Sukehira Ayane is an overweight woman who loves chocolate. Because of her love for chocolate, she moved to Italy which is famous for its chocolates. There, Sukehira Ayane gets involved in an accident and she passes out. When Sukehira Ayane wakes up, she finds that her appearance has totally changed. She is now a beautiful woman. Sukehira Ayane travels back to Japan and she begins work as an anesthetician. She still is not interested in dating and she buries herself in eating chocolate and playing games. One day, popular idol Minato Takumi invites her for dinner.
Webtoonist Jiha wants to be a film director, so he goes to Thailand to gather information about a mysterious story popular among travelers to Thailand for his scenario and he meets Hayeong at a guest house in Khao San road. He first suspects that she might be the girl in the ghost story, but after he loses his bag and they meet again somehow, they join together. Carrying Hayeong’s baggage and traveling around Bangkok, Jiha is inspired by people he meets there and faces long-held scar inside himself. Kim Beomsam’s debut film On the Road, Khaosan Tango is a road movie and romance movie filmed in Bangkok, Thailand. It is also a movie about healing people transferring to another level of life by meeting extraordinary things. As a stranger appears at a strange place, a new story is unfolded throughout the movie.
A sleek action thriller starring superstars Hyde, Gackt, and Wang Lee Hom, and set in the near future in a fictional Asian city called Maleppa. A hotbed of crime and drugs, the city is the home to Sho and his gang of desperate criminal associates. Into this group comes Kei, a pale, vampirish young man who has deep ties to Sho. Kei joins the group, which now also includes Son and his younger sister Yi Che, until a grisly event at once reaffirms the bond between Kei and Sho, but also forces Kei to once again flee Maleppa. Years pass and allegiances are switched, but the worlds of Kei and Sho are on course for one last collision.
Michiru is a woman who lost her sight in a car accident, living with her father in a house near a train station. But her father suddenly dies and Michiru decides to live alone. Every morning, Michiru listens to the sound of express train passing through the station. One day, Michiru notices the sound of the train is different from the usual one. On TV, news tells that there was a train accident which killed a man and is suspected to be a murder. And some time later, her door bell rings. A man is standing in front of her house. She can sense someone is there, but he does not answer. He succeeds in slipping in to her house without being noticed by Michiru. The man's name is Akihiro. He is the person, on TV, who is being suspected to be the murderer of the train accident that day. Akihiro, after sneaking in to her house, heads to the window where he can see the train station where the accident happened. Who is Akihiro? Is he really the murderer? Will Michiru be safe in her house alone with a stranger? Thrilling and strange life of Michiru and Akihiro begins.
Former acclaimed dancer Na Young Sae attempts to make a comeback. Young Sae then brings to Korea Jang Chae Rin, an ethnic Korean from China who he presumes is a highly talented dancer. To Young Sae's surprise, he soon learns Chae Rin is an inexperienced dancer and her older sister is the talented dancer. With only three months until the Dance Championship, Young Sae attempts to turn Chae Rin into a world-class dancer.
A Tokyo suburb with a middle American feel, the city of Fussa is home to a US military base with its wide avenues, second-hand clothing stores peddling American merchandise and bars catering largely to G.I.s.
Shiro is a 17-year-old Fussa native, fresh from high school graduation, who finds himself standing in that ambivalent "no man's land" between adolescence and adulthood, ready to strike out on his own but uncertain whether to trust his underdeveloped instincts. He shirks off college, much to the dismay of his conventional parents who barely register in his life, and takes a job at a gas station for no other reason than a vague ambition to do something with cars. For guidance and moral support, Shiro turns to his offbeat, septuagenarian grandmother, "Fujiko", a perennial "flower child" and pro-American who owns a local watering hole and celebrates life with a romantic corps de esprit that she's preserved since her halcyon youth. It is "Grandma" who wields the greatest influence on Shiro's spiritual and moral upbringing and she takes to the role of mentor with the passion of a sacred mission. "Working at a gas station's a great idea, " she tells him. "So full of romance. A rest stop for life's drifters. I'll handle your father on this one."
While Shiro still races around town on his bicycle and rents porn flicks with his boyhood pals, he's keenly reminded that this part of life is quickly ending when he sees his two best friends willingly trade in their childhood pursuits for college and "true love" ? of the same girl. "I've yet to know what that feels like," confesses Shiro, who has a sense of the vital role love plays in a person's coming of age but feels personally removed from it. Like a self-fulfilling prophecy, however, Shiro stumbles across a public breakup scene one evening between a man in a white car and a college girl, Noriko. Days later, Shiro is surprised to see the same girl arrive at the gas station as the newly-hired help, and even more alarmed at his loss of composure in front of her. He is love-struck, and his bittersweet initiation into adult life begins.
Shiro is a 17-year-old Fussa native, fresh from high school graduation, who finds himself standing in that ambivalent "no man's land" between adolescence and adulthood, ready to strike out on his own but uncertain whether to trust his underdeveloped instincts. He shirks off college, much to the dismay of his conventional parents who barely register in his life, and takes a job at a gas station for no other reason than a vague ambition to do something with cars. For guidance and moral support, Shiro turns to his offbeat, septuagenarian grandmother, "Fujiko", a perennial "flower child" and pro-American who owns a local watering hole and celebrates life with a romantic corps de esprit that she's preserved since her halcyon youth. It is "Grandma" who wields the greatest influence on Shiro's spiritual and moral upbringing and she takes to the role of mentor with the passion of a sacred mission. "Working at a gas station's a great idea, " she tells him. "So full of romance. A rest stop for life's drifters. I'll handle your father on this one."
While Shiro still races around town on his bicycle and rents porn flicks with his boyhood pals, he's keenly reminded that this part of life is quickly ending when he sees his two best friends willingly trade in their childhood pursuits for college and "true love" ? of the same girl. "I've yet to know what that feels like," confesses Shiro, who has a sense of the vital role love plays in a person's coming of age but feels personally removed from it. Like a self-fulfilling prophecy, however, Shiro stumbles across a public breakup scene one evening between a man in a white car and a college girl, Noriko. Days later, Shiro is surprised to see the same girl arrive at the gas station as the newly-hired help, and even more alarmed at his loss of composure in front of her. He is love-struck, and his bittersweet initiation into adult life begins.
