Lawyer Refutes Claims Linking Kim Soo-hyun and the Late Kim Sae-ron to Underage Relationship
On September 26, attorney Go Sang-rok issued a detailed statement through his YouTube channel “Korean Legal Titan” addressing the controversy surrounding actor Kim Soo-hyun and the late actress Kim Sae-ron.
Go strongly refuted allegations made by YouTube channel Garo Sero Institute (Gaseyeon), which claimed that Kim had engaged in a relationship with Kim Sae-ron from her middle school years, implying underage sexual exploitation.
According to Go, all the photos released by Gaseyeon were taken during Kim Sae-ron’s adult years, and this can be clearly proven without dispute. He emphasized that the 2019 postcard cited as evidence was written when Kim Sae-ron was already a university freshman, making her legally an adult. The letter’s language, he argued, reflected the early stages of a new relationship rather than a long-standing romance dating back to her teenage years.
Go also examined a 2018 military service letter written by Kim Soo-hyun, stressing that its content was not romantic in nature. Instead, it contained routine details about military life with only a brief mention of wanting to meet again, followed by future career plans. He noted this was inconsistent with how a soldier would typically write to a romantic partner.
The lawyer underscored that the central allegation—that Kim Soo-hyun maintained a six-year relationship with Kim Sae-ron beginning when she was a minor—is unfounded. Had the claims been true, the relationship would have started when Kim Sae-ron was only 16, falling under statutory rape provisions at the time. However, Go maintained that all available evidence shows the relationship began in the summer of 2019 and ended the following year, well within the legal framework and without indications of coercion or exploitation.
He further criticized Gaseyeon for escalating their accusations even after rebuttals were issued by Kim’s agency, portraying the actor as a “perverted pedophile” through repeated broadcasts. These included references such as “worse than the Nth Room” and alleged acts of restraint, claims Go described as baseless and defamatory.
Go also condemned Gaseyeon’s May 7 press conference, where they played an audio recording said to be from Kim Sae-ron, alleging sexual relations had begun as early as her second year of middle school. He argued this further cemented the defamatory nature of the allegations, which have already caused severe damage to Kim Soo-hyun’s career—including canceled projects, lawsuits from advertisers over breach of contract, and ongoing public stigma.
The lawyer concluded that objective evidence contradicts the claims of a predatory underage relationship, instead portraying the brief relationship between Kim Soo-hyun and Kim Sae-ron as a consensual adult romance. He said his findings form the basis of ongoing legal responses to protect Kim’s reputation.
The controversy has remained intense since Kim Sae-ron’s passing in February 2025. Her family has insisted she and Kim Soo-hyun were in a relationship from 2015 to 2021, while Kim’s side maintains their romance lasted only from 2019 to 2020, after she reached adulthood.
Before giving in to the excitement of rumors, allow me to clarify, calmly but firmly: serious claims such as “embezzlement,” “fraud,” or labels like “sociopaths” are not harmless jokes. They are statements about facts, and facts require evidence, not gossip.
If you have real and verifiable information, use it responsibly: publish it with sources, bring it to the competent institutions or to investigative journalists. But if you do not, I kindly ask you to reconsider your tone. Spreading rumors does not give you strength; it strips you of dignity.
People’s reputations are not toys to be thrown around at will. Truth stands only on evidence; until then, decency requires restraint. Choose silence or correctness, both honor you more than the gratuitous enthusiasm for defamation.
Sometimes, the most important thing you can do is to trust what lies ahead and stay at peace with where you are now, even when the path feels heavy and unfair. Life is not only about great destinations, but also about those moments which, though painful, strengthen us and reveal our true worth. Even in the face of defamation, what shines through is your strength, dignity, and courage, Kim Soo Hyun. And we, the ones who cherish you, are here to remind you that you are not alone.❤️
I also rewatched the series and it captivated me from the first moments. I had forgotten a lot of the action and…
You’re right about this drama, Kim Soo Hyun possesses that rare quality of making his performance feel absolutely real, as if he isn’t acting a role but truly living the character. His versatility is remarkable: he can move effortlessly from heartbreaking emotional depth to lighthearted, charming comedy. Seo Yea Ji, in turn, was extraordinary; her intensity and elegance gave the story a unique depth.
