O Engenhoso (2023)

Liar's Poker.

The Ingenious One is part of the new wuxia genre where the main protagonist is an anti-hero by classic wuxia standards. He is so highly evolved that intelligence and cunning rather than superior martial arts is his defining characteristic. Thus the ingenious Yun Xiang is aloof and cynical, he can run but he can't fight, he is righteous in an ends justify the means sense and his main tactical advantage is his big brain. This drama unfolds like a three-dimensional chess game, which can be very interesting or very boring depending on your attention to detail and interest in complex plots. Even though Yun Xiang can't fight, he is surrounded by characters who can so there are well choreographed action scenes to look forward to.

After his village was massacred, Yun Xiang was raised as the sole disciple of the master of the mysterious Yuntai sect. The cerebral and commercial Yuntai and their rival the lethal and rebellious Lingyuan are successors of the legendary Qian sect. At Yuntai, Yun Xiang immerses in qiān shù 千术 or the secret Qian art of scheming and deception. They are sophisticated grifters with a controversial reputation that pay lip service to Taoist principles. One of their core principles is detachment as everyone is a pawn. Attachments and emotions make you vulnerable. This is Yun Xiang's lonely world view as he makes his way down the mountain 15 years later as a brilliant practitioner of qiān shù 千术. Time and all that brain washing did not erase his thirst for vengeance. Against his master's instructions, he makes a beeline for Nandu to uncover the truth behind his village's massacre. Along the way, he is besotted by the formidable and mysterious Shu Yanan. Sparks fly and their objectives appear aligned so they both let their guard down enough to form a wary alliance.

In Nandu, Yun Xiang's first order of business is to finance his mission. This focus on the practical money aspects of everything from running a sect to building influence is fresh and interesting. To achieve his goals, Yun Xiang plays monopoly using qiān shù 千术 or deception to control a bank, a port, a casino and a silk business. As it turns out, this brilliant protege of Yuntai is just a talented con man, a grifter. He boldly plays liar's poker with higher stakes at each turn with the power brokers of Nandu. Everyone is a pawn until they are not and he starts to break Yuntai's core principle of not letting emotions be it love or friendship mess up the con. The drama could have better highlighted how his hidden opponent was plying the same schemes against him. With narrow margins against a hidden foe, does Yun Xiang's growing affection for his pawns become his Archilles heel?

A recurring criticisms of this drama is that Yun Xiang is not that ingenious. The narrative fails to emphasize how under resourced and outnumbered Yun Xiang is. When he shows up in Nandu, he has no allies, no money and only cold clues as to what happened 15 years ago. So it's not fair to expect him to be three steps ahead when he can barely tell friend from foe. We are told he is a complex and morally ambiguous revenge driven character but his backstory is so cursorily shown that he seems like a blank person with no family or friends or history. This impression is amplified when his revenge gets sidelined as he stumbles upon the greater conspiracy and that plot-line takes over the rest of the drama. Similarly Shu Yanan's history is murky until late in the game and her relationship with Wen Cong is never explained. Thus her decisions and priorities are difficult to understand and seem at times inconsistent. Their romance developed too quickly and hiccups at a point the plot should have been building momentum towards a climax rather than digressing into romantic angst. Even though Chen Xiao and Mao Xiaotong did their best, their character designs and relationship evolution did not give them that much to work with.

In sharp contrast, the supporting roles are better written and steal the show. The priorities and drivers of Jin Biao, Mo Bufan, Kang Qiao, the Su family and Liu Gongquan are understandable and empathetic. I was too invested in their well-being and happiness to enjoy the irony of Yun Xiang's role reversal into a puddle of a tropey female lead whose whose life's mission gets hijacked by love. The standout entertaining roles areJin Biao the assassin with a heart of gold and Mo Bufan the money loving banker lured by greed and whipped by fear. Liu Gongquan's entrance also lifts the plot at a point it was sagging. I enjoyed Wang Zirui's chemistry with Chen Xiao better than that of Mao Xiaotong's, which seemed forced. While the role is well acted, Kou Yunjie is the biggest moron in the entire drama. His actions make no sense other than to facilitate plot movements. Only lazy writers take short cuts in plot design by dumbing down characters. The so-called brilliant mastermind and his main dogsbody win more as a result of a huge information and resource advantage rather than exceptional tactics. Their motives for engaging in such a vast and long-dated conspiracy with dire consequences for failure are not compelling. Petty antagonists like Tang Xiao are more believable with their penny-ante tricks and more basic instincts.

