Hoshino Midori has been worn down by the hectic pace of working at a cosmetic surgery clinic. But when the clinic suddenly goes bankrupt, she unexpectedly finds herself unemployed. Seeing her at a loss, her older brother, Konta, suggests she take a "vacation from life" by staying at the villa their late grandmother left behind. Awaiting Midori at the villa are a beautiful seaside view, a garden overflowing with ripe summer oranges, and a mysterious caretaker named Nishigami, whose otherworldly presence immediately stands out. Soon, her close friends Rinrin, Tsumugi, and Tetsuro also gather at the villa. With Nishigami's help, they settle into a fulfilling summer vacation, enjoying carefree days together. Yet as Nishigami quietly watches over them as the villa's caretaker, a trace of sadness occasionally crosses his face. What is the true reason he continues to protect this villa? As summer draws to a close, an approaching storm threatens to dramatically change both Midori's and Nishigami's destinies.
Left alone on a trip to Hong Kong, Tomoko, a sales woman from Japan finds herself the victim of a purse-snatching. The police arrest the man she points out, but it turns out to be the wrong person: a young Korean man named Ji Hoon. Despite his anger and humiliation, he takes her out to dinner since she has lost all her money, and in return, she agrees to model for his amateur film. What follows is a magical and romantic two days. Upon returning to their respective countries, Tomoko must return to her nine-to-five job and Ji Hoon must resume studying to join the family business rather than pursuing his dream of becoming a film director. But soon the two begin to email each other and rekindle their relationship despite the distance and obstacles between them. Marking the very first time in television history that a drama has been co-produced between Japan and South Korea, the story shows us that love has no borders.
Left alone on a trip to Hong Kong, Tomoko, a sales woman from Japan finds herself the victim of a purse-snatching. The police arrest the man she points out, but it turns out to be the wrong person: a young Korean man named Ji Hoon. Despite his anger and humiliation, he takes her out to dinner since she has lost all her money, and in return, she agrees to model for his amateur film. What follows is a magical and romantic two days. Upon returning to their respective countries, Tomoko must return to her nine-to-five job and Ji Hoon must resume studying to join the family business rather than pursuing his dream of becoming a film director. But soon the two begin to email each other and rekindle their relationship despite the distance and obstacles between them. Marking the very first time in television history that a drama has been co-produced between Japan and South Korea, the story shows us that love has no borders.
Left alone on a trip to Hong Kong, Tomoko, a sales woman from Japan finds herself the victim of a purse-snatching. The police arrest the man she points out, but it turns out to be the wrong person: a young Korean man named Ji Hoon. Despite his anger and humiliation, he takes her out to dinner since she has lost all her money, and in return, she agrees to model for his amateur film. What follows is a magical and romantic two days. Upon returning to their respective countries, Tomoko must return to her nine-to-five job and Ji Hoon must resume studying to join the family business rather than pursuing his dream of becoming a film director. But soon the two begin to email each other and rekindle their relationship despite the distance and obstacles between them. Marking the very first time in television history that a drama has been co-produced between Japan and South Korea, the story shows us that love has no borders.
Left alone on a trip to Hong Kong, Tomoko, a sales woman from Japan finds herself the victim of a purse-snatching. The police arrest the man she points out, but it turns out to be the wrong person: a young Korean man named Ji Hoon. Despite his anger and humiliation, he takes her out to dinner since she has lost all her money, and in return, she agrees to model for his amateur film. What follows is a magical and romantic two days. Upon returning to their respective countries, Tomoko must return to her nine-to-five job and Ji Hoon must resume studying to join the family business rather than pursuing his dream of becoming a film director. But soon the two begin to email each other and rekindle their relationship despite the distance and obstacles between them. Marking the very first time in television history that a drama has been co-produced between Japan and South Korea, the story shows us that love has no borders.
On a spring day Munakata Ikujou visited an old temple to view a 1000 years old sakura tree. There Ikujou discovered a 3-year-old girl and adopted her as his own daughter. 16 years later, Sakurako has grown up to become a beautiful woman. Sakurako then has a fateful meeting with Takanashi Hiroto. Their pure love begin.
Left alone on a trip to Hong Kong, Tomoko, a sales woman from Japan finds herself the victim of a purse-snatching. The police arrest the man she points out, but it turns out to be the wrong person: a young Korean man named Ji Hoon. Despite his anger and humiliation, he takes her out to dinner since she has lost all her money, and in return, she agrees to model for his amateur film. What follows is a magical and romantic two days. Upon returning to their respective countries, Tomoko must return to her nine-to-five job and Ji Hoon must resume studying to join the family business rather than pursuing his dream of becoming a film director. But soon the two begin to email each other and rekindle their relationship despite the distance and obstacles between them. Marking the very first time in television history that a drama has been co-produced between Japan and South Korea, the story shows us that love has no borders.