What fascinates me most is the way Kim Soo Hyun creates a remarkable duo with every actress he works alongside. It’s not just chemistry, it’s the way he adapts his energy to highlight their strengths, building both balance and contrast at the same time. With Seo Yea Ji, the dynamic is intense and magnetic; with other co-stars, it can be playful, tender, or profoundly moving. This ability to build an authentic partnership on screen is one of the reasons why every drama he leads resonates so deeply with audiences. It is truly the mark of an artist.
One thing I absolutely love about KSH's fanbase is the resilience. We don't get tired -we report and make things…
I really love how you put it. And I completely agree, people often ask why so many stand by him, but for me the answer is simple. I didn’t become a fan through his dramas at first; I became a fan because I met him in real life, almost by chance. It happened in Japan, in a quiet park, while I was walking with my father. I wasn’t even sure it was him at first, and my dad didn’t believe me when I said he was a Korean actor. But at my insistence, he approached him, since he speaks Korean. What followed is something I’ll never forget, Kim Soo Hyun was humble, a little shy, yet so warm and kind. He asked where we were staying and later sent photos and autographs to our hotel. There was no trace of arrogance, no distance, only a genuine man who treated strangers with respect and thoughtfulness. That’s why I believe fans defend him so strongly. Because many of us have either seen or felt the same thing: beyond the fame, beyond the headlines, there is a real person who is gentle, modest, and deeply human. So when accusations arise, it’s not blind loyalty, it’s the natural response of people who know his true character. And yes, I agree with you: his only “fault” was being the former partner of someone who is no longer here. A painful truth that should never have become a burden for him to carry.
The series is scheduled to air on Disney+ in 2025, with Kim Soo Hyun in the lead role alongside Jo Bo-ah. Although initially delayed due to controversies, the project has been relaunched and generated positive anticipation. (en.wikipedia.org)
Kim Soo Hyun will star in the series Knock-Off, a black comedy drama about a man’s rise from an office worker to the leader of a counterfeiting network in post-1997 financial crisis Korea. The series is scheduled to air on Disney+ in 2025, with Kim Soo Hyun in the lead role alongside Jo Bo-ah. Although initially delayed due to controversies, the project has been relaunched and generated positive anticipation. (en.wikipedia.org)
Silence and Noise: What the Kim Soo-hyun Case Reveals About Korea’s Media and Entertainment Industry
The controversy surrounding actor Kim Soo-hyun has grown far beyond ordinary celebrity gossip. According to the analysis, it represents a digital-age witch hunt that exposes the contradictions of Korean society and the systemic hypocrisy of both media and the entertainment industry.
From the outset, Korean news outlets relied heavily on a single fabricated source—YouTuber Kim Se-eui—and turned unverified claims into a nationwide scandal. The entertainment industry, instead of defending one of its most prominent stars, chose a chilling collective silence. Even when evidence surfaced disproving the allegations, both the press and the industry largely ignored it.
The article argues this is no accident but part of a recurring cycle: idolization ➡️ destruction ➡️ oblivion. In this cycle, the media no longer prioritizes truth but traffic, exploiting emotions such as anger and moral outrage to maximize engagement. Scandals involving sex, power, and tragedy generate the most explosive narratives—while fact-checking is considered too slow and unprofitable.
As a result, Kim Soo-hyun became the perfect target: a highly visible figure who could be sacrificed for public spectacle. This created what the author describes as “trial by media,” where a distorted reality constructed by news coverage replaced objective truth. Once public opinion hardened, silence became the media’s most “rational” strategy to avoid accountability, legal liability, or loss of reputation.
