A game.

However, I feel that the material connecting these scenes are hollow and contrived. This is surprisingly loose and lazy writing coming from a writer of this calibre.

For instance, the plot surrounding the granddad’s mistress is nonsensical. She suffered and schemed for over 20 years because of greed. Really, just greed? She could have built a secret nest egg in far less time than that. Even in the end, it all comes down to a bit of luck and good timing. Ditto the involvement of several accomplices. The script tries to explain it all away, but it is a hard sell when you look beyond skin deep.

Don’t even get me started on the SML. He is obsessed with the FL yet his idea of winning her over is to shaft her family and take her beloved business away. Yes, he offered it back to her but with nasty strings attached. It all feels rather inept and superficial. That seems to be his modus operandi. Just do something over the top and she will submit but there is no solid reasoning behind his various machinations. The idea of him taking over the role of her finance after her surgery and framing the ML for murder is laughable and beyond tropey.

Almost every member of both families is cliché and unlikeable yet so much time is devoted to their petty contrivances. The makjang heavy plot basically seesaws between the protagonist making small gains only to surrender it back to the antagonist in the next scene/episode. There are many outlandish subplots involving the large ensemble cast. The tone of the show yo-yo all over the place because of that.

This highlights how much emphasis is placed on those storyboard scenes. If they were pivotal then I’m all for them but most of the time, they are a quick dose of fan service, or button pushing tropes. They are effective but also manipulative by design.

This brings us to the real kicker. The main theme of the show is the romance of the OTP. This is made painfully clear from the start. However, for this viewer, my first question is why are they even together?! There is nothing to ship. They don’t show any affection. They don’t talk (failure to communicate is a recurring theme). They live parallel lives. The ML suffers daily both at home and at work. This could have been a murder mystery for all I know. Yes, the writer turned it around towards the end, but it is hardly CLOY2, not even close.

A HEA ending is never in doubt once they played the magic cure card. The escalating dramatic tension drops away. All the implausible schemes fell apart as expected. Every subplot is tied off with a pink bow. Was it satisfying? I’d prefer to call it Functional Predictability. I’m sure fans are swooning and elated though. It all ends with an artificial sweeteners overload. Did it go too far? It literally left nothing to our imagination.

Regardless, the gods of makjang will be pleased. Am I being critical? Absolutely. I want this show to be great, nay, perfect. This is god’s gift to the fans of the leads but it is hardly on par with some of the most memorable k-dramas.

If I take off the rose-tinted glasses, I can see all the hype and traffic generated by the highly bankable stars. It served its purpose and made history. Am I the only one not hailing Caesar?

We came. We saw. We forgot™.

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Dear lord…

I started watching this show because I liked the casting and everything else, but this is it. I watched the first two episodes and decided that I wouldn’t watch anymore, but my mom started watching, so I just went with it.

Why in the great heavens a couple that has been married for 3 years and almost had a child together so against skinship? Don’t get me wrong, I know they aren’t close anymore because of their fights and lack of communication, but this is beyond that.

Hae In got pregnant with Baek Hyun Woo’s baby but was surprised just by seeing him shirtless, like, let’s be real, PLEASE. I’m saying this because they didn’t seem like a real couple that married each other because they were in love and attracted to each other. It was so robotic and weird. And the damn plot of Hae In being sick was so dragged through the episodes and solved in like ONE episode.

The only thing that I really liked about this drama was Kim Ji Won’s acting and her character clothes.

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Frustrating to watch. Problematic characters. Toxic FL.

The character design is quite problematic. I'm really struggling to understand the FL's mother and brother.

----------Mother----------
Regarding the mother, she's been blaming the FL for her own negligence in supervising her small children, which resulted in a serious accident when the FL was just 10 years old. It's absurd how she continues to openly blame a child for 20 years when it's obvious that the adult should take responsibility. She doesn't just do this in their personal life, but also in their work life, going as far as finding reasons to sue her own daughter, which could harm their family company that's publicly traded on the stock market. And all of this is happening right under the noses of the FL's grandfather and father, who are much more rational and surely wouldn't want their corporation's reputation tarnished. The whole situation is just so unrealistic and absurd.

----------Brother----------
As for the brother, it's unbelievable. His wife deceives him into marriage and even has a child with another man while they're married. Then she flees away with money of her husband's family, only to return after being abused by her child's biological father. Despite all this, the brother unquestionably welcomes her back with open arms, and still loves her illegitimate child as if the child is his own. It's like he lacks any capacity for learning or judgment. It's hard to trust someone like him to run a company at an executive level, yet he holds a high-ranking position in their publicly listed company. How is that even possible?

