Although I love Kim Myung Min even before this drama, I fell in love in Yoo Ah in's acting in this drama.
Before this , I dislike him because he seems arrogant.
In spite of my love for SKKS, I didn't recognize him there in it.
I heard bad reviews for Fashion king and JOJ. For SLL, I don't like affairs afterall.
Truth to be told, I don't know why I completely turn into a fan( from mini anti) after this drama.
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I have to admit I initially dipped into this drama to see what it was all about since I, sometime, have fun watching teenagers series but, this drama (listed on Netflix as teen) is not a drama for teens at all. It's long and slow paced at some points and very 'real'...
It's a fantastic drama and by the end of each episode the cut is so well thought that makes utterly engaged wanting to watch the next episode non stop.
Of course, there's romance involved but by the time you're into to the drama, it's not even important if the couple will end up together as the plot development is so intense and interesting that even if you'd read/known about the real events that inspired the drama, the well played the whole plot/roles captivates you.
The only thing that bothered me, as I like taking notice on shot details, is the camera closeups... they too closed so, most of the time, you don't see the top of the actors head what make them look a bit flat heads and looses a bit of their nice looking... No expert here, just saying and probably not many people will notice that.
Yoo Ah In, Byun Yo Han and Yoon Gyun Sang are simply amazing!
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Politics is about sharing:whom do we give and whom do we take from..
That, above, is one of my many take homes from this series, it will teach you beyond what you thought you already knew.Cast.....
Yi Bang Won; I really don't believe there could've been better casts for this role and indeed any of the other roles, why? The actors did such splendid job in bringing their characters to life,so much energy, emotions...pheww!!! Too many words cannot possibly describe the perfection.
Story...
A grand prize for the diligent genius behind the fictitious aspect of this drama! A drama ought to be able to drench the audience with the right amount of suspence and common sense, this is probably why most dramas end up in the baskets... unnecessary suspence, too little suspence or too much suspence, absence of common Sense-- most writters seem to throw this one out the window, they need to realize that these dramas aren't for the kindergarten viewing classes and that REAL life people expect to watch dramas that seem real enough (don't bore us with blankness and tragedy, if you must tickle us with utopia, MAKE IT REAL AND CONVINCING!) We're not babies. So I must now in respect for this particular writter(s) for a masterpiece, 감사합니다!🙇🏽♀️
Music...
This one one of those dramas that I'll definitely check out tracks, it's got some really interesting tunes, especially for people like me that love instrumentals or even old classics. I have nothing much to say except that these selection conveyed every bit of emotions that it's supposed to.
If you've watched this series, you'll definitely want to watch it again sometime, so I definitely recommend a first watch, Have fun!!!.
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This review may contain spoilers
shows insane history and culture of ancient times of korea
i would have given the drama much more rating than this if the ending had been different and if lee bang won had not kill many more 😅but we all know that's impossible
overall a great drama and piece of its own era.
all the cast in the drama were good and suited so the little bit of romance was of notice but did not have a ending at all
By all means this drama was good and my probability of rewatching this piece is single to none as it does not have rewatch elements and fighting scenes do not posses such too.
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When Comrades Become Enemies
The historical drama Six Flying Dragons tells the gripping story of the collapse of the Goryeo dynasty and the turbulent birth of the Joseon dynasty. Although this drama is nearly a decade old, truly great storytelling never ages. If you enjoy historical Korean epics filled with political intrigue, strategy, and breathtaking sword fights, this is an absolute must-watch.The story opens with the decaying final years of the Goryeo court, where the ruling elites have long forgotten the people they are meant to serve. The royal court has become a den of corruption. Greedy nobles compete ruthlessly for power, filling their coffers while crushing the peasants with unbearable taxes. Ordinary people are treated as little more than disposable tools in a brutal political game.
Out of this chaos emerges a group of passionate young visionaries determined to tear down the rotten system and rebuild a new nation. Led by the brilliant strategist Jeong Do-jeon (Sambong), they dream of a radically different society. Their bold plan includes land reform, returning land to the peasants and dismantling the entrenched privileges of the aristocracy.
Yet revolution is never simple.
Even those who recognise the corruption of Goryeo hesitate to support the overthrow of the dynasty. Many loyal scholars and ministers, deeply rooted in Confucian ideals, believe reform should happen within the existing system, not through rebellion. Their vision is not a new dynasty, but a renewed Goryeo.
Adding another layer of mystery is the shadowy Nameless organisation. Operating silently in the background, this secret network of spies and elite fighters monitors every move of the major political players. Kings rise and fall like puppets on strings as this unseen force manipulates events from the shadows. The question constantly lingers: who truly holds the power?