The article also highlights the imbalanced relationship between law and media in Korea. Courts often move too slowly, leaving a “truth vacuum” quickly filled by speculation and outrage. Even if the legal system eventually clears the accused, reputations and careers are often permanently damaged—a form of “social death.”
Looking forward, the piece discusses recent proposals for media reform, including punitive damages for fake news, equal accountability for both traditional outlets and individual creators, and stricter responsibility for reporters who publish unchecked claims. Such reforms, it argues, could prevent future tragedies like Kim Soo-hyun’s ordeal—though they must be carefully implemented to avoid infringing on press freedom.
Ultimately, the analysis concludes that Kim Soo-hyun’s case symbolizes how truth itself can become the greatest casualty in a system driven by capital, politics, and digital populism. Protecting individuals from falsehoods will require not just legal reform but also a shift toward greater public awareness and responsibility in how information is consumed and judged.
Fans of South Korean actor Kim Soo-hyun from around the world have launched a global campaign demanding justice…
These support actions have had a significant impact on Kim Soo Hyun’s image, demonstrating that the support from his fans remains strong and unwavering. Despite the challenges, the actor continues to be backed by a dedicated global community. These actions highlight the commitment of his fans to support and protect Kim Soo Hyun’s image, showing that truth and love can overcome any adversity.
In August 2025, there were several positive updates regarding Kim Soo Hyun, even amid his ongoing legal and professional challenges.
1. Premiere of the series Knock-Off on Disney+
Kim Soo Hyun will star in the series Knock-Off, a black comedy drama about a man’s rise from an office worker to the leader of a counterfeiting network in post-1997 financial crisis Korea. The series is scheduled to air on Disney+ in 2025, with Kim Soo Hyun in the lead role alongside Jo Bo-ah. Although initially delayed due to controversies, the project has been relaunched and generated positive anticipation. (en.wikipedia.org)
2. Kim Soo Hyun remains at the top of popularity rankings
Even amid turbulence, Kim Soo Hyun continued to enjoy strong fan support. During the 127th round of the Star Ranking vote, held from August 21 to 28, 2025, he ranked first among Korean actors for the 17th consecutive week, receiving 77,267 votes. This demonstrates the ongoing loyalty and admiration of his fans. (kbizoom.com)
⚖️ 3. Progress in defamation lawsuits
On August 20, 2025, the first hearing was held in the lawsuit filed by FromBIO against Kim Soo Hyun and his agency, Gold Medalist. Although the legal process is still ongoing, this marks an important step in clarifying the situation and protecting the actor’s public image. (zapzee.net)
These developments suggest that despite the challenges, Kim Soo Hyun continues to maintain his position in the entertainment industry and the hearts of his fans.
[NEWS] Kim Soo Hyun Takes First Place in the 89th Brand Power Pol for Male Actor
Actor Kim Soo Hyun, and singers Song Gain and Eun Ga Eun have claimed the top spot in the Superstar Brand Power Poll. From the 10th to 2 pm on the 17th, Top Star News conducted the 89th round of voting for the Male Actor category in the Superstar Brand Power Poll. According to the results announced after the poll closed on the 17th, Kim Soo Hyun secured first place in the Male Actor category with 1,095,000 votes out of a total of 2,224,680, maintaining his number one position for 20 consecutive weeks. He was followed by Kim Hee Jae in second place with 356,700 votes, and Byun Woo Seok in third place with 249,270 votes. Kim Soo Hyun recently gained immense popularity for his role as Baek Hyun Woo in the tvN drama Queen of Tears, which aired last year.
Thanks to the drama's success, he received widespread love both domestically and internationally. His next project will be the Disney+ drama Knock Off, where he will star alongside actress Jo Bo Ah.
Though damage has been done, more accountability is still needed. Kim Soohyun deserves sincere apologies from those who spread false accusations. Half a year on, yet true accountability remains scarce. Among those who fueled falsehoods, only a handful have faced their actions. We call for responsibility across all platforms -every malicious- post and harmful content targeting Kim Soohyun must be erased. Today, we share the oficial apology letter from individuals who have acknowledged their mistakes and expressed their regret:
Official Apology Letter
Good evening.
