Shamans, Secrets, and Seriously Messy Drama
At first glance, this show feels like Hannah Montana meets mysticism—but there’s way more to unpack. The plot has deliciously messy layers that’ll have you yelling, “Wait, WHAT just happened?” It’s chaotic, in the best way.That said, cramming all this drama into 12 episodes? Bold, but not brilliant. By Episode 10, the pacing hits fast-forward, and storylines feel rushed. A couple more episodes could’ve made this show exceptional instead of just entertaining.
Now, let’s talk Yeom Hwa. Choo Ja Hyun could’ve nailed the villain role, but the writing didn’t do her justice. Her motivations are flimsy, her relationships lack depth, and honestly, why does anyone care about her?
What does shine is the show’s deep dive into shamanism. Most dramas sprinkle in mysticism, but this one goes all-in, showcasing fascinating rituals and traditions that set it apart.
The cast? Pure gold. Choo Young Woo gives us broody Bae Gyeon U and mischievous Bong Su in a way that feels effortless (even if he’s a bit too grown-up for a high schooler). Cho Yi Hyun as Park Seong A? She nails the transition from girl-next-door to mysterious shaman, with emotional growth that feels real.
The ending wraps things up… mostly. While the emotional punches land, some storylines are left hanging. Still, the electric chemistry between the leads and the gripping plot make this a ride worth taking. Flawed, yes, but undeniably fun.
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A Storm of Talent, A Breeze of Flaws
ACTING HEAVYWEIGHTS: THE CAST THAT DELIVERSIf you watch for nothing else, tune in for the performances. Lee Junho is the show’s pulse, taking Kang Tae Poong from reckless Apgujeong kid to a man changed by family responsibilities. Every emotion hits deeply. Kim Min Ha matches him with warmth and grit as she navigates both workplace and family troubles. Kim Min Seok and Kwon Han Sol round out a cast that sparks with chemistry. It’s an acting masterclass—full stop.
‘ROMANCE REDEFINED’: LOVE, NO CHEESE REQUIRED
Forget predictable romance. The leads’ connection grows quietly and honestly—never forced, always intentional. You’ll remember the blushing beachside kiss, but it’s their easy partnership in both life and business that sets them apart. This is K-drama romance with real depth: subtle, refreshing, and genuinely worth rooting for.
RETRO VIBES, FOUND FAMILY FEELS, AND A MOTHER’S REINVENTION
From retro gadgets to the buzz of a fax machine, Typhoon Family nails late ’90s nostalgia. The early episodes hum with both collective anxiety and resilience from the IMF crisis—history as atmosphere. But the real heart is family, both by blood and by choice.
Kim Ji Young’s journey as TaePoong’s mother is a true revelation. She transforms from a sheltered wife into a self-reliant matriarch, quietly taking charge when everything seems on the brink. Watching her steady the ship—caring for her son, Miho, Beom, and even Grandma—brings a layer of authentic warmth and strength that’s hard to resist. Her scenes are a blend of tenderness and grit, showing how survival sometimes means inventing yourself anew, even as the world falls apart.
Even so, I often wished for more everyday moments between TaePoong, his mother, and the rest of the found family. While there are touching scenes, TaePoong sometimes feels on the sidelines in these relationships. A few more shared meals, quiet conversations, or simple family routines could have deepened the sense of connection and made their bonds even more believable.
WHERE THE STORM FIZZLES: FLAT VILLAINS AND RECYCLED CONFLICTS
Not everything hits the mark. The promising IMF backdrop gets pushed aside pretty quickly, and the main antagonists—especially Pyo Hyeon Ju—start strong but fall into repetitive patterns. Pyo Hyeon Ju, in particular, feels more like a plot device at times, with schemes that come off as over-the-top and lacking real emotional stakes. Instead of evolving or surprising us, the villains stick to the same playbook—tantrums, petty setbacks, and even burning inventory (yes, literally)—which might move the story forward but doesn’t add much tension.
