An Ultra Fan's Guide to Kitano Takeshi - Português (Brasil)
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- Título original: HANA-BI
- Também conhecido como: Fireworks , はなび
- Roteirista e Diretor: Beat Takeshi
- Gêneros: Crime, Drama
Onde assistir Hana-bi
Grátis (sub)
Grátis (sub)
Elenco e Créditos
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![Beat Takeshi in Hana-bi Japanese Movie(1997)]( "Beat Takeshi in Hana-bi Japanese Movie(1997)")
Beat TakeshiNishiPapel Principal -
![Kishimoto Kayoko in Hana-bi Japanese Movie(1997)]( "Kishimoto Kayoko in Hana-bi Japanese Movie(1997)")
Kishimoto KayokoMiyuki [Nishi's wife]Papel Secundário -
![Osugi Ren in Hana-bi Japanese Movie(1997)]( "Osugi Ren in Hana-bi Japanese Movie(1997)")
Osugi RenHoribePapel Secundário -
![Terajima Susumu in Hana-bi Japanese Movie(1997)]( "Terajima Susumu in Hana-bi Japanese Movie(1997)")
Terajima SusumuNakamuraPapel Secundário -
![Watanabe Tetsu in Hana-bi Japanese Movie(1997)]( "Watanabe Tetsu in Hana-bi Japanese Movie(1997)")
Watanabe Tetsu[Scrap yard owner]Papel Secundário -
![Hakuryu in Hana-bi Japanese Movie(1997)]( "Hakuryu in Hana-bi Japanese Movie(1997)")
Hakuryu[Yakuza hitman]Papel Secundário
Resenhas
It is violent, bloody and depressing. But with all that going on, something about it was really sweet.
The film had long periods of silence which was not a bad thing at all and Hisaishi Joe's music makes the whole experience complete.
With that title, I expected more fireworks. An amazing work overall and definitely a must watch.
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I was told to watch this first
If you read Takeshi Kitano's bio, you may have observed that everyone knows him for his movies and the Japanese know him as a comedian. Well, I'm not even Japanese and I first knew him as Count Takeshi for a sporty and humorous TV show Japanese show from the 80s with a parodic dubbing. This guy, who is a cinephile and has followed Takeshi's movies, recommended me to watch Hana-bi before any other one because it was for "non-initiated" so I'm guessing two things: this is going to be the mild version of weird for a Takeshi movie and this is A cult film.It feels as if the movie was very simple and extremely dramatic and sad at the same time and it will continue like that until the very last second. The main music was very beautiful and I loved the symbolism and artistic expressions in it. Sometimes, in some scenes, I got reminded of Tarantino or Scorcese as how spontaneous and surprising they were. I got startled several times and felt relaxed at others. It was as if Takeshi put a spell of some sort because it wasn't boring at all despite your tipical Japanese still-life quietness (don't forget you could get startled). It doesn't have a higher score because there are things to improve on (maybe in the other movies, Takeshi has evolved in one or another direction, this is supposedly the mild version of Takeshi as director).
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