This movie is somewhat cool, fun, stylish and beautifully staged. The bloody mainframe of the film's structure is accompanied by an interesting side story that serves to justify all the bloodshed and also to provide some social commentary, but all this is secondary to the rivers of blood. And God saw that it was good ...
This comparatively precocious work of the great Taiwanese director Hou Xiaoxian has an idyllic look that is totally misleading. Hou is a very complex artist to only capitalize on the charms of children and the landscape. The film has a rude tone and a hint of sentimentality even so it's a good perspective film.
A nice film, more or less, the story is easy to understand.Divided into two somewhat interesting stories and each of the stories of the four women interested me. I liked the way the film touches on the theme about 4 happy and married women, but there were single women in different aspects (like in the real world too). It could have taken some of the boring scenes, but overall it was fun enough.
I thought, it's going to be bizarre, just not, it's funny.
It does not have pros or cons, it has basic movie mistakes but having raised about $ 97 million in 13 days is a film to be considered a bit above average.
This film is in a way melodramatic, simplistic and literally nationalistic, but it is also pleasant, many scenes of action and special effects of pleasing to the public, as the story is not at all pleasing, in the books she was better interpreted ... The cast Gives solidity to the film, had exceptional performances, negative point the soundtrack, people who track "garbage".
A super film, filmed around Jeetongma, North Gyeongsang Province, South Korea.
Perhaps the best thing about the film is Eul-Boon Kim's emotive portrait of the illiterate and deaf-mute grandmother who illuminates the dignity of her behavior and the sad resignation in her eyes. It's a beautiful movie ...
The cool thing is that Suzaku was Kawase's first 35mm film, before he produced his movies in 8mm. And cooler than that is that the only professional actor in the production was Jun Kunimura.
It is a delicate drama that effortlessly captures the idyllic atmosphere of its venues before reaching us with the weight of a tragedy. The downside is that semiprofessional actors have not always performed so well and this is noticeable as it goes on and become a little repetitive and frustrating.
This film is dedicated to all those who are drowned in their work routine. For all the adults who long for the novelty of life that is childhood; Of how our sensations are sharper and clearer, how we can really cry and laugh, without worrying about what others will think of it.
Written and directed by Takeshi Kitano, Kikujiro is a great cult movie, you can not fail to mention that Takeshi Kitano acted in this film under the pseudonym of Beat Takeshi and was exhibited at the 1999 Rio Festival with the title of Kikujirô No Natsu.
Another Korean movie about pandemic very good, the explanations about the disease are very realistic. No effort was made to lend credibility to the conspiracy it involves.
This was a rather depressing movie. It's not a bad movie, it was a touching and sad story about a love that maybe could never have worked out. Like every Japanese movie, the story goes slowly. So watch when you're wide awake or you'll think the movie is in "pause."
It is not necessary to take into account the plagiarists and the diluadores to realize that Millennium Mambo is an essential film to have a more exact dimension of what would be such a "contemporary cinema". The film is cult, partially recorded in France and has received several awards.
A beautiful and exciting love story told in a beautiful soundtrack. A wonderfully beautiful film with one of the best casting that can be put together.
To say that these insensitive beings who claim to be mothers who abandon their children are insane and crazy and an insult to those who really suffer from metal illnesses, this film slaps society in the face and shows that people with such problems are more rational Which some say to be mentally healthy. A very good movie that is worth it.
A success and at the same time a movie failure.
The film tells of the story of the captain of a Japanese war submarine interspersed with his last operation and the importance of a love letter in breaking up his and his men's salvation.
The story takes place in World War II and alternates between the past and the present, linked by a fateful song. The big balcony of the film is when the captain receives a farewell present from his lover, the score of a song titled Manatsu in Orion. 64 years later, her granddaughter discovers the punctuation and meaning behind the song.
The failure is due to the mistakes of scene and the mediocre special effects, if it improves in this aspect surely would receive a bigger note, because good history it has.
The strong point is the perspective that the film approaches from the point of view of the post-bullying victim and the psychological consequences of the authors.
Like most Japanese films, Aoi Tori has a decidedly slow pace. But as every detail of Noguchi's suicide attempt is revealed, you'll find yourself at that turtle's pace, asking how things ended up this way, and how things will be from now on.
This movie has nothing to do with the animation of 1985, it is based on the novel written by Yuka Murayama.
It just was not good because it lacked the dramatic charge, consequence of the robotic performance of the cast, a film without life.
What the fuck is that !?
This movie is the aversion version of 007, better, it's the cheap copy. From story to special effects, everything is very bad, despite the movie being ostentation, cars, luxuries and the like is very bad. It gives boredom at the beginning, what can be saved, well, I would say, maybe the action scenes, at least something good in this pile of garbage, otherwise nothing is good.