It’s a shame because the villains never feel like they’re truly worth the leads’ struggles, and that takes the edge off the drama. A deeper dive into their motivations or backstories could have added more emotional weight to their clashes with the leads, making the story more engaging overall.
THE FINAL WHIRLWIND
The last few episodes finally pick up steam, bringing a well-earned sense of hope and connection. Despite its flaws, Typhoon Family offers genuine warmth and moving moments, making its celebration of resilience and togetherness linger long after the final credits. Typhoon Family ultimately finds clarity about resilience and chosen family—even if it takes a winding road to get there. When the show leans into these themes, it doesn’t just weather the storm; it glows.
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When Demons Judge
What would a demon judge be like? Picture a mischievous whirlwind—wicked, cheeky, and delightfully chaotic—spreading confusion while serving up hellish punishments to those who truly deserve it. Enter Justitia/ Kang Bit Na, played brilliantly by Park Shin Hye, who nails this wild spirit!What really sets this drama apart is its bold and entertaining take on demon characters and their antics. Each emotional storyline packs a punch, diving into their darker, more violent sides without any apologies. Yet, it maintains a perfect balance with a light-heartedness that keeps things fun and engaging. Even as Justitia navigates human emotions and falls for the male lead, Han Da On, she never loses that badass edge.
I've struggled to connect with Park Shin Hye in her previous roles, but her portrayal as Justitia/ Kang Bit Na is truly impressive. It's refreshing to see her break free from typecasting! She’s a powerhouse of strength wrapped in vulnerability, sprinkled with love, and her performance genuinely stands out. I was pleasantly surprised by how much I enjoyed her emotional scenes!
The strong supporting cast, featuring Kim In Kwon, Yang Kyung Won, Kim Jae Hwa (alongside her real-life sisters) and many more, adds even more depth to the story. My only complaint? Lee Kyu Han's acting. His character, Jung Tae Gyu, comes off a bit one-dimensional, almost as if there's glue stuck on his face. He doesn't quite capture the insane, evil, or unhinged vibe that his character is supposed to embody.
Overall, this drama is a wild ride with plenty of twists and engaging moments!
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Review: Lee Junho Shines, But the Story Falls Flat
First and foremost, let me declare that Lee Junho has never appeared more dashing. From the moment he leaps from the helicopter, fans and even non-fans will undoubtedly swoon. His acting is impeccable throughout. However, this cannot mask the fact that the story lacks excitement and a compelling climax.The drama aims to deliver a sweet romantic comedy, utilizing all the essential formulas while avoiding the typical pitfalls like childhood connections, unnecessary separations, or lurking killers. While I appreciate this attempt, it ultimately falls short. Around episodes 9 or 10, the drama begins to lose momentum, leaving me wondering, "Is this it?"
For instance, the synopsis presents Guwon, the male lead, as the third-generation heir of a hotel group, embroiled in an inheritance battle with his half-sister. Yet, there is hardly any screen time or intelligent strategy showing how he wins this battle. Throughout the drama, we rarely see him at work or displaying his professional acumen. We were eager to see how this Oxford/Cambridge graduate could lead and transform the hotel group, but that aspect is sorely underdeveloped. Even the subplot of his missing mother, which was supposed to significantly impact his upbringing, feels underutilized.
Every romcom has its sidekicks for both leads. Unfortunately, these characters aren't effective here. The comedy between No Sang Sik and Guwon feels forced, and the subplot involving Kang Da Eul and her husband/in-laws adds no value to the overall story.
As a Junho fan, I want to say this is a great drama, but sadly that is not the case. The first half was enjoyable, filled with charm and promise, but the second half fails to deliver on that initial potential. The plot becomes repetitive, and the lack of depth in both the main and supporting storylines leaves much to be desired. Ultimately, while Lee Junho's performance is a highlight, it is not enough to save a story that falls flat and struggles to maintain its momentum.
