"You need to let everyone know this fishpond is now under your ownership" ( Feng Teng)
This drama is based on the book Come and Eat Shan Shan by Gu Man and is mostly a faithful adaptation of the story of Shan Shan a junior level employee at Feng Teng a large family Corporation headed by Feng Teng the big boss.The love story between Feng Teng and Shan Shan is conveyed in a witty and entertaining way, with the highlight being Shan Shan's hilarious internal monologue and Feng Teng's dry humour. There's a prodigious amount of eating by our lead couple, showcasing some cute moments and also moments of meaningful conversation between the two. Shan Shan loves to eat, as referenced by the original book title.
This drama appears cutesy on the surface but it deals with realistic relationship issues faced by the lead couple such as the workplace complications of a low level employee dating the big big boss; the social and financial disparities that exist between the two are also highlighted and worked through by the couple. I especially liked the message conveyed by Feng Teng where he says that when he looks at a potential girlfriend he doesn't look at her social status or financial worth or how much education she has, he just considers how he feels and lets things happen naturally, I loved that about Feng Teng, he's mature, very caring, responsible and considerate of the people around him; he's the perfect foil for the bubbly Shan Shan.
The character of Shan Shan also goes through a credible and satisfying growth trajectory, in the sense that by the end of the drama Shan Shan has become the very best version of herself, and this is amazing to watch.
The other cast members are very good with fleshed out stories that round off the main storyline. This is a story that's straightforward with a lot of life lessons and insight into male and female relationships; it's definitely worth a watch.
Music is great and well applied, the opening theme is sung by male lead Zhang Han.
overall 9 out of 10. I've rewatched this a few times as it's so straightforward and cute with a wonderful well earned happy ending.
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Age Ain't Nothin' But A Number and Money Isn't Everything.
This show set out to illustrate how a big age difference should not be a determining factor on whether two people should be together or not as portrayed by Young Gun and Dan Dan; It also set out to show through the actions and experiences of its characters that money is not everything and love, affection and family trump money - this is shown through the characters of Cho Sa Ra and her mother, and also through Dae Bum's story and his struggles while dating a woman richer and older than him.I would say that all in all the show did succeed in illustrating these points but it was done in an uneven manner, the writer focussed heavily on the negative with only a sprinkling of goodness. This made for a frustrating watch.
Cho Sa Ra ruined this show single handedly, the writer drew out her schemes for way too long that by the time she got her sad
(ish) ending it was too little too late.
Having said that, I enjoyed the family slice of life, the kids and Park Dan Dan, I also really enjoyed the relationship between Dae Bum and Se Ryeon, their unabashed love for each other kept me going when other aspects of the drama were dragging.
By the end of the story the characters had learned the lessons they were supposed to learn but the road walked by some characters to redemption was a bit trite, eg. Yeon Shil, what made her change and decide that money isn't everything? she just changed her mind from one day to the next. A more believable transition is that of Mrs. Wang, I could clearly see her battle to change her mindset and eventually events and life experience changed her and she became sincerely repentant.
I could have easily dropped this around the episode 25 mark but something made me keep watching so I can say that much about it.
Music was repetitive, it would have been nice to hear more songs
One great thing I can say about this drama is that it has made me interested in watching the longer episode weekend dramas which I have never watched before, I enjoyed the up close slice of life vibe of this show and am looking forward to watching more longer form dramas,
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What's more sacred, love or marriage?
Do we love with our head or heart?A heart isn't something you can fight for or win, it just comes to you.
These are the themes that this drama explores, amongst others...
The drama crossed genre boundaries, at times romcom and other times drama and slice of life. It's an excellent portrayal of familial relationships and how they can shape a young adult's life and choices. This drama is tightly and so beautifully scripted, the writing is thoughtful, thought provoking relatable and peppered with cultural and literary references.
I enjoyed the way the drama explored all three couples more or so equally, cleverly juxtaposing the main issues in one relationship with issues in another relationship, there is a painstaking attention to detail that is evident in this script and screenplay. Overall the story is very well developed with outstanding plot exposition, development and resolution.
The cast is excellent. The two leads give stellar performances; Lee Min Ki is so consistent in his stoic and awkward portrayal of Se Hee, even when he's acting cute with Ji Ho he still maintains the essence of his stiff demeanour, it's the almost imperceptible changes in his facial expression that give an indication of what's going on in his head.
