John Hart

The Little Soap That Could!

This No-Budget Soap Opera starts in the 70s with a bunch of childhood friends who we follow thru the decades and their trials and tribulations. What grabbed my interest was how 'communist' it was compared to other C-Dramas I've watched. I really knew nothing about this time in China's history. The other interest here was, well, I was the age of these characters in the 70's in America. And so while I was listening to the Bee Gees, they were doing all sorts of different things.

If you want to know if you should watch this show with as little spoilers as possible, I'll tell you this: I've watched better shows. So if you're new to C-Dramas, this won't disappoint because you have not seen better yet. What I will tell the experienced viewer is that this is a very calm show that doesn't put you to sleep. (I enjoyed THREE BODY but man was that sleepy!) So if you're even curious like I was -- skip the rest of this review and give 3 episodes a try to see if you want to see Ep 4, okay?

Here's some thoughts in no order of importance --

1. Damn this thing was shot on a piggy bank. Pocket change. That's what I mean by a 'little' soap, like a small bar of soap in a hotel room. Despite this the show was pretty good looking. The photography wasn't inspired as much as... urm... just nice to look. The sets were crazy cheap but not as distracting as one reviewer had said. Lots of scenes were reported in on the phone as to avoid having to stage them. You don't watch this series for amazing production values. You watch it for --

2. -- this TERRIFIC cast. I came here for the male and female lead. I frankly feel they're much better here than they were in JOY OF LIFE Season One.

Li Qin ran around JOY with a leg of chicken being cute until the writers gave up on her. Here her character starts a little interesting but simply gets more and more interesting as the show progresses, especially in the 2nd half. (Be patient!) And she's particularly deep inside her character in the remarkably intense final episode.

Xiao Zhan is tackling a very difficult role of being a great guy, a dreamboat, and yet humble, and yet magnanimous, everybody's friend but sometimes someone's enemy too. Several someones. To be honest there were times where the demands of this role exceeded his abilities. The thing is he's just a little too handsome and that can be rather distracting from his character's struggles. You're like, "How can this gorgeous youthfun hunk of man be suffering?!?" Yet he did a pretty good job and I'd bet this role has made him a better actor. Give him time and he'll be the new Wallace Huo.

Liu Rui Lin and Cao Fei Ran play the most important supporting roles. As our ML's main 'brother', this Chinese Richard Gere clone has a thankless job playing Guohua... but kinda nails it. His love interest Hongling plays an even trickier role where you want to slap her sometimes but she can't help every last decision destiny has dropped on her. This actress carries a lot of the show's weight in the first half.

So you think that's it for couples in this show? HARDLY.

Zhao Xin and Cui Hang also make the experience worthwhile. Xin's 'Ye Fang' gets more and more interesting as the show progresses, and this poor actress must restrain herself the entire time. Hang's Hongjun is all over the place in a role that shouldn't work but utterly makes sense.

And get this. There's one more pair to tune in for: Zhang Ling Xin' and Lenox Lu are terrific too in an unexpected way. When Qi Tian first shows up in his truly stupid hat -- I didn't expect much from him. But his low weird gutteral way of speaking made him very different than the rest -- and like I keep saying -- his character grows on you.

There's even one more pair of actors that were eeriely like the Chinese Ralph and Alice Kramden (You Xian Chao and Gao Yuan). No, seriously. Check The Honeymooners on YouTube if you have no idea what I'm talking about.

3. The songs and incidental music in this show are lovely. A good soap opera has themes the play over and over and over and over (Twin Peaks) and this soap has them too. Mostly gentle piano pieces, and the lyrics of the songs they play translate well.

4. This show has two sets of parents that are nearly identical to Western eyes. Prying pushy Momma and Pushover Papa. This was the only casting mistake I caught in the series. Or really a writing error where on couple should have been Pushy Papa and Caring Momma.

5. I don't know what the deal is with C-Dramas but several I've seen end early. There's an episode around 27 that gave me the impression the story was minutes from being over. It feels like the producers were only allowed to produce that many episodes but when the studio saw it they said 'add 10 more'. The good news is that the additional episodes work fine, except perhaps the final one.

6. So if the production values are good, the cast great -- the only way to make this thing watchable is STORY. This is a story that relies heavily upon soap opera melodramatic tropes, which can make it feel so generic as to be generated by AI. This sounds like a knock but, hey, it's fun to watch a soapy melodrama as long as it's not stupid. And the inclusion of the military episodes in the first half is more inventive than hospital scenes, although those eventually merge.

As a Westerner and America, I was fearful this story might be propaganda. For the story starts in heavy communism but ends in vibrant capitalism. So which 'team' is this show on. What makes THE YOUTHFUL MEMORIES interesting is that it's on both teams.

(From here on I might get mildly spoilish -- so stop reading now if you want to be surprised. I won't be offended.)

The show starts with the idea that although communism isn't the most lavish of lifestyles, and that in the 70s if felt like everyone was in the military one way or another, it presented these days with the idea that everyone could have a place. All for one, one for all. Yes, there were misfits who resorted to criminal behaviors, but overall the show suggests that there was a sense of law, order, family, community, propriety, brotherhood, sisterhood, and love. Perhaps thru rose tinted glasses, but you follow me.

By the time commerce smashed into China, and times had changed, a weird thing happens. Brothers turn against brothers. Love and family may not be as compelling as getting rich quick. The unfortunate reality that capitalism generates WINNERS and LOSERS, introducing the idea of MUSICAL CHAIRS to communism. The same misfits and criminals are around societies edges, but this time capitalism is their friend instead of communism their enemy.

The show isn't as political as I'm making it sound. It's really who loves who and when and who doesn't and why, like any good soap. But I will spoil that the show ends with a happy medium politically -- if we meld the brotherhood of communism with the profits of capitalism, maybe life can improve for all in China.

Like almost every C-Drama I've watched, the show's ending was slightly fumbled. Towards the end of the penultimate episode, a new plot is introduced. And it's a biggy. It' s SUPER melodramatic. The problem is it's not what the story was leading up to, it's not named as a specific historical event that happened, and I think was thrown in for sensationalism and nothing more.

Often in American TV shows after 9/11 they threw in a 9/11 like event to rip open the wound and horror, and I believe this show did the same on a different type of tragedy. That said, the show handles this 'big' weird finish well so it's not a failure as much as a fumble.

Hope this helps someone!

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What is it with Zhou Xun starring with... Zhou Xun?

This is maybe the 4th time I've seen the amazing Zhou Xun co-starring with herself. I bet it's killing Meryl Streep it never occurred to her to do the same.

This film is a watch if you enjoy Zhou Xun. It's not her best, it's not her worst. It's pretty good. She's a pleasure to watch and so YAY if she plays two characters even. The shortcoming here is the story.

This Courtroom drama has a rushed feeling to it and we learn why 2/3rds of the way through when it concludes: there's an extra 35 minutes which reveals a handful of secrets. It's a GOTCHA surprise TWIST that, like all such gotchas makes you first say HUH? and the re-examine everything you just saw to understand it a 2nd way.

I've frankly grown weary of these type of stories because it's so tedious to re-examine EVERYTHING and see how the hidden story may have been there all along. Usually these type of stories come off as more contrived than clever and this one is unnecessarily confusing as well.

The twist reveal eats up so much of this tale, wasting time I'd rather see with Zhou Xun fleshing out 3 other characters.