What follows is a high-stakes battle of intelligence, loyalty, and survival. Assassinations, political smears, and ruthless power plays become everyday tools in the struggle for dominance. Weak kings are replaced with puppet rulers. Alliances shift overnight. Exceptional warriors emerge from unexpected places, and the action sequences are electrifying.
Yi Seong Gye (the First king of Joseon) himself is portrayed as a deeply conflicted ruler. He hesitates constantly, worried about how history and the people will judge him for betraying the Goryeo dynasty. His indecision nearly derails the revolution more than once.
History tells us that Goryeo eventually falls. But the birth of Joseon does not immediately bring the peace many hoped for. Instead, the new dynasty quickly fractures into three powerful factions.
The Nameless organisation fights fiercely against the proposed land reforms. Sambong pushes forward with his vision of a powerful bureaucratic state led by scholars rather than royalty. Meanwhile, the ambitious prince Yi Bang-won, fifth son of the new king Yi Seong-gye, believes the royal family must retain strong authority.
Once comrades who fought shoulder-to-shoulder for a shared dream now become bitter rivals. In this dangerous world, one person's survival often means another's death.
After the revolution, the new court reveals another uncomfortable truth: power still breeds politics. Important positions are distributed not by merit, but by political allegiance. Despite his immense contributions, Yi Bang Won is quickly sidelined. But he is not a man who accepts being pushed aside quietly.
This drama fascinates me because its themes feel strikingly modern. The corruption in the Goryeo court mirrors the dysfunction we sometimes see in modern parliaments and congresses. Even in workplace politics, the same patterns appear: once success is achieved, everyone scrambles for recognition and influence.
When the common enemy disappears, personal ambition takes centre stage.
Sambong's dream of conquering Liaodong reflects the dangerous pull of personal vision overriding practical reality. Yi Bang Won's anger at seeing his teenage brother elevated ahead of him reflects both wounded pride and the brutal nature of power.
But what truly stayed with me is the tragic fate of many brilliant and capable characters. Many of them die not because they are evil, but simply because they stood on the wrong side of history or became casualties of the power struggle.
The drama is powerful on the emotional front. Beyond the thrill of revolution and the clash of ideals, it captures the quiet emptiness that follows victory. When the battles are over and the dream has finally been realised, what remains is not triumph alone, but a profound sense of loss.
The excitement of the struggle fades, leaving behind loneliness, grief, and the haunting memories of loved ones lost along the way. Bonds that were once forged in loyalty and shared ideals slowly dissolve, and the comrades who once fought side by side are gone — some fallen, others turned into enemies.
In the end, the drama reminds us that even when the goal is achieved, the price of victory can be heartbreakingly high.
Of course, I could also nitpick a few trivial moments. One scene shows the warrior Moo Hyul falling off a cliff with Cheok Sa Gwang, landing on rocks and then recovering almost immediately. Perhaps a grassy hillside would have made that moment more believable.
Before ending this review, I must mention something rare in Korean dramas: the beautifully composed theme music. The soundtrack carries a powerful traditional Korean tone that perfectly complements the historical atmosphere of the story.
And finally, the drama does not disappoint visually either. The lead actresses and the charismatic fighter Ddang Sae certainly add their own charm to the screen.
In short, Six Flying Dragons is an epic tale of revolution, ideology, ambition, and betrayal. It reminds us that the fall of one system and the birth of another rarely bring immediate justice. Instead, it simply opens the door to a new struggle for power.
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At first I was super confused. There are SOOOOoooo many characters to remember and SOOOooooo much political stuff to wrap your head around very quickly. I still feel like I didn't really understand the subtleties of the history which makes me a little sad. That said, the story told in this drama was excellent.
I didn't get too hung up on the "those aren't real historical characters" much because I was clueless and that helped here. The romance parts were so sweet, if heartbreaking. Ugly tears were shed while watching. The friendships were tender and enduring despite some really tough situations. I love that!
I wish all of it could have had a happier ending dramatically (so many ill-fated relationships to move history forward) but I feel like the ending itself was testament to the triumph of the idea to create a better world for the people of Joesun...and that's kinda the point of the show. So I was satisfied.
Acting was superb. The endurance of those actors (it was FREEZING the whole time) is amazing. The soundtrack was good but that one song - Yalla Yalla...my kingdom for that song...so good!!! The story was well crafted (if heavy in content) and fairly well paced. It seemed to slow down in the middle and wrap up a little too fast at the end (I didn't want it to be over that fast...but it's like a million episodes long so...conflicted!). It definitely deserved the accolades it received and I'm glad I got to watch it.
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The length of this one is kind of a disadnantage as you have to be really dedicated in order to watch it. Though, the story does help to keep the interest high. However, there were some moments when the story got boring and tiring. But the acting was really good and the love stories were interesting and spiced up the story, as they were realistic and they mixed with the story well. The fighting scenes as well as the action scenes were really good and well filmed.
