My Little Apple Senior
Yesterday at 22:21, from Little Apple Android
I recently watched a drama, a fairly typical fantasy drama . The fight scenes and special effects were decent, but the plot leaned towards the typical leveling-up trope, with characters achieving enlightenment on the spot.
I increasingly felt that Nian Wushuang (A moment but forever) was an unexpected stroke of luck, a perfect storm of circumstances.
Dramas with many young actors are certainly not typical middle-aged historical romance dramas, but the acting is often stiff, formulaic, and the overall sense of conviction is weak
. It's not just a difference between one or two actors; it's the atmosphere of the entire drama. And then there's Liu Xueyi's Yuan Zhong—a profound character paired with superb acting, perhaps a rare find. Yuan Zhong is strong from beginning to end, but throughout the drama, he seeks within himself. His strength allows him to exist without external struggle; if he wanted to destroy the world, he could. Everything is his own affair; he accepted all the corruption, let go of his grudges, and once again stood on the throne of a god. It's
a story of proving one's path through tribulation, and also a delicate journey of the heart.
Nian Wushuang heals hearts because everyone has grievances, and the more awake one is, the more painful it becomes. It doesn't gloss over human nature or the world; it tells you that proving one's path through tribulation is truly difficult, but Yuan Zhong, protected by Ji Tanyin, achieved it.
Qitongxinxin
---Seeking enlightenment within oneself to attain divinity
Yesterday at 23:04, from Fujian
https://weibo.com/7927245813/R2PleyojT
Can anyone replace Liu Xueyi as Yuan Zhong? Can he make his good looks and humor complement each other? Can he harmonize warmth and sharp, penetrating intelligence? Can he logically portray both vulnerability and domineering arrogance? ...It seems very difficult. It's really rare for actors these days to be able to calmly study culture, ignore the noise and focus on honing their skills, and encourage themselves amidst constant repression and marginalization, remaining steadfast in their goals and moving forward!
Yesterday at 22:21, from Little Apple Android
I recently watched a drama, a fairly typical fantasy drama . The fight scenes and special effects were decent, but the plot leaned towards the typical leveling-up trope, with characters achieving enlightenment on the spot.
I increasingly felt that Nian Wushuang (A moment but forever) was an unexpected stroke of luck, a perfect storm of circumstances.
Dramas with many young actors are certainly not typical middle-aged historical romance dramas, but the acting is often stiff, formulaic, and the overall sense of conviction is weak
. It's not just a difference between one or two actors; it's the atmosphere of the entire drama. And then there's Liu Xueyi's Yuan Zhong—a profound character paired with superb acting, perhaps a rare find. Yuan Zhong is strong from beginning to end, but throughout the drama, he seeks within himself. His strength allows him to exist without external struggle; if he wanted to destroy the world, he could. Everything is his own affair; he accepted all the corruption, let go of his grudges, and once again stood on the throne of a god. It's
a story of proving one's path through tribulation, and also a delicate journey of the heart.
Nian Wushuang heals hearts because everyone has grievances, and the more awake one is, the more painful it becomes. It doesn't gloss over human nature or the world; it tells you that proving one's path through tribulation is truly difficult, but Yuan Zhong, protected by Ji Tanyin, achieved it.
Qitongxinxin
---Seeking enlightenment within oneself to attain divinity
Yesterday at 23:04, from Fujian
https://weibo.com/7927245813/R2PleyojT
Can anyone replace Liu Xueyi as Yuan Zhong? Can he make his good looks and humor complement each other? Can he harmonize warmth and sharp, penetrating intelligence? Can he logically portray both vulnerability and domineering arrogance? ...It seems very difficult. It's really rare for actors these days to be able to calmly study culture, ignore the noise and focus on honing their skills, and encourage themselves amidst constant repression and marginalization, remaining steadfast in their goals and moving forward!