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A Mixed Bag: Classic Romcom Vibes with Outdated Tropes
For those seeking an old-school romcom-style K-drama, this one has certain enjoyable elements with plenty of sweet moments. However, it's important to note that this drama was filmed in 2018/19 and only released in 2021, so some of its tropes feel a bit dated, more like 2008.Typically, I'd start by highlighting the positive aspects, but in this drama, the flaws are hard to ignore. The main female character, Lee Geun Young, played by Choi Soo Young, is full of contradictions. Losing her job due to the incident was tough, but her behavior afterward is childish, unprofessional, and hard to root for. She often makes poor decisions and lets people walk all over her.
On the other side, the male lead, Hoo Joon, played by Choi Tae Joon, fits the classic K-drama mold. He starts off as an arrogant jerk, but as we learn more about him, we start to empathize with him. Over time, he slowly warms up to the female lead. Nothing groundbreaking here.
As for the second couple, their relationship is undeniably abusive, filled with constant arguments, disrespect, and manipulation. This toxic dynamic affects not only the characters' mental and emotional well-being but also the viewers'. Honestly, I find myself fast-forwarding through all their scenes.
The second female lead, Oh In Hyung, played by Han Ji An, comes off as incredibly selfish. She desires the male lead but refuses to break it off with the second lead due to her own ambitions, trapping herself in a harmful cycle. And Chansung, you did a great job portraying such a one-dimensional jerk, but you deserve roles with more depth and complexity.
It's unusual for a romcom to feature such unlikable and unrelatable characters at the beginning. However, the middle part of the drama proves quite enjoyable for those who appreciate classic romcom tropes. Overall, if this is the type of drama you are interested in, it is not a bad watch. Although the characters may take some time to grow on you, the engaging storyline and romantic elements make it a ok watch for those seeking a light-hearted drama.
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A Spellbound Drama: Intriguing Premise, Disappointing Execution
The premise of the story was quite intriguing, featuring two characters bound by a centuries-old curse or spell and their journey to overcome it. With two attractive and talented actors leading the cast, what could go wrong? Unfortunately, the same old issue arises: the script. Who approved it?It seems the writer struggled to decide on the direction of this drama, or perhaps aimed to challenge herself by blending horror/mystery, fantasy, office romance/comedy, and thriller elements. While it's perfectly fine to mix genres, doing so poorly can lead to a confusing, repetitive, and disjointed story, which is precisely what happens here.
I thoroughly enjoyed the first half of the story, which explored the centuries-old curse and the main female lead's discovery of the spell books. While I do enjoy office romance, the excessive focus on her bullying colleagues detracted from the narrative and ventured into unnecessary territory. Additionally, the obsessive killer, who doesn't seamlessly integrate into the story, oddly becomes the central plot. The inclusion of bizarre side couples, such as her female boss with her bully supervisor and his mother with his best friend, further added to the confusion. In short, it's a mess.
One saving grace is Rowoon's visual appeal. He looks great in suits and portrayed a lovesick puppy convincingly. However, I feel sorry for Jo Bo Ah. Who was her stylist for this drama? Her hair color doesn't match her skin tone and washes her out completely. Her character is also way too weak and foolish, but I do enjoy the chemistry between her character and Rowoon. Truthfully, that's the only reason I stuck with the show until the end.
Final thoughts: The drama has an interesting plot, but sadly, the writing and execution didn't meet expectations. It is watchable, but don't have high expectations.
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Chaos in Couture
This drama feels like watching four shows at once—fascinating, baffling, and chaotic. Entertaining, but embrace the unpredictability and let it surprise you.GENRE JUGGLING GONE WILD
The show's biggest challenge is its genre identity crisis. One moment, you’re chuckling at some dark comedy, the next you’re on the edge of your seat during a thriller sequence. Before you can settle in, it morphs into a mythical fantasy, then swerves hard into melodrama. It’s a wild mix that doesn't always transition smoothly. A huge shout-out to the actors, especially Kim Woo Bin, who navigate these abrupt tonal shifts with impressive skill, switching personas as fast as the show switches genres.