The plot picks up into a predictable but overall satisfactory ending after the final conspiracy and mastermind is unveiled. The main antagonist is designed to not show themself or their plans too early. This comes at the cost of making their motive unconvincing and is pointless as their identity quickly becomes obvious anyway. While based on true historical events, the plot design is often used and does not stand out in any unique way. After years of scheming, the mastermind's grand plan is full of holes and overly dependent on single sources of supplies and too few and too unreliable sources of manpower. This kind of shoddy plan would have failed on its own without much help from anyone! But I was too busy enjoying the confiscation of irreplaceable family jewels, a nice end surprise twist and watching villains face gruesome consequences. The message that detachment is a flawed Yuntai mantra; that emotional attachments can swing the odds both negatively and positively is lost in the finale. I enjoyed this drama but recognise there are many holes and unanswered questions, the pacing is not exciting enough and the momentum build disrupted by unnecessary romantic angst. It is a story that had a lot of potential and a wonderful cast but did not come together in the best way. Thus it would not be fair of me to rate this more than an 8.0/10:0 as one of those far from perfect but still highly enjoyable dramas.

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青出于蓝 (Qīngchūyúlán) – Gaming The Teacher

I have mixed feelings about this drama. I enjoy the scheming parts, where everything is “shi, ye bu shi”(是,也不是), a phrase constantly used by the ingenious one. Anything can be true or not true, leaving an ambiguous connotation where the line is not clear cut. However, at times, I find his schemes not so brilliant but rather frustrating as they defy logic. I also find the romance taking up too much screen time, rushing the unfolding of the supposedly epic events that led up to the finale; many of those scenes are just by-passing in conversations.

For me, The Ingenious One is probably more appropriately called the King of Deception. Unlike the Mei Changsu character in “Nirvana in Fire” who is genuinely the ingenious one, Yun Xiang (Chen Xiao) schemes and deceives with no bottom line; he is more like an antagonist. Like Mei Changsu, Yun Xiang cannot fight but is brilliant in escaping, which is really funny to watch especially when he manages to run away from those great martial arts antagonists, causing them to scratch their heads. Both (Yun Xiang and Mei Changsu) have talented martial art friends/followers to hang around and protect them.

Similar sequence structure as most wuxia stories, Yun Xiang leaves his mountain where he has lived for 15 years and learned his craft, and then goes for a mission set down by his master. He takes the opportunity for an adventure in search of the ones responsible for the massacre of his entire village. He meets interesting people and makes friends that could be trusted and help him in his plots. He even falls quickly in love with a girl who is a brilliant martial art fighter but with a background he cannot find. While his newfound friends treat him sincerely, he uses them to achieve his own goals, usually causing huge damages to his friends only to be mitigated later through the completion of his schemes. He is the one who digs the hole, leads the plot and fills the hole later. He can stoop as low as he needs to achieve his goals.

The whole cast is well selected. Every character is being performed optimally and convincingly. Chen Xiao’s performance is great but he looks tired, and at times, his expressions confuse me. This is probably due to the Yun Xiang character being a complex one who is ambiguous, as he says, “shi, ye bu shi” (yes, or no).

Many viewers criticize Mao Xiaotong (plays Shu Yanan) mainly on how her face looks, puffy, bread face etc, which I feel totally irrelevant. She exudes a sharp charisma with good acting, and her chemistry with Chen Xiao appropriate. As a talented martial art fighter, she is believable with beautiful fight choreography, and her emotional turmoil shows clearly on her body language when she finds herself falling for a man she can’t love.

The other side characters and side couples are lovely. I regret the deaths of a couple of my favorite characters and wish they have not been written off just like that as their deaths are unnecessary. I have also enjoyed the official soundtracks. The ballads are melodious and memorable.

My Verdict

I love the subtle color palette of the drama with toned down garments and accessories. Though started as a wuxia in Jianghu story, it eventually leads to palace politics and power struggle. From the beginning until towards the end when such politics become apparent, viewers are only shown Yun Xiang’s mysterious master as an invisible character which is almost like that of the Wizard of Oz. The prolonged lovelorn suffered by Yun Xiang is rather boring because romance should not have been the focus in the first place. I also find the missed opportunity in the development of a potentially great character, Qian Rong (Huang Haibing), the housekeeper of the Su Family. The second half of the drama is less compelling and lacks luster compared to the first half as the logic becomes uncalled for. Imagine the mastermind spends 30 years scheming and controlling two powerful century-old organizations, 15 years cultivating his best disciple, only to have all these crumble within the last 30 minutes of the story. I am speechless. And by the way, where is the antagonist Nan Gong Fang (Ran Xu)?

Nonetheless, a rather fun watch for wuxia lovers! Recommended!

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