
In Yeong, lycéenne et danseuse talentueuse, se consacre à sa passion malgré son jeune âge. Après la perte de sa mère dans un accident, elle doit soudain assumer des responsabilités d’adulte, comme payer le loyer. Menacée d’expulsion, elle trouve refuge dans son studio de danse. Seol A, la directrice, découvre sa situation et l’héberge à contrecœur. Ensemble, elles préparent le 60e anniversaire de la troupe, affrontent tensions et pressions, et finissent par tisser un lien profond. (Source : Viki) Modifier la traduction
- Français
- English
- हिन्दी
- Español
- Titre original: 괜찮아 괜찮아 괜찮아!
- Aussi connu sous le nom de: Gwaenchanha Gwaenchanha Gwaenchanha! , It's Alright, It's Alright, It's Alright! , It's Okay, It's Okay, It's Okay!
- Scénariste et Réalisateur: Kim Hye Young
- Genres: Comédie, Drame, Famille
Où regarder It's Okay!
Ppv (sub)
Distribution et équipes
- Lee ReIn YeongRôle principal
- Jin Seo YunSeol ARôle Secondaire
- Jung Soo BinNa RiRôle Secondaire
- Lee Jung HaDo YunRôle Secondaire
- Son Seok KooDong Uk [Pharmacist]Invité•e
Critiques

Cette critique peut contenir des spoilers
A Gentle Reminder that Being Yourself is Enough
This gentle, heartfelt film leans into simplicity with purpose. It doesn’t aim to overwhelm or dazzle, but rather invites you to walk alongside its characters—a high school girl bursting with youthful independence and joy, and an art director whose life is composed, successful, but hollow at its core. Through their unlikely interactions, the film draws a clear contrast between spirited spontaneity and the numbing routine of adulthoodThis movie is about living, not just surviving. Our high school protagonist is the embodiment of sunshine: unafraid to speak her mind, pursue her passions, or weather her hardships. She's a character who brings energy to the screen, even when things aren't going her way. On the other side, the art director—stoic, emotionally distant, and quietly dissatisfied—offers a muted counterbalance, someone who seems to have it all but feels little
Though the movie itself centers on female voices and perspectives, it doesn’t exclude others. A handful of male characters thread into the story in modest, supportive roles—neither glorified nor villainized, but present enough to flesh out the world. Their inclusion adds texture without overshadowing the film’s core focus. It's not trying to be a sweeping masterpiece; it's more like a personal letter—understated but meaningful
Visually, the film is clean and warm. It doesn't push stylistic boundaries, but it doesn't need to. The strength lies in the quiet observations of daily life—the small triumphs, the silent battles, and the moments when characters are allowed to simply breathe. And that’s where this movie truly succeeds
It reminds you that:
Whenever tribulations arise, it’s fine to take a breather
Wherever life doesn't flow as it used to, it’s alright to slow down
And whatever you're facing, it’s okay to be yourself—maybe even light up someone else's day along the way
While this may not be groundbreaking, it is whole-hearted and beautifully envisioned. Just as its title promises—it’s okay, and sometimes, that’s exactly what we need
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