We, Ti Tince, Nita, and Dita, with humility, through this letter intend to acknowledge the mistakes we have made regarding our posts some time ago. In those posts, there were hate comments directed towards Actor Kim Soohyun. We realize that we have acted inappropriately by sharing news without verifying its truth from the drama portal account and by using unethical words in commenting about Kim Soohyun. We should have used social media more wisely. Through this letter, we would like to sincerely convey our deepest apologies to Actor Kim Soohyun, Kim Soohyun's fans, and Soowon couple fans for the wrong actions we have committed. We hope that Kim Soohyun's fans and Soowon couple fans can forgive our mistakes. We promise not to repeat these mistakes again and will permanently delete the account that spread this falsehood. Thank you.
“Queen of Tears” quickly established itself as one of the most acclaimed Korean dramas of recent years, managing to attract not only impressive viewership but also critical recognition. It is a production that blends the classical and the modern, relying on emotion while maintaining a solid narrative structure.
The success of the series is largely due to the performances of its lead actors. Kim Soo Hyun once again confirms his status as one of the most versatile and expressive actors of his generation. With a nuanced performance, he transitions effortlessly from emotional fragility to dramatic intensity, endowing his character with a rare humanity on screen.
On the other hand, Kim Ji Won delivers an equally memorable performance, striking a remarkable balance between inner strength and vulnerability. Her charisma, complemented by subtle gestures and expressions, makes her character not only convincing but also deeply endearing. Together, the two actors create an impressive on-screen dynamic that sustains the entire dramatic structure of the series.
The supporting cast must not be overlooked, as they add consistency and depth to the narrative. Through carefully calibrated performances, they avoid clichés and transform every appearance into an essential contribution to the story. In this way, “Queen of Tears” achieves coherence and depth, offering audiences a layered and complete experience.
On a technical level, the drama stands out through refined direction and a carefully selected soundtrack that amplifies the emotional tension of each scene. The cinematography, elegant and sensitive, decisively contributes to the overall atmosphere.
In conclusion, “Queen of Tears” is not only a ratings success but also a demonstration of artistic strength. It is the kind of production that manages to captivate both general audiences and demanding viewers alike, reaffirming that Korean dramas can reach an aesthetic and interpretative level comparable to that of major international productions.
“It’s Okay to Not Be Okay” - A Drama That Breaks Patterns and Heals Trauma
In a landscape saturated with conventional romantic stories and narrative clichés, It’s Okay to Not Be Okay (2020), produced by tvN and distributed internationally through Netflix, stands out for its psychological depth, refined cinematic aesthetics, and its courage to tackle delicate themes such as mental health, trauma, and healing love.
A Story of Suffering, Healing, and Human Connections
The series centers on Go Moon-young (Seo Ye-ji), a children’s book author with an antisocial personality, and Moon Gang-tae (Kim Soo-hyun), an empathetic caregiver at a psychiatric hospital who looks after his older brother, Moon Sang-tae (Oh Jung-se), diagnosed with autism spectrum disorder. The meeting between Moon-young and Gang-tae triggers a slow and painful process of confronting the past, as well as emotional reconstruction.
Despite being labeled a “romantic drama,” the series is much more than a simple love story. It is a subtle examination of the long-term effects of childhood trauma and a plea for empathy, patience, and self-acceptance.
Impressive Acting Performances
Kim Soo-hyun returns to the small screen in a mature, restrained, and deeply nuanced role after a five-year hiatus. His performance is gracefully supported by Seo Ye-ji, whose portrayal of an emotionally unstable yet vulnerable character is one of the most acclaimed in her career. However, the true revelation is Oh Jung-se, who authentically and respectfully brings to life a neurodivergent character, avoiding the pitfalls of caricature. His role has been recognized with awards and applause from both audiences and critics alike.