Jung So Min is wonderful in her contemplative turn as Ji Ho, her narration is filled with nuggets of useful and fascinating introspection.
The rest of the cast was amazing and did such a wonderful job one and all, it's a well chosen cast.
The reason I didn't give this a 10, which I intended to all along was because the 3 or 4 penultimate episodes were a bit draggy and disappointing; first of all the plot started to drag with Ji Ho's sometimes overly contemplative and nitpicky approach to life; secondly given how the story had been told so far, her departure towards the end seemed out of character for the story up to that point, and also she was coming across as passive aggressive in the final episodes, she inexplicably lost the ability to discuss issues with Se Hee; thirdly the product placement was so noticeable towards the end it was off putting; fourth I wasn't sold on the way Ho Rang and Won Seok's story was wrapped up, it just seemed a little convenient and didn't resonate with their previous story arc.
At the end I felt as though the writer just gave us a stock ending which was a bit rushed and included unnecessary angst just for some drama in a show that was hitherto refreshingly free of drama, so for all the above reasons I removed 1 and a half points because I legit wanted to give this drama a 10.
Music is great and matches the wistful yet peppy atmosphere of the drama.
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Actions speak louder than words
And boy do they ever in this show! the main characters say next to nothing, I think the female lead screams once and says " I love you" that's it ( and it's not in the same scene). The male lead says nothing at all. This story is told in actions, small, nuanced ordinary actions which take on profound meaning as the story progresses.This is the story of an unconventional life, the male lead has carved out a strange, transitory existence of going from empty house to empty house and living a miniaturised life in the space of one night or so, before moving on to the next empty house until he meets a woman in a not so empty house and they embark on his journey together.
This story evoked feelings of sadness in me, I felt sad for the male lead living this kind of life, I'm not gonna
lie I really felt that he was living a reckless life; I felt this especially when he hit the golf ball and it went through someone's windscreen and injured them, and he didn't take responsibility.
When he went to jail, I got the sense that he was mentally unstable; ultimately he was practising to become invisible so that he could live with the woman he loves and her husband without the husband's knowledge.
The love story is heartwarming as there's a sense of two lonely and despairing people meeting and bringing happiness to each other.
The acting was good seeing as they had to rely on facial expressions and actions.
I liked the music, especially the song which sounded like it had Indian influences, that was wonderfully evocative.
I TRULY appreciate how good this movie is, It's so artistic and unusual; however ultimately it's not really my cup of tea, personally speaking.
Overall score 8
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The tug of war between Jang Bong Hwan and Kim So Yong
I wasn't expecting much when I went into this, but I was very pleasantly surprised. It took me a couple of episodes to really get into it but once I was hooked, I was hooked!The story is refreshing, the acting engaging and the music catchy, this is an all-round fantastic show and well worth watching.
The comedy is done so well and is very funny too; my one complaint about the comedy is that sometimes it was interjected into scenes which didn't need it, scenes which I felt needed to stand in their emotional depth without the comedy breaking in.
The juxtaposition of the two characters living in the same body was portrayed well; initially Kim So Yong is supressed because she's depressed but gradually we begin to see more and more of her - however Jang Bong Hwan holds down the fort in a very entertaining way.
The male lead carries off his enigmatic character nicely, he has intriguing hidden depths which also gradually come to the surface with humour, emotion and the passion of his convictions.
The soul swapping theme is resolved neatly at the end in a way that didn't leave me scratching my head. The central theme of whether identity transcends body and era is explored in this drama and leaves us with food for thought.
Court politics, power struggles and manipulations are portrayed in the drama, and I love how it shows us that a few willing individuals can change the system from within. Both the king and queen struggle with issues of self-determination and freedom over their own fate and the way they break free from the system stifling them makes the heart of this show.
A wonderful watch 8.5/10
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A slice of Korean workplace culture
This drama is not so much about the story, but about the characters. It carefully depicts the everyday experiences of office workers in a trading corporation. The story centres on Jang Gu Rae, a former Baduk player who enters the cutthroat world of office work without a college degree or traditional qualifications.The story explores the struggles of ordinary working life such as the pressures of working in a large corporation with long hours, hierarchical systems and job insecurity. Jang Gu Rae experiences the painful loss of his personal dream to be a professional Baduk player in the challenging face of reality. The show also depicts the tedium and anxiety of being a contract worker or intern. Themes of alienation and isolation are explored as the characters are forced to conform to the system rather than express their individuality. The hierarchical system, power and office politics play a very central role in this drama where seniority often outweighs merit - This is portrayed mostly by Mr. Oh who constantly struggles between survival and idealism.
