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A Reason To Live (2011)

오늘 ‧ Movie ‧ 2011
A Reason To Live (2011) poster
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Puntuación: 7.0/10 de 169 usuarios
# de fans: 718
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Documental Da Hye perdió a su novio en su cumpleaños por un accidente de atropello de una motocicleta. Con la esperanza de todo el mundo puede ser feliz, Da Hye perdonó al chico que mató a su novio. Un año más tarde, Da Hye hace planes de un documental sobre el tema del perdón. Da Hye empezará a rodar por visitar a las víctimas de diversos casos. Da Hye piensa en el joven de 17 años de edad,que ella lo perdonó. Da Hye asume que él es una buena persona, pero durante el rodaje ella aprende más sobre el niño. Synopsis by WikiDrama Edit Translation

  • Español
  • 中文(台灣)
  • magyar / magyar nyelv
  • dansk
  • País: South Korea
  • Tipo: Movie
  • Fecha de estreno: oct 27, 2011
  • Duración: 2 hr. 7 min.
  • Puntuación: 7.0 (scored by 169 usuarios)
  • Puesto: #55809
  • Popularidad: #12812
  • Clasificación del contenido: 15+ - Teens 15 or older

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bmore
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feb 14, 2014
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The most brilliant line in there...today is the day the ones who died yesterday so desperately want. How true! For such a simple quiet movie I am left with so many conflicting thoughts on the rightness or wrongness of the death penalty, the futileness of rehabilitation or forgiveness for the sociopaths out there who will never have any concept of, remorse for, or understanding of, the damage they have caused, the blind ideology of forgiving those who have sinned against someone in the most brutal of ways, the cruelty to children that in many cases is the root cause for the mayhem and self-destruction these people create, the lifetime of quiet desperation, grief, unbearable anger, and the eternal lack of resolution that is left to the loved ones of the victims. A very thought provoking movie.
This movie, in some ways, was even more conflicting than Maundy Tuesday because it was hard to have any sense of understanding or empathy for the young man since he was such a sociopath. The inability to have any feelings of right or wrong or anything past their own idea of what they want is so un-understandable! Prison nor rehabilitation will not help because there is some (I believe) mental/physical defect in them that prevents normal feelings of empathy, love, compassion...the basic feelings a human should have. It is most certainly a disability as true as manic depression or schizophrenia, but nearly impossible to treat. How can you teach someone to have something they are genetically predisposed not to possess? This movie will raise emotions in you, I guarantee it. It is beautifully written and acted. I highly recommend it.

I would not watch it again myself because it is too painful. Don't remember the music at all.

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Eeman Irshad
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This review may contain spoilers

Forgiveness

This movie struck a chord that few films ever manage to hit. This is a one-time watch — not because it entertains in the traditional sense, but because it portrays the concept of forgiveness with a brutal honesty that stays with you long after the credits roll.

The Dark Side of Forgiveness
What makes this film so powerful is that it doesn't romanticize forgiveness. Instead, it asks the uncomfortable question: What if your forgiveness only encourages the other person to repeat their behavior? The guilt and confusion that haunt the one who forgives — especially after losing someone close — is portrayed not as nobility, but as another form of torment. It's a perspective rarely seen in mainstream cinema, and it hits hard.

The film also captures a painful truth about the people we love the most: they can bloom us with unlimited love one moment and treat us as if we don't exist the next. They disregard our identity, our pain, our very existence — and somehow, we're still expected to understand.

Ji Min's Story — A Soul Murdered, Not a Body
Ji Min's character is the heartbeat of this film, and what she endures is nothing short of horrifying. The beating she receives is inexcusable — and wrong is wrong. It doesn't depend on gender, experience, or authority. She didn't deserve any of it.

What's even more disturbing is how the people around her justify the abuse. "It was for her own good" — a phrase that should never be used to excuse violence. The film makes it clear: this isn't discipline. This is a murder of her soul. Even though Ji Min achieves and excels in every aspect of life afterward, she will always remain hurt. That wound doesn't heal just because you succeed.

And then there's the way people misread her — the assumption that because she talks a certain way, she must be "asking for it." That's not her fault. That's a reaction to the treatment she received. Her mother always taking her father's side, even when he is obviously wrong, is a betrayal within a betrayal. And when they asks her to ask for forgiveness? that's another level of cruelty.

Her brother and others who stood by and participated in the silence — were they genuinely right, or were they simply cowards, terrified that if they stood up for her, they'd be treated the same way? And the worst part? Even while being scared for themselves, they still had the audacity to ask her for understanding.

The Main Lead — Understandable, Yet Unsettling
The main lead's emotions are completely understandable. She was in despair, confused, questioning whether she did the right thing. That inner turmoil is portrayed with remarkable accuracy. However, the fact that she forgives the culprit without an apology is genuinely unsettling. It leaves you with a knot in your stomach — because it mirrors what so many real-life victims are pressured into doing.

The Priests — The Real Villains?
This is where the film becomes truly alarming. The priests' approach to forgiveness is not compassion — it's manipulation. They race to make people forgive as quickly as possible, without ever trying to understand the victim's family's perspective. It feels like they're not on the side of justice; they're on the side of the culprit.

The victims' families are clearly saying, "The culprit hasn't repented." And yet the priests keep pushing the victims to "understand and forgive." These sessions should be held with the culprits — to make them realize the weight of their actions — not weaponized against the people who were destroyed by them.

No Neat Ending — And That's the Point
The movie doesn't wrap up neatly, and I believe that's entirely intentional. The director wanted the audience to focus on the message, not the plot. And the message is delivered loud and clear:

Even if you forgive someone, it's not guaranteed they will behave well.

True forgiveness, the film suggests, should only come when you genuinely want it — for your own peace, or for Allah's sake — with zero expectations from the other side. Both are incredibly difficult to achieve. And if you're unable to forgive? Don't do it for society. Don't do it for anyone else.

Final Verdict
This isn't a movie that gives you answers. It gives you questions — and those questions are the kind that keep you up at night. It challenges everything we've been taught about forgiveness, family, and justice. If you're looking for a film that doesn't sugarcoat the ugly truths of human relationships, this is it.

Watch it. Feel it. And think about it — because this message needs to be heard.

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Detalles

  • Nombre: A Reason To Live
  • Tipo: Movie
  • Format: Feature Film
  • País: Corea del Sur
  • Fecha de estreno: oct 27, 2011
  • Duración: 2 hr. 7 min.
  • Clasificación del contenido: 15 + - Adolescentes de 15 o más

Estadísticas

  • Puntuación: 7.0 (puntuado por 169 usuarios)
  • Puesto: #55809
  • Popularidad: #12812
  • Fans: 718

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