Yuan Zhong is a fox high priest. He is an immortal who possesses the divine hand. With it, he defeated the ghost clan and brought an era of prosperity. Jin Tan Yin is an artisan goddess who makes magical artifacts. She descended to earth to kill Yuan Zhong and get back the divine hand of the god Tang Hua. Yuan Zhong is harassed by his own fox clan and Jin Tan Yin decides to help and protect him. The two of them will have to face personal enemies, and a secret will be discovered. Yuan Zhong rescues Jin Tan Yin from a trap. Reunited again, the pair of lovers join forces to defeat their enemies and restore order in the world.
This paragraph in the original MD book is crazy!!
The male protagonist is a great monk of the fox clan, who glanced at the matchless goddess when he was young, and has never forgotten since then, willing to incarnate as a killing god in the clan, wearing several fake faces on his face, and no one knows his name and true appearance.
The heroine Ji Tanyin, because of her sincere obsession with craftsmen, flew to become a god, and went down to take away the left hand of the male protagonist (originally it was the hand of the god Taihe), although she approached with a purpose, but she also sincerely protected the male protagonist, wanting to wait until he naturally died of old age before taking it.
The male protagonist is sensitive and suspicious, from the very beginning of the female protagonist's appearance, he has already suspected the identity of the female protagonist, and even once accidentally killed the female protagonist's body in the mortal world, but only regretted that she died, patted the ash on her body and left, because he didn't care at that time.
After gradually getting along and getting acquainted, he saw the heroine's brilliant craftsmanship, and was also moved by her sincere enthusiasm, and after the heroine tried her best to protect him and heal his injuries, Genzhong let Tan Yin see his true face and told her his name.
This kind of never caring, to reluctant, ambiguous pulling is simply true.
The male protagonist is a great monk of the fox clan, who glanced at the matchless goddess when he was young, and has never forgotten since then, willing to incarnate as a killing god in the clan, wearing several fake faces on his face, and no one knows his name and true appearance.
The heroine Ji Tanyin, because of her sincere obsession with craftsmen, flew to become a god, and went down to take away the left hand of the male protagonist (originally it was the hand of the god Taihe), although she approached with a purpose, but she also sincerely protected the male protagonist, wanting to wait until he naturally died of old age before taking it.
The male protagonist is sensitive and suspicious, from the very beginning of the female protagonist's appearance, he has already suspected the identity of the female protagonist, and even once accidentally killed the female protagonist's body in the mortal world, but only regretted that she died, patted the ash on her body and left, because he didn't care at that time.
After gradually getting along and getting acquainted, he saw the heroine's brilliant craftsmanship, and was also moved by her sincere enthusiasm, and after the heroine tried her best to protect him and heal his injuries, Genzhong let Tan Yin see his true face and told her his name.
This kind of never caring, to reluctant, ambiguous pulling is simply true.
In order to retrieve Heavenly Realm’s treasure, Goddess Wu Shuang descends to earth to assassinate Yuan Zhong, the high priest of Youhu Clan. In the process, Wu Shuang discovers other secrets, and the two fall in love and join hands to save the world. In the war between gods and demons, the artifact "God's Left Hand" that Heavenly God Taihe uses to seal the demon, is cut off and falls to Mortal Realm. Taihe and the other gods fall into an eternal slumber and Mortal Realm hasn’t had a miracle ever since.
(Source: iQIYI)
~~ Adapted from the novel "Tian Xia Wu Shuang" (????) by Shi Si Lang (???).
(Source: iQIYI)
~~ Adapted from the novel "Tian Xia Wu Shuang" (????) by Shi Si Lang (???).
This paragraph in the original MD book is crazy!!
The male protagonist is a great monk of the fox clan, who glanced at the matchless goddess when he was young, and has never forgotten since then, willing to incarnate as a killing god in the clan, wearing several fake faces on his face, and no one knows his name and true appearance.
The heroine Ji Tanyin, because of her sincere obsession with craftsmen, flew to become a god, and went down to take away the left hand of the male protagonist (originally it was the hand of the god Taihe), although she approached with a purpose, but she also sincerely protected the male protagonist, wanting to wait until he naturally died of old age before taking it.