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Wang Xiao Shuai had everything but didn't do enough with it

For a three hour film you really REALLY need a GREAT story. I know there are exceptions to this rule but all great stories are told chronologically, from A to Z.

SO LONG, MY SON has an okay story. To artificially make it seem better, the writer/director Wang Xiao Shuai decided to tell it out of sequence. What this does is turn many simple events in this story into fake 'reveals', creating an artificial tension.

An analogy. Everyone knows the alphabet, right? A, B, C, D, E, F... and so forth. Great writer/directors take the very familiar alphabet and make it compelling. Just the way any Christmas tree starts plain and dull but can be decorated into something lovely.

Writer/Director Wang Xiao Shuai decided that simply moving the letters around -- A, E, B, D, C, F is far more interesting.

But not really. All it does is make the story a little difficult to follow. This trick also hides the fact that the sequential story turns are tepid instead of clever. I believe someone should edit this story back into chronology so that you'd see it isn't really a masterpiece but just a long okay story shot beautifully.

You'd also see that despite 3 hours they did very little with the actors. I had just finished LUOYANG and was desperate to see more of Yong Mei. Here she was the female lead and I was waited and waited to see her skills in action. But because the film lacked compelling dialog exchanges Yong Mei was wasted as basically a 'prop' sitting in rooms or disappearing into walls.

The direction, the photography, lighting, OST -- were all the stuff of a possible masterpiece. But the story wasn't as emotional and dynamic and COHERENT enough to justify its length. Wang Xiao Shuai had everything but didn't do enough with it.

I will say this: the 2nd viewing will be less confusing and therefore I may be able to enjoy the story instead of wonder where the hell I am and which boy is which.

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An Elusive yet Potential Masterpiece

The show boasts a fantastic cast, terribly engaging soapy story, in a Republican Era setting that is needed break from Imperial Chinese dramas. It is way better than a "7.8" thanks to Wallace Huo and Yang Mi knocking it out of the park.

I knew Wallace from RUYI'S ROYAL LOVE IN THE PALACE and thankfully he's given more breathing room here. I can't imagine he's had a better role than Qi Nan. He is just terrific here. But as good is my first introduction to Yang Mi -- who has as difficult a role to pull off. My wife and I watch an hour of this 3 times a week, but after the halfway point it was around 5 times.

All the supporting actors were great, many of these faces new to me. For American viewers like myself having trouble keeping all the names straight, I recommend these nicknames: Daddy Fu, his wife Nasty Fu, Dandy Fu, Minister Du, Momma Du, Dandy Du, Minister Wu -- and for that woman in the club that looks like an older Betty Boop -- simply 'Boop'. It made it much easier for us to speak about them without getting confused.

Okay, the single worst thing about this series is the availability in America. It is ELUSIVE. So much so I can't recommend the series until Mango fixes these issues.

The main issue is that there is no way to see the series unedited with proper English subtitles. The series on YouTube 'forgot' to include subtitles for about 10 episodes in the middle and I think Ep 58 the subtitles were broken. And the subtitles themselves were poor quality. And anytime a song happened instead of muting the song they simply cut the entire sequence out, often eliminating important story moments. ARRRGGGHHHH! There's a 'cool' 'Drama' site that has the series in low quality resolution. The subtitles are better but, get this, the audio is out of sync the entire time.

With all these headaches I can't recommend the series to anyone until Mango offers a proper version of CRAFTSMAN with quality English subtitles, which I'd gladly pay $20 for the series.

What's maddening is the series is nearly flawless otherwise. You can count the mistakes on one hand.

1. The series starts with terrific child actors. When they are replaced with adult actors, you can't believe you must let them go. Thankfully they re-appear in flashbacks a lot. My complaint is the older actor playing eldest brother (Li Dong) looks nothing like the boy he replaced. Not even close. It took me like 25 episodes to accept him where Qi Nan, Han Jun, and Lucy took seconds to accept. Don't get me wrong: the actors playing Li Dong were solid, but I guess they needed a different skinny intense kid to play him young.

2. The series spent a little too much time discussing architecture. As well as too much time speaking about business deals. Yes, it was interesting, but often I suspected it was 'filler' to extend the length of the series. I'd say about 20% of all of it could have been cut. That could have shaved about 3 episodes off the series.

3. The last 10 episodes were getting a little sloppy or lazy. Maybe they were all exhausted and the show's amazing quality was slipping to merely 'good' sometimes. I felt the entire elevator incident was rushed. And there was a scene going on between Momma Du and Dandy Du that seemed... odd. It was like the series didn't know what to do with her character and that scene showed it. I also felt the explosion in the flour factory should have shown who that was the flew out a door. But I felt

4. -- the final episode let us down. It seemed more interested in resolving Minister Du than providing the romantic climax we were all waiting for. What was delivered wasn't as majestic or poetic as I hoped. And Li Dong's departure and discovery off camera in the last moments seemed rushed. Certainly there could have been a way to tie in the 'discovery' into the court scene somehow. That person could have read the court case and made the connection to show up?

That's really all I can complain about. The final episode failing to be what this series deserved took an entire half point away, dropping from 9.5 to 9. But still -- despite all the agony of finding a way to watch this show -- a solid 9 is a WOW.

FUN TRIVIA

I can't be certain but I'm nearly certain that a music composer from the show was inspired by Ennio Morricone's work on DAYS OF HEAVEN. There are scenes where Qi Nan is out in fields and that entire movie is about people working in fields. Go to YouTube and seek out Track 9 (The Return) from the DAYS OF HEAVEN soundtrack. It's not a theft, but I'm pretty sure the similar theme from this show HAD to be inspired by that track.

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PLEASE READ -- I'LL WARN YOU before I start SPOILING

This is my 5th Chinese series. RUYI'S ROYAL LOVE IN THE PALACE, MISSING PERSONS, REBEL PRINCESS and IMPERFECT LOVE preceded. This was my first 'junky' or 'bubblegummy' series, what we in America might call a 'CW' show aimed at teens or younger. I'm here to tell you it's far better than I expected -- a must watch if you want something lighter -- but they didn't quite stick the landing, as they say in Olympics.

Okay. What is this show without spoilers? It's kind of like the 60's classic I DREAM OF JEANNIE... but they change so much it takes a few episodes to realize how similar it is. In many ways it is an improvement because JEANNIE lacked a compelling romantic story whereas MAKE A WISH is all about our two leads. Not to mention other couples in the story as well.

THE REASON TO WATCH THIS SERIES are the standout performances:

#4 is Chen Hao Lan who plays a more serious young lady in the series, but as the story progresses you see her art is subtly and nuance. They pulled her pretty back a few notches (as to not compete with the lead) but it eventually peeked thru.
#3 is Wang Tian Yu, the 'Roger Healey' of this series and comic relief. This kid is FUNNY.
#2 is Zhu Min Xin, whose small role in this series stood out anyway. He is lead material for future projects!
#1 is the WOW and WONDER that is Gia Ge. This young lady SPARKLES. Her beauty is beyond belief. Her energy and charm is why you finish watching this series. Producers must be fighting tooth and nail to get her right now. I'll watch anything she shows up in next. And she must have the best hair on TV. Check out when Chi Yan lifts and spins her in the closing credits. WOW.

