Yoshikawa Nao stays behind to live by herself when her parents leave to inherit her grandpa's farm in the country. On the day she moves into her new apartment, she discovers that it was also rented to Uehara Hisashi, a cute, super-cool, popular guy from her school. Not only did their housing agency unexpectedly close down, the landlord of the apartment told them that they had to pay more for their apartment than they had expected. With no money and no home to return to, Nao and Hisashi decide to live together as flatmates.
Well, although the plot of the two shows have no similarities, and the two shows are still ongoing, there are other things I found similar in the show.The ml in (prince of push) and the fl in (she was pretty), both get a makeover, although the reasons for both are different, the transformation kinda changes their personality (in a good way). It's also about character development. The fl although hasn't changed much, the ml in prince of push has a major character development, in the second episode itself. Although the development is gradual in both, both the shows are pretty good.
Kusaka Haru, a girl with no dreams or goals, finds herself inexplicably drawn to Fujiwara Rio, a customer she meets at her part-time job. Acting on impulse, she visits the share house where he lives and tells him she wants to move in. Rio agrees, but with one condition: “Don’t fall in love with me as a man.” Even as Haru grows increasingly aware of her deepening feelings for him, she resolves to keep them hidden in order to stay by his side. But the two share an ambiguous yet strangely comfortable bond — and it’s about to quietly begin to shift.
A psychological drama about unhealthy interpersonal relationships explained often through elaborate flashbacks. Takanako Mayuko, who grew up in an idyllic mansion with the perfect loving family, blames her childhood best friend for everything that has gone wrong in her life. While maintaining the façade of friendship, Mayuko finalizes the revenge she’s been secretly plotting for decades.
Kozue Fuyuki is a corrections officer defined by discipline, rigor, and an unwavering adherence to her own strict code.
Within the high walls of the detention center, she is known for being unsparingly tough on both those around her and herself. Her controlled world shatters the day she encounters a new prisoner: a convicted murderer who holds a profound connection to a long-buried secret from Kozue's past.
This devastating meeting throws her life completely off course and into a spiral of moral compromise. Inspired by a shocking true story, this is a tale of forbidden obsession and descent. Will she find salvation in love, or total despair?
"If it's with you, I don't care if I end up in hell!"
Within the high walls of the detention center, she is known for being unsparingly tough on both those around her and herself. Her controlled world shatters the day she encounters a new prisoner: a convicted murderer who holds a profound connection to a long-buried secret from Kozue's past.
This devastating meeting throws her life completely off course and into a spiral of moral compromise. Inspired by a shocking true story, this is a tale of forbidden obsession and descent. Will she find salvation in love, or total despair?
"If it's with you, I don't care if I end up in hell!"
Kagiya Shino is the daughter of the president of "Kajiya Foods", a long-established confectionery manufacturer and is currently working in the company under the PR department. Shino's father arranged a political marriage and has Shino engaged to Tachibana Hajime, an aces in the Sales department. Based on his looks, personality, qualifications, Tachibana seems to be a perfect fiancé, but three years have passed since their engagement, and Shino is still frustrated by the lack of progress beyond a kiss. One day, a new employee, Hanazawa Yui, is assigned to the Sales department, and Shino feels a stirring in her chest when she sees Tachibana interacting with Yui as her supervisor.
Maria, struggling financially, juggles a low-paying day job with nighttime shifts at a cabaret to fund her sister Nana's eye operation. Tragedy struck their family when a young Maria accidentally caused a fire, resulting in Nana's blindness and their father's death. Shiro, a discontented concert pianist, crosses paths with Maria in a traffic accident, leading to his hospitalization. Adopting a false identity and amnesia, Shiro seeks refuge at Maria's home, eventually becoming a cabaret pianist. Unbeknownst to them, fate weaves a complex web, revealing that their lives were never meant to intersect.
Nagao Kanji works for an advertising agency in his hometown of Ehime Prefecture. He is assigned to the Tokyo sales department where his colleague Akana Rika takes care of his work. One day, Kanji is invited to drinks by Mikami Kenichi, a former classmate from his hometown who is now in Tokyo, and he is also reunited with Sekiguchi Satomi who has feelings for him. However, Rika ends up joining them when she delivers Kanji’s wallet which he had left in office. On the way back, Rika tells him, “Kanchi, shall we kiss?” and he is rattled. There have been rumours in office that Rika is in a relationship with their boss Waga Natsuki.