Jang Gu Rae's story is one of incremental growth and perseverance; he earns his status as a respected team member not through brilliance but by genuine effort and humility.
The show's portrayal of teamwork and human connection is one of its strongest points. The growth of the relationship between the four interns is heart-warming.
Ultimately Misaeng suggests that life is not about fulfilling a single big dream, but about finding dignity and meaning in the unfinished, the imperfect, the incomplete life.
I enjoyed this drama very much at the beginning up to the point where the interns are chosen, then it slowed down considerably and seemed to lose direction, it picks up here and there with moments of profound meaning interspersed within the story. The lead actor's (Jang Gu Rae) acting is not the best. The character interactions are the best thing about this drama, it is rewatchable but I'm not likely to rewatch it.
Music was evocative, I love the opening theme music.
7.5 out of 10
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Life beginning, life ending and everything in between.
"Blues" - Feelings of melancholy, sadness or depression.This drama depicts the ebb and flow of life by giving the viewer a close-up look at all types of relationships. It shows familial love, romantic love, friendship, the relationship between people in a community and the relationship between people who work together.
The drama showcases a strong sense of community, hard work, sincerity and the concept of earning an honest living.
The drama is emotionally rich, and the ensemble cast does an excellent job of conveying their stories; the acting is superbly authentic.
The most profound message in this show is that everyone carries hidden pain and has personal struggles despite their smiles, and that community and human connection have the power to heal these struggles. Through their various struggles the characters realise that life is messy but beautiful and that forgiveness brings its own freedom and peace of mind. The characters are continually growing and evolving, learning new lessons and healing their trauma.
In this drama the characters realise that pain and joy co-exist and that co-existence provides beauty, depth and reason to keep going.
I gave this drama a 7 for the amazing acting. However, I found some story arcs to be overwrought to the point of annoyance and the over emoting of some characters took away the enjoyment of the story. Similarly, some story arcs showcased the bad chemistry of the romantic pairings.
Overall, this is well worth watching for the profoundly human emotional tapestry the story depicts.
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Broken people searching for closure and trying to heal.
This was dark perhaps but not in a bad way; the darkness added dimension to the inner turmoil of the characters.Han Jeong Won played by Gong Yoo and his ex-wife have a mutually destructive relationship, she's manipulative, controlling and quite frankly unhinged; He's rudderless, tormented and searching for an anchor - the two of them are completely wrong for each other as neither one has what the other needs.
The arrival of Noh In Ji into Han Jeong Won's life starts the process of healing for both of them because she is also a wounded soul; we get insight into her life and her struggles with stalker Eom Tae Song.
Han Jeong Won and No In Ji gradually fall in love as they create a safe space for each other, and help each other deal with the antagonists in their lives (his ex-wife and her stalker)
The story telling is non-linear, so the story line jumps forwards and backwards without any cues for the viewer to keep track, I quite liked this element though it's probably not for everyone.
Han Jeong Won's house is architecturally impressive and can actually be considered a character in the story as it plays such a big role in the narrative.
The music is good, some of it is suspenseful and the rest is so emotive and beautiful, It really accentuated the story beautifully.
Some cons from my perspective: it took me up till episode 3 to figure out the flow of the story - the murder investigation, the flashbacks and the current narrative were shown interchangeably as scene progressions with no "2 years ago" or "5 years later" markers for the viewer.
Also, I though there were too many unfinished conversations especially between the male and female leads, I understand that this is a dramatic device, but I found it frustrating when the female lead left a lot of questions which were posed to her unanswered.
Something else that isn't explored adequately is the backstory of the ex-wife. What exactly led to her derangement prior to the baby story?
I like dramas that explore the inner landscape of characters, Trunk did so evocatively, and I was drawn into the emotional and mental turmoil of the characters. The slow burn love story is portrayed in a human and realistic way with unfinished sentences and hanging questions. Right up to the end Han Jeong Won and Noh In Ji were so wary of their love that they required a double confirmation of its existence, I thought this was very apt considering the emotional terrain that had been travelled by the characters.
