Jung Nyeon (2024)

Conflicted Literature

Prologue

My mind never fails to go completely blank right before writing these.It feels somewhat like a line of astounding talents gone ahead before me, and my absent minded ass is up next. No idea what to write, how to portray these thoughts that future me can look back on and feel every word of it as if I’m in front of the television again pressing play for the first time. What do they want to see from this review? How do they feel of this drama? Man, wouldn’t it be so much easier to just be like the rest? Well my dear silent minority, we aren’t like the rest. Our thoughts differ, lights dim out, voices hollow, presence uncertain.

But, every now and then some of us gather the strength to shout our unpopular opinions loud enough for everyone willing to hear. Lights begin to flicker back on as we approach our biggest momentary fear, the stage is ours. Make no mistake, no matter how nor if the audience responds back to you, you’ve done something for us that will always inspire those after. There’s no telling when you’ll feel like this again, nor get the chance to express it.

You then realize those lights that were so intimidating before were never dimmed. At last , a star is born.


Man vs Everything

I’ll get my biggest frustration with this drama out of the way first to make up for the rambling. Jeongnyeon is not a complete drama. In fact, you’ll feel there’s something missing at the very beginning, but it only becomes apparent towards the end. There’s several components to a story, and that one thing you’re having that gut feeling is missing in this one, is conflict.

How so? We’ve seen many antagonists introduced, as well as internal and external struggles made out as obstacles in our leads’ way. Poor upbringings, jealousy, underdogs, loss, scandals, defamation, the list goes on. Well, could you really make these things out to be conflicts when even the characters absolutely refuse to?

First we have our favorite little star Yun Jeong. Dimwitted, until she’s not. Inexperienced, until she’s not. Star of the show, until she’s not. Daring, until she’s not. Determined, until she’s not. Damn near mute with multiple medical professionals’ ruling it as so… until, well.

My surprising favorite that deserved closure and proper writing all around, Yeong Seo. I haven’t seen a single thing from the actress until now with this drama, and i can still tell this is easily the best performance she’s put on without needing to see any other. In fact, i won’t even butcher her character here any more than the writing already had. Just know, she deserved much, MUCH better..

Speaking of deserving better, let’s reel in the last few who deserved worse. Despite my unpopular perspective with the Prince of the stage herself, I’ll admit, Moon Ok Gyeong is hands down the most fascinating character that’s completely open to interpretation. She’s a fan favorite to many, both in and outside the drama. To me? She’s the epitome of toxicity and the most subtle portrayal of an antagonist I’ve seen this year. I know that opens alot of doors for discussion, and to be fair, they’re probably not even opened at all had the webtoon been adapted faithfully enough. But we’re going from the abomination they chose to throw out for us to mindlessly consume, and that being my conclusion.

Now here’s someone i feel for certain couldn’t have been redeemed well enough in the original work to make sense of, Ju Ran. Another popular favorite, but i see no logical reason why outside of some piss poor GL teasing. Her storyline was the sole confirmation that cuts that shouldn’t have even been considered , were made. The heavy censorship behind her relations with everyone was adding gasoline to a forest fire. I see no potential redemption of this character in even the webtoon whenever i decide to pick it up. But hopefully I’m wrong.


To make something clear, this drama is by far Kim Tae Ri’s most innovative and expressive role yet. And it’s clear to me now what she’s been going for all along aren’t good scripts, but challenging roles to take her own acting range another step further. Even her weakest work steps all over 95% of the industry, and that’s no exaggeration. She has been my favorite actress in this drama land since I’ve first came across her, and she’s only reaffirmed my obsession with her work and talented eye for scripts here. If you feel even remotely similar about her, you will enjoy every last bit of this drama as i have, minus the rant after, likely.



Jeongnyeon is a successful, aspiring drama that failed as an adaption. Have i read the original webtoon yet? Not a single word. But i know a cut and rushed mess when i see it, as I’ve seen too many at this point. Want to know what else I’m aware of ? My opinion being the minority , as well as my genuine enjoyment throughout watching this series. I can go longer than this run on sentence about this embarrassment of an adaption as much as i can rave about how even Kim’s worst work is better than your fave’s best and you’d be doing yourself the disservice by not trying this title out as any fan of Kim Tae Ri or even Shin Ye Eun.


I applaud the effort of the impressive cast and remarkable production. Our star has yet to dim, it’s just another was born.

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One of the Best Sapphic Adaptations till Date!

Set in the 1950s, “Jeongnyeon: The Star Is Born” delivers a classic retelling of two Korean art forms- Gukgeuk and Pansori.

I spend a lot of time learning the intricacies of these two folk arts, which are quite liberal and intriguing as compared to those in my motherland. For those unaware, Pansori is Korean genre of musical storytelling performed by a singer and a drummer, where the singer tells the story by singing and the drummer accompanies her on the drum. Incorporating this aspect into Gukgeuk was the main highlight of this show, which refers to a theatrical performance that combines singing and dancing. In post war era, Gukgeuk was extremely popular and women portrayed men’s roles. In short, it was an all female- production which had a cult following from the 1950s to 1960s, after which it rapidly declined due to the rise of films. “Jeongnyeon: The Star Is Born” delivers a subtle romance with homoerotic tones. Adapted from the webtoon “Jeong Nyeon” (정년이) written by Seo Irae (서이레) and illustrated by Namon (나몬), the original storyline was a sapphic love story. Even though the show is a censored adaptation, the all-women ensemble renders itself useful in maintaining the sapphic flavors.

Read the complete article here-

https://kcdramamusings.wordpress.com/2024/11/18/jeongnyeon-the-star-is-born-series-review/#more-1325

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