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- Titre original: 生万物
- Aussi connu sous le nom de: All Things Born , Qian Quan Yu Jue Jue , Wan Wu Sheng , 万物生 , 生萬物 , 繾綣與決絕 , 缱绻与决绝 , 萬物生
- Scénariste: Wang He
- Réalisateur: Liu Jia Cheng
- Genres: Vie quotidienne, Drame
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Distribution et équipes
- Yang MiNing Xiu XiuRôle principal
- Ou HaoFeng Da JiaoRôle principal
- Ni Da HongNing Xue Xiang [Xiu Xiu's father]Rôle Secondaire
- Amanda QinFei Zuo ShiRôle Secondaire
- Fair XingNing Su Su [Xiu Xiu's sister]Rôle Secondaire
- Zhang Tian YangFei Wen DianRôle Secondaire
Critiques
Cette critique peut contenir des spoilers
A Giant in Acting and Cinematography for the genre
Acting wise, I think most actors here are picked for their acting skills rather than looks alone. Rarely seen a cast so complete with great actors. Yang Mi surprises me but I am happy she has a breakthrough. She looks more beautiful here than in all those Xianxia dramas she was in. Ou Hao is new to me. I almost can’t believe that such fine actor exists. Raw. Tan. Simpleton facial features but with a beautiful smile and dimples. Bulky yet not gym- like muscular. So real. As for cinematography, you have to watch it to love it. So authentic.Storyline. The drama didn’t hesitate to tell the story as how they imagine life to be like in the day. Not everyone ends up with a good ending. Even though it was unfair eg Susu’s case, that’s how we think would be the story for her. The only part I didn’t like was NiWei coming back as a Japanese traitor. Too typical and predictable. He should just be written off as a bandit and end up being rounded up since he kind of supported what his dad was doing. He was old enough to understand unlike this little brother who ended up growing into a good person. The older actors especially the mum in law is of another level. Her every movement, voice , accent, actions are so well done. She deserves an award. The father is a well known actor. So no surprises. But the father in law was a pleasant surprise . He started as a selfish greedy person but as the drama unfolds he is pretty endearing. His death was so emotional. I even look up the actor profile to check his past works. Small eyes with gigantic expressions. The farming story he told before dying is a classic.
It’s so scary to see how they lived so poorly. Yet it’s heartwarming at the same time to see them happy when the land is doing well. Things we take for granted like safe home, clean food and water, machines to help our chores were non existent. How the entire family agree or disagree over little things like buying a cow is priceless. Like their lifeline. Makes me want to visit and stay in one of these farms. They should use the set for eco tourism.
Overall super well done. Deserve many awards including one for Yang Mi. Such great acting overall.
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Cette critique peut contenir des spoilers
Beyond the filters: a mesmerizing story of love, life and land.
Land is the most valuable possession a farmer can own. It increases the potential for food security, financial stability, and social influence. Some will kill for it. Some will die for it. Some will even sacrifice their own kin for it.Unfortunately, Ning Xiuxiu learns these harsh truths in the cruelest way imaginable in This Thriving Land. You see, she is the daughter of the wealthiest man in Ox Temple Village. Her father, Ning Xuexiang, owns 700 mu of land. She was born into privilege, never having to lose sleep over hunger, cold, or manual labor. But that all changes on the day of her wedding when she gets kidnapped by bandits. They have one demand for her father: 5,000 silver dollars in exchange for her life and well-being. Because Xiuxiu had been doted on her entire life, she wholeheartedly believes her father will come save her... until he doesn't. He loves her, but his greed makes him reluctant to sell his lands for the ransom money, not even to redeem her. When Xiuxiu finally escapes from the wrath of the bandits, she returns to the village with her reputation in ruins and the life she once knew gone. Hurt and betrayed, she makes the ultimate choice to marry a poor farmer, Feng Dajiao, to spite her father, vowing to cut him out of her life forever. Set during the Republican Era of China, this drama chronicles the lives of Ning Xiuxiu and her loved ones as they try to escape poverty and navigate times of great unrest.
