10 Dance - Review
I sat and watched this movie today - the first day of my holiday. It makes for a good watch. There are some things I want to talk about.
The cinematography and production are awesome. The script, in my view, is wonderfully written. It allows for a myriad of discussions.
Firstly, I do not consider this a romance story. There is a great deal of love here, but I think what that love is directed at is where you will find the romance. In my opinion the love here is really the love of dance and not necessarily romantic feelings between two human beings. The connection that sparked between Suzuki and Sugiki merely served as a vessel for a deep rooted expression of dance.
Within the first thirty minutes of the movie I thought they were not meant to be. They were complete opposites in every way possible. It is often said that opposites attract, but this movie had me confronting that notion. Is it that it is just a scientific phenomenon that has been overly extended to human relationships? An amazing dichotomy is created on screen through the individual dance forms performed.
Suzuki performs dances from Latin America which are dances that carry the spirit of freedom, independence movements, cultural retention, resistance, and unbridled pride and passion. These dances go against forced structures and deconstruct social ideology. They are similar to many Caribbean dances, some even a blend. Latin American dances are a fusion of African traditional rhythms and beats, indigenous rituals, and European classical dance. This fusion occurred due to the historical process of colonisation. These dances were methods of cultural resistance, retention, revival, and national identity in the face of colonial oppression. They invoke a spirit of freedom, fight, and survival, hence they go against the European standardised structure of classical dance (there is a whole historical discussion to be had on these dances and their connection to nationalist movements, but that would take me away from the discussion to be had here on 10 Dance). These characteristics shaped Suzuki into the passionate man he is.
On the other hand the dances practised by Sugiki and that shaped him, are rigid in structure and depend on restrictions to wild passion to produce perfection. Sugiki, like these dances, is rigid and perfectionist. These characteristics become so burdensome that they suck the love and life out of him, hence when he first saw Suzuki dance he saw something that he never allowed himself to have - free passion - passion that is not continuously refined to produce perfectionist art. He became attracted to that fire in Suzuki, and in my opinion, in trying to capture that fire subconsciously was pouring water on it.
The train kiss is very symbolic of the entire story. That kiss was ignited by the friction between both that was being produced in the studio during the practices. They kissed passionately on the train, but in the end they both got off at different stops. Another moment of symbolism is where Suzuki narrated the coincidence that when HM Queen Elizabeth II was eating coronation chicken, Fidel Castro was staging a revolution. This comparison juxtaposes Suzuki and Sugiki instantly; eating coronation chicken at a royal banquet paints vivid pictures of strict etiquette, discipline, and refined entertainment (the waltz), while a revolution speaks of rebellion against an establishment - a structure. Not to go off on a tangent, but the similarity can be made that Castro won that revolution through guerrilla warfare and not disciplined military style combat, which mirrors how colonialists would have seen early forms of Latin American dances as "uncivilised".
I think there is a discussion to be had about whether or not Sugiki is even sexually attracted to Suzuki at all or is it that he is conflating his craving for passion and love in dance with sexual attraction when he is only attracted to Suzuki's dance spirit? On the other hand we see how the strong expression of eroticism comes out Suzuki's dances and it is possible that it ignited a sexual attraction in Sugiki, but because of his socialisation within strict discipline he could not bring himself to dance in the unbridled flames. In the almost NC scene Sugiki almost caved, but in the end he felt like he could not give in. As to why, is where this entire discussion must stem from.
There are other thoughts I have, but I honestly do not have it in me to type right now. I wish there was a voice-note option right now lol
Anyway, 8/10