Aishiteru! (2022)

GL/WLW/BDSM/JUNK IDOLS

A Bold, Sensual, and Empowering Mockumentary Gem

“Safe Word”is a daring entry in Nikkatsu’s revived Roman Porno series. Directed by Kôji Shiraishi with writing by Shiraishi and Kohei Taniguchi, this mockumentary-style drama is a refreshing fusion of eroticism, identity, and queer-wlw intimacy From Underground Idol to BDSM Embrace

Kawase’s performance is magnetic—her emotional transformation, from resisting to reveling in vulnerability and power dynamics, anchors the film with depth and authenticity ([Asian Movie Pulse][1]). Toriumi’s portrayal of the composed, dominant Kanon is equally compelling; their on-screen chemistry pulses with queer desire and mutual discovery

Rather than portraying the BDSM setting as shadowy or taboo, the cinematography embraces bright, colorful visuals—creating a bold contrast that underscores the film’s themes of liberation and visibility ([Asian Movie Pulse][1]). The mockumentary framing adds emotional immediacy, letting viewers peer into personal moments while reminding them of the larger performance at play .

Feminine, Queer Representation at the Forefront

One of the movie’s greatest strengths? It deliberately caters to queer and female audiences, examining BDSM not through the male gaze, but with empathy, sensuality, and empowerment ([Letterboxd][3], [Asian Movie Pulse][1]). As a romance between women exploring dominance and submission, it stands out for its tender yet bold portrayal of wlw relationships.
is an evocative and boundary-pushing romantic drama—one that voices queer identity and sexuality with earnestness and flair. Its mockumentary style, strong central performances, vibrant visuals, and emotional depth make it a standout film. Misa’s metamorphosis—from underground idol to confident dominatrix, from performer to lover—invites viewers into a world where desire, discovery, and self-expression are intertwined.
If you're into stories that merge sensuality with emotional truth, and queer wlw romance with layered self-discovery—this film delivers on all fronts.

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