The male protagonist is sensitive and suspicious, from the very beginning of the female protagonist's appearance, he has already suspected the identity of the female protagonist, and even once accidentally killed the female protagonist's body in the mortal world, but only regretted that she died, patted the ash on her body and left, because he didn't care at that time.
After gradually getting along and getting acquainted, he saw the heroine's brilliant craftsmanship, and was also moved by her sincere enthusiasm, and after the heroine tried her best to protect him and heal his injuries, Genzhong let Tan Yin see his true face and told her his name.
This kind of never caring, to reluctant, ambiguous pulling is simply true.
The male protagonist is a great monk of the fox clan, who glanced at the matchless goddess when he was young, and has never forgotten since then, willing to incarnate as a killing god in the clan, wearing several fake faces on his face, and no one knows his name and true appearance.
The heroine Ji Tanyin, because of her sincere obsession with craftsmen, flew to become a god, and went down to take away the left hand of the male protagonist (originally it was the hand of the god Taihe), although she approached with a purpose, but she also sincerely protected the male protagonist, wanting to wait until he naturally died of old age before taking it.
The male protagonist is sensitive and suspicious, from the very beginning of the female protagonist's appearance, he has already suspected the identity of the female protagonist, and even once accidentally killed the female protagonist's body in the mortal world, but only regretted that she died, patted the ash on her body and left, because he didn't care at that time.
After gradually getting along and getting acquainted, he saw the heroine's brilliant craftsmanship, and was also moved by her sincere enthusiasm, and after the heroine tried her best to protect him and heal his injuries, Genzhong let Tan Yin see his true face and told her his name.
This kind of never caring, to reluctant, ambiguous pulling is simply true.
This paragraph in the original MD book is crazy!!
The male protagonist is a great monk of the fox clan, who glanced at the matchless goddess when he was young, and has never forgotten since then, willing to incarnate as a killing god in the clan, wearing several fake faces on his face, and no one knows his name and true appearance.
The heroine Ji Tanyin, because of her sincere obsession with craftsmen, flew to become a god, and went down to take away the left hand of the male protagonist (originally it was the hand of the god Taihe), although she approached with a purpose, but she also sincerely protected the male protagonist, wanting to wait until he naturally died of old age before taking it.
The male protagonist is sensitive and suspicious, from the very beginning of the female protagonist's appearance, he has already suspected the identity of the female protagonist, and even once accidentally killed the female protagonist's body in the mortal world, but only regretted that she died, patted the ash on her body and left, because he didn't care at that time.
After gradually getting along and getting acquainted, he saw the heroine's brilliant craftsmanship, and was also moved by her sincere enthusiasm, and after the heroine tried her best to protect him and heal his injuries, Genzhong let Tan Yin see his true face and told her his name.
This kind of never caring, to reluctant, ambiguous pulling is simply true.
The male protagonist is a great monk of the fox clan, who glanced at the matchless goddess when he was young, and has never forgotten since then, willing to incarnate as a killing god in the clan, wearing several fake faces on his face, and no one knows his name and true appearance.
The heroine Ji Tanyin, because of her sincere obsession with craftsmen, flew to become a god, and went down to take away the left hand of the male protagonist (originally it was the hand of the god Taihe), although she approached with a purpose, but she also sincerely protected the male protagonist, wanting to wait until he naturally died of old age before taking it.
The male protagonist is sensitive and suspicious, from the very beginning of the female protagonist's appearance, he has already suspected the identity of the female protagonist, and even once accidentally killed the female protagonist's body in the mortal world, but only regretted that she died, patted the ash on her body and left, because he didn't care at that time.
After gradually getting along and getting acquainted, he saw the heroine's brilliant craftsmanship, and was also moved by her sincere enthusiasm, and after the heroine tried her best to protect him and heal his injuries, Genzhong let Tan Yin see his true face and told her his name.
This kind of never caring, to reluctant, ambiguous pulling is simply true.
This paragraph in the original MD book is crazy!!