A Remarkable Visual and Auditory Concept
Directed by Park Shin-woo, the series has a distinct visual identity. The use of visual symbolism, a cool color palette, and carefully composed shots creates an almost dreamlike atmosphere, contrasting with the harsh themes addressed. The sensitively composed soundtrack perfectly complements the emotional intensity of the scenes.
A Courageous Exploration of Mental Health
In a society where mental health often remains a taboo subject, It’s Okay to Not Be Okay breaks barriers and brings essential discussions about depression, personality disorders, trauma, and the need for therapy to the forefront. Without becoming didactic, the series delivers a clear message: it’s okay not to be okay, as long as you allow yourself to ask for help and heal unseen wounds.
Conclusion
It’s Okay to Not Be Okay is not just a simple romantic drama. It is an exercise in introspection, a visual poem about human fragility, and a lesson in compassion. With refined direction, memorable acting performances, and a deeply moving story, the series earns its place among the most valuable South Korean productions of the past decade.
3 
3 
On September 26, attorney Go Sang-rok issued a detailed statement through his YouTube channel “Korean Legal Titan” addressing the controversy surrounding actor Kim Soo-hyun and the late actress Kim Sae-ron.
Go strongly refuted allegations made by YouTube channel Garo Sero Institute (Gaseyeon), which claimed that Kim had engaged in a relationship with Kim Sae-ron from her middle school years, implying underage sexual exploitation.
According to Go, all the photos released by Gaseyeon were taken during Kim Sae-ron’s adult years, and this can be clearly proven without dispute. He emphasized that the 2019 postcard cited as evidence was written when Kim Sae-ron was already a university freshman, making her legally an adult. The letter’s language, he argued, reflected the early stages of a new relationship rather than a long-standing romance dating back to her teenage years.
Go also examined a 2018 military service letter written by Kim Soo-hyun, stressing that its content was not romantic in nature. Instead, it contained routine details about military life with only a brief mention of wanting to meet again, followed by future career plans. He noted this was inconsistent with how a soldier would typically write to a romantic partner.
The lawyer underscored that the central allegation—that Kim Soo-hyun maintained a six-year relationship with Kim Sae-ron beginning when she was a minor—is unfounded. Had the claims been true, the relationship would have started when Kim Sae-ron was only 16, falling under statutory rape provisions at the time. However, Go maintained that all available evidence shows the relationship began in the summer of 2019 and ended the following year, well within the legal framework and without indications of coercion or exploitation.
He further criticized Gaseyeon for escalating their accusations even after rebuttals were issued by Kim’s agency, portraying the actor as a “perverted pedophile” through repeated broadcasts. These included references such as “worse than the Nth Room” and alleged acts of restraint, claims Go described as baseless and defamatory.
Go also condemned Gaseyeon’s May 7 press conference, where they played an audio recording said to be from Kim Sae-ron, alleging sexual relations had begun as early as her second year of middle school. He argued this further cemented the defamatory nature of the allegations, which have already caused severe damage to Kim Soo-hyun’s career—including canceled projects, lawsuits from advertisers over breach of contract, and ongoing public stigma.
The lawyer concluded that objective evidence contradicts the claims of a predatory underage relationship, instead portraying the brief relationship between Kim Soo-hyun and Kim Sae-ron as a consensual adult romance. He said his findings form the basis of ongoing legal responses to protect Kim’s reputation.
The controversy has remained intense since Kim Sae-ron’s passing in February 2025. Her family has insisted she and Kim Soo-hyun were in a relationship from 2015 to 2021, while Kim’s side maintains their romance lasted only from 2019 to 2020, after she reached adulthood.
https://www.topstarnews.net/news/articleView.html ?idxno=15820743
Before giving in to the excitement of rumors, allow me to clarify, calmly but firmly: serious claims such as “embezzlement,” “fraud,” or labels like “sociopaths” are not harmless jokes. They are statements about facts, and facts require evidence, not gossip.