The acting in this is excellent by all especially the main leads, the ex-wife and the stalker. Hats off to the cast.
I gave this drama a well deserved 8/10.
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Unforgettable, EPIC!
This is an amazing show, truly outstanding.The story revolves around the question "what makes a nation?" and explores the relationship between the ruler/s and those that are ruled / the people. The show explores how big ideas and big dreams can change or affect the people who try to enact them.
Ultimately this show illustrates that power should be "rooted" in the people.
I can't do justice to this show with my review, it has a talented and dynamic cast, a beautifully written plot (loosely based on historical events) a moving and heartfelt OST and delicately intricate directing - a true masterpiece.
Just watch it, that's all.
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Lots of very cute OTP moments with liberal lashings of Chinese Fashion.
The more I watch Chinese dramas especially romcoms, the more convinced I am that the Chinese Censorship Board uses dramas as a way of showcasing various aspects of Chinese business, culture and social life, as a form of propaganda if you will.For instance in Queen of SOP, the business of major corporations was showcased particularly mergers and acquisitions, this drama also emphasised an impressive Chinese work ethic; Similarly in Here to Heart and in Love O2O, the Research and Development aspect of Chinese gaming and tech companies was highlighted.
It came as no surprise when I watched this drama and realised that it was intent on giving us a crash course in Chinese fashion, particularly focussing on traditional elements such as batik and splash ink painting on fabrics. I found this to be quite informative but it often felt preachy and inorganic especially the parts in France at the Design School.
That being said this drama offers one of the best OTP's I've seen in any drama, their interactions, communication, steadfastness and trust in each other is very refreshing; their biggest misunderstanding does not lead to a breakup and they're upset with each other for an episode and a half just about. I enjoyed this aspect of the drama, the maturity of the OTP cannot be over emphasised.
On the flip side I think I encountered the worst second male lead I have ever had the misfortune to see in any show, I mean this guy was not only selfish, delusional and petty, he also came across as downright unpleasant in many instances, he is quite unbearable.
The antagonists ( a bunch of females harbouring pathological envy of the female lead) are also very annoying and unreasonably malicious.
The male lead's mother is also a pill, I personally did not ever warm up to her as she is more concerned with her selfish wishes being adhered to than in ensuring her son's true happiness.
The fashion scene is quite interesting to watch. OST is amazing especially the intro song and OTP song
Overall this drama is watchable, I'm a fan of Zhang Han rom coms so I quite enjoyed it. His acting is actually getting better the older he gets. The female lead's acting is also good although I felt she didn't bring the level of emotional intensity required in some scenes, she skews more comedic than emotional, but it was a good portrayal nonetheless, I appreciate how strong she is and doesn't let people trample all over her.
A decent lighthearted drama, worth a watch if you want to take a break from the heavy stuff ; It's too long though and could have done just as well if not better with 18 -20 episodes.
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Relationships beginning, ongoing and ending...
This drama surprised me with the direction it took, because starting it I thought it would be about a wife getting revenge on her cheating husband, you know that type of vibe; But instead what I got was a very thoughtful take on what happens when a spouse cheats, how this can affect not only the aggrieved spouse but can affect the parents / in laws, friends of the couple and in this instance the professional relationship of the two. I also enjoyed the way the show portrays alls sides of the story. Every character is shown as they are, their backstory and their current actions so the viewer can see that there are a lot of grey areas and everyone is not just black or white.The characters are thoroughly explored and the ups and downs of the events and resulting emotions are well documented. There's a hint of mystery as the show tantalises the viewer with the possibility of who the mistress is, there's also a fair amount of emotional angst, which is not surprising given the subject matter but this is in no way irritating thanks to the wonderful acting abilities of the cast.
This show portrays romantic relationships in various stages, there's the married couple who both have careers and are grappling with child care and the division of duties within the home; there's a professional single woman who has a somewhat complicated family situation and work history who's dipping her toes into dating life; there's the married couple where the husband cheats on his wife (the main story line); there's the relationship between the cheating husband and his mistress.
I've seen many comments on MDL where viewers say they hate cheating stories etc, but this story is so impactful because it explores the full spectrum of motivation and emotions of everyone involved, so although you may be annoyed with the husband and the mistress, the Show does a very good job of showing where each character is coming from and how they got to this point in their lives.