The male protagonist is a great monk of the fox clan, who glanced at the matchless goddess when he was young, and has never forgotten since then, willing to incarnate as a killing god in the clan, wearing several fake faces on his face, and no one knows his name and true appearance.
The heroine Ji Tanyin, because of her sincere obsession with craftsmen, flew to become a god, and went down to take away the left hand of the male protagonist (originally it was the hand of the god Taihe), although she approached with a purpose, but she also sincerely protected the male protagonist, wanting to wait until he naturally died of old age before taking it.
The male protagonist is sensitive and suspicious, from the very beginning of the female protagonist's appearance, he has already suspected the identity of the female protagonist, and even once accidentally killed the female protagonist's body in the mortal world, but only regretted that she died, patted the ash on her body and left, because he didn't care at that time.
After gradually getting along and getting acquainted, he saw the heroine's brilliant craftsmanship, and was also moved by her sincere enthusiasm, and after the heroine tried her best to protect him and heal his injuries, Genzhong let Tan Yin see his true face and told her his name.
This kind of never caring, to reluctant, ambiguous pulling is simply true.
The male protagonist is a great monk of the fox clan, who glanced at the matchless goddess when he was young, and has never forgotten since then, willing to incarnate as a killing god in the clan, wearing several fake faces on his face, and no one knows his name and true appearance.
The heroine Ji Tanyin, because of her sincere obsession with craftsmen, flew to become a god, and went down to take away the left hand of the male protagonist (originally it was the hand of the god Taihe), although she approached with a purpose, but she also sincerely protected the male protagonist, wanting to wait until he naturally died of old age before taking it.
The male protagonist is sensitive and suspicious, from the very beginning of the female protagonist's appearance, he has already suspected the identity of the female protagonist, and even once accidentally killed the female protagonist's body in the mortal world, but only regretted that she died, patted the ash on her body and left, because he didn't care at that time.
After gradually getting along and getting acquainted, he saw the heroine's brilliant craftsmanship, and was also moved by her sincere enthusiasm, and after the heroine tried her best to protect him and heal his injuries, Genzhong let Tan Yin see his true face and told her his name.
This kind of never caring, to reluctant, ambiguous pulling is simply true.
This paragraph in the original MD book is crazy!!
The male protagonist is a great monk of the fox clan, who glanced at the matchless goddess when he was young, and has never forgotten since then, willing to incarnate as a killing god in the clan, wearing several fake faces on his face, and no one knows his name and true appearance.
The heroine Ji Tanyin, because of her sincere obsession with craftsmen, flew to become a god, and went down to take away the left hand of the male protagonist (originally it was the hand of the god Taihe), although she approached with a purpose, but she also sincerely protected the male protagonist, wanting to wait until he naturally died of old age before taking it.
The male protagonist is sensitive and suspicious, from the very beginning of the female protagonist's appearance, he has already suspected the identity of the female protagonist, and even once accidentally killed the female protagonist's body in the mortal world, but only regretted that she died, patted the ash on her body and left, because he didn't care at that time.
After gradually getting along and getting acquainted, he saw the heroine's brilliant craftsmanship, and was also moved by her sincere enthusiasm, and after the heroine tried her best to protect him and heal his injuries, Genzhong let Tan Yin see his true face and told her his name.
This kind of never caring, to reluctant, ambiguous pulling is simply true.
The male protagonist is a great monk of the fox clan, who glanced at the matchless goddess when he was young, and has never forgotten since then, willing to incarnate as a killing god in the clan, wearing several fake faces on his face, and no one knows his name and true appearance.
The heroine Ji Tanyin, because of her sincere obsession with craftsmen, flew to become a god, and went down to take away the left hand of the male protagonist (originally it was the hand of the god Taihe), although she approached with a purpose, but she also sincerely protected the male protagonist, wanting to wait until he naturally died of old age before taking it.
The male protagonist is sensitive and suspicious, from the very beginning of the female protagonist's appearance, he has already suspected the identity of the female protagonist, and even once accidentally killed the female protagonist's body in the mortal world, but only regretted that she died, patted the ash on her body and left, because he didn't care at that time.