FASHION STATEMENTS OR COSTUME CONFUSION?
This sense of unpredictability extends beyond just the genre. The wardrobe department, for example, seems to have given the characters their own identity crises. Our female lead, played by Suzy and looking fabulous as ever, is a proclaimed psychopath running a repair shop in the countryside. One day she’s in a dreamy floral dress, the next a power suit, and then quiet luxury. Her incohesive styling feels more like a reflection of a multi-personality disorder than a psychopath’s quirk. The same goes for our Genie. He might appear in a preppy, Hamptons-ready Ralph Lauren look in one scene and a 90s club manager outfit in the next. The clothes are nice, but they don't help define who these people are.
HEAVENLY ROLES, EARTHLY QUESTIONS
The show's bold choices aren't limited to costumes. Casting Korean actors as characters with biblical and Arabic origins is a notable move, reminiscent of Hollywood’s ongoing debates about representation. The show gives a quick explanation, but it still raises questions about authenticity and intent. Honestly, it kind of mirrors the drama’s own identity crisis—bouncing between silly comedy and serious themes. These shifts are creative, sure, but they can feel a bit all over the place, leaving you to wonder if it all comes together or just adds to the chaos.
A VISUAL GRAB BAG
The same lack of cohesion crops up in its visual world. The settings feel like they were picked from a hat. We jump from comic book-style animations to a cheesy studio set of a desert that looks like it was borrowed from a daytime soap opera. Then, we’re thrown into a scene heavy with CGI, only to be pulled back to what looks like a slick tourism commercial. It’s visually jarring and makes it hard to feel grounded in the story.
SUBPLOTS PLAYING HIDE AND SEEK
This patchwork quality continues with the plot, which is a tangle of subplots. Some feel completely disjointed, while others disappear for several episodes only to reappear with a dramatic "ta-da, it was all connected!" It feels less like clever storytelling and more like a narrative scramble.
GRANDMA’S GREAT DISCONNECT
Even the heart of the story isn’t immune to this disconnect. Ga Yeong’s grandmother begins as a powerful presence in the story—her strength and warmth shine through evocative flashbacks, where she lovingly raises a child with a social disorder. But in the second half, everything changes: after the female lead wishes for her grandmother to become her own age, the character’s appearance and personality shift so drastically that it becomes hard to bridge the emotional gap. The two versions feel worlds apart, and this disconnect ultimately weakens the story’s emotional core.
THE IKEA EFFECT OF STORYTELLING
Overall, 'Genie, Make a Wish' is a tough show to connect with on a deeper level. It’s a beautiful, chaotic mess. But if you’re looking for pure entertainment and can switch off your brain, it’s a fun, unpredictable ride. Just don't ask too many questions and go with the flow. Watching this show is like assembling IKEA furniture without the manual—confusing, occasionally frustrating, and far from perfect, but not a bad experience overall.
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Not All Heroes Wear Red Undies (Some Wear White)
This drama is the perfect popcorn flick—lightweight, fast-paced, action-packed, and highly entertaining, with a quirky Western-style format infused with a distinctly Korean flair. Across its eight episodes (each just under an hour), it stays consistent in tone, delivering humor, heart, and a dash of chaos.LOVE, MONEY, AND A PUSHY GIRLFRIEND
At first glance, it’s your classic “everyday Joe turns superhero” story—but with a twist. Instead of a bullied loser, we have Kang Sang Woong, an ordinary civil servant who’s often a pushover in his nine-year relationship with Kim Min-sook. She’s bossy, pragmatic, and entirely goal-oriented (save money, buy a house, get married), which sometimes makes her seem selfish. But beneath her no-nonsense exterior, Min-sook genuinely cares for Sang Woong, supporting him in her own practical way and fiercely defending him when it counts. Their relationship is a realistic yin-and-yang dynamic—he’s the willing loser, and she’s the determined planner. It’s not the most romantic setup, but it’s grounded, relatable, and built on a foundation of love.