So, overall six out of ten.
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This review may contain spoilers
Why this series is an Unbearable Disappointment!
The series is a massive disappointment! Anyone looking to have a good time should skip it; it’s only for those who want to get frustrated. The show completely abandons the messages it sets up in the beginning and makes you lose all affection for the characters you loved. This is because the characters you thought were innocent and principled turn into mere henchmen. In other words, the most despicable characters in the show are portrayed as the good guys. Furthermore, it forces several plot holes just to reach its desired finale, which is absolutely unbearable.Character Transformations (Beginning vs. Towards the End)
Boon-yi
Beginning: Strong, resisting, and fighting back.
Towards the End: Ultimately becomes Bang-won's lackey, cowering in the face of his tyranny, submissive, meek, and whimpering.
Moo-hyul
Beginning: Protects the oppressed and the weak, even if he can be cowardly.
Towards the End: Becomes Bang-won's sidekick. Due to his absurd notion of "loyalty," he becomes indirectly responsible for the deaths of Yeon-hee and many other innocent people, failing to ever take a firm stand.
Boon-yi and Moo-hyul try to protect Bang-won until the very last moment. It’s a truly dreadful script. In my eyes, they turned into the most despicable characters. Regardless of how the story was supposed to end, everyone they loved should have turned against Yi Bang-won, a character who completely lost his humanity.
Additionally, the series pushes the message that the end justifies the means. You watch the collective conscience of the people, which was so vibrant at the beginning, shrink and become passive. No moral movement is left. Even though Yi Bang-won turns into another Hong In-bang, there is no strong opposing voice. Early in the show, despite all the corrupt figures like Hong In-bang, Lee In-gyeom, and Gil Tae-mi, we could see a movement driven by conscience. Consequently, the message the writer delivers at the end makes you grow cold towards even the most innocent people you trusted. If you enjoy that kind of thing, go ahead and watch it.
Script Inconsistencies & Plot Holes
Banchon & Hwasadan: When Boon-yi's organization relocated to Banchon and declared neutrality, Hwasadan should have been able to monitor Yi Bang-won’s movements much more closely, strengthening their intelligence. The show previously implied that Boon-yi’s departure would cause major issues, but it completely fails to reflect this.
Cheok Sa-gwang's Target: The show changes Cheok Sa-gwang's target by claiming "this whole thing started with Mumyeong." However, Mumyeong didn't want to kill the king; they wanted to use him. This whole mess actually started with the death of Master Poeun (Jeong Mong-ju). Her real targets should have been Bang-won and Yi Seong-gye. Moreover, one of the children she raised died precisely because of Bang-won's coup ambitions.
Cheok Sa-gwang vs. Yi Bang-ji: Despite sharing the same ultimate goals, Cheok Sa-gwang and Yi Bang-ji fight each other, allowing Bang-won to escape.
There are plenty of other absurdities, but these were the ones that caught my eye the most. The issue isn't who wins or loses; it's whether those who are in the right fight and struggle for the right cause. The show tricks you in the beginning only to leave you stranded halfway through. In the end, there's barely anyone left to call "righteous," and those who are, end up dead.
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My only complain ,if it is fictional then why didn't give a satisfactory ending.
The drama mainly revolves around six characters: Yi Bang Won, "Sambong" Jung Do Jeon, Boon Yi, Ddang Sae/Lee Bang Ji (Boon Yi's brother), Mu Hyul, and Yi Seong Gye (Yi Bang Won's father).Apart from them, there are equally important characters, some of whom have a sad ending.
I liked the story overall. However, I didn't like the sad ending of Yeon He and the incomplete love story between the leads.
Everything else was good. I especially liked Mu Hyul's acting the most.
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Ted-Talk-ish K-drama
Six Flying Dragons takes a dynamic slice of Korean history—the decay of Goryeo and the founding of Joseon—and focuses on the institutional changes proposed by Sam Bong and the new regime. For those who enjoy lectures in a K-drama setting, there are many episodes in which to enjoy the sonorous voice of the scholar while his adherents cogitate silently in agreement.While the actual history provides ample drama, the series introduces a secret society as a catalyst for decisions and as an excuse for gravity-defying acrobatic sword fights. The acting ensemble is competent, and the broad historical framework is largely accurate. However, the effects and costs of power are only lightly explored as the characters move through what often feels like a timeline-driven narrative.
The founding of Joseon contained enough material to create a dynamic exploration of the motivations, implementation, and consequences of political power from multiple perspectives. Instead, the series devotes much of its runtime to doctrinal discussions, rendering the overall experience surprisingly static. After spending dozens of episodes chewing over ideas, the series abruptly compresses many of its most consequential historical developments into the final episodes, tying off major threads with remarkable haste.
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