Positively Yours (2026)

Não está tão mau como pensei...

Quem me conhece sabe que adoro manhwa e webtoon e adoro dramas baseados neles. Sendo assim, quando soube da existência de Positively Yours, adicionei logo à minha TBW. Porém, as críticas foram tão más que fiquei com medo e atrasei o mais possível. Tenho a dizer-vos: a história é diferente, claramente a parte que não mudou foi a gravidez acidental. Tudo o resto, desde a profissão dela até aos plot twists marados, não acontecem no manhwa.
«Até o nome da criança é diferente! Dojool dá 1000/0 a Yeomul!»
No que toca ao elenco, deixou um bocado a desejar. Não que tenham atuado mal, mas a escolha dos ML’s foi fraquinha na minha opinião (nem todos têm o poder do Ahn Hyoseop 👀). Mas o facto de ter caras conhecidas ajudou: Oh Yeonseo, Choi Jinhyuk, Hong Jonghyun, Kim Dasom (membro das SISTAR), Kim Kidoo, Jung Sooyoung, Kim Soojin e Son Byungho são alguns exemplos.
Props: para Baek Eunhye, que conseguiu encarnar uma personagem que não existia e fazer-me odiá-la!
Talvez...: ... seja melhor engatar em todos os dramas baseados em manhwa/webtoon que tenho na TBW e fazer uma lista no MDL porque estou a dar-me conta que tenho mesmo MUITA coisa e muitos deles estão para sair este ano.

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Too Many Filters, Not Enough Depth

Before diving into this drama, ask yourself:


A. Have you read the manhwa?

B. Do you hate romcoms?

C. Are you a modern feminist?

D. Do you enjoy old-school romcoms and need a filler?

If you answered A, B, or C, maybe skip this one.

This drama sticks to the classic chaebol-meets-Cinderella formula, complete with a one-night stand that leads to pregnancy. Groundbreaking? Not really. Deep? Nope. But if you’re in the mood for something light and easy, it might just hit the spot.

The leads are refreshingly in their 30s and 40s, which is a nice change from the usual 25-year-old CEOs we’re somehow supposed to believe. That said, even these “mature” characters can’t resist acting like teenagers once love and romantic rivals enter the picture. Ah, clichés—can’t live with them, can’t escape them.

Speaking of clichés, the second male lead is... a lot. He’s the kind of character that makes you want to fast-forward, and his excessive screentime takes away from what could’ve been the heart of the story: the leads building their relationship organically and navigating pregnancy together. Oh, and yes, there’s an evil sister-in-law scheming to take over the company. Because of course there is.

The supporting cast checks all the usual boxes: a quirky sidekick for comic relief, supportive colleagues, and a team director who’s self-serving but not entirely awful. They’re fine, but nothing to write home about.

As for production, don’t expect glammed-up wardrobes or high-budget sets. It’s a modest production, and that’s okay. What’s not okay? The overuse of filters. If you’re going to feature a more mature cast (which is a great idea, by the way), just embrace it! The blurry lenses are doing no one any favors.

In short, it’s a drama that knows its lane and stays in it. If you’re here for a breezy, old-school romcom with a mature twist, it might just be your cup of tea. Just don’t expect it to reinvent the wheel.

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