What does Netflix have to do with it if the Koreans made it? They filmed their own material.
Have you read Sweet Home? These are slightly different situations. The Squid Game didn't have a source (just a bunch of projects that he copied from). And the Sweet House had a source. In the case of The Squid Game, the author had to squeeze creativity out of himself (which doesn't exist). But there was a ready-made idea in Sweet Home, and it was implemented. So, in the case of The Squid Game, yes. Netflix is not very smart. They just ruined it.
About Alice. She also has material for three seasons. So it's only fair. But if the screenwriter fucks up, Netflix won't be to blame.
Ms Akina's position is interesting. You feel bad for her but at the same time is it really that excusable? Exploitation…
The fact that they're trying to convince people that the hosts are to blame is a questionable story. Yes, they also made Tsubasa, whose friend she killed, the scapegoat. She's an adult and understands perfectly well who hosts are and how they make money.
It has already been said many times. The main story ended on the second season. It's the same in the manga. But…
Well, this trend has been going on for a long time. The sequels to successful projects were often shit. Because money is the only priority. . . I wonder if the third season of Alice will be cool? I doubt it, of course.
Boys Over FlowersStrong Woman Do Bong SoonShopping King LouieAnother Miss OhJealousy IncarnateCinderella and the…
Not the title. She gave the example of series where the main characters have a childhood in their heads. And they don't act like adults. I've watched half of it, so I've come to this conclusion.
K-Drama 
About Alice. She also has material for three seasons. So it's only fair. But if the screenwriter fucks up, Netflix won't be to blame.
https://kisskh.at/798860-anata-wo-korosu-tabi
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I wonder if the third season of Alice will be cool? I doubt it, of course.