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Mad Monkey Kung Fu’s script and tone were as erratic as a monkey mind. Yet Lau Kar Leung’s fight choreography and Hsiao Hou’s amazing acrobatics saved it in the end.
Uncle Chan and his sister own and perform in their stage show. The local gangster and patron, Duan Shiang Yuan offers them a dinner celebration on their last night. Tsuei Hung begs her brother to not drink too much which he of course ignores when his kung fu is called into question. A series of bad decisions later and Chan is accused of assaulting Duan’s wife. Tsuei Hung agrees to be Duan’s mistress in exchange for her brother’s life which Duan magnanimously agrees to…after he’s crippled Chan’s hands. Chan becomes a street performer and makes the acquaintance of a small-time thief. Both run afoul of the extortion gang with Chan eventually agreeing to teach “Little Monkey” Monkey style kung fu.
First my biggest complaint. Why does the woman have to pay for the man’s idiotic behavior? And why does everyone get over that sacrifice so easily? Okay, my other complaint, the movie was too darn long for a kung fu flick. There wasn’t enough story for 110 minutes, it dragged in places.
Now, for what did work. Lau Kar Leung is my favorite old school martial arts director and I loved that he was allowed to star in this film. He started out honing his craft in Kwan Tak Hing’s Wong Fei Hung films going back to 1953. At 41, he stayed up with the 19-year-old Hsiao Hou. His choreography for this film was exciting. Hsiao was extraordinarily acrobatic, limber, and fast making him the perfect Monkey style artist. Lo Lieh, as the villain, snarled and sneered his way through providing more than enough menace for two. A grand Shaw Brothers’ set for the extravagant brothel where most of the big fights took place gave plenty of stairs to fight up and down and balconies to fall off of. A teenage Kara Hui had the small, but important role, of Chan’s sister. Scriptwriter Ni Kuang did her wrong but at least she had a good fight against Lo to give her character a smidge of meaning and heroics, even if the student squandered her sacrifice much like his mentor.
If you enjoy Monkey style kung fu and not one, but two training montages, this is a film to check out. There was a great deal of acrobatic “no wires on me!” kung fu displaying a wide range of agility, strength, and quickness. I would have preferred several scenes to have been either cut or shortened, as the movie ran long for me. The final fights were entertaining, though sometimes with monkeys, they take the long way to get there. Rated on a curve.
13 March 2026
Housekeeping note: 400th entry in my Everybody's Kung Fu Fighting List!
https://kisskh.at/list/LOPBNbe3
Trigger warnings: While there was a lot of fighting there were only two deaths and they weren’t too gruesome. If smoking bothers you there was quite a bit of that and drinking.
Uncle Chan and his sister own and perform in their stage show. The local gangster and patron, Duan Shiang Yuan offers them a dinner celebration on their last night. Tsuei Hung begs her brother to not drink too much which he of course ignores when his kung fu is called into question. A series of bad decisions later and Chan is accused of assaulting Duan’s wife. Tsuei Hung agrees to be Duan’s mistress in exchange for her brother’s life which Duan magnanimously agrees to…after he’s crippled Chan’s hands. Chan becomes a street performer and makes the acquaintance of a small-time thief. Both run afoul of the extortion gang with Chan eventually agreeing to teach “Little Monkey” Monkey style kung fu.
First my biggest complaint. Why does the woman have to pay for the man’s idiotic behavior? And why does everyone get over that sacrifice so easily? Okay, my other complaint, the movie was too darn long for a kung fu flick. There wasn’t enough story for 110 minutes, it dragged in places.
Now, for what did work. Lau Kar Leung is my favorite old school martial arts director and I loved that he was allowed to star in this film. He started out honing his craft in Kwan Tak Hing’s Wong Fei Hung films going back to 1953. At 41, he stayed up with the 19-year-old Hsiao Hou. His choreography for this film was exciting. Hsiao was extraordinarily acrobatic, limber, and fast making him the perfect Monkey style artist. Lo Lieh, as the villain, snarled and sneered his way through providing more than enough menace for two. A grand Shaw Brothers’ set for the extravagant brothel where most of the big fights took place gave plenty of stairs to fight up and down and balconies to fall off of. A teenage Kara Hui had the small, but important role, of Chan’s sister. Scriptwriter Ni Kuang did her wrong but at least she had a good fight against Lo to give her character a smidge of meaning and heroics, even if the student squandered her sacrifice much like his mentor.
If you enjoy Monkey style kung fu and not one, but two training montages, this is a film to check out. There was a great deal of acrobatic “no wires on me!” kung fu displaying a wide range of agility, strength, and quickness. I would have preferred several scenes to have been either cut or shortened, as the movie ran long for me. The final fights were entertaining, though sometimes with monkeys, they take the long way to get there. Rated on a curve.
13 March 2026
Housekeeping note: 400th entry in my Everybody's Kung Fu Fighting List!
https://kisskh.at/list/LOPBNbe3
Trigger warnings: While there was a lot of fighting there were only two deaths and they weren’t too gruesome. If smoking bothers you there was quite a bit of that and drinking.
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