If you have real and verifiable information, use it responsibly: publish it with sources, bring it to the competent institutions or to investigative journalists. But if you do not, I kindly ask you to reconsider your tone. Spreading rumors does not give you strength; it strips you of dignity.
People’s reputations are not toys to be thrown around at will. Truth stands only on evidence; until then, decency requires restraint. Choose silence or correctness, both honor you more than the gratuitous enthusiasm for defamation.
❤️❤️❤️❤️❤️❤️❤️❤️❤️
What fascinates me most is the way Kim Soo Hyun creates a remarkable duo with every actress he works alongside. It’s not just chemistry, it’s the way he adapts his energy to highlight their strengths, building both balance and contrast at the same time. With Seo Yea Ji, the dynamic is intense and magnetic; with other co-stars, it can be playful, tender, or profoundly moving. This ability to build an authentic partnership on screen is one of the reasons why every drama he leads resonates so deeply with audiences. It is truly the mark of an artist.
It happened in Japan, in a quiet park, while I was walking with my father. I wasn’t even sure it was him at first, and my dad didn’t believe me when I said he was a Korean actor. But at my insistence, he approached him, since he speaks Korean. What followed is something I’ll never forget, Kim Soo Hyun was humble, a little shy, yet so warm and kind. He asked where we were staying and later sent photos and autographs to our hotel. There was no trace of arrogance, no distance, only a genuine man who treated strangers with respect and thoughtfulness.
That’s why I believe fans defend him so strongly. Because many of us have either seen or felt the same thing: beyond the fame, beyond the headlines, there is a real person who is gentle, modest, and deeply human. So when accusations arise, it’s not blind loyalty, it’s the natural response of people who know his true character.
And yes, I agree with you: his only “fault” was being the former partner of someone who is no longer here. A painful truth that should never have become a burden for him to carry.
Although initially delayed due to controversies, the project has been relaunched and generated positive anticipation. (en.wikipedia.org)
Kim Soo Hyun will star in the series Knock-Off, a black comedy drama about a man’s rise from an office worker to the leader of a counterfeiting network in post-1997 financial crisis Korea.
The series is scheduled to air on Disney+ in 2025, with Kim Soo Hyun in the lead role alongside Jo Bo-ah.
Although initially delayed due to controversies, the project has been relaunched and generated positive anticipation. (en.wikipedia.org)
The controversy surrounding actor Kim Soo-hyun has grown far beyond ordinary celebrity gossip. According to the analysis, it represents a digital-age witch hunt that exposes the contradictions of Korean society and the systemic hypocrisy of both media and the entertainment industry.
From the outset, Korean news outlets relied heavily on a single fabricated source—YouTuber Kim Se-eui—and turned unverified claims into a nationwide scandal. The entertainment industry, instead of defending one of its most prominent stars, chose a chilling collective silence. Even when evidence surfaced disproving the allegations, both the press and the industry largely ignored it.
The article argues this is no accident but part of a recurring cycle: idolization ➡️ destruction ➡️ oblivion. In this cycle, the media no longer prioritizes truth but traffic, exploiting emotions such as anger and moral outrage to maximize engagement. Scandals involving sex, power, and tragedy generate the most explosive narratives—while fact-checking is considered too slow and unprofitable.
As a result, Kim Soo-hyun became the perfect target: a highly visible figure who could be sacrificed for public spectacle. This created what the author describes as “trial by media,” where a distorted reality constructed by news coverage replaced objective truth. Once public opinion hardened, silence became the media’s most “rational” strategy to avoid accountability, legal liability, or loss of reputation.
The article also highlights the imbalanced relationship between law and media in Korea. Courts often move too slowly, leaving a “truth vacuum” quickly filled by speculation and outrage. Even if the legal system eventually clears the accused, reputations and careers are often permanently damaged—a form of “social death.”
