Après avoir été transporté dans un roman fantastique, Li Song'er, une princesse du royaume de Zuimeng, se retrouve mêlée à un seigneur des ténèbres notoire. Son seul moyen de rentrer chez elle étant lié à lui, les deux sont forcés de s'associer. Mais ce qui n'était fait qu'à contrecœur se transforme en un voyage passionné et turbulent d'amour. (Source : Anglais = TMDb || Traduction = kisskh) Modifier la traduction
- Français
- Русский
- Português (Brasil)
- Português (Portugal)
- Titre original: 攻略冷少主
- Aussi connu sous le nom de: Shu Zhong Gong Zi Shi Wu Shuang , 书中公子世无双 , 書中公子世無雙 , Gong Lve Leng Shao Zhu
- Genres: Historique, Comédie, Romance, Fantastique
Où regarder Shu Zhong Gong Zi Shi Wu Shuang
Distribution et équipes
- Johnny ZhangGu Yuan | Nan Mu XiangRôle principal
- Bao Shang EnLi Song ErRôle principal
- Cui Shao YangBaili Xing ChenRôle Secondaire
- Amanda LiuChu Meng Die / Lin Shu [Jingyun Manor]Rôle Secondaire
- Li Jia XiangLiu Ying Ying [Gu Yuan's trusted aide] | Liu ErRôle Secondaire
- Ivan WangZhou Heng [Fengyu Valley disciple]Rôle Secondaire
Critiques

A Wuxia Rom-Com That Starts with a Bang and Ends with a Fizzle
This short C-drama was a surprisingly entertaining watch—at least for the first two-thirds. Blending wuxia, romantic comedy, and slapstick, it kicks off with a fresh and humorous tone. The female lead, a smart and sassy young princess (played by Bao Shang En), literally falls into a storybook world and crosses paths with the resident villain (played by Zhang Jun Ning), a brooding martial artist burdened with emotional baggage.The FL’s modern way of thinking and casual speech contrast comically with the costume drama setting. She brings a self-aware tone to the show that keeps things light. The ML is more reserved, though his abs get more screentime than his inner world—which, to be fair, fits the drama's wink-wink approach to genre tropes.
While the chemistry between the leads is nothing to write home about, it doesn’t hurt the overall experience too much, since romance takes a backseat to comedy. There’s a constant stream of familiar tropes and occasionally predictable dialogue, but somehow it stays fun rather than stale. The supporting cast does a lot of heavy lifting here—especially Cui Shao Yang as Baili Xingchen, who steals scenes with a mix of hilarity and heart.
The production value is quite solid for what seems to be a low-budget drama. Costumes are sometimes a bit off but the cinematography is visually pleasing, and the BGM is excellent—alternating between traditional Chinese melodies and more modern, playful sounds. The OST matches the genre-blending tone, further elevating the experience.
For the first 14 episodes, I was mostly laughing and thoroughly enjoying myself. But then... the story lost its footing.
The final stretch shifts from playful parody to melodramatic slog. The plot goes in circles, with the ML repeatedly deceiving and abandoning the FL, dragging us through long, overwrought monologues and emotional back-and-forths. Flashbacks take over. The once-sharp humor fades, and a weird ending wraps things up with little satisfaction.
In short: This drama starts with charm, creativity, and comedy—but stumbles hard near the end. Still, it’s worth a watch for the early episodes and supporting cast. Just don’t expect a strong emotional payoff.
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