After gradually getting along and getting acquainted, he saw the heroine's brilliant craftsmanship, and was also moved by her sincere enthusiasm, and after the heroine tried her best to protect him and heal his injuries, Genzhong let Tan Yin see his true face and told her his name.
This kind of never caring, to reluctant, ambiguous pulling is simply true.
This paragraph in the original MD book is crazy!!
The male protagonist is a great monk of the fox clan, who glanced at the matchless goddess when he was young, and has never forgotten since then, willing to incarnate as a killing god in the clan, wearing several fake faces on his face, and no one knows his name and true appearance.
The heroine Ji Tanyin, because of her sincere obsession with craftsmen, flew to become a god, and went down to take away the left hand of the male protagonist (originally it was the hand of the god Taihe), although she approached with a purpose, but she also sincerely protected the male protagonist, wanting to wait until he naturally died of old age before taking it.
The male protagonist is sensitive and suspicious, from the very beginning of the female protagonist's appearance, he has already suspected the identity of the female protagonist, and even once accidentally killed the female protagonist's body in the mortal world, but only regretted that she died, patted the ash on her body and left, because he didn't care at that time.
After gradually getting along and getting acquainted, he saw the heroine's brilliant craftsmanship, and was also moved by her sincere enthusiasm, and after the heroine tried her best to protect him and heal his injuries, Genzhong let Tan Yin see his true face and told her his name.
This kind of never caring, to reluctant, ambiguous pulling is simply true.
The male protagonist is a great monk of the fox clan, who glanced at the matchless goddess when he was young, and has never forgotten since then, willing to incarnate as a killing god in the clan, wearing several fake faces on his face, and no one knows his name and true appearance.
The heroine Ji Tanyin, because of her sincere obsession with craftsmen, flew to become a god, and went down to take away the left hand of the male protagonist (originally it was the hand of the god Taihe), although she approached with a purpose, but she also sincerely protected the male protagonist, wanting to wait until he naturally died of old age before taking it.
The male protagonist is sensitive and suspicious, from the very beginning of the female protagonist's appearance, he has already suspected the identity of the female protagonist, and even once accidentally killed the female protagonist's body in the mortal world, but only regretted that she died, patted the ash on her body and left, because he didn't care at that time.
After gradually getting along and getting acquainted, he saw the heroine's brilliant craftsmanship, and was also moved by her sincere enthusiasm, and after the heroine tried her best to protect him and heal his injuries, Genzhong let Tan Yin see his true face and told her his name.
This kind of never caring, to reluctant, ambiguous pulling is simply true.
This paragraph in the original MD book is crazy!!
The male protagonist is a great monk of the fox clan, who glanced at the matchless goddess when he was young, and has never forgotten since then, willing to incarnate as a killing god in the clan, wearing several fake faces on his face, and no one knows his name and true appearance.
The heroine Ji Tanyin, because of her sincere obsession with craftsmen, flew to become a god, and went down to take away the left hand of the male protagonist (originally it was the hand of the god Taihe), although she approached with a purpose, but she also sincerely protected the male protagonist, wanting to wait until he naturally died of old age before taking it.
The male protagonist is sensitive and suspicious, from the very beginning of the female protagonist's appearance, he has already suspected the identity of the female protagonist, and even once accidentally killed the female protagonist's body in the mortal world, but only regretted that she died, patted the ash on her body and left, because he didn't care at that time.
After gradually getting along and getting acquainted, he saw the heroine's brilliant craftsmanship, and was also moved by her sincere enthusiasm, and after the heroine tried her best to protect him and heal his injuries, Genzhong let Tan Yin see his true face and told her his name.
This kind of never caring, to reluctant, ambiguous pulling is simply true.
The male protagonist is a great monk of the fox clan, who glanced at the matchless goddess when he was young, and has never forgotten since then, willing to incarnate as a killing god in the clan, wearing several fake faces on his face, and no one knows his name and true appearance.