SUPERPOWERS ON A BUDGET
The real kicker? Sang Woong’s superhuman strength only works when he’s flush with cash—and every time he uses his powers, his money pulls a disappearing act. This clever twist sets up a journey of self-discovery, exploring themes of money, power, and what it truly means to be a hero. Through his internal monologues, we see him grow—rebuilding his bond with his dad, gaining confidence at work, and finding his footing in life. It’s a fresh take on the superhero genre, blending humor with heartfelt moments.
HIGH-WAISTED HEROICS
Lee Junho absolutely nails the role of Sang Woong, bringing to life an awkward, reluctant superhero. He’s selfish, clueless, kind, greedy, weak, and strong—sometimes all at once. His comedic timing is gold, especially in the early scenes where he’s hilariously told to conserve energy and avoid helping others. And let’s not forget the unforgettable moment when Bang Eun-Mi gifts him those special high-waisted white undies to stop coins from falling everywhere—a practical yet deeply awkward solution that perfectly captures the show’s quirky charm. Sang Woong’s internal monologue about how even his girlfriend hasn’t gotten him underwear adds a layer of humor and self-deprecating charm. His sibling-like dynamic with Eun-Mi is a standout, and the moment she pins his ruined suit is unexpectedly heartwarming.
VILLAINS STRAIGHT OUT OF A COMIC BOOK
The rest of the cast is equally stellar. Kang Han-na lights up every scene she’s in, and the ensemble cast turns this action-packed drama into an acting showcase. However, the fast-paced nature of the show leaves little room for deeper character developments or backstories. The villains, while entertaining, feel cartoonish at times. We never really learn the origins of the "Criminals’ Association," the sibling rivalry between Jo An-na and Jo Na-than, or the relationships involving Park Jeong Ja and Jo Won-do. Even Sang Woong’s dad’s story feels a bit underexplored. But in a show that’s more about heart and humor than complexity, they serve their purpose as chaotic forces that keep the action moving.
A HERO’S TRUE POWER
That said, this drama isn’t trying to be deep. It’s a fun, action-filled ride with a solid message—not just about power and money, but also about responsibility, self-discovery, and what it truly means to rise to the occasion. It’s a powerful reminder that being a hero isn’t about perfection or superhuman abilities—it’s about courage, community, and the strength to overcome challenges when it matters most. (Though, let’s be honest, Junho’s shirtless bathroom scene deserves its own standing ovation for heroism of a different kind.)
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When Soul-Swapping Turns into Viewer-Swapping
Starting with so much promise—an intriguing premise, a stellar cast, and the kind of soul-swapping shenanigans that Kdrama fans live for—it had me hooked. But somewhere around episode 9, I found myself staring at the screen, wondering if my soul had swapped with someone who just couldn’t finish this show. Don’t get me wrong, Kim Se Jeong is a powerhouse. Whether she’s Dal, the Crown Princess, or Crown Prince-in-Dal’s-body, she delivers every time. But let’s be real—she’s born to play Dal, not the Crown Princess. Kang Tae Oh? Halfway there. He nails the angsty, love-struck, spoiled Crown Prince, but his portrayal of Dal felt like a missed memo.The supporting cast shines, except for you-know-who (yes, the SFL whose acting is as infamous as it is consistent). But honestly, the real villain here is the script. Soul-swapping? Cool. Add in amnesia and years of living as someone else? Now we’re in a maze of confusion. By the time Kim Se Jeong’s character lost her connection to herself, I lost my connection to the show. And when a viewer can’t connect with the lead, well... let’s just say my remote found its way to another drama. It had me at the start, but somewhere along the way, it lost me.
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Rom-Com or Rom-Don't?