That list leaves out the male lead. Ren You Lun was terrific. Yet his perfectly under-stated performance doesn't make me wonder what he'll be in next, if you know what I mean. So no slur against him. He's the 'straight man' that makes Gia Ge shine all the more. I think young ladies drawn to cats and bookstores will adore him.

When I watch any show I rarely notice the hairstylist. You're kinda not supposed to notice their work. But when I realized Gia has the best hair on TV -- I noticed each cast member has interesting hair as well. And so I guess the stylist was showing off a bit and hoping nobody noticed. (I did!)

So before I start spoiling, I'll say this series was likely 4 episodes too long. I sensed everyone on the production was younger and less experienced, and this became clear in the writing towards the end. Before I pick it apart know the series is worth watching, rewatching, and recommending anyways.

SPOILERS!!!!!!!!!!!!!!!!!!!!SPOILERS!!!!!!!!!!!!

Around episode 20 we get an extremely dramatic twist: cat girl awakes on an Earth that doesn't remember her. Her relationship with Chi Yan is erased, as well as the love affairs of their mutual friends. This is really REALLY dramatic and fascinating at first. But then it sends the story into an unnecessary spiral of trying to repair all the damage. This repair job is compressed into the final episodes and I started to feel... the entire idea... was stupid.

Perhaps they were planning a 2nd series... or second 'arc' with 24 more episodes. That would have made the 'everyone forgot her' a fantastic cliffhanger at the end of Season 1. Right? It's as if the following episodes were really supposed to be much longer and season of their own. But then someone said that was a stupid idea.

I'll share with you now what I think is a better cleaner way to end the series.

1. Xiao Xiu gets hit on the head with the pipe. Falls down like we saw. Chi Yan runs over to comfort her.
2. As her friends gather around her, her ears emerge. She cries. Panics in front of Chi Yan. Her tail emerges. Her friends are all WTF.
3. She transforms into a cat. Chi Yan picks her up, holds her close, but she disappears into a portal. Gone.
4. Xiao awakes in Meow World, an animated cat. There she meets Lin Mo and his friend, who are confused as to why she is there. Eventually her Dad finds her and, despite being happy to see her, knows where she really belongs: alongside Chi Yan. The problem is Xiao has no way to return to Earth.
5. Her Dad takes her to a temple and ask the elders for help. They say there is nothing they can do.
6. Chi Yan on Earth is distraught. Ruined. The friends can't believe she was a cat. But find it magical.
7. On Meow Planet, in the temple, Xiao's Dad won't stand for this. Since Lin Mo has learned who killed his GF and Xiao's sister. Xiao prays at the Temple... and her Sister appears as a Goddess. (Instead of that other lady who they forced into the story.) Xiao is told she can make a wish to return to Earth, but this time -- she'll never leave it. Her father insists.
8. If you've seen this series notice what is now no longer necessary. What was with the new bookstore and the new apartment? A total waste of time. We loved the old ones. What was with Chi Yan's grandfather being connected to the cat world? I mean I get it but it wasn't really necessary. Which means neither was the goddess character. And why OH WHY destroy 3 love affairs only to quickly force them back into existence? No no no. All we needed --
9. -- was our 'Scooby Doo' club going back to Earth and finalizing the Doctor story. Oh, and his entire angle on why he did what he did wasn't the slickest. That needed some focusing. I got this weird VIBE that the Doctor was in love with Chi Yan and somehow this confused about everything. (Did you feel that too?)

I want to add the Gia Ge had to sell this bumpy ending -- and gave it her all. There was absolutely nothing more heartbreaking than watching this bubbly innocent soul LOSE EVERYTHING. Many dramas make 'the girl' cry here -- but she was beyond crying. It was like that look a kid gets when they first learn a loved one has passed on. Gia was a MARVEL here.

Anyway, if the story had ended more cleanly -- it would have been a 9.2 in my book. Still worth seeing at it is, though.

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Poor Wallace and Zhu Zhu! (Interesting idea, poorly executed)

Wallace Hou and Zhu Zhu were featured actors in THE TALE OF ROSE, an absolute MUST SEE adult drama. They didn't star together, which is why their doing so here is so terribly exciting.. Unfortunately this production had no idea what to do with these great talents.

Before I take the story apart, some peripheral stuff.

1. Everyone dresses real nice in this show. Too nice. Very distracting eye-candy here. Eleanor Lee was a show pony. Her white dress with black polka dots was crazy memorable. Wallace and Zhu Zhu were always smart looking, except that one time Zhu Zhu picked out his outfit. (Sorry Costume Designer! That tie wasn't!)

2. I have a rule about C-Dramas. If the opening sequence is uninspired or just plain annoying, the show will be the same. They say don't judge books by their covers, but I've never seen a C-Drama you couldn't judge this way. The opening sequence cuteness is annoying as hell. I don't mind lighthearted. I mind juvenile. I skipped it every time.

3. The songs in this show were perfect. They'd dip in, visit, and add something to the atmosphere. Other shows will harp on a few songs and pound them into your head. Not here. Also the background scoring was top notch.

4. The sets were too new and too perfect. Sometimes you have to show worn office chairs to make it clear people have been working there for years, not minutes.

5. Outside of Wallace and Zhu Zhu, the cast was rather bland. Being pretty in nice new clothing was all the production cared about. IN SPITE OF A STRONG WIND offers a strikingly similar office cast, and they're just so much better than this 'Disney' cast. One strange moment is when the young man of our office (Fei Qi Ming) walks by his STRONG WIND equivalent (Zhou Mai Jie).

6. Despite all my story annoyance below, Wallace was doing some great acting. I have a feeling he's not always thought of as a great actor, but despite this show's shortcomings -- he was THE reason I watched it through to the end. Zhu Zhu was pretty good too, but the story constantly restrained her.

THE STORY

So many issues.

1. Nobody had a backstory. Like the sets that didn't look lived in, neither did the characters. There's no male Doctor pursuing Zhu Zhu? Her Dad doesn't own a car? Wallace isn't aware that he's an obnoxious ass until the show starts? He's never had a pet? You don't think it would make 3 tons of sense that he's been divorced twice at this point and just given up on love? It's so bad that one character's backstory is introduced in the 2nd to last episode.

2. Is it true that in China you can simply see your Doctor any time you feel like? And she sees you in her office instead of an examination room? With no other staff milling about? Really?

3. The product placement in this show was over the top, and it damages the story. Deep in the series Shen Wu wears a big stylish jacket with the word 'meta' on it. We're told he's both frugal and semi-tight on cash. I paused the show and Googled that jacket. It's easily worth somewhere between $300-$500.

Cutie-pie Xia Xiao Man lives alone in a lovely apartment she couldn't possibly afford... with a clothing collection that doesn't quit -- and soon complains she's going broke. How are we supposed to respect her if she's got the financial finesse of a 9 year old? (I originally went with 12 year old because I'm American, but because this is China I dropped it to 9.)

(The next paragraph is SPOILER-ISH, but it only spoils a minor development in Ep. 11.)

The entire Harley thing? First we're told how religious their owners are about their bikes. Then Zhu's Dad parts with a bike like the skin of banana. The entire show Xia Xiao works at a Chinese car dealership, one long ad for that car, and then Biker Dad buys 5 of them at once without anyone asking why. (It's because the explanation is so unbelievable they just skipped it.)

Look, if modern programs needed embedded product placement to exist, sure, I get it. But you have to do it the right way.

