Quantcast

The Midnight Romance in Hagwon Episode 9

졸업 ‧ Drama ‧ 2024

Episode Title: Why Have You Come To See Me?


8.7
Your Rating: -/10
Ratings: 8.7/10 from 15 users
Reviews: 1 user
Season: 1

Hye Jin and Jun Ho become more intimate, and the two enjoy dating in secret at the academy. The exams are over, and the teachers are busy checking the results of the students. Si Woo comes to the academy and talks about his concerns. Jun Ho becomes more determined to help Si Woo get good grades in Korean. Meanwhile, an unexpected visitor comes to see Hye Jin. (Source: Viu)
  • Aired: June 08, 2024

The Midnight Romance in Hagwon Recent Discussions

Be the first to create a discussion for The Midnight Romance in Hagwon

The Midnight Romance in Hagwon Episode 9 Reactions

viola
1 people found this review helpful
Feb 20, 2026

romance is still cute while the plot finally moves onward

I genuinely enjoy the way this drama is shot, and of course I really like the script too. Jun Ho and Hye Jin's first night together was comedic and sweet, and shot so naturally that it really just felt like two people who love each other, rather than two people performing together? They're very cute, but I will admit that I'm relieved that the episode didn't lean too hard into the secret relationship at the workplace heehee, and instead pivoted back to Pyo Sang Seob, who's been part of the plot since the first episode but has been pretty much of a non-entity these past few eps.

The most interesting scene in this entire episode was actually between him and the temporary teacher. At first, I didn't quite understand the reason for her frustrations, but that's because of a lack of knowledge about the culture, rather than any fault of the script. Now that I've thought about it, I've realized that the temporary teacher was upset because Pyo Sang Seob's insistence on relying full stop on the textbook made it very easy for the students to pass the test, which makes her job harder when it comes to grading. You'd think that every school would be happy if all their students do well, but this is South Korea where ranking means more than anything in this society, which means there have to be students who do poorly so that the ones who do well shine all the brighter. That also means that the temporary teacher has to resort to the most banal deductions in order to preserve the ranking, and because of that, she also knows even more parents and students will complain. It's the kind of situation where no one wins: if you give every student a good grade, then the parents will say no one gets to be number one then, and if you don't, then the students who get penalized for the silliest of mistakes will get all the more frustrated that they're being punished, even though their answers are technically right. This is how I'm understanding it, at least.

I would feel more for Pyo Sang Seob if, on upon being asked not to "do anything", didn't immediately jump ship to the cram schools. It makes sense for his character, because he's already established himself as someone who is motivated mostly by his pride. If he really cared about being the last bulwark of education or whatever, then he'd probably have taken the teacher's advice and ran for superintendent, because he'd want to change the system. Except, he's just someone who wants to be taken seriously and respected, and doesn't actually care that much about the institution itself. He just uses it as an excuse to justify his actions. Which is why him becoming the vice-superintendent aka taking what would have been Hye Jin's job if she accepted -- makes so much sense for him.

And now he's probably going to pin the blame of the whole situation on Hye Jin. Very funny that as a teacher who apparently cared so much about education, he's now going to become someone obsessed with grades and satisfying parents first. It's pretty short-sighted of him, which is what we need in this drama, since the other characters are mostly good or intelligent.

Read More

Was this review helpful to you?
Trending Articles
Top 12 upcoming dramas on every fan's watchlist
Editorials - Sep 19, 2026

From highly anticipated adaptations to gripping thrillers, the upcoming drama lineup has something for every fan. With teasers already dropping, these 12 dramas are generating plenty of buzz even before their premieres. Here are the titles to keep on your

Zhao Lusi to make her directorial debut with her upcoming drama
News - Sep 16, 2026

Youku unveiled its 2027 lineup, officially announcing the drama 'Farewell Letter'

Jing Bo Ran says 'The Early Spring' is his first true 'idol drama', shares insights into character styling
Celebrity - Sep 18, 2026

Jing Bo Ran opens up about his acting journey, styling Luan Nian in 'The Early Spring', and the roles that have shaped him as an actor

Park Jin Young and Jeon So Young offered roles in new historical K-drama
News - Sep 16, 2026

Park Jin Young and Jeon So Young could be joining a new historical drama!

Chinese drama 'The Early Spring' to get a follow-up
News - Sep 16, 2026

Youku officially announces 'Midsummer Clear Skies' (literal title), a follow-up to 'The Early Spring'

Xiao Zhan ranks 27th in China brand figures Top 500
News - Sep 21, 2026

Xiao Zhan has ranked 27th overall in the annual Brand Figures ranking released by Topbrand Union

Top 9 C-drama female warriors every Mulan fan should know
Editorials - Sep 12, 2026

If you're a Mulan fan looking for your next favorite warrior heroine, here are some C-dramas you'll want on your watchlist

Chinese AI actress Fang Taozi rises to fame as virtual stars enter commercial market
News - Sep 9, 2026

"Virtual beings" are now evolving from mere characters on screens into a business that can be assigned a market value

Park Shin Hye and Choi Tae Joon become parents of two
News - Sep 22, 2026

Park Shin Hye (36) and Choi Tae Joon (35) have welcomed their second child

China supports live-action micro-short dramas, tightens regulations on AI productions
News - Sep 18, 2026

China's new policy to strongly support live-action micro-short dramas while tightening regulations on AI-generated productions