After watching this quirky rom-com, it’s clear that it heavily relies on familiar clichés. If you’re not into the genre, you might want to pass—think of it as the fast-food version of romantic comedies, missing the depth of a well-crafted drama.The plot is straightforward, featuring the classic tale of a working-class girl meeting her Prince Charming in a modern setting. However, the dialogue falls flat, and the love rivalry between the male lead and the supporting character, who has a one-sided crush, lacks excitement. Plus, those two coworkers can get pretty annoying—how does someone so self-centered and gossipy fit into a PR team at a big company?
The breakup between the leads drags on longer than necessary, and while the female lead starts off as smart and independent, she quickly becomes rather dull. As a viewer, I found myself caring less and less.
Interestingly, the most compelling character is the male lead's brother, who genuinely cares for his sibling and navigates his arranged marriage with a heart of gold. The mother also adds a unique touch; she’s not your typical “evil step-mom” or “evil mother-in-law.” Instead, she's a realistic woman balancing the roles of mom, dad, and a company chair.
With the right expectations, this drama can be an okay watch, even if it’s not one you’ll feel compelled to revisit.
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A Story of Two Parts: Drama Dips, Stars Shine, and Plot Fizzles Out
[ Disclaimer: I haven't read the webtoon, so my comments are based solely on the drama. ]I was aware that the plot's quality declined in the second half, as many viewers had noted. Nevertheless, I decided to give it a try because it featured my favorite duo from Mr. Queen, Shin Hye Sun and Cha Chung Hwa, along with many other talented actors and actresses. Unfortunately, the story began to falter around episode 7 and continued to deteriorate thereafter.
Plot:
The first half of the drama was quite enjoyable. It delved into the characters' backgrounds, especially Ban Ji Eum's growth despite her abusive father, and her integration into Moon Seo Ha's life. I was also deeply invested in the car accident storyline. However, as the plot progressed, it became increasingly underwhelming. I was particularly disappointed with the father character; if he knew everything from the start, his treatment of his son made no sense. And why keep that woman near his son? He could have paid her off to stay out of their lives.
The second part of the drama shifted focus to the characters' "first life," making the narrative feel disjointed and forced. Episodes 10 and 11 were especially problematic, with constant flashbacks that felt repetitive and unnecessary. The final episode seemed designed to evoke emotion over Ji Eum losing her memories of her loved ones, but it failed to do so and became a drag; I was relieved when it ended.
Moreover, the secondary couple was poorly written and monotonous, with the same conversations and actions repeating endlessly.
Leads:
Both Shin Hye Sun and Ahn Bo Hyun delivered strong performances in their respective roles. However, the chemistry between them seemed lacking, which somewhat diminished the overall impact of their scenes together. In addition, while I appreciate Ahn Bo Hyun's willingness to try different roles, this one didn't seem to suit him as well.
Final thought:
Overall, the drama had its highs and lows, with stars shining but the plot ultimately fizzling out.
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A Fast-Paced Sequel with Unexplored Backstories
Part 2 takes us to modern Seoul and, like the first installment, unravels the backstory—exploring the events between Part 1 and the current narrative—later in the series. However, it feels a bit limited. I’d love to see more of those 75 years when our main characters were apart! Diving deeper into Lady Maeda's truly wicked nature and Captain Kuroko's backstory would be fascinating.Overall, this sequel amps up the pace and is packed with action, pulling viewers in much quicker. Despite its flaws, the excitement makes it a fun continuation of the story. I’m curious to see if there will be a Part 3 with that intriguing ending!
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Quirky Characters and Comedic Gold
This drama explores serious themes like foster care, orphanages, children born out of wedlock, murder, dementia, and child abuse. Sounds intense, right? Surprisingly, it's all wrapped up in a romantic comedy that keeps you laughing!I jumped into this show with no expectations. Initially, I found the main female lead, played by Shin Min Ah, a bit annoying with her constant calculations of losses. However, as the story unfolded, I realized she’s just one of many quirky, flawed characters in the mix. What makes this show enjoyable is its self-awareness; it embraces its characters' imperfections and turns them into comedic gold!