4. The pacing is awful, which is a shocker for such a short series. 16 episodes long but somehow only needed 10. Every episode is loaded with filler.

I started to think, hey, I know -- maybe this is merely Season 1 of an interesting series, which is why they're in no hurry to move things along. But from what I'm seeing in the last episodes, nope -- they simply don't have a story to tell.

The series title has a question. It's answered by Episode 3. So this critical plot point dies almost immediately.

I thought this series was going to be about a really charming handsome rich guy that simply isn't interested in women. They throw some hotties his way, nothing. They throw some gay hunk his way (just to make sure) but nothing. They spy on him to make sure he isn't secretly married, big nope. That would have extended the premise the length of the series.

Instead, what we have here is MEET YOURSELF syndrome. It's a romantic story that resolves itself too early, and so we're left with focusing on clothing and dull subplots, because 'the show' is basically already over.

5. Who honestly believes Zhu Zhu shouldn't give up on Wallace and find a nice guy? Who honestly believes that Wallace shouldn't have continued with lovely and charming AF Vivienne Ten? Nothing makes any sense. Oh, and the way the story took out the girl with the camera was so deplorably bad I would have ditched the series then and there -- were it not I was episodes away from finishing. And what kind of gentleman ditches her at that moment of need? God awful.

6. Episode 11 is so bad I'd advise viewers to skip it. Oh, and the fact you can skip it without damaging the show confirms that this show is full of filler.

(The next paragraph is SPOILER-ISH, but it only spoils a minor development in Ep 11.)

Another example of how bad Ep 11 is involves Wallace looking for a lost dog. He and Zhu are running around town and -- OH NO -- the dog appears to be dead floating in water. Anal retentive Wallace heroically runs into the 5 inch deep water to rescue the dead dog, only for us to learn it's a doll -- of the same exact dog with similar coloring. Something that on planet Earth has a 1 in a billion chance of happening.

And the way Zhu's Dad's pals gave up their favorite toys with no problem and accepted a ginormous gift from him with no problem? Again: this series appears to be written by 9 year olds.

7. The one thing you can rely upon C-Dramas for? Tears. These people are the best criers on the planet. Even lighthearted shows take a moment for tears here and there, to create contrast. This show? Nope. Nobody gets to cry until the end. There's only a dozen times Zhu Zhu should have choked up, but no-- we can't have real emotions, now can we?.

8. Continuity issues everywhere. Brother in law borrows lots of money. Do we ever learn why? Nope. Wallace tries to teach himself how to be a surgeon. Does that ever come up again? Nope. The pushy 'get married' Mom disappears from the story for too long. The girl in wheelchair vanishes.

*****************************************************

Believe you me I wanted to like this. It started okay but then became clear it was junk food. Wallace and Zhu carry this series as best as they can, but it falls apart too many episodes before the ending to recommend.

Poor Wallace and Zhu Zhu. :(

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Fascinating Speculative Fiction Soap Opera Seeking THE SECRETS OF LOVE

Do you know how science fiction series ask you to immediately accept something ridiculous -- so that once you do -- the story can proceed? In ABOUT LOVE, we're asked to accept a business or 'sisterhood' of women who are paid to seduce a man to see if he's truly committed to his girlfriend or wife.

It's a fun premise, but also silly. So you have to get past this and accept you're watching speculative fiction. Also, as the show progresses, you need to be a soap opera fan -- because this entire premise is designed to be super soapy.

(Me? I hate bad soap operas but adore great ones. This is a really good one exploding with so many love triangles.)

Our female lead Wang Zi Wen was terrific in THREE BODY and she brought me here. She kind of plays two characters in this story and once again demonstrates her skills. Despite being tiny around our two male leads -- she is a force of nature but also fragile and beautiful. Her role as Li Xiao Xi will be remembered as one of her finest. She's on quite the tightrope in this show, and she can smile her way out of any peril. Almost.

Her story is of a love triangle between a rather tall Chinese actor and... an even taller one. Liu Yu Ning is fascinating in that he has a sweet 12 year old boy's face but a basketball player's height. I found this combination always distracting somehow, but at least his character reflected this dichotomy. Deep in the series a childhood trauma is revealed -- and the 12 year old boy they found to play him looks just like him. He represents an ideal man in this story, down to the fact he's into women's bags, lol.

Our female lead should adore him. And does. But her boyfriend's best friend is Old Gong (Gao Wei Guang) -- and she has a past with him. This actor is new to me and he's absolutely hilarious. There are many moments in the story I can assure you he invented on the spot, not the screenwriter or director. His celibate status keeps the show from being overbearing with broken hearts, infidelity, and the like.

These three leads are the show's core. The rest are friends and strangers who spin out from these three. This cast reminds me of the MEET YOURSELF gang, but I like all these characters so much better. They have depth, passions, disappointments, jealousies and all sorts of humanity in a plot wrapped around a crisp discernible theme: what's the secret of love?

In these supporting characters a new face (to me) jumped right out: Huang Zi Qi, the actress. She had a difficult role to pull off and make the audience sympathetic to her interests. I was on her page the entire time until she did a rather intense 'performance', but even after that I was still basically on her side.

To me, her and her love interest were the most logical couple of this show. It's actually fascinating to realize many of the pairings weren't suited for each other. Sometimes is was a disparity between age. Another time it was innocence vs. streetwise. Pure of heart vs... umm... deceitful. Yet at the end of the show it became clear that everyone has secrets, and so in the world of ABOUT LOVE -- true love isn't really a thing.

I wrote a draft of this review 1.5 episodes from the end. I gave the series an 8.5 in story and overall. What kept it from a 9 was the convoluted therapist subplot. Then I watched the final episode of this series, and in classic C-Drama tradition -- it was completely botched. The show suddenly became a 'comedy' and wrapped up with an unsuccessful 'Raymond Carver' conclusion. The show did not lead up to this ending at all. That dropped the story and show down to an 8.

I wish this site wouldn't ask about 'the music' because direction matters so much more. Yang Lei is destroying it here, and you'd never know he's also the director of THREE BODY. The cinematography was great too, although the lighting too often leaned on intense yellow sunlight in windows.

Overall -- a pretty great soap but could have ended much better.

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As Interesting and Beautiful as it is Overlong and Sleep-Inducing

This is a weird duck. And so bullets --

1. The production quality is really movie like, especially in the flashback sequences set around the Red Coast. The only time it strangely looks like Cheesy TV is during the International Board Room meetings

2. This is post modern Arthur C. Clarke/Issac Asimov stuff, where the science is science fiction is meant to be your only entertainment. As a kid in the mid-70s, I read this type of SCIENCE fiction a lot but in no time backed off of it because they were slow lifeless reads. All good stories are about the human condition. THREE BODY had the perfect opportunity to explore this very topic because a character within makes a major decision about humanity -- yet -- it barely touched upon it.

(There's a funny irony here. Okay, when I was a kid I was reading a monthly Sci-Fi magazine called ANALOG. There was a story once about a really cool concept but the story itself was dull beyond imagination. It was simply an excuse to share a hard science idea and make anyone go WOW.

The idea was that if man could manufacture a strong enough material that was also very lightweight -- we could build an elevator shaft from Earth and attach it to a satellite in space, hence eliminating rockets. Imagine -- you could have a giant bar in space that people would travel up to for the wildest cocktails ever. And imagine the damn view of Earth and Space!