We can call it a triple movie.
There are three stories that follow in parallel, at the end it joins everything and nobody understands anything.
Do we need to give a discount? After all there were three thinking heads, Xu Yi-Meng, Zhao Lei, Ning Dai who wrote this "work of art".
The concentration to understand is so much that one imagines a complex movie, but it's the opposite, it's simple, but they've tried to spell it out and make A Young Girl's Destiny become a crap movie. This is what happens when many people want to leave their idea, their brand in the film, no matter where or how, but have to be present.
"Pantsu no ana the movie: Doutei soushitsu rapusodi" is a publicity film by Ai Shinozaki, reminiscent of those Motion Gravure Series released for PS2, which Japanese love.
When they decide to put advertising in a comedy film the result is very bad, as in the case of this film, which has absolutely nothing interesting, where even the comedy is terrible.
Tennen kokekkô is nothing special, it's just another medium movie, maybe a slight advantage over the others is the cast that performed very well. Despite a simple story without many surprises, it basically portrays what the Indians felt when the Portuguese first stepped on Brazilian soil, not bad, no, it's worth to watch people.
The "stop time" effect is good, pity that the heater light delivers ...
A very good mini-drama, the novel began to develop from a very good form, it's only 7 episodes that go by very fast and say by the way well produced, with pleasant soundtrack watered down to a delightful romance between the two. The fun part is because of the declaration of love ... The dramatic part and the vision problem ...
And the ending was wonderful, I liked it.
It does not have pros or cons, it has basic movie mistakes but having raised about $ 97 million in 13 days is a film to be considered a bit above average.
Perhaps the best thing about the film is Eul-Boon Kim's emotive portrait of the illiterate and deaf-mute grandmother who illuminates the dignity of her behavior and the sad resignation in her eyes. It's a beautiful movie ...
It is a delicate drama that effortlessly captures the idyllic atmosphere of its venues before reaching us with the weight of a tragedy. The downside is that semiprofessional actors have not always performed so well and this is noticeable as it goes on and become a little repetitive and frustrating.
Written and directed by Takeshi Kitano, Kikujiro is a great cult movie, you can not fail to mention that Takeshi Kitano acted in this film under the pseudonym of Beat Takeshi and was exhibited at the 1999 Rio Festival with the title of Kikujirô No Natsu.
To say that these insensitive beings who claim to be mothers who abandon their children are insane and crazy and an insult to those who really suffer from metal illnesses, this film slaps society in the face and shows that people with such problems are more rational Which some say to be mentally healthy. A very good movie that is worth it.
The film tells of the story of the captain of a Japanese war submarine interspersed with his last operation and the importance of a love letter in breaking up his and his men's salvation.
The story takes place in World War II and alternates between the past and the present, linked by a fateful song. The big balcony of the film is when the captain receives a farewell present from his lover, the score of a song titled Manatsu in Orion. 64 years later, her granddaughter discovers the punctuation and meaning behind the song.
The failure is due to the mistakes of scene and the mediocre special effects, if it improves in this aspect surely would receive a bigger note, because good history it has.
Like most Japanese films, Aoi Tori has a decidedly slow pace. But as every detail of Noguchi's suicide attempt is revealed, you'll find yourself at that turtle's pace, asking how things ended up this way, and how things will be from now on.
It just was not good because it lacked the dramatic charge, consequence of the robotic performance of the cast, a film without life.
This movie is the aversion version of 007, better, it's the cheap copy. From story to special effects, everything is very bad, despite the movie being ostentation, cars, luxuries and the like is very bad. It gives boredom at the beginning, what can be saved, well, I would say, maybe the action scenes, at least something good in this pile of garbage, otherwise nothing is good.
There are three stories that follow in parallel, at the end it joins everything and nobody understands anything.
Do we need to give a discount? After all there were three thinking heads, Xu Yi-Meng, Zhao Lei, Ning Dai who wrote this "work of art".
The concentration to understand is so much that one imagines a complex movie, but it's the opposite, it's simple, but they've tried to spell it out and make A Young Girl's Destiny become a crap movie. This is what happens when many people want to leave their idea, their brand in the film, no matter where or how, but have to be present.
When they decide to put advertising in a comedy film the result is very bad, as in the case of this film, which has absolutely nothing interesting, where even the comedy is terrible.
A very good mini-drama, the novel began to develop from a very good form, it's only 7 episodes that go by very fast and say by the way well produced, with pleasant soundtrack watered down to a delightful romance between the two. The fun part is because of the declaration of love ... The dramatic part and the vision problem ...
And the ending was wonderful, I liked it.