The story is told against the backdrop of a department store where all these characters work, so there are some work related story lines which add more dimension to our characters.
The resolution of each couple's story is well thought out and exposed. I enjoyed the thoughtfulness of this script, it fully explores each character's emotional landscape.
Jang Na Ra is excellent as always, she lends the character of Jung Sun a steely vulnerability, a sense of flailing helplessness initially and at the end she finds peace and acceptance.
Sung Joon played by Lee Sang Yoon was the most grating character for me because he doesn't show much emotion, he has the same facial expression and says very little throughout the entire show, I suppose this is by design because his backstory is told to us so we have a good idea where his head was at when he made the poor decision to start the affair.
The rest of the cast is great with excellent acting throughout.
Give this one a try because it's story is well told, and every character's motivation is laid out in the open so it's up to the viewer to make their own judgement.
I gave it a 10 out of 10 because it's quite rare to find a drama that explores each character's internal landscape quite so thoroughly and thoughtfully. Very well done.
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politics, love, destiny, patriotic ideals.
This drama got off to a cracking start, with fast action, witty dialogue and intriguing political machinations. Yang's story is immediately captivating and entertaining. The narrative continues at a very fast pace and it never gets boring.At around the episode 39 mark the story started falling apart in my view, this is a show that has always had life and death scenarios at every turn and each conflict is quickly followed by another leaving no opportunity for reflection or satisfaction. I started to tire of this cycle and at times the show feels like it creates villains and conflict just for the sake of it with no real impact to the overall narrative.
I was especially disappointed with the lack of meaningful resolution to the love story (and it's product) of Yang and Wang Yoo, it felt as if the show was always trying to push the Tae Hwan / Yang loveline even though the very first episode tells us that she ends up with the Emperor, so what was the harm in fully exploring the separation of Yang and Wang Yoo? It was just very sloppily done and I for one was never convinced that Yang loved the Emperor, her relationship with him was a matter of survival and the best way of achieving her goals.
That being said, the acting in this was excellent by some and ok by others. Ji Chang Wook is very good at portraying the weak, childish and selfish Emperor Tae Hwan, whose character is shown to us in the first episode he actually never changed or improved; his portrayal of this character is so well done that even though I never warmed up to this character, I was moved at times by his suffering and his ultimate helplessness, being Emperor means everyone is always trying to use you for whatever they can get.
Wang Yoo portrayed by Joo Jin Mo is the direct foil to the character of the Emperor. Wang Yoo is everything the Emperor is not, brave, strong, selfless with clear political and patriotic ideals. Wang Yoo is a stoic character and he and Yang share the same ideals and aspirations.
I must give special mention to Wang Yoo's band of merry men especially Eunuch Bang, their loyalty to their King is so heartwarming.
Yeoncheol is another character that is portrayed very effectively, he is convincingly evil as is his daughter Tanashili.
Tal Tal also became a firm favourite of mine, I loved his calm assurance and his formidable intelligence.
The last quarter of this show certainly did not do justice to its first three quarters. It ended on a bit of a wimper, and I was especially outraged at the identity of the villain who was exposed in the last few episodes, this was definitely not a credible plot twist.
I was fully prepared to give this show 10 out of 10, but as the show progressed the score lowered because of the many plot holes and the failure to fully explore some emotional aspects of the relationships between characters, and it also seems that at some point the show was determined to kill off as many characters as possible, which in most cases was redundant.
Music is good and well employed.
Final score 8 out of 10.
Rewatched April 2025:
My previous sentiments still stand. However, I'm even more outraged at the villains, and two I have to mention are Yeon Byeong Su - there was absolutely no reason for him to have lived for so long and in fact his treacherous actions led to the majority of the heartache and chaos in the story. - also the emperor’s weakness was unforgivable, in the end he chose brutality over bravery, he was a coward to the end.
The show feels like it was being rewritten in the last episodes, characters' behaviours and motivations were not consistent with what they had been previously shown to be. Did all those people have to die? death was a cheap dramatic device the writers used to keep the momentum up, it's very lazy writing and they seem to have misplaced their brains in the last 12 episodes. I've downgraded the score to 6.5. The downhill slide of the show at the end is unnecessary and undid anything that was good about it. The first three quarters of the show were so good and the cast is amazing, also the set design and costumes - but it was ruined at the end. this could have easily been a 10 out of 10.