I forget most of what I read in that magazine over the decades -- except for this. And the same exact concept is mentioned inside of THREE BODY in one episode. And so... I was either reading this Chinese author all those years ago... OR... he was reading Analog magazine, lol.)

3. So many characters just... stood there. It was like COVID all over again where no one was allowed to touch anybody, social distancing, you know? Yes, of course, it's trite to create a love story just to make it like any other Chinese drama -- but this one really needed it. BADLY. If it doesn't matter later in the series, I would have made the ML a FL scientist -- so that -- there would have been some sexual tension between the lead and our favorite cop ever, Shi Qiang (Yu He Wei). That said --

4. -- if it wasn't for this cast I would have walked after six episodes. I knew two of them from other dramas (Yu He Wei, REBEL PRINCESS and he was even better here) and (Johnny Zhang who was better in THE GREAT CRAFTSMAN). I loved being introduced to Chen Jin and Wang Zi Wen, two ladies who masterfully played Ye Wen Jie in two different eras.

5. In general this show literally induces sleep. I'm not kidding but there were about 12 nights I had to fight from sleeping to finish it. Perfect for early day viewing but it's Ambien after 9PM. I'm not being mean, this is the truth. The characters rarely clash with each other, they're often shown in shadows in dim rooms, and there's this droning song at the end of most episodes which could best be described as a Trisolorian Lullably.

6. Okay so our lead dude with the glasses has a special clock that ticks and ticks downward. Was I asleep when it got 'turned off' or did they simply forget to show us where the clock was by the end of his part of the series. I thought our Trisolorians were going to arrive just as his clock reached zero.

I'm happy I saw this and somehow I want to see the 2nd Season of this but I can't recommend it with any enthusiasm. Oh, and I don't give a damn about how good the books are -- because I'm not reading the book. I'm watching a series. If the series puts me to sleep, they either picked the wrong series of books or they've made the series way too long.

A third of THREE BODY should have been clicked and erased to make the rest of this stronger.

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SEMI-ENGAGING MEDIOCRITY

I understand the type of show MEET YOURSELF wants to be. And I celebrate that ambition. And I wanted the hype around the show to be true. But in almost every facet possible this production underwhelms. I can't recommend it to anyone.

As to not spoil much, what I will share is this series treats all characters as supporting characters. The FL and ML aren't really the thrust of the show. This choice makes the series feel really long... because it's almost like looking out a window and watching real life. There's no real plot.

Now, many around here seem to love this. Me? I love an ensemble show, but I need it to have some discernible direction. THE YOUTH MEMORIES is a show like this show that has a great ensemble. It's slice of life too but there's more ups and downs, twists and turns, and so many things that are not predictable.

This show seems to be developed for people who are going thru so much personal stress that they cannot handle any fictional stress as well. Like a show someone in a hospital might like to watch. I love CDramas precisely because many of this very relaxing quality that makes for calmer entertainment before bed, but is overlong series is too calming for my tastes and I'd predict most tastes.

------------- DETAILED ANALYSIS -------------

PREMISE -- Our FL lead experiences an immediate tearjerking event, which breaks her heart and sends her off to an extended vacation in a village. Once there, said event quickly fades off and we're stuck with a stranger in a strangeland situation. It only takes a few more episodes to realize this shock and awe opening was a cheap unnecessary trick to engage us into a show that goes into a completely different direction: a warm cozy sweater.

PACE -- Terribly slow. This story could have been done much better in 28 episodes instead of 40. I read people who binge this show. Of course they do: you have to watch 3 episodes to get 1 episode's worth of story. And the most maddening talking point about this is 'slow burn'. The implication is that there's small flame growing larger and warmer. Completely false. What happens is that our main story is lit like a candle... that goes out often.

DRAMATIC STAGING -- is painfully weak. SCREENWRITING 101 insists you avoid putting two characters in a room simply talking at each other, because that's 'radio' and not taking advantage of 'the moving pictures'. But over 95% of the time these characters are either talking while preparing a meal or eating the meal. That's not only crazy lazy -- but I'm dieting and the show isn't about cooking.

PLOT -- is almost non-existent. And it's not only predictable but inevitable, since this story abhors conflict and therefore doesn't offer alternative resolutions. There are countless subplots, however, and most are wordy filler. Fans wax poetic about these characters and plots -- but have these fans ever seen another CDrama? Almost every other drama I've watched has stronger characters and subplots. THE YOUTH MEMORIES is a great example of being on the edge of your seat with almost every character in the story. MEET YOURSELF? As the story repeatedly suggests, it's two grannies taking an afternoon nap.

LI XIAN -- our ML is... okay... but I didn't love him. Yes ladies, I'll grant he's cute and sweet. In the first half of the show I felt he was over-using his squint, tilt the head, and laugh thing. I sensed he wasn't much of an actor. As the series progressed, though, his charm won me over. I really didn't like his costuming sometimes. (You know that blue denim-ish shirt he had, made of different denim panels? Yuck. And he'd often wear this white teeshirt that made him look like someone named Skippy.) Often I wondered if this show would have worked better if he had been the lead.

SUPPORTING CHARACTERS -- There are waaaay too many. Less is more.

Remember the lady that had a heart attack at the end and wound up in a hospital. My wife and I spent minutes trying to figure out who she was. Why? Because she wasn't a major character.

Many of these supporting characters just don't feel real. I'm not asking for sex, drugs and rock and roll, mind you. I love stories about kind and nice people, but you need darker characters to contrast against the nice ones.

That said, there's cuteness everywhere. I loved Aunt A Gui because she was identical to an Irish Aunt I have, which is strange but true. Annabel Yao stole every scene she was in -- and the producers wisely kept her comic relief lovelorn struggles to a minimum. My heart absolutely went PITTER PATTER every time I saw Ma Meng Wei, the struggling writer. It's hard to believe she only has supporting roles in her future projects. Wake up, Producers -- she's cute as hell.

One character I had a little trouble with was Shen Xiao Mei (Hao Wen Ting). She is our ML's business partner. She was smart, pretty, pragmatic, an excellent business partner -- and even looked like our ML. The story failed to notice they should have been interested in each other, because why not.

Another eye-candy character to note was the handsome young actor playing 'Woodworker Boy'. (I can't find him on MDL.) It's rare to find such a handsome actor (or actress) that convinces you they are not aware of their attractiveness. So many CDramas are loaded with pretty boys pretending they're not and this actor pulls it off, which is funny because netizens swarm him and say how cute he is and he completely pulled off how unaware of this he was... and embarrassed.

(By the way, in later scenes -- we watch him carve wood. He smashes his palm against a tool that chips the wood. OUCH. I winced every time he did it, because within two weeks anyone would be crippled doing that.)

CRYSTAL LIU -- is spectacular in A TALE OF ROSE. If you'd like to see her act, watch that. MEET YOURSELF was a career waiting room, where she smiled pretty in pretty clothes and did next to nothing else. The show didn't need her as the lead. I'd have cast the young lady that plays the 'struggling writer' instead. Oh, yes, speaking of that --

NAVAL GAZING -- or what I like to call WRITER'S WRITING ABOUT WRITING. Bad writers have a terrible habit of writing about 'the terrible struggles of writing'. Who... umm... cares? What's really going on here is the writer of MEET is insecure about their script, and so they insert themselves into the story to say 'how hard writing is' and then characters swarm that character and say 'but you're so good'. It's sickening. And this story did it two more times, with a songwriter and a vocalist.