Looking forward, the piece discusses recent proposals for media reform, including punitive damages for fake news, equal accountability for both traditional outlets and individual creators, and stricter responsibility for reporters who publish unchecked claims. Such reforms, it argues, could prevent future tragedies like Kim Soo-hyun’s ordeal—though they must be carefully implemented to avoid infringing on press freedom.
Ultimately, the analysis concludes that Kim Soo-hyun’s case symbolizes how truth itself can become the greatest casualty in a system driven by capital, politics, and digital populism. Protecting individuals from falsehoods will require not just legal reform but also a shift toward greater public awareness and responsibility in how information is consumed and judged.
Source:
https://m.blog.naver.com/fcupki58248/224005997810
These actions highlight the commitment of his fans to support and protect Kim Soo Hyun’s image, showing that truth and love can overcome any adversity.
1. Premiere of the series Knock-Off on Disney+
Kim Soo Hyun will star in the series Knock-Off, a black comedy drama about a man’s rise from an office worker to the leader of a counterfeiting network in post-1997 financial crisis Korea.
The series is scheduled to air on Disney+ in 2025, with Kim Soo Hyun in the lead role alongside Jo Bo-ah.
Although initially delayed due to controversies, the project has been relaunched and generated positive anticipation. (en.wikipedia.org)
2. Kim Soo Hyun remains at the top of popularity rankings
Even amid turbulence, Kim Soo Hyun continued to enjoy strong fan support.
During the 127th round of the Star Ranking vote, held from August 21 to 28, 2025, he ranked first among Korean actors for the 17th consecutive week, receiving 77,267 votes.
This demonstrates the ongoing loyalty and admiration of his fans. (kbizoom.com)
⚖️ 3. Progress in defamation lawsuits
On August 20, 2025, the first hearing was held in the lawsuit filed by FromBIO against Kim Soo Hyun and his agency, Gold Medalist.
Although the legal process is still ongoing, this marks an important step in clarifying the situation and protecting the actor’s public image. (zapzee.net)
These developments suggest that despite the challenges, Kim Soo Hyun continues to maintain his position in the entertainment industry and the hearts of his fans.
Actor Kim Soo Hyun, and singers Song Gain and Eun Ga Eun have claimed the top spot in the Superstar Brand Power Poll.
From the 10th to 2 pm on the 17th, Top Star News conducted the 89th round of voting for the Male Actor category in the Superstar Brand Power Poll.
According to the results announced after the poll closed on the 17th, Kim Soo Hyun secured first place in the Male Actor category with 1,095,000 votes out of a total of 2,224,680, maintaining his number one position for 20 consecutive weeks. He was followed by Kim Hee Jae in second place with 356,700 votes, and Byun Woo Seok in third place with 249,270 votes.
Kim Soo Hyun recently gained immense popularity for his role as Baek Hyun Woo in the tvN drama Queen of Tears, which aired last year.
Thanks to the drama's success, he received widespread love both domestically and internationally. His next project will be the Disney+ drama Knock Off, where he will star alongside actress Jo Bo Ah.
Source:
https://www.topstarnews.net/news/articleView.html?idxn0 =15809355
Half a year on, yet true accountability remains scarce. Among those who fueled falsehoods, only a handful have faced their actions. We call for responsibility across all platforms -every malicious- post and harmful content targeting Kim Soohyun must be erased.
Today, we share the oficial apology letter from individuals who have acknowledged their mistakes and expressed their regret:
Official Apology Letter
Good evening.
We, Ti Tince, Nita, and Dita, with humility, through this letter intend to acknowledge the mistakes we have made regarding our posts some time ago.
In those posts, there were hate comments directed towards Actor Kim Soohyun. We realize that we have acted inappropriately by sharing news without verifying its truth from the drama portal account and by using unethical words in commenting about Kim Soohyun. We should have used social media more wisely.
Through this letter, we would like to sincerely convey our deepest apologies to Actor Kim Soohyun, Kim Soohyun's fans, and Soowon couple fans for the wrong actions we have committed. We hope that Kim Soohyun's fans and Soowon couple fans can forgive our mistakes.
