Positively Yours (2026)

Familia, amor y perdón

Una historia donde el orden de los hechos pareció darse en retroceso, pero terminó siendo la dirección correcta.
No pido mucho para sentirme satisfecha con una serie: romance, risas y final feliz son básicamente mis elementos esenciales. Este k-drama me brindó eso, además del valor del perdón como un medio para la propia paz. Las relaciones con otros, independientemente del tipo que sean, no son "fáciles"; requieren tolerancia y comprensión, de poder perdonar pero también tener mucha disposición a reconocer los propios errores para mejorar.

Me gocé las historias que se dieron, el cómo se desenvolvieron, y el bello final que ofrecieron.

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Too Many Filters, Not Enough Depth

Before diving into this drama, ask yourself:


A. Have you read the manhwa?

B. Do you hate romcoms?

C. Are you a modern feminist?

D. Do you enjoy old-school romcoms and need a filler?

If you answered A, B, or C, maybe skip this one.

This drama sticks to the classic chaebol-meets-Cinderella formula, complete with a one-night stand that leads to pregnancy. Groundbreaking? Not really. Deep? Nope. But if you’re in the mood for something light and easy, it might just hit the spot.

The leads are refreshingly in their 30s and 40s, which is a nice change from the usual 25-year-old CEOs we’re somehow supposed to believe. That said, even these “mature” characters can’t resist acting like teenagers once love and romantic rivals enter the picture. Ah, clichés—can’t live with them, can’t escape them.

Speaking of clichés, the second male lead is... a lot. He’s the kind of character that makes you want to fast-forward, and his excessive screentime takes away from what could’ve been the heart of the story: the leads building their relationship organically and navigating pregnancy together. Oh, and yes, there’s an evil sister-in-law scheming to take over the company. Because of course there is.

The supporting cast checks all the usual boxes: a quirky sidekick for comic relief, supportive colleagues, and a team director who’s self-serving but not entirely awful. They’re fine, but nothing to write home about.

As for production, don’t expect glammed-up wardrobes or high-budget sets. It’s a modest production, and that’s okay. What’s not okay? The overuse of filters. If you’re going to feature a more mature cast (which is a great idea, by the way), just embrace it! The blurry lenses are doing no one any favors.

In short, it’s a drama that knows its lane and stays in it. If you’re here for a breezy, old-school romcom with a mature twist, it might just be your cup of tea. Just don’t expect it to reinvent the wheel.

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