The Glimmering (2026)

Mongolian sound

I don’t know if this can even be called a film. It is so experimental and complicated that it would fit better if it were screened somewhere in a museum accompanied by an explanatory note. The film shows close-ups of static things that feel more like photographs than cinema, accompanied by strange sounds.

The sounds are sometimes present, sometimes absent, sometimes just noise, sometimes a murmur, sometimes the sound of construction work, and sometimes a Mongolian song. I think the director’s intention was to place the emphasis on the sound, so that we listen to his film rather than watch it, but the problem is that the sounds also seem random and it is hard to connect them into any coherent whole or story.

A story can be vaguely discerned, yet it is still difficult to say what is reality and what is imagination. The film is abstract and somewhat depressing. I got a little refreshment from the audiovisual experience of Mongolia in the film. Watching this film is certainly a real experiment. I had a similar experience watching it as when I was renovating a room in our old house together with my father.

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