We promise not to repeat these mistakes again and will permanently delete the account that spread this falsehood. Thank you.
With our sincerest apologies, Tince, Nita, Dita
The success of the series is largely due to the performances of its lead actors. Kim Soo Hyun once again confirms his status as one of the most versatile and expressive actors of his generation. With a nuanced performance, he transitions effortlessly from emotional fragility to dramatic intensity, endowing his character with a rare humanity on screen.
On the other hand, Kim Ji Won delivers an equally memorable performance, striking a remarkable balance between inner strength and vulnerability. Her charisma, complemented by subtle gestures and expressions, makes her character not only convincing but also deeply endearing. Together, the two actors create an impressive on-screen dynamic that sustains the entire dramatic structure of the series.
The supporting cast must not be overlooked, as they add consistency and depth to the narrative. Through carefully calibrated performances, they avoid clichés and transform every appearance into an essential contribution to the story. In this way, “Queen of Tears” achieves coherence and depth, offering audiences a layered and complete experience.
On a technical level, the drama stands out through refined direction and a carefully selected soundtrack that amplifies the emotional tension of each scene. The cinematography, elegant and sensitive, decisively contributes to the overall atmosphere.
In conclusion, “Queen of Tears” is not only a ratings success but also a demonstration of artistic strength. It is the kind of production that manages to captivate both general audiences and demanding viewers alike, reaffirming that Korean dramas can reach an aesthetic and interpretative level comparable to that of major international productions.
In a landscape saturated with conventional romantic stories and narrative clichés, It’s Okay to Not Be Okay (2020), produced by tvN and distributed internationally through Netflix, stands out for its psychological depth, refined cinematic aesthetics, and its courage to tackle delicate themes such as mental health, trauma, and healing love.
A Story of Suffering, Healing, and Human Connections
The series centers on Go Moon-young (Seo Ye-ji), a children’s book author with an antisocial personality, and Moon Gang-tae (Kim Soo-hyun), an empathetic caregiver at a psychiatric hospital who looks after his older brother, Moon Sang-tae (Oh Jung-se), diagnosed with autism spectrum disorder. The meeting between Moon-young and Gang-tae triggers a slow and painful process of confronting the past, as well as emotional reconstruction.
Despite being labeled a “romantic drama,” the series is much more than a simple love story. It is a subtle examination of the long-term effects of childhood trauma and a plea for empathy, patience, and self-acceptance.
Impressive Acting Performances
Kim Soo-hyun returns to the small screen in a mature, restrained, and deeply nuanced role after a five-year hiatus. His performance is gracefully supported by Seo Ye-ji, whose portrayal of an emotionally unstable yet vulnerable character is one of the most acclaimed in her career. However, the true revelation is Oh Jung-se, who authentically and respectfully brings to life a neurodivergent character, avoiding the pitfalls of caricature. His role has been recognized with awards and applause from both audiences and critics alike.
A Remarkable Visual and Auditory Concept
Directed by Park Shin-woo, the series has a distinct visual identity. The use of visual symbolism, a cool color palette, and carefully composed shots creates an almost dreamlike atmosphere, contrasting with the harsh themes addressed. The sensitively composed soundtrack perfectly complements the emotional intensity of the scenes.
A Courageous Exploration of Mental Health
In a society where mental health often remains a taboo subject, It’s Okay to Not Be Okay breaks barriers and brings essential discussions about depression, personality disorders, trauma, and the need for therapy to the forefront. Without becoming didactic, the series delivers a clear message: it’s okay not to be okay, as long as you allow yourself to ask for help and heal unseen wounds.
Conclusion
It’s Okay to Not Be Okay is not just a simple romantic drama. It is an exercise in introspection, a visual poem about human fragility, and a lesson in compassion. With refined direction, memorable acting performances, and a deeply moving story, the series earns its place among the most valuable South Korean productions of the past decade.