----------Female Lead----------
And don't even get me started on the FL herself. She gets kidnapped by the villain in a car. And when the ML catches up with them after a violent car chase, succeeding in rescuing her while he's injured, she complies with the villain's gaslighting to say that she voluntarily follows the villain, then she willingly gets back into the villain's car to be kidnapped again. The reason the villain gives her is that if she doesn't go along, the ML will realize her illness is worsening, causing her to mistake the villain for the ML. But later on, the ML still has to break into the house where the FL is being held captive to rescue her once more, and she still has to tell the ML the truth in the end. It's infuriating how easily she falls for such manipulation, especially considering the ML already knows about her illness and its progression.

----------Toxic love----------
Let me address the ML's love for the FL as my last point. I find his renewed affection for her perplexing. While his initial love before their marriage is understandable, I fail to comprehend how he could still love her after enduring a toxic relationship. Despite their troubled history, she continues to resist cooperation, vilify him, withhold her true feelings, and maintain emotional distance. It appears to be a very one-sided effort, devoid of reciprocity. His affection seems solely driven by blind devotion, without any tangible reason or justification. Their past history of love before marriage doesn't seem to influence his current feelings, and the FL's behavior offers little to warrant his continued love. In essence, it feels like he is merely serving her as a servant of love. In real life, such a dynamic doesn't foster a genuine and sustainable relationship, so it isn't believable or convincing for me.

The story's irrational elements are so frustrating to watch. I keep going with it until the end because I'm a fan of the lead actors. However, while the FL's acting is passable, it still comes across as quite stiff to me. I've seen her in 3 series, including 'Descendants of the Sun' and 'Fight for My Way,' and her acting seems to be consistently one-dimensional, and not even the best version of the character she's portraying.

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Cliche Plot with a Heartwarming Touch

Many compared this with CLOY - since both are from the same writer, some of the scenes are somewhat similar, but to compare, I think this is far behind. The starting of CLOY is already unique on its own, esp building a comedy on the North Korea's settings, whereas QOT is purely a story of a married couple - it's less fun but more realistic.

Cliche plot to expect - terminal illness, loss of memory, accident, gun shot - you name it. TBH the ending of the second last episode made me suck back all my tears and started rolling my eyes. Like, really?

But I gotta say, I do like the parts that make me cry - it gives a strong emotional touch on kinship and love, some of the lines hit you hard and made you look back in life, and also emphasize the meaning of life. [SPOILER] One very special scene that you might not find it in other dramas - the interpretation of FL's death at the end, it's really sorrow yet beautiful :')

Overall - watch this if you are finding a drama to cry on. I wouldn't say it's the most special one, I think the writer and casting itself gave this drama a huge "fame boost". I mean, how can you not fall in love with Kim Soo Hyun again? His crying scene is 10/10 - as always.

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OVERLY HYPE

I had been looking forward to this drama for quite some time, primarily because I am a fan of the main leads. The initial trailers were also quite intriguing and raised my expectations.

While the cinematography is visually appealing, in my opinion, it does not align well with the tone and theme of the drama. It felt mismatched and somewhat out of place.

As for the plot, it began with promise but quickly became underwhelming. I found it increasingly difficult to stay engaged as each episode progressed. The storyline became overly convoluted, with too many subplots and unnecessary additions that detracted from the central narrative.

It would have been far more effective had the writers focused on developing the relationship between the main characters. Their romantic arc felt inconsistent and poorly explained. They fell in love, their marriage deteriorated, the male lead began to resent the female lead—he even appeared pleased at the news of her terminal illness—yet, without any meaningful development, he suddenly could not live without her. This abrupt shift lacked depth and credibility. A clearer exploration of how their relationship soured would have added much-needed emotional weight.

Moreover, the female lead was difficult to empathize with, and truthfully, most of the characters were unlikable. As is often the case in many K-dramas, the issue of emotional neglect from parents was resolved far too easily. A simple apology seemed to erase years of emotional damage, which felt unconvincing and rushed.

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Perfect example of how great actors can’t make up for a weak story

I don’t care how popular a drama is and how much attention it is getting because of popular cast but if the story is shit nothing much popular actors can do to. Well the drama did got popular but won’t be remembered for that long as it offer nothing new and refreshing.

Honestly I couldn’t understand whether the story’s main focus was on issues of a married couple, illness of the female lead or the villains revenge schemes . Because there was just too much going on and it made a mess.
I WISH OH HOW I WISH the focus was on the marital issues of the lead couple instead of all the other drama then this show could’ve been soo good. But what a waste!! Don’t even get me started on the amnesia!

I tried really hard to relate to the characters but couldn’t. Characters like cold CEO Female lead and jack of all trade yet caring Male lead are the ones we have seen before multiple times. And then the dumb and incompetent brother who is going crazy after her scammer wife! He was annoying ugh

What intrigued my interest in the drama was how the ML wanted to end the marriage at the beginning of the show but that plot was thrown out pretty quickly without proper explanation. And that plot was the very reason giving some comedic side to the show otherwise it was just crying crying and crying. Honestly it got really annoying at the end.

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