Kaibutsu (2023)

¿Quién es el Monster?

Fui a ver Monster sin haber leído la sinopsis, y sin haber leído reseñas. Fue la mejor decisión que pude haber hecho.
Monster está narrada desde tres perspectivas y todas ellas son fundamental porque al final la pregunta de reflexión es, ¿quién es el verdadero monstruo?
La cinematografía/fotografía fue bellísima, especialmente las tomas al aire libre, siendo incluso mi favorita la toma del final. La banda sonora también agrega muchísimo al desarrollo de las escenas "complicadas". Sinceramente, una película perfecta que todas y todos deberíamos de ver.
Yo, personalmente, diría que los pequeños detalles alrededor de la película construyeron el final, yo no consideraría que fue un final abierto.
No voy a mentir, la película duele y me dolió en el alma.

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Is there really a monster or is it just us?

Μonster is being advertised as a Hirokazu Koreeda film and indeed it is directed -splendidly as always- by him. However, the man behind the script is Sakamoto Yuji, the person that wrote Soredemo, Ikite Yuku (Still, Life Goes On) and if you have seen that series, then you know that Monster is not going to be just a good film, but it will stay with you for a while.

I don't think I can explain how good this movie is and honestly I don't want to try nor I should. If you are by chance reading this, let me tell you that it is better to watch this film, without knowing anything about it. Don't watch the trailers, don't read the synopsis, don't even read what kind of awards it earned.

As stated before, directing is magnificent, acting is great from all of the cast involved, with two astounding performances by the two younger actors, portraying Yori and Minato. The music, composed by Sakamoto Ryuichi is heartbreakingly beautiful and it feels so sad and hopeful at the same time.

The plot is magnificently written from beginning to end. Even if at first you may feel that some scenes last too long, they are not just there for the atmosphere. They are important and that is the beauty of the film. Nothing is there just to exist, just to lengthen the movie, just to make the audience feel melancholic, just to make it feel more cinematic. It needs to be there, because it wouldn't work otherwise.

Without giving away anything of importance, I will just say that every detail matters, every character is vital and realistically written. Everyone is so flawedly human, you can't really hate or love them. They are just important, they matter, because they exist. They are so real it kind of makes you ache for the beauty, complexity and ugliness of human nature.

It is a film that is character-driven, slow paced and it truly shows the power of perspective. It deals with so many subjects in a very delicate manner that doesn't feel forced nor preachy. I can't thank myself enough for watching this on the big screen.

I understood how truly beautiful this movie was, when I couldn't stop thinking about it hours after watching it and when I ended up crying with all the little details that have such a huge impact and importance.

Many times, with all these critically acclaimed films, I feel like I am getting forced to like them, to overanalyse them, to convince myself that they are something better than what they actually are -or maybe I don't have the ability to fully understand them-. This is not the case here, though. This is truly an exquisite film. It is better than I ever expected. It is one of those movies that you get to discover something new with every watch. It needs to be watched, because at the end of the day we are all humans and this is a film about us.

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