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While there are some nice moments of drama, comedy and fights in this xianxia drama, I found it far too long and repetitive to make a profound impact for the audience who is looking for more than its romance story. Its generic plot and characters are somewhat shocking to me given the caliber of actors in the cast. Shen Li and Xingzhi, aside from their romance, do not undergo much development or growth in their characters. Some of the supporting roles and side/guest roles are far more distinctive in their growth such as Furong and Youlan as they become true leaders of the Divine Realm/Clan - or just more interesting such as the former god Qingye and Lady Jin.Zhao Liying and Lin Gengxin are skilled enough actors to make their story work - I especially enjoyed the first several episodes in the mortal realm. The rest of the cast are great with what they are given to work with, but don't expect any deeper themes to be woven into the story that would stand out compared to some of the better xianxia dramas in the past several years. If you are a fan of the actors and xianxia, this is still worth a check, but it is unfortunately more of the same in my opinion.
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We are the writers of our own fates
This is a fun entering-into-a-script story that effectively combines comedy with the more classic dramatic beats you would expect from a period Chinese drama. The characters are thoughtfully developed, and the story manages to build as it goes along to a very satisfying ending. With a great cast led by Li Yitong and Liu Yuning and a killer OST that will leave you laughing uncontrollably, this is not a drama to miss. Running at 40 episodes, there are some lagging moments here and there, and I wish some of the deeper themes were developed further. However, ultimately this show is about taking one's life and destiny into one's own hands and enjoying life to its fullest, so don't overthink when watching!Was this review helpful to you?
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A few good men
This is a dark yet poignant tale of the frailty of human nature - the loss of innocence in the effort to survive in a world where justice is hard to come by.The drama starts off seemingly like any straightforward murder-crime-mystery series. You are drawn into deciphering various clues and studying each character to determine who is the murderer. By the show's end, however, even though it pulls out a "surprise" reveal, the power in that moment is not so much the shock factor of who is who but more so the underlying sadness of seeing two friends end each other's lives. There is no mustache-twirling psychopath villain here. It's a hauntingly realistic tale of greed and deceit that explores the lengths to which someone will go to obtain what they want.
The entire ensemble cast give great performances - my favorites are Ning Li as Song Chen and Yu Yao as the young Lu Zhi. Great atmospheric music and realistic sets/props/costumes make the world of Du County come to life in all its dingy glory.
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Still, it isn't one I would likely re-watch because it is quite heavy overall, but the message it conveys is also quite healing, hopeful and worth contemplating. If you're a fan of Toby Lee or Tiffany Hsu, this is worth checking out for their great performances, as well as that of the supporting cast.
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A detailed production (I especially love the costumes) and a satisfying if bittersweet ending help make this a worthy binge watch and re-watch.
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While the setup is nothing new, the drama manages what I feel is a rarity these days in Chinese drama land - sustaining my rapt attention for the full 38 episodes. The script wisely stays focused on the story and characters - balancing the political storylines with the slow burn romance that is allowed to develop organically, without anyone acting out of character just to create a sense of forced drama or romance. The supporting characters are given time to develop as well and actually add to the overall story. They support our male and female lead in their journey of finding their true selves and each other.
What prevents me from giving this a 10 is the often heavy-handedness of the direction - blinding lighting, distracting camerawork and odd framing of shots give an overall unpolished look. There is a tendency to make things a bit over the top, but these are small quibbles and a matter of taste ultimately. The cast overall do a solid job - I am most impressed with Wang Xing Yue. Despite his young age, he is able to hold his own in a very stoic role.
This is a great one to binge and re-watch. It's not meant to be an artsy, profound expose on life, death, fate vs self determination, etc. It's just great fun to watch.
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A tale of women in the Tang dynasty
Female-centric stories have become quite popular in Chinese dramas lately. While Flourished Peony does not escape some of the typical tropes seen in these types of dramas, its tremendous cast carries the story forward with charm, dramatic tension and a much-needed dose of realism that is sorely lacking in C-drama land these days.He Weifang escapes from a ill-matched, abusive marriage with Liu Chang and flees to Chang'an from Luoyang in search of a new beginning. Gifted with skills in botany and in medicine/pharmacology, she attempts to re-invent herself and to restore to her own what was lost in being forced to marry into the Liu family (her mother's life, her freedom, and her happiness). Along the way, she encounters the mysterious, flamboyant "Flower Envoy" Jiang Chang Yang, and the two begin a tenuous partnership that blossoms to something more. Alas, we will have to wait until part 2 of this drama airs before we can see their full story arc.
You will also meet in this drama your usual villains such as the tyrannical Prince Ning and his entitled and somewhat unhinged daughter Youzhen, but enough is written into their characters to make them seem more dimensional that what is typically depicted in these types of dramas. One of the more interesting characters so far is Liu Chang, whose character actor Miles Wei manages to imbue with a sense of pathos despite his deplorable inability to see himself for who he really is. The rest of the cast from Mudan's friends to even the emperor feel like living, breathing people rather than typical supporting characters.
The beginning and end are the highlights - the middle of this drama does stray into blandness a bit but thankfully not for long. Hopefully part 2 brings more drama, excitement and romance.