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Love the one who speaks to your heart.
I watched this drama because of the two Gongs, I had no idea they'd starred together in a drama so I just had to watch it.It's a solid drama with a meaningful narrative; It focusses on Na Bo Ri's passion for teaching and how her compassion changes the lives of her students. Na Bo Ri's compassion touches the troubled Tae In's heart and he falls in love with her and that's how their journey begins.
The show managed to stay interesting by showcasing the students' individual problems and issues and allowing Na Bo Ri to help them through their trials, the bond that develops between Na Bo Ri and her students is heartwarming and special.
(MILD SPOILER) The romance between Na Bo Ri and Tae In is sensitively depicted, it's a one sided love for the longest time and Na Bo Ri is with the second male lead for over half the drama ( a character who is intensely annoying from the first to the last episode) (END SPOILER)
I suppose this drama is one of the pioneers of the noona romance genre, the teacher student romance is actually very well handled as they only become a couple when they're no longer in a high school setting, plus Gong Yoo's acting is so charismatic that he always projects alpha male vibes with lashings of cute and playful.
This drama is enjoyable, my rating is based on the fact that the supporting characters with the exception of the students, were truly irritating, especially the second male lead. I also removed points for the draggy and repetitive aspects of the story at its mid point, the ending however is solid.
Great performance by the two Gongs, I didn't expect anything less and I really wish the drama gods would grant us another drama with these two as leads.
The music is good, the OST is cohesive and very well placed.
My overall rating is 7 out of 10.
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Fate, destiny and the afterlife
This drama has an intriguing although not new premise. It centers on how people can go through life with blinders on, pursuing their own happiness without sparing much thought on how others around them are faring. The show also explores how people cope when a loved one dies and offers a unique insight by illustrating this concept from the point of view of the "dead" person as well.I especially loved the idea that you can be given an opportunity to set your affairs in order after you die, so that the people you leave behind find some peace and comfort.
The cast is quite well rounded. Standout performances came from Jung Il Woo in the character of the "Scheduler" and Jo Hyun Jae in the character of Han Kang. Lee Yon Won and Nam Gyu Ri were competent in their portrayal of Song Yi Kyung and Shin Ji Hyun. I appreciated the bond that eventually developed between these two women and how they helped and supported each other in their quest for justice, peace and ultimately happiness.
The other cast members are ok although I found Bae Soo Bin's character Kang Min Ho to be one dimensional, his facial expression doesn't change much from one emotion to the next. Similarly, Seo Ji Hye's constant wide eyed stare became monotonous very quickly.
The cast is underwhelming, with the exception of Jung Il Woo and Jo Hyun Jae, the acting was not dynamic and felt as though it was at 70% instead of at 100%, it felt mundane.
The story itself is good and it is well acted, however I would say it lacked that something extra, that indefinable quality that takes a drama from ok to excellent.
I quite liked the ending of the drama, it made a lot of sense as it didn't give an overly conclusive picture of the characters' futures.
The show could have done well with fewer episodes, like 16.
The music is good.
Overall score is 7.5 out of 10
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cute and fluffy
As a general rule I do like to watch drama remakes. I find it fascinating to see how another country might interpret a story and overall vibe of a drama. That being said this drama was cute, the initial story set up is engaging what with all the bickering between the two leads.The drama stayed true to the original story and I thought the conflict resolution ( what little conflict there was) was dealt with speedily and issues did not drag on. The episode count is a lot for this kind of story so I did fast forward certain scenes towards the end, there's also an inordinate amount of flashbacks.
Casting is good, I especially enjoyed the female lead, she pulled off the role well and is not a pushover which is so refreshing in an Asian drama. She did lean heavily on the comedy in the earlier episodes and some of her reactions to situations were off kilter.
The male lead is definitely not a great actor, and I was put off by his girlish looks. I know many will beg to differ on this but hey, each to his own.
Supporting cast is good, I liked second male lead and one of the most emotionally satisfying scenes is the rain scene between him and the female lead.
The main couple have great chemistry, the Thais know how to convey chemistry without going into steamy territory.
Overall this is watchable if you're not looking for depth, although twelve episodes would have done the job just as well.
Music is ok but very repititive.
I will not rewatch this.
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