The heroine Ji Tanyin, because of her sincere obsession with craftsmen, flew to become a god, and went down to take away the left hand of the male protagonist (originally it was the hand of the god Taihe), although she approached with a purpose, but she also sincerely protected the male protagonist, wanting to wait until he naturally died of old age before taking it.
The male protagonist is sensitive and suspicious, from the very beginning of the female protagonist's appearance, he has already suspected the identity of the female protagonist, and even once accidentally killed the female protagonist's body in the mortal world, but only regretted that she died, patted the ash on her body and left, because he didn't care at that time.
After gradually getting along and getting acquainted, he saw the heroine's brilliant craftsmanship, and was also moved by her sincere enthusiasm, and after the heroine tried her best to protect him and heal his injuries, Genzhong let Tan Yin see his true face and told her his name.
This kind of never caring, to reluctant, ambiguous pulling is simply true.
This paragraph in the original MD book is crazy!!
The male protagonist is a great monk of the fox clan, who glanced at the matchless goddess when he was young, and has never forgotten since then, willing to incarnate as a killing god in the clan, wearing several fake faces on his face, and no one knows his name and true appearance.
The heroine Ji Tanyin, because of her sincere obsession with craftsmen, flew to become a god, and went down to take away the left hand of the male protagonist (originally it was the hand of the god Taihe), although she approached with a purpose, but she also sincerely protected the male protagonist, wanting to wait until he naturally died of old age before taking it.
The male protagonist is sensitive and suspicious, from the very beginning of the female protagonist's appearance, he has already suspected the identity of the female protagonist, and even once accidentally killed the female protagonist's body in the mortal world, but only regretted that she died, patted the ash on her body and left, because he didn't care at that time.
After gradually getting along and getting acquainted, he saw the heroine's brilliant craftsmanship, and was also moved by her sincere enthusiasm, and after the heroine tried her best to protect him and heal his injuries, Genzhong let Tan Yin see his true face and told her his name.
This kind of never caring, to reluctant, ambiguous pulling is simply true.
The male protagonist is a great monk of the fox clan, who glanced at the matchless goddess when he was young, and has never forgotten since then, willing to incarnate as a killing god in the clan, wearing several fake faces on his face, and no one knows his name and true appearance.
The heroine Ji Tanyin, because of her sincere obsession with craftsmen, flew to become a god, and went down to take away the left hand of the male protagonist (originally it was the hand of the god Taihe), although she approached with a purpose, but she also sincerely protected the male protagonist, wanting to wait until he naturally died of old age before taking it.
The male protagonist is sensitive and suspicious, from the very beginning of the female protagonist's appearance, he has already suspected the identity of the female protagonist, and even once accidentally killed the female protagonist's body in the mortal world, but only regretted that she died, patted the ash on her body and left, because he didn't care at that time.
After gradually getting along and getting acquainted, he saw the heroine's brilliant craftsmanship, and was also moved by her sincere enthusiasm, and after the heroine tried her best to protect him and heal his injuries, Genzhong let Tan Yin see his true face and told her his name.
This kind of never caring, to reluctant, ambiguous pulling is simply true.
This paragraph in the original MD book is crazy!!
The male protagonist is a great monk of the fox clan, who glanced at the matchless goddess when he was young, and has never forgotten since then, willing to incarnate as a killing god in the clan, wearing several fake faces on his face, and no one knows his name and true appearance.
The heroine Ji Tanyin, because of her sincere obsession with craftsmen, flew to become a god, and went down to take away the left hand of the male protagonist (originally it was the hand of the god Taihe), although she approached with a purpose, but she also sincerely protected the male protagonist, wanting to wait until he naturally died of old age before taking it.
The male protagonist is sensitive and suspicious, from the very beginning of the female protagonist's appearance, he has already suspected the identity of the female protagonist, and even once accidentally killed the female protagonist's body in the mortal world, but only regretted that she died, patted the ash on her body and left, because he didn't care at that time.
