Intro to Chinese Film

Director: Zhang Yi Mou 

Strongly influenced by the play Thunderstorm by Cau Yu, Curse of the Golden Flower tells the story of family, forbidden love, and betrayal in the Imperial Court in ancient China. In 928 A.D, on the eve of the Chong Yang Festival, golden flowers fill the Imperial Palace. The Emperor returns unexpectedly with his second son, Prince Jai. His pretext is to celebrate the holiday with his family, but given the chilled relations between the Emperor and the ailing Empress, this seems disingenuous. For many years, the Empress and Crown Prince Wan, her stepson, have had an illicit liaison. Feeling trapped, Prince Wan dreams of escaping the palace with his secret love Chan, the Imperial Doctor´s daughter. Meanwhile, Prince Jai, the faithful son, grows worried over the Empress´s health and her obsession with golden chrysanthemums. Could she be headed on an ominous path?

Screenwriter & Director: Zhang Yi Mou

In ancient China during the Warring States Period, a nameless prefect of a small jurisdiction arrives at the Qin state's capital city to meet the king of Qin. The king has just survived an attempt on his life by three feared assassins (Long Sky, Flying Snow and Broken Sword) and has taken precautions to protect himself, including forbidding visitors to approach closer than 100 paces to his throne. Nameless claims that he had slain the three assassins, and he displays their weapons before the king, who is impressed and allows Nameless to sit progressively closer to him and tell him his story.

Director: Wong Kar Wai 

The film takes place in Hong Kong, 1962. Chow Mo Wan, a journalist, rents a room in an apartment of a building on the same day as So Lai Zhen, a secretary from a shipping company. They become next-door neighbors. Each has a spouse who works and often leaves them alone on overtime shifts. Despite the presence of a friendly Shanghainese landlady, Mrs. Suen, and bustling, mahjong-playing neighbours, Chow and So often find themselves alone in their rooms. Their lives continue to intersect in everyday situations: a recurring motif in this film is the loneliness of eating alone, and the film documents the leads' chance encounters, each making their individual trek to the street noodle stall. Chow and So each nurse suspicions about their own spouse's fidelity; each comes to the conclusion that their spouses have been seeing each other. So wonders aloud how their spouse's affair might have begun, and together, So and Chow re-enact what they imagine might have happened.

Director: Lou Ye, Mao Xiao Rui 

A lonely man with a video camera wanders the streets of Shanghai, making up stories about the people he sees crossing the bridges or passing by on riverboats down the Suzhou River. His girlfriend, Meimei, has left him without explanation. One day, he is jolted out of his misery by a visitor, Mardar, a motorcycle courier, who has just been released from jail for kidnapping his teenage girlfriend, Mou Dan. Having discovered that Mardar betrayed her, Mou Dan allegedly jumped off a bridge into the Suzhou River. Only Mardar is convinced that she is still alive.