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A Reason To Live (2011)

오늘 ‧ Movie ‧ 2011
A Reason To Live (2011) poster
7.0
Votre note: 0/10
Notes: 7.0/10 par 169 utilisateurs
# de Spectateurs: 718
Critiques: 3 utilisateurs
Classé #55809
Popularité #12812
Téléspectateurs 169

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  • Français
  • 中文(台灣)
  • Español
  • magyar / magyar nyelv
  • Pays: South Korea
  • Catégorie: Movie
  • Date de sortie: oct. 27, 2011
  • Durée: 2 hr. 7 min.
  • Score: 7.0 (scored by 169 utilisateurs)
  • Classé: #55809
  • Popularité: #12812
  • Classification du contenu: 15+ - Teens 15 or older

Distribution et équipes

Images

A Reason To Live Korean Movie(2011) photo
A Reason To Live Korean Movie(2011) photo
A Reason To Live Korean Movie(2011) photo
A Reason To Live Korean Movie(2011) photo
A Reason To Live Korean Movie(2011) photo
A Reason To Live Korean Movie(2011) photo

Critiques

Complété
bmore
13 personnes ont trouvé cette critique utile
févr. 14, 2014
Complété 0
Globalement 9.0
Histoire 9.0
Acting/Cast 9.0
Musique 6.0
Degrés de Re-visionnage 6.0
The most brilliant line in there...today is the day the ones who died yesterday so desperately want. How true! For such a simple quiet movie I am left with so many conflicting thoughts on the rightness or wrongness of the death penalty, the futileness of rehabilitation or forgiveness for the sociopaths out there who will never have any concept of, remorse for, or understanding of, the damage they have caused, the blind ideology of forgiving those who have sinned against someone in the most brutal of ways, the cruelty to children that in many cases is the root cause for the mayhem and self-destruction these people create, the lifetime of quiet desperation, grief, unbearable anger, and the eternal lack of resolution that is left to the loved ones of the victims. A very thought provoking movie.
This movie, in some ways, was even more conflicting than Maundy Tuesday because it was hard to have any sense of understanding or empathy for the young man since he was such a sociopath. The inability to have any feelings of right or wrong or anything past their own idea of what they want is so un-understandable! Prison nor rehabilitation will not help because there is some (I believe) mental/physical defect in them that prevents normal feelings of empathy, love, compassion...the basic feelings a human should have. It is most certainly a disability as true as manic depression or schizophrenia, but nearly impossible to treat. How can you teach someone to have something they are genetically predisposed not to possess? This movie will raise emotions in you, I guarantee it. It is beautifully written and acted. I highly recommend it.

I would not watch it again myself because it is too painful. Don't remember the music at all.

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Complété
Eeman Irshad
0 personnes ont trouvé cette critique utile
Il y a 15 jours
Complété 0
Globalement 8.0
Histoire 8.0
Acting/Cast 9.5
Musique 4.0
Degrés de Re-visionnage 4.0
Cette critique peut contenir des spoilers

Forgiveness

This movie struck a chord that few films ever manage to hit. This is a one-time watch — not because it entertains in the traditional sense, but because it portrays the concept of forgiveness with a brutal honesty that stays with you long after the credits roll.

The Dark Side of Forgiveness
What makes this film so powerful is that it doesn't romanticize forgiveness. Instead, it asks the uncomfortable question: What if your forgiveness only encourages the other person to repeat their behavior? The guilt and confusion that haunt the one who forgives — especially after losing someone close — is portrayed not as nobility, but as another form of torment. It's a perspective rarely seen in mainstream cinema, and it hits hard.

The film also captures a painful truth about the people we love the most: they can bloom us with unlimited love one moment and treat us as if we don't exist the next. They disregard our identity, our pain, our very existence — and somehow, we're still expected to understand.

Ji Min's Story — A Soul Murdered, Not a Body
Ji Min's character is the heartbeat of this film, and what she endures is nothing short of horrifying. The beating she receives is inexcusable — and wrong is wrong. It doesn't depend on gender, experience, or authority. She didn't deserve any of it.

What's even more disturbing is how the people around her justify the abuse. "It was for her own good" — a phrase that should never be used to excuse violence. The film makes it clear: this isn't discipline. This is a murder of her soul. Even though Ji Min achieves and excels in every aspect of life afterward, she will always remain hurt. That wound doesn't heal just because you succeed.

And then there's the way people misread her — the assumption that because she talks a certain way, she must be "asking for it." That's not her fault. That's a reaction to the treatment she received. Her mother always taking her father's side, even when he is obviously wrong, is a betrayal within a betrayal. And when they asks her to ask for forgiveness? that's another level of cruelty.

Her brother and others who stood by and participated in the silence — were they genuinely right, or were they simply cowards, terrified that if they stood up for her, they'd be treated the same way? And the worst part? Even while being scared for themselves, they still had the audacity to ask her for understanding.

The Main Lead — Understandable, Yet Unsettling
The main lead's emotions are completely understandable. She was in despair, confused, questioning whether she did the right thing. That inner turmoil is portrayed with remarkable accuracy. However, the fact that she forgives the culprit without an apology is genuinely unsettling. It leaves you with a knot in your stomach — because it mirrors what so many real-life victims are pressured into doing.

The Priests — The Real Villains?
This is where the film becomes truly alarming. The priests' approach to forgiveness is not compassion — it's manipulation. They race to make people forgive as quickly as possible, without ever trying to understand the victim's family's perspective. It feels like they're not on the side of justice; they're on the side of the culprit.

The victims' families are clearly saying, "The culprit hasn't repented." And yet the priests keep pushing the victims to "understand and forgive." These sessions should be held with the culprits — to make them realize the weight of their actions — not weaponized against the people who were destroyed by them.

No Neat Ending — And That's the Point
The movie doesn't wrap up neatly, and I believe that's entirely intentional. The director wanted the audience to focus on the message, not the plot. And the message is delivered loud and clear:

Even if you forgive someone, it's not guaranteed they will behave well.

True forgiveness, the film suggests, should only come when you genuinely want it — for your own peace, or for Allah's sake — with zero expectations from the other side. Both are incredibly difficult to achieve. And if you're unable to forgive? Don't do it for society. Don't do it for anyone else.

Final Verdict
This isn't a movie that gives you answers. It gives you questions — and those questions are the kind that keep you up at night. It challenges everything we've been taught about forgiveness, family, and justice. If you're looking for a film that doesn't sugarcoat the ugly truths of human relationships, this is it.

Watch it. Feel it. And think about it — because this message needs to be heard.

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Recommandations

Maundy Thursday

Renseignements

  • Titre: A Reason To Live
  • Catégorie: Movie
  • Format: Feature Film
  • Pays: Corée du Sud
  • Date de sortie: oct. 27, 2011
  • Durée: 2 hr. 7 min.
  • Classification du contenu: 15+ - Adolescents de 15 ans ou plus

Statistiques

  • Score: 7.0 (marqué par 169 utilisateurs)
  • Classé: #55809
  • Popularité: #12812
  • Téléspectateurs: 718

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