Dakip is a little boy who lives with his parents – Day and Ric – inside Camp Delgado, a makeshift prison inside a military camp for both rebels and criminals. Day does her best to shelter the child from the harsh realities of their life. She tells stories about an enchantress named Liway, with songs and imagination to help keep her boy from trauma. However, at the tail end of the Martial Law, her own dark past catches up on her and the lives of the detainees become increasingly difficult. She is confronted with the cruel possibility that the best interest of her child means never seeing her again. This is based on a true story. (Source: Cinemalaya) Edit Translation
- Español
- English
- magyar / magyar nyelv
- dansk
- Título original: Liway
- También conocida como:
- Guionista: Zig Madamba Dulay
- Guionista y Director: Kip Oebanda
- Géneros: Drama
Reparto y créditos
- Glaiza de Castro Papel principal
- Kenken NuyadDakipPapel principal
- Dominic RocoRic / "Commander Toto"Papel secundario
- Soliman CruzSulpicio [Prison Warden]Papel secundario
- Sue PradoPinangPapel secundario
- Joel SarachoMang RogerPapel secundario
Reseñas

Where simple storytelling draws you in
For the record, I don't give out 10 star ratings lightly. In fact, I think this is my first one on this site.Liway isn't particularly intricate in its storytelling or production. It tells the story of a couple of freedom fighters who are imprisoned with their two kids under the Marcos regime. But its simplicity is Liway's greatest strength.
The plain storytelling works so well for two reasons. One, the characters are rich and tactile. The actors do an incredible job in demonstrating what make each character tick, their fears, and their raison d'être. It makes them feel incredibly human and incredibly real.
And thus reason two: the story is a true one. The punch of this really follows through in the epilogue and credits where the connections between the film and real life are made explicit. I already knew about the big reveal at the end before watching Liway, but it still hit me emotionally like a tonne of bricks.
All in all, despite the occasional cliché (though these are done well) and a little heavy-handedness with the music, I think Liway does have an important place. The emotional weight of the storytelling aside, releasing this film during Duterte's presidency – and having watched it now with Marcos Jnr in power – really highlights the necessity of stories like this in contributing to collective memory.
And, yes, you will need a tissue box for this one.
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