Boy (2025)

Search for Paradise

Stylish but strange. I liked the characters—I mean, they look good, and the producer made sure every shot looks visually appealing—but there is a lot lacking, both in character development and especially in world-building. The movie depicts a fictional, dystopian, broken society that should have been explained better. We just see people without purpose, partying as if there is no tomorrow. What bothered me the most is the lack of sustainability: everyone is simply contributing to the further destruction of the community. It feels somewhat like CHAZ, the self-proclaimed Autonomous Zone, where people occupied a park but soon realized they couldn’t survive on their own, so they returned home and back to normal society.

The movie does well in showing subtle emotions. The dialogue is weak, but the unspoken communication is effective and well done. The two main characters are brothers, and the tension between them is what keeps the movie together.

I can make a comparison to another movie released just one week apart from this one, and that is Project Y. Both movies serve as metaphors for today’s youth, and both show desperate people in a corrupt environment searching for a better life. Project Y is female-centric, focusing on two best friends, while Boy is male-centric, focusing on two brothers. Both try to portray a specific Korean feeling of hopelessness, and I like this one just a little bit more.

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