THE SCENERY -- Most fans LOVE THE SCENIC SHOTS and such. Do I need to see an eye doctor or is over 94% of this series shot in a cafe set and that 'homestay' set? And when it does go outside here and there, the photography is ordinary. Uninspired. Some of it looks like file footage too. See TO THE WONDER and learn what real cinematography is.

I should say the sets were gorgeous! (Unrealistically so, but still eye candy.)

MUSIC -- Oddly the shows strength, even though there's miscalculation even here. This show loves playing the same six songs over and over, so that sequence after sequence is a montage. It's filler for a story that's barely there. And my favorite song, SADDLE OF MY HEART -- was translated poorly into English. It's so indicative of a show that means well but keeps misfiring. Like the opening sequence which is all 'sitcom' bouncy but the show isn't. 'Wind' should have been the ending song.

SO IF IT WAS SO BAD -- why did I watch it all the way through?

1. This is my 3rd Crystal show, and her quality acting, unique beauty, and lovely outfits do not disappoint.
2. I love a show attempting to stage a community based on kindness.
3. At the halfway point I wanted to walk, but I was interested on how it would end.

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IMPERFECT Approaching Perfect (Spoilers will be few and mild)

I was lucky enough to enter the world of Chinese dramas via RUYI'S ROYAL LOVE IN THE PALACE, a show that has compelled me to watch 12 more series. I was so impressed with Zhou Xun I'll watch anything with her in it, and she's here in IMPERFECT. (I even saw her IMPERFECT LOVE show as well.)

This IMPERFECT also features another Ruyi alumni, Dong Jie -- who I'm beginning to respect as a truly great actress. In Ruyi she had to play a very cold and distant character, which she pulled off brilliantly, but was utterly unlikable. Here viewers might say she plays the same, but I found her far more sympathetic in this series. Her sad yet beautiful face constantly spoke to me of a woman that could have had lifelong love but instead made a very bad choice.

Frankly the entire cast is terrific, even amongst the smallest of roles. My only disappointment was with Police Captain Yan Ming, who wasn't convincing as a cop. She is very pretty and her that was kind of distracting. I've seen THE DISAPPEARING CHILD and that lady cop seemed so real that I was disappointed not to see her type cast here. Understand Elaine Zhong is otherwise fine here, and again she is in an otherwise perfect ensemble.

Our villain Cheng is portrayed beyond perfect by Liu Yi Jun. I'm new to this actor and his ability to make such a despicable person sympathetic goes football fields past Dong Jie. He is terrific in his completely lack of awareness of how horrible he is, which is why you can't help but feel for him a little now and again and kinda a little bit always.

Also new to me is lead actress Jelly Lin, who portrays the title of this series. Her character is as compelling as perplexing. Often you want to hug her but sometimes you want to slap her, which is painfully ironic considering the series them of appropriate actions upon a young lady like this. But despite the irony these feelings run real because her character Zhoa Xun makes you want to pull your hair out during the first two thirds of the series.

This paragraph will run mildly spoiler-ish in giving away the victim's main flaw. I'll talk around it by saying she behaves like almost all 'kids' her age. When you get them on a topic that makes them uncomfortable, they won't say it makes them uncomfortable. Instead they go silent, off topic, or just behave oddly. Because they're really still half children, aren't they? That is how a child reacts when you accuse them of having their fingers in the cookie jar.

The point of this series is to indicate that victims of rape and sexual harassment can't be expected to be perfect victims. The series plainly states that when you have an older man with power over a young person it is very difficult for the 'girl' to react and respond proactively enough to impress the Court system she wasn't complicit.

What drove me a little crazy is this discussion of the victim kind was always with respect to her adulthood. What I just did two paragraphs up I wish the series had said over and over again: the victim was so young she was basically still a child, and you can't expect adult behavior from a child. It's THAT simple. It is this innocence and lack of adult experience the likes of Cheng count on and prey upon.

That idea was never said in such words but hammered upon with Lin Kan's lawyer story. (By the way, who was the genius that cast Zhou Xun but named our victim Zhoa Xun? That would be like naming Harrison Ford's STAR WARS character 'Mark Hemill".) Anyway, as usual, Zhou Xun was TERRIFIC as our lawyer character. I love Zhou Xun only like one other legendary actress, Bette Davis. This means that no matter the age of either actress or the project -- it's must see.

I was, at first, a little surprised when this production didn't use Zhou Xun to play her younger self. They did so in RUYI and really pulled it off. Her size and figure can easily pass for a college kid. But I said at first because, at second glance, the face of Zhou Xun is evolving. Filmed in her late 40's there is nuisance of age. I'm not talking about wrinkles and such that special effects could hide in flashbacks. I'm talking about her lovely eyes that speak of this woman's journey.

It was for this reason I understood her central role in this series. Zhou Xun is what lives in between a Jelly Lin and and Dong Jie. (I just learned this statement doesn't make real sense since Dong Jie is 6 years younger than Zhou Xun, but it's Xun's youthful features the suggest the opposite.) Still -- our lawyer Lin Kan is attempting to rescue herself before it's too late and she turns into a Dong Jie, if you will.

Great credit needs to be given both to the female writers (Gao Xuan and Ren Bao Ru) for creating this vivid world where all these actors get to shine. Where the depressing subject matter dissuades viewership the writing and direction and cast DEMAND a viewing. This is probably the best series I've seen yet, tying with RUYI'S ROYAL LOVE in quality.

The series was not perfect, though. (Dare I say it was 'imperfect'?) Luckily the problems can be counted on one hand --

1. I found almost all the songs to be 'fake' somehow. As if someone insisted they be inserted and so they came off as an awkward after thought. Plus I've heard better songs. The closing credits song in Zhou Xun's IMPERFECT LOVE is incredible, if you need a point of comparison. (Go catch that on YouTube or wherever now.) I almost always listen to the opening and closing songs of these shows with a big smile, but for the first time every I found them skippable. This is extra weird since some even had my native language (English)in them.

2. I don't mind lighthearted funny scenes, but towards the end of the story they were no longer needed but inserted anyway. The inclusion of these overlong 'smirky' scenes took away desperately needed time to --

3. -- resolve a few more storylines. The boy that loved Jelly Lin? He was seen in the last episode but only as a prop. To have him there at the court but not let him speak to the victim or her parents was a missed opportunity. The same for the security guard, who not only should have said something after the trial but have his victim friend by his side. It honestly felt like the series was padding a little to get to the last two episodes, and once there, they realized they needed more time... but didn't have it.

4. Call me an Old Softie but I wanted Lin Kan's assistant (Zhou Cheng Ao) to be somehow back with Lin Kan at story's end. But not as her love interest or employee. Instead I wanted a scene where he was doting on the victim at Lin Kan's home, implying that at some point these two might be a couple. But no hurry.

I've come to learn no Chinese series is perfect. I had a string of series that were disappointing and one was so terrible it had to be abandoned. IMPERFECT VICTIM won me back over... because it is near perfect.

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Actors ages do not ruin this otherwise MUST SEE series

Hiya,

My first C-Drama ever was RUYI'S ROYAL LOVE IN THE PALACE. I knew watching it that it was a masterpiece, because only a masterpiece would keep my attention that long on such a depressing series of events.