After gradually getting along and getting acquainted, he saw the heroine's brilliant craftsmanship, and was also moved by her sincere enthusiasm, and after the heroine tried her best to protect him and heal his injuries, Genzhong let Tan Yin see his true face and told her his name.
This kind of never caring, to reluctant, ambiguous pulling is simply true.
The male protagonist is a great monk of the fox clan, who glanced at the matchless goddess when he was young, and has never forgotten since then, willing to incarnate as a killing god in the clan, wearing several fake faces on his face, and no one knows his name and true appearance.
The heroine Ji Tanyin, because of her sincere obsession with craftsmen, flew to become a god, and went down to take away the left hand of the male protagonist (originally it was the hand of the god Taihe), although she approached with a purpose, but she also sincerely protected the male protagonist, wanting to wait until he naturally died of old age before taking it.
The male protagonist is sensitive and suspicious, from the very beginning of the female protagonist's appearance, he has already suspected the identity of the female protagonist, and even once accidentally killed the female protagonist's body in the mortal world, but only regretted that she died, patted the ash on her body and left, because he didn't care at that time.
After gradually getting along and getting acquainted, he saw the heroine's brilliant craftsmanship, and was also moved by her sincere enthusiasm, and after the heroine tried her best to protect him and heal his injuries, Genzhong let Tan Yin see his true face and told her his name.
This kind of never caring, to reluctant, ambiguous pulling is simply true.
This paragraph in the original MD book is crazy!!
The male protagonist is a great monk of the fox clan, who glanced at the matchless goddess when he was young, and has never forgotten since then, willing to incarnate as a killing god in the clan, wearing several fake faces on his face, and no one knows his name and true appearance.
The heroine Ji Tanyin, because of her sincere obsession with craftsmen, flew to become a god, and went down to take away the left hand of the male protagonist (originally it was the hand of the god Taihe), although she approached with a purpose, but she also sincerely protected the male protagonist, wanting to wait until he naturally died of old age before taking it.
The male protagonist is sensitive and suspicious, from the very beginning of the female protagonist's appearance, he has already suspected the identity of the female protagonist, and even once accidentally killed the female protagonist's body in the mortal world, but only regretted that she died, patted the ash on her body and left, because he didn't care at that time.
After gradually getting along and getting acquainted, he saw the heroine's brilliant craftsmanship, and was also moved by her sincere enthusiasm, and after the heroine tried her best to protect him and heal his injuries, Genzhong let Tan Yin see his true face and told her his name.
This kind of never caring, to reluctant, ambiguous pulling is simply true.
The male protagonist is a great monk of the fox clan, who glanced at the matchless goddess when he was young, and has never forgotten since then, willing to incarnate as a killing god in the clan, wearing several fake faces on his face, and no one knows his name and true appearance.
The heroine Ji Tanyin, because of her sincere obsession with craftsmen, flew to become a god, and went down to take away the left hand of the male protagonist (originally it was the hand of the god Taihe), although she approached with a purpose, but she also sincerely protected the male protagonist, wanting to wait until he naturally died of old age before taking it.
The male protagonist is sensitive and suspicious, from the very beginning of the female protagonist's appearance, he has already suspected the identity of the female protagonist, and even once accidentally killed the female protagonist's body in the mortal world, but only regretted that she died, patted the ash on her body and left, because he didn't care at that time.
After gradually getting along and getting acquainted, he saw the heroine's brilliant craftsmanship, and was also moved by her sincere enthusiasm, and after the heroine tried her best to protect him and heal his injuries, Genzhong let Tan Yin see his true face and told her his name.
This kind of never caring, to reluctant, ambiguous pulling is simply true.
This paragraph in the original MD book is crazy!!
The male protagonist is a great monk of the fox clan, who glanced at the matchless goddess when he was young, and has never forgotten since then, willing to incarnate as a killing god in the clan, wearing several fake faces on his face, and no one knows his name and true appearance.
The heroine Ji Tanyin, because of her sincere obsession with craftsmen, flew to become a god, and went down to take away the left hand of the male protagonist (originally it was the hand of the god Taihe), although she approached with a purpose, but she also sincerely protected the male protagonist, wanting to wait until he naturally died of old age before taking it.
