I think two thing could be true, he thought jeongyo as good friend and does envy his talent. I think that’s…
"it was also not like he didn't consider jeong yo as his friend he loved" ....Yeah the same pio that denied his friend in front of the media, even tho jeong yo was the one who helped him win the competition. Make it make sense
I can't stand pi o's mom She fking jealous of the second ml up to the extent he asked that woman's agency not to sign him So she had to wicked another woman's son just because of her father's treatment towards them, that ain't justifiable at all
Honestly the drama is overrated and looks quite similar to "story of the kunning place" apart the fact that the female lead in this one identifies and solve things with scent
A brutal, brilliant study of obsession. Failed novelist Mun-oh, finds genius in quiet student Kang, and destroys himself chasing his story.
It’s about how far some writers will go for literature, and the uncomfortable question of what actually inspires writers to write. Talent? Trauma? Control?
The plot twist is unbelievable on first watch, but perfectly executed. Everything clicks on rewatch because you were trapped in Kang’s narrative the whole time, just like Mun-oh.
No heroes here. Just two men crossing moral lines, with tension built through silence and dialogue, not action.
Bleak, and unforgettable. Skip it if you want comfort. Watch it if you want a K-drama that treats storytelling like a weapon.
what's up with the bad reviews, the drama haven't ended yet, it's always people who don't understand the drama are always quick to jump to conclusions, this drama takes alot of knowledge to understand
K-Drama 
She fking jealous of the second ml up to the extent he asked that woman's agency not to sign him
So she had to wicked another woman's son just because of her father's treatment towards them, that ain't justifiable at all
A brutal, brilliant study of obsession. Failed novelist Mun-oh, finds genius in quiet student Kang, and destroys himself chasing his story.
It’s about how far some writers will go for literature, and the uncomfortable question of what actually inspires writers to write. Talent? Trauma? Control?
The plot twist is unbelievable on first watch, but perfectly executed. Everything clicks on rewatch because you were trapped in Kang’s narrative the whole time, just like Mun-oh.
No heroes here. Just two men crossing moral lines, with tension built through silence and dialogue, not action.
Bleak, and unforgettable. Skip it if you want comfort. Watch it if you want a K-drama that treats storytelling like a weapon.