Left alone on a trip to Hong Kong, Tomoko, a sales woman from Japan finds herself the victim of a purse-snatching. The police arrest the man she points out, but it turns out to be the wrong person: a young Korean man named Ji Hoon. Despite his anger and humiliation, he takes her out to dinner since she has lost all her money, and in return, she agrees to model for his amateur film. What follows is a magical and romantic two days. Upon returning to their respective countries, Tomoko must return to her nine-to-five job and Ji Hoon must resume studying to join the family business rather than pursuing his dream of becoming a film director. But soon the two begin to email each other and rekindle their relationship despite the distance and obstacles between them. Marking the very first time in television history that a drama has been co-produced between Japan and South Korea, the story shows us that love has no borders.
Left alone on a trip to Hong Kong, Tomoko, a sales woman from Japan finds herself the victim of a purse-snatching. The police arrest the man she points out, but it turns out to be the wrong person: a young Korean man named Ji Hoon. Despite his anger and humiliation, he takes her out to dinner since she has lost all her money, and in return, she agrees to model for his amateur film. What follows is a magical and romantic two days. Upon returning to their respective countries, Tomoko must return to her nine-to-five job and Ji Hoon must resume studying to join the family business rather than pursuing his dream of becoming a film director. But soon the two begin to email each other and rekindle their relationship despite the distance and obstacles between them. Marking the very first time in television history that a drama has been co-produced between Japan and South Korea, the story shows us that love has no borders.
Left alone on a trip to Hong Kong, Tomoko, a sales woman from Japan finds herself the victim of a purse-snatching. The police arrest the man she points out, but it turns out to be the wrong person: a young Korean man named Ji Hoon. Despite his anger and humiliation, he takes her out to dinner since she has lost all her money, and in return, she agrees to model for his amateur film. What follows is a magical and romantic two days. Upon returning to their respective countries, Tomoko must return to her nine-to-five job and Ji Hoon must resume studying to join the family business rather than pursuing his dream of becoming a film director. But soon the two begin to email each other and rekindle their relationship despite the distance and obstacles between them. Marking the very first time in television history that a drama has been co-produced between Japan and South Korea, the story shows us that love has no borders.
Left alone on a trip to Hong Kong, Tomoko, a sales woman from Japan finds herself the victim of a purse-snatching. The police arrest the man she points out, but it turns out to be the wrong person: a young Korean man named Ji Hoon. Despite his anger and humiliation, he takes her out to dinner since she has lost all her money, and in return, she agrees to model for his amateur film. What follows is a magical and romantic two days. Upon returning to their respective countries, Tomoko must return to her nine-to-five job and Ji Hoon must resume studying to join the family business rather than pursuing his dream of becoming a film director. But soon the two begin to email each other and rekindle their relationship despite the distance and obstacles between them. Marking the very first time in television history that a drama has been co-produced between Japan and South Korea, the story shows us that love has no borders.
Left alone on a trip to Hong Kong, Tomoko, a sales woman from Japan finds herself the victim of a purse-snatching. The police arrest the man she points out, but it turns out to be the wrong person: a young Korean man named Ji Hoon. Despite his anger and humiliation, he takes her out to dinner since she has lost all her money, and in return, she agrees to model for his amateur film. What follows is a magical and romantic two days. Upon returning to their respective countries, Tomoko must return to her nine-to-five job and Ji Hoon must resume studying to join the family business rather than pursuing his dream of becoming a film director. But soon the two begin to email each other and rekindle their relationship despite the distance and obstacles between them. Marking the very first time in television history that a drama has been co-produced between Japan and South Korea, the story shows us that love has no borders.
Left alone on a trip to Hong Kong, Tomoko, a sales woman from Japan finds herself the victim of a purse-snatching. The police arrest the man she points out, but it turns out to be the wrong person: a young Korean man named Ji Hoon. Despite his anger and humiliation, he takes her out to dinner since she has lost all her money, and in return, she agrees to model for his amateur film. What follows is a magical and romantic two days. Upon returning to their respective countries, Tomoko must return to her nine-to-five job and Ji Hoon must resume studying to join the family business rather than pursuing his dream of becoming a film director. But soon the two begin to email each other and rekindle their relationship despite the distance and obstacles between them. Marking the very first time in television history that a drama has been co-produced between Japan and South Korea, the story shows us that love has no borders.
Left alone on a trip to Hong Kong, Tomoko, a sales woman from Japan finds herself the victim of a purse-snatching. The police arrest the man she points out, but it turns out to be the wrong person: a young Korean man named Ji Hoon. Despite his anger and humiliation, he takes her out to dinner since she has lost all her money, and in return, she agrees to model for his amateur film. What follows is a magical and romantic two days. Upon returning to their respective countries, Tomoko must return to her nine-to-five job and Ji Hoon must resume studying to join the family business rather than pursuing his dream of becoming a film director. But soon the two begin to email each other and rekindle their relationship despite the distance and obstacles between them. Marking the very first time in television history that a drama has been co-produced between Japan and South Korea, the story shows us that love has no borders.