The problem became what in the world to watch afterwards? Since I was new to this world I tried MISSING PERSONS (Two Ruyi Co-stars featured) and that was fun but nowhere near as slick. I also watched a ton of Chinese films during Ruyi and some after. That's when I caught some Zhang Ziyi and felt, yeah, let's give REBEL PRINCESS a try.

Firstly, the jerks that call these 'costume dramas' need to be thrown into the Cold Palace and forced to watch Wonder Woman 1984. It's like calling Westerns 'saddle dramas'. Give me a break. This genre is Epic Imperial Romance, okay?

Secondly the title simply doesn't work. Or translate. I have a sublime title to offer but it would spoil to explain why I chose this.
Call it FOR THE LOVE OF AWU and you'll see why about halfway thru.

Unfortunately the series isn't as good as RUYI. That doesn't mean it isn't watchable and entertaining. And, in fact, for reasons I cannot divulge, it has a higher 'rewatch me' factor than RUYI. So it's better in a sense as well.

My personal big problem with this series is the initial ages of the actors. Where Zhou Xun completely tricked me into thinking a woman in her 40s is really a teenager, that didn't happen here. Many major players tried their best but simply looked old.

Deeper into the story we're introduced to a young woman that (we're told) is so like Zhang when she was young. SPOILER: she looks NOTHING like her. I was so confused I went to an eye doctor. (JK. NK.) And in THIS character SOMEONE should have realized lied a solution.

Rewind. You look for a young actress that looks a lot like a young Zhang. Then you shoot the first episodes using her. Then, and get this, when you need to introduce to the young woman who allegedly looks like Awu? Use the same actress, perhaps with a little rubber on her face to make her look a little different. Two problems solved.

The other unfortunate casting issue is Zhang Zi Yi herself. After having experienced the WOW that is Zhou Xun in RUYI, Zhang seemed a little... flat. It was like she was playing not only a noble Princess but a Goddess, who -- somehow -- is detached from reality. Often when Zhang is hearing something she doesn't like -- she starts staring off into an emotionless abyss. She looks catatonic even. This emotive distancing pushes the characters annoying her back a bit, but so too have we the viewers lost critical access into her thoughts and feelings. It took me halfway thru the series to get used to this.

With this out of the way, almost all of the other characters are terrific. Where Zhang is the blank canvas, everyone else is the paint. The series grows more and more endearing as each episode passes. Where RUYI slowly waterboards you into giving up all hope, REBEL offers hope.

Every great series has a breakaway character that you'll then want to see a LOT more of. In RUYI it was Princess Jia (Xin Zhi Lei) who is the most beautiful b!tch to hit TV or cinema. In REBEL it's Helan Zhun (Yuan Hong) who I called Aquaman the entire time because he looks (kinda) like the Chinese version of Jason Momoa. His character does some pretty awful things but MAGICALLY you hold some compassion for him too. He really made Tong Yang fight for screen time.

(By the way, in America, the CW took the world's largest POO on the classic Kung Fu series. I don't mind the remake as a show but recognize it's plainly not based on the original series at all. It's like renaming THE OFFICE as KUNG FU. But Tony Yang's intensity in the back half of the series tells me China should do an actual remake of KUNG FU, starting and spending a lot of time in China. Starring Tony Yang. He'd make a solid Caine.)

Now, of the romance. This story was a welcome soapy affair after RUYI. I don't want to spoil but I will say Awu attracts men the way an open KFC dumpster attracts flies. If you take this story literally you won't like it. If you accept its instead a feel good romantic fable -- and need that in your life before embarking -- this series will charm you SILLY.

FUN TRIVIAL FACT -- At the end of each episode is an absolutely beautiful duet between a man and a woman trying to find love inside the Kooky Backstabbing Kingdoms of C-Dramas. If you open your heart to it you'll watch the complete ending every time. The song is even featured within maybe 6 episodes.

But there is a BATTLESHIP sized detail about this song. The lovely woman who's singing? As Austin Powers once said, "She's a MAN, baby!" It may be worth watching this show just to experience that.

Oh and the production values are through the roof and puncture a hole right thru the Moon. But that can't carry you further than 3 episodes. This ensemble will. But know the series takes time to really grab you. Under 10 episodes for most.

Now, there was on character I felt was handled poorly. General Song started out great, but in the interests of romantic drama, took a series of turns that... well... I don't believe the audience appreciated. I've saved this last note for people who have seen the series, and so the next paragraph is SPOILER SPOILER SPOILER.

***************************** SPOILING BELOW *******************************

At the end of the story, Song watches his wife beg him to save himself (and his soul) and let Awu and Lord be. When he refuses to abide by her wishes, she does (something) that should have changed his mind. Minutes later, at the end of his sword, he does something that wasn't intended. The audience says YAY but then (the pig) grabs Awu's face and makes a play for her. That was done for drama but wasn't the least bit believable. If memory serves Helan never even pulled that stunt, was more of a gentleman.

Since I've written a handful of stories myself, I'll offer what I consider a cleaner (more appropriate) resolution of Song's arc.

Song witnesses his wife jump to her death. Later (before he confronts Awu) he looks down at his dead wife on the ground. He realizes his folly. He might even say to someone how she only lived for him. And how he didn't appreciate that.

When he's with Awu, her father explains that he will be emperor. And that nothing and no one can stop him. He stands close to his daughter when he says this, meaning even Awu. This threat is critical, and was missing from the story. And the fact it was missing kinda screwed up the ending. Because in the story she later talks to her father as if all the crap he's pulled was okay with her because of blood relation. Except we the audience know it wasn't.

So it's CRITICAL that Away abandon any love of her Dad she has upon being threatened. At this moment Awu should pull out the small knife the Lord handed her a long time ago in the story. I believe they intended to have her use it here but chickened out at the last moment. I wouldn't chicken out. I'd have Awu tell her father it's over. That's when he takes the knife and attempts to turn it on Awu herself. And it is at this point Song ends Wang Lin.

After doing so, Song looks completely broken. The Lord and his soldiers arrive, but it's clear from Awu's face it's already over. Song sees the Lord and Awu stand beside each other and wipes a tear away. He says words to the effect of, "I see what I always should have seen. That you two belong side by side. And that my place was always... elsewhere."

Song would leave the chamber. Moments later a servant would run in and tell the Lord Song will kill himself. They run out to and catch Song just as he jumps off the ledge his wife did. They look down and find him dead... beside his wife.

What I'm trying to suggest is that Song was more noble throughout the story. That he didn't need to become a 'demon' in the last moments of the series. Even Helan had this figured out.

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Fun Dramedy with a Strange Message

(I'll warn you when I spoil, which is basically the end of the story.)

I Middle-aged dude software engineer in corporate China loses job and scrambles to find employment to take care of his family and keep their home. Jobs are so hard to find he ends up becoming a delivery 'boy' and perhaps he's too old for the job. But he perseveres to admirable yet mixed results.

The story stars writer/director/actor Xu Zheng -- and he's absolutely great. What brought me eyes to this film was starlet Xin Zhi Lei, but she did her job as a bait and switch actress. Don't see this film to see her -- she's barely in it. And any number of actresses could have played this role. I think Xu Zheng wanted a hottie by his side, and with Xin Zhi Lei -- who can blame him.

