- Português (Brasil)
- English
- magyar / magyar nyelv
- dansk
- Título original: 探偵事務所23 くたばれ悪党ども
- Também conhecido como: Down with the Wicked , Kutabare akutô-domo - Tantei jimusho 23 , Tantei jimusho 23: Kutabare akuto-domo , Tantei jimusho nijusan-kutabare akutodome
- Diretor: Suzuki Seijun
- Roteirista: Yamazaki Iwao
- Gêneros: Ação, Thriller, Mistério, Crime
Elenco e Créditos
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![Shishido Joe in Detective Bureau 2-3: Go to Hell Bastards Japanese Movie(1963)]( "Shishido Joe in Detective Bureau 2-3: Go to Hell Bastards Japanese Movie(1963)")
Shishido Joe Papel Principal -
![Kawachi Tamio in Detective Bureau 2-3: Go to Hell Bastards Japanese Movie(1963)]( "Kawachi Tamio in Detective Bureau 2-3: Go to Hell Bastards Japanese Movie(1963)")
Kawachi TamioManabe KoichiPapel Secundário -
![Kaneko Nobuo in Detective Bureau 2-3: Go to Hell Bastards Japanese Movie(1963)]( "Kaneko Nobuo in Detective Bureau 2-3: Go to Hell Bastards Japanese Movie(1963)")
Kaneko NobuoInspector Kumagai NobuoPapel Secundário -
![Sano Asao in Detective Bureau 2-3: Go to Hell Bastards Japanese Movie(1963)]( "Sano Asao in Detective Bureau 2-3: Go to Hell Bastards Japanese Movie(1963)")
Sano AsaoFather TajimaPapel Secundário -
![Uenoyama Koichi in Detective Bureau 2-3: Go to Hell Bastards Japanese Movie(1963)]( "Uenoyama Koichi in Detective Bureau 2-3: Go to Hell Bastards Japanese Movie(1963)")
Uenoyama KoichiYoshihama KozoPapel Secundário -
![Hatsui Kotoe in Detective Bureau 2-3: Go to Hell Bastards Japanese Movie(1963)]( "Hatsui Kotoe in Detective Bureau 2-3: Go to Hell Bastards Japanese Movie(1963)")
Hatsui KotoeIriePapel Secundário
Resenhas
Baller title
I swear there must be a rule that, when making a crime film for Nikkatsu, one's title must go hard as fuck, cause you're goddamn right I watched this purely for the title alone. An ultra-stylish, rapid-fire yakuza thriller, Detective Bureau 2-3: Go to Hell, Bastards! plays almost like an anarchic parody of the genre, from its eye-popping colours, wild comedy and even a bloody musical number. Suzuki's send-up of post-war greed has got to be one of his loosest and goofiest, directing it all with the tongue-in-cheek attitude that, while certainly has lost its bite today, makes for a rip-roaring good time. An unholy cocktail of Adam West's Batman, Connery's 007, Warhol's pop art and swinging jazz.Esta resenha foi útil para você?
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