- Português (Brasil)
- English
- magyar / magyar nyelv
- dansk
- Título original: ひとり暮らし
- Também conhecido como: Living Single
- Roteirista: Aoyagi Yumiko
- Diretor: Yokoi Naoyuki, Shono Jiro, Kato Hirotake
- Gêneros: Romance, Vida, Juventude, Drama
Elenco e Créditos
- Tokiwa Takako Papel Principal
- Nagasaku HiromiNishijima KyokoPapel Secundário
- Takahashi KatsunoriShintani TakahiroPapel Secundário
- Takahashi KazuyaOgawa ChikachiPapel Secundário
- Yada AkikoHanabuchi MeiPapel Secundário
- Manase JuriOkawa KanakoPapel Secundário
Resenhas
Esta resenha pode conter spoilers
Riveting Drama....Until the End
There's no denying the 90s were a golden period of Japanese Dramas. Many of the often depict 'coming of age' themes or maturation of individuals after going through life-changing events. For episodes 1-8, this drama was really great. The way Miho slowly crawls out of her "shell" and starts to see the real world on her own is fascinating to watch. I really like how they make Miho "mature" throughout the episodes, but not too much. Miho just recently moved out of her parent's home, so I like that the drama didn't take the liberty of making her change too much too fast. You know that by the time the drama is over, she still has a lot to learn.However, episodes 9 and 10 are where everything falls apart for me. Let's talk about the elephant in the room...Kyoko. Kyoko is honestly one of the most disturbing characters I've witnessed in my history of watching J-Dramas (and trust me, I've seen many). Kyoko is Miho's best friend, and boy does she have a troubled life. Kyoko is married and is currently having an affair with another man, and she was supposed to have a kid, but got an abortion. Kyoko has an inability to maintain relationships with the people she has affairs with, and it may be for a good reason. As the episodes unfold, it's clear that Kyoko is bisexual, possibly even lesbian. This may hint why she has an inability to maintain relationships with her affairs, because she may have sexual feelings for....Miho?
Kyoko comes off as immensely needy, reckless, uncaring, selfish, and psychopathic. Kyoko has no problem causing pain and suffering to others if it means attaining her goals. If I had a friend like Kyoko who did things to me like what she did, I would immediately cut them off from my life, even if it meant I was completely alone. Some have speculated that Miho also has 'sexual feelings' for Kyoko as well, but as a bisexual man myself, if I had a man who had treated me the way Kyoko treats Miho, I would immediately cut off the relationship. It gets REALLY creepy at the end.
Despite this, however, Miho acts like nothing happened (I mean, she does show anger towards Kyoko, but by episode 10, I have no idea what Miho is doing/wants anymore). The ending was alright for what it was, but it was jarring how the quality of the drama dropped in just 2 episodes. Clearly, someone was either rushed to finish the script, or someone had a major blunder.
I would have given this drama 8.5 / 10 stars if it wasn't for the last 2 episodes, since the acting is wonderful, the music is really comforting, and the overall story arch is something I can personally relate with (I know the 'loneliness' I felt when I moved out for the first time on my own). Also, I felt Shintani was a bit of a throwaway character; for some odd reason, I didn't really care for him too much.
Overall, too many liberties are taken for the ending, very much to a comical degree, dropping my rating to a 7.0/10. Very good drama, but not 'great'.
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Unrealized potential
A story about a queer woman obsessed with her straight (?) best friend that leads nowhere because it didn't go all-out with the characters, their relationships with one another and their feelings about each other's actions. The drama had all the ingredients to do a Fatal Attraction type of story, but when it reached its peak, with the character of Kyoko going fully insane about Miho, it gave up and did a quick and ineffective redemption that left me wanting more. Equally unsuccessful was the relationship between Miho and Shintani, I can see the full picture of Miho consistently making concessions to the different ways Kyoko and Shintani caused her harm, but the drama never truly dealt with that characteristic, it just wrapped everything with a bow to give the story a happy ending that didn't make sense. For me there was no happy ending, there was a woman who ended up stuck in an unfavorable situation with a psychotic friend and a man who proved to be weak and uncaring.Esta resenha foi útil para você?
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