The big star of this story is the pacing. Despite being two hours long it's pacing makes it feel much faster. Although this piece has a low budget feel, the sheer number of locations will blow your mind. This delivery company, like the film crew, are all over this city.

My problem with this film was its ultimate point. What exactly was the Xu Zheng trying to say?

One the one hand there was a rather kind message: don't look down on those people delivering your food, you privileged bastards. These delivery people (apparently) work like dogs and are humans too. There's a really nice series of shots at one point where it showed all the delivery people smiling. That they took pride in their work. Teeth and humanity.

My problem was the second message in the story, that was as realistic as it was kind of sad.

(SPOILERS)

Our hero literally risks his life doing as many deliveries as possible to keep his home and family safe. He eventually loses his home and ends up in a smaller place, presumably an apartment. His wife says it's okay because it reminds her of her childhood. The message here is the cliche that we grew up poor but were happier when we were poor. This message is repeated when our hero goes to the home of one of his co-workers and it's basically a narrow shack in an unpleasant area.

The story is saying family is more important than financial security. Hmm. Really? America right now is going thru an affordability crisis and most of us believe financial security is the best way to taking care of your family. I presumed this was a global truth that the Chinese would particularly agree with. But instead this film says "Being fired happens all the time, and beside you're getting old so you kinda should expect this." Hmm...

So the story's message is enjoy what you got instead of what you need, because if you have family you've got all you need. Really? And what if you don't have a family? I guess your co-workers become that? Like I said, strange message.

Despite this major messaging flaw, it's worth seeing if interested. The problem is it's not a strong recommend.

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The Many Loves of Dr. Qin Medicine Woman (9.3 out of 10)

1. I'm absolutely stunned by the green screen visuals. I mean I know it's 'fake' but it doesn't scream it. And since it's a fable it's okay if it looks storybook-ish. Obviously they're using some ginormous green screen action but sometimes I'm wondering if they're using that wall of TVs tech too. I normally don't care about visuals over story, but in this case it's worth mentioning.

2. I also normally don't comment on the fight scenes either, since they can come off as so generic. There were not a lot of fights in this series but I really enjoyed each and every one of them. If I ever rewatched this series I'd look forward to them.

3. This is my fourth Li Qin drama. She was fantastic as the Han woman in RUYI, forgettable as chicken leg girl in JOY OF LIFE (Season 1), wonderful in YOUTH MEMORIES, but s-t-e-l-la-r here. Her always understated performances come to life here when extreme situations finally push out her emotions.

4. Our FL has a 'cold disease' and must stay out of the cold, yet her entire life is spent in cold, kneeling on the ice -- you name it. I'm amazed they don't show her eating ice cream inside a fridge. Viewers must ignore this extremely confusing element or risk losing their mind.

5. SNOWY NIGHTS is the definition of LESS IS MORE. It doesn't need 100 characters and as many plot twists. It's a clean perfect narrative with no clutter. It is aimed directly at people who cherish the journey instead of the destination. If you've ever once fast forwarded thru any C-Drama, feel free to skip this one and especially avoid reviewing it. That said --

6. -- in the last third of the series the show becomes obsessed with it's own songs. They're nice songs, don't get me wrong, but they plays them way too often towards the series finale, rendering minutes of each episode as 'music videos' filler.

Not to mention (but I will) it's INSANELY distracting/annoying to have vocalists singing while characters are speaking. I've seen many Broadway musicals and not once do they have characters speaking WHILE the chorus is singing. This one element took two tenths off of my review score alone. But I have to admit --

-- I loved the closing credits song. And like REBEL PRINCESS, I was once again stunned by who was actually singing this song.

7. So although the show slows down a little in the last third, at least this show doesn't commit the dreaded Chinese Drama Cliche: another ending. Most C-Dramas seem to end the story, and then -- end it a second time. I honestly can't figure out what so many of these series end twice, but SNOWY NIGHTS does what every drama should do and simply end ONCE.

8. The first shortcoming I can really name is our ML, Joseph Zeng. There's nothing really wrong with him, but he's just a little too boyish 'perfect' to resonate as real. I picture a warrior like this rougher around the edges, more like a cleaned up 'Eye'.

I don't hate our male lead, but I don't hang on his words like a Wallace Huo or Huang Xuan. I'd have loved a reunion with Xiao Zhan if they wanted such a boyish face. I will say Zeng ripens after the halfway mark. Perhaps he was trying to show that 8 years had passed on his journey from young man to man? I'll say this ladies: my wife thought he was super cute.

9. I'm hearing people here trash the villains. Hmm. I guess you could say they're not as villainous as you'd expect, but I kinda like that their leader looks like a college art teacher (lol), and one of his disciples is always eeriely smiling.

The weakest villain is the Lady in Red is not much more than... a stylish Lady in Red. (Her character rounds itself out towards the series end, but it's kinda late. We needed better hints about her past.)

Weak too is the comic relief fat dude doesn't seem like a believably evil member of this clan. It would only make sense if the gang resented him but kept him around because they loved his cooking. (Well they have to eat!)

Eye seems to be the only monster in the clan besides the leader. Every drama has a lesser known actor who steals the show. Eye is this character and I can't wait for the right lead role to come his way. I'm concerned that I recently learned his voice was dubbed, suggesting a pretty boy lacking proper vocal talent? I hope that dubbing goes away in time.

10. This is not a story set in realism, and so understand it's really a parable on the topic of sacrifice. If you don't accept this, our ML's heroic quest becomes impossible to understand. (Would you keep risking your life as he does for the reason he does?) The theme of sacrifice echoes in Li Qin as well, which produces not one -- not two -- but three examples of selfless love.

Cliche love is about marriage and children. Not everyone goes down that path, sorry. If your heart and soul need to be reminded of humanity now and again -- this series does it ---

SPOILERS below SPOILERS below SPOILERS

-- without one kiss.

And now some comments on some sloppiness by this series --

1. One reason I dislike fantasy stories (vs. science fiction) is that it can be license for LAAAAZZZZZYYYY writing. In Ep 26 our ML's bird flies into the valley and Granny needs to ask it a question. Up to this point it hasn't been established that our ML can truly converse with his bird, never mind a stranger that says 'chirp once' if you like potato chips and 'chirp twice' if you don't. WRONG, UNACCEPTABLE, I'm docking the series a tenth of a point just for this one moment.

2.. I gather the ML's Master was recast unless I missed something. Or written out. A bit awkward in such a short series.

3. . In the battle between Eye and his master, three golden needles are popped out. But certainly we just watched Dr. Qin Medicine Woman pull those same needles out some episodes back. WTH?

4. What happened to the bird?

5. Are you the type of reader who skips thru stories and skim's long reviews like this. If you are, you missed the hidden scene after the final credits in the final episode. If you've read these words and missed it, this is your reward for reading this far.

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The Film Devours Its Own Message for Tasty Visuals

Imagine a touching story about a farmer's daughter and her favorite goat. They're pals. But one day she learns her Dad sold this goat for money and she's angry. So she goes on a quest to the city to get her goat back.

That's basically the story of this film, but this version of the story is injected with fantasy, fantastic CGI, animal rescue weirdos, corporate psychos, and frankly as many chase scenes as they could manage to infest what should have been a simple touching story.

I watch C-Dramas mostly. The main reason is that they understand LESS IS MORE. The Koreans have spent too much time watching our Western films and when they try to please us -- these lose me.

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