With only 12 episodes, the series cleverly finds humor in various situations while delivering a heartfelt message. Instead of shying away from classic rom-com tropes, it engages with them in a refreshing way. Shin Min Ah's character, though a bit calculating, is fair, honest, and goal-oriented—she’s not against losing, just ensuring everyone else doesn’t either. Her antics while making dating videos gave me second-hand embarrassment and made me burst into laughter! Love that modern feminist vibe!
The witty dialogues and interactions among the hilariously entertaining characters, including the quirky secretary and the CEO, kept the laughs coming. And we can't overlook the ex-boyfriend! The scene where they found him in bed the next morning was absolutely side-splitting. Who would have anticipated that this charming K-drama would showcase three best friends—one in a faux marriage, another in a polygamous relationship, and the third writing steamy novels? I certainly wasn’t ready for the box of internationally themed dildos that could also serve as glow-in-the-dark self-defense weapons. Truly a laugh-out-loud moment!
It’s one of those rare cases where I wish there were a few more episodes. Who doesn’t love a bit more screen time for the main couple in the final episode?
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A Heartwarming Journey Marred by an Unnecessary Ending
Honestly, I had no intention of watching this when it first came out. However, after seeing Byeon Woo Seok in "Lovely Runner," I couldn't resist his charm and decided to give it a go. This movie is a heartwarming coming-of-age romance, but inexplicably, the writer chose a sad ending. It felt unnecessary and out of sync with the film's overall tone and vibe.Both Kim Yoo Jung and Byeon Woo Seok were perfect for their roles. Kim Yoo Jung's character is irresistibly lovable, embodying loyalty, charisma, and charm; she instantly wins your heart. Byeon Woo Seok’s character is equally captivating, portraying a loyal, observant, caring, and reliable friend. There is no doubt these two are perfect for each other. In contrast, their best friends are a bit more selfish, especially Roh Yoon Seo's character, but not in a negative way.
The movie will undoubtedly stir feelings of nostalgia, taking you back to your high school days. Who was your first boyfriend or girlfriend? Did you ever help your best friend approach their crush? And remember all that old technology, from pagers to VHS tapes? It's truly a walk down memory lane.
As mentioned earlier, the sad ending felt unnecessary. I don't understand why the writer chose this route. It doesn't make the movie more poetic or artistic; it only creates a sense of dissonance from the rest of the film's direction and tone. An avoidable disappointment.
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Charming Fantasy Romcom Alert
This drama is a delightfully enchanting fantasy romcom, full of likable characters and laugh-out-loud moments. You'll definitely develop a girl crush on both Lee Hyeri and her character, Lee Dam. Hyeri really shines with her well-written role, and what's great about her is how authentic she is. She plays her part with natural ease and isn't afraid to dive into the silly, embarrassing moments that others might shy away from. Her girl-next-door charm makes her totally believable as a college student, and it's easy to see why the male leads are so taken with her.Jang Ki Yong nails it as the 999-year-old nine-tailed fox, Shin Woo Yeo. His cold demeanor perfectly shows the weariness of someone who's been around for centuries. His chemistry with Hyeri is electric, capturing the classic "opposites attract" vibe.
The second couple, played by Kang Han Na and Kim Do Wan, is just as fun to watch. Kang Han Na is especially impressive as an air-headed former nine-tailed fox with a heart of gold. Her comedic antics and sibling-like rivalry with Jang Ki Yong's character add an extra layer of fun to the show.
Like many fantasy romcoms, the "forced separation" part got a bit dull, but it didn't drag on too long. All in all, this drama is a must-watch if you're looking for a mix of humor, charm, and enchanting fantasy. It hits all the right notes, making it a delightful addition to the genre.
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