I confess — I am usually hyper-fixated on the visuals whenever I watch a drama, often pausing every few minutes to screenshot beautifully composed scenes. But with This Thriving Land, I found myself ignoring those urges more often than I expected. Is it because the aesthetics are mediocre at best? Or is it because I was so immersed in the story that I no longer cared about saving picture-perfect screenshots? Maybe, it is a little of both. The production is not flashy, but that is intentional. The cinematography doesn't glorify poverty. In fact, it unapologetically puts a spotlight on what many other dramas are afraid to embrace: rundown homes, broken and mismatched furniture, trash on the street, etc. It also captures every detail of sun-kissed tans, deep wrinkles, and tattered clothes. I vividly recall a scene from episode one, when a child took a dump in the middle of the street, and to my surprise, the camera zoomed in on the piece of poop. The accurate portrayal of the devastation caused by poverty is ugly and heartbreaking, and that is precisely what makes this drama so impactful. When we strip away the filters and pretenses, we allow the story's true depth to shine through. It is a reminder that only by looking past fleeting beauty can we be rewarded with a priceless gem such as this story.
The true strength of This Thriving Land resides in its cast of characters and how deeply flawed each and every person is. We see this complexity starting with our two protagonists, Ning Xiuxiu and Feng Dajiao. Though easy to root for, Xiuxiu's pride repeatedly holds her back from receiving the help she truly needs. It was a trait that infuriated me when I was watching the drama, even though it was fully justified, given her circumstances. Similarly, while Dajiao is my absolute favorite character and seems nearly perfect, he also has his own issues: he is so kind that sometimes he lets others disrespect him. The drama makes even the unlikable figures, such as Xiuxiu's father, Ning Xuexiang, become sympathetic over time. He is often selfish, but his choices make perfect sense for a man whose identity is so closely tied to the land he owns. We see those same nuances reflected in many of the other supporting cast. Ning Kejin is an amazing brother, incredibly loyal, but he isn't always a great husband. Dajiao's father, Feng Er, is a prickly grump who has thorns for words, yet his actions are consistently steeped in love. The writers' dedication to creating such imperfect individuals and the actors' ability to breathe such life into them make them feel like people I might even know in real life.
The relationships are exceptionally compelling to me because they are relatable. I can't recall specific moments in the drama where the characters explicitly say the words "I love you" to each other, and yet, I have no doubt that they do because of their loyalty, sacrifices, and actions. This feels familiar to me, and others like me, who grew up in traditional Asian households where hearing "Have you eaten?" was the closest we got to receiving verbal affection from our old-school parents. Sometimes, love is what's quietly tucked between the lines that aren't said and hidden behind the gestures, big or small. We see this when Xiuxiu's mother weeps for her misfortunes, Dajiao's father bravely shields his family from bandits, Dajiao's mother butchers their only chicken to cook a meal for an ill Xiuxiu, the Ning siblings stand up for each other without hesitation when confronting their father, and Dajiao puts up a curtain as a divider between their bed to respect Xiuxiu's boundaries after her traumatic experience. Many of these characters are incredibly poor, but where they lack in material possessions and wealth, they make up in profound devotion. Although the drama unflinchingly depicts the cruelty humans are capable of committing due to desperation and greed, these unspoken acts of love and support give us hope that there are still good things worth fighting for even in the darkest of times.
In the end, I was fully mesmerized by This Thriving Land. It had a way of stabbing me where it hurt the most and twisting the knife to further the pain. But the angst made the victories feel so much sweeter to me. It might not have always been an easy watch, but there wasn't a single boring episode. It deserves all the praise it is receiving in China. In a way, it is a love letter to those who came before us, to thank them for the life we have. Some of the characters' attachment to land was often distorted and led them to poor choices, but their fixations were rooted in generational trauma. They saw firsthand the destruction brought on by poverty and life without land ownership. I might not have always agreed with how they guarded what belonged to them, but I understand the reasonings behind their obsessions now. The struggle to secure a better future for their descendants is what makes Feng Er's simple wisdom so hard-hitting: "If you take care of the land, the land will take care of you."
I highly recommend This Thriving Land to those who can appreciate an authentic and historical slice-of-life drama with its clever portrayal of family, resilience, and sacrifice.
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