The male protagonist is sensitive and suspicious, from the very beginning of the female protagonist's appearance, he has already suspected the identity of the female protagonist, and even once accidentally killed the female protagonist's body in the mortal world, but only regretted that she died, patted the ash on her body and left, because he didn't care at that time.
After gradually getting along and getting acquainted, he saw the heroine's brilliant craftsmanship, and was also moved by her sincere enthusiasm, and after the heroine tried her best to protect him and heal his injuries, Genzhong let Tan Yin see his true face and told her his name.
This kind of never caring, to reluctant, ambiguous pulling is simply true.
The male protagonist is a great monk of the fox clan, who glanced at the matchless goddess when he was young, and has never forgotten since then, willing to incarnate as a killing god in the clan, wearing several fake faces on his face, and no one knows his name and true appearance.
The heroine Ji Tanyin, because of her sincere obsession with craftsmen, flew to become a god, and went down to take away the left hand of the male protagonist (originally it was the hand of the god Taihe), although she approached with a purpose, but she also sincerely protected the male protagonist, wanting to wait until he naturally died of old age before taking it.
The male protagonist is sensitive and suspicious, from the very beginning of the female protagonist's appearance, he has already suspected the identity of the female protagonist, and even once accidentally killed the female protagonist's body in the mortal world, but only regretted that she died, patted the ash on her body and left, because he didn't care at that time.
After gradually getting along and getting acquainted, he saw the heroine's brilliant craftsmanship, and was also moved by her sincere enthusiasm, and after the heroine tried her best to protect him and heal his injuries, Genzhong let Tan Yin see his true face and told her his name.
This kind of never caring, to reluctant, ambiguous pulling is simply true.
This paragraph in the original MD book is crazy!!
The male protagonist is a great monk of the fox clan, who glanced at the matchless goddess when he was young, and has never forgotten since then, willing to incarnate as a killing god in the clan, wearing several fake faces on his face, and no one knows his name and true appearance.
The heroine Ji Tanyin, because of her sincere obsession with craftsmen, flew to become a god, and went down to take away the left hand of the male protagonist (originally it was the hand of the god Taihe), although she approached with a purpose, but she also sincerely protected the male protagonist, wanting to wait until he naturally died of old age before taking it.
The male protagonist is sensitive and suspicious, from the very beginning of the female protagonist's appearance, he has already suspected the identity of the female protagonist, and even once accidentally killed the female protagonist's body in the mortal world, but only regretted that she died, patted the ash on her body and left, because he didn't care at that time.
After gradually getting along and getting acquainted, he saw the heroine's brilliant craftsmanship, and was also moved by her sincere enthusiasm, and after the heroine tried her best to protect him and heal his injuries, Genzhong let Tan Yin see his true face and told her his name.
This kind of never caring, to reluctant, ambiguous pulling is simply true.
The male protagonist is a great monk of the fox clan, who glanced at the matchless goddess when he was young, and has never forgotten since then, willing to incarnate as a killing god in the clan, wearing several fake faces on his face, and no one knows his name and true appearance.
The heroine Ji Tanyin, because of her sincere obsession with craftsmen, flew to become a god, and went down to take away the left hand of the male protagonist (originally it was the hand of the god Taihe), although she approached with a purpose, but she also sincerely protected the male protagonist, wanting to wait until he naturally died of old age before taking it.
The male protagonist is sensitive and suspicious, from the very beginning of the female protagonist's appearance, he has already suspected the identity of the female protagonist, and even once accidentally killed the female protagonist's body in the mortal world, but only regretted that she died, patted the ash on her body and left, because he didn't care at that time.
After gradually getting along and getting acquainted, he saw the heroine's brilliant craftsmanship, and was also moved by her sincere enthusiasm, and after the heroine tried her best to protect him and heal his injuries, Genzhong let Tan Yin see his true face and told her his name.
This kind of never caring, to reluctant, ambiguous pulling is simply true.