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Unfortunately a failed gambit
Having not read the original novel that the drama is based on, I can judge based only on what I saw in watching this - and boy, was it a frustrating watch. There are elements of the story that could have been developed to become a truly trilling story, but the script decides to jump from plot to plot without respecting the characters, especially in the second half of the story. The best story line was between male lead Shen Zaiye, with a secret backstory and identity, and Mu Wuxia, the noble and upright 4th prince. If Mu Wuyin and Empress Lv's story were fleshed out more and the structure moved around a little, it probably would made for a more thrilling and compelling climax. But as it is presented, I feel nothing for Empress Lv, and Mu Wuyin is reduced to a strange, psychotic small-minded man.The cast is certainly capable of better, and Liu Xueyi certainly does his best to make Shen Zaiye a living, breathing character. Unfortunately, there is not much to work with, and Meng Ziyi probably suffers more because the characterization of Jiang Taohua is very poorly done. The direction is also somewhat uninspired - lackluster action pieces and discordant music make this an overall unpalatable watch for those wanting a truly exciting political and romantic period piece. Still, the first half makes for a fun light watch, so if you are a fan of the any of the cast, it may still have something worth checking out.
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Finding light after a long dark
The world of Dahuang can be a cruel and harsh place, as royal cousins Xiaoyao and Cang Xuan learn bitterly at a young age. Orphaned, lost, and tortured for many years, XY eventually hides herself in the small Qingshui Town working as the town healer of sorts. Also orphaned and forced to live as a hostage in a foreign kingdom, CX spends his early life fending off his murderous uncles. Fate brings him to Qingshui Town disguised as a winemaker. He and XY eventually reunite, but will they be together forever?In that fateful town, XY meets and saves the gentle Tushan Jing, who she calls Ye Shiqi. He too has his own tale of betrayal and torture at the hands of his half-brother Hou. Nearby is the enigmatic and seemingly harsh Xiang Liu, caught in his own struggle with his past and devotion to his adoptive father. These figures are forever intertwined as they are thrust onto a high-stakes adventure of fighting for a better, kinder future while at all times fighting for their own survival.
I would have liked to see season 2 first before writing this review, but at this point it may be a while before it comes out. As it stands, however, season 1 has a clear story arc focusing on XY and CX's endeavors to win the latter the Xiyan throne, so as a standalone season, it mostly works. There are a lot of other characters and themes that will need S2 to round out their arcs fully, particularly for TSJ, who ends S1 in a bit of a miserable state. I hope to write more about TSJ after S2, as he is one of my favorites. His kindness and genuine love for XY are a bright light in this often dark tale of very complex people trying to make the best of an unkind world.
The cast bring the story to life, and the writing is satisfyingly solid throughout the whole drama. No useless fillers or characters in this tale. Music and production are memorable, with the rare bits here and there of questionable CGI. Bring on season 2!
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A long good-bye
Adapted from a very long novel, of which only a small portion is captured here in this drama, The Immortal Ascension follows an ordinary mortal named Han Li on his journey of cultivation. Along the way, he encounters friend, foe and everything in between, as he discovers that seeking immortality and power is not even the half of it.This is a world that builds slowly - perhaps too slow for some - but the climax and finale are thrilling enough to leave an indelible mark with just enough emotional weight and depth to carry the whole drama (or should I say, season). Certain aspects of the story and characters are a bit underdeveloped, but an adequate foundation is laid to build upon characters and themes in subsequent seasons - if only that were an easy task.
Just as Han Li says good-bye many times to several characters - many of them female admirers - we too as the audience must say a long good-bye until hopefully another season or two or three can hopefully be made.
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What endures
This is a great addition to the demon-hunting/solving cases genre, with some real attempts at probing some deeper themes and not just a light-hearted romance or adventure story. The first half of the show has a more eerie, creepy vibe that I found more interesting, while the second half did suffer a bit of being too long-winded and sentimental. However, overall, this is a rewarding watch for fans of the cast and period dramas in general.While the ending may leave some dissatisfied, when considering this genre historically in Chinese literature and mythology, it is not a surprising one. It also matches the overall tone of the drama - hopeful yet always with a tinge of sadness. Bittersweet, as some would say. Such is life, and such are the lives of many in this show. Only love perhaps can endure all bitterness and heal all wounds, but it may take time or a lifetime to find such love that can overcome all.
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To be continued
While this is an entertaining follow up to season 1 of Joy of Life, the story and themes do not resonant as well this time around. There are simply too many threads and characters to follow that much of the season can feel like going from one plot point to another. The set up from the end of the first season is that the main antagonist for this season should be the Second Prince. And while the schemes and back and forth between Li Chengze and our lead Fan Xian can be interesting to watch, ultimately it all feels somewhat inconsequential since not enough time is spent on fleshing out our antagonist's character. He simply begins and ends this season the same person, and the audience does not learn any more about his motivations or see his struggles (if he has any). He, like the Eldest Princess, is simply crazy bad. Other characters are sorely underused such as Yan Bingyun or woefully underdeveloped (and unfortunately miscast) such as Ye Ling'er.The more interesting character is that of the Emperor of Qing, Fan Xian's true biological father. I suspect (as I have never read the very lengthy novel) that he will be the main antagonist in the final chapter. Chen Daoming as usual gives a masterful performance of the very complex character who keeps his true intentions close to himself.
This is all not to say I did not enjoy season 2 - I certainly did. Some of my favorite episodes involve the Spring Exam and the downfall of Prime Minister Lin and the scenes Fan Xian shares with the emperor. The middle chapter of any story can be challenging to adapt. There is no real beginning or end, and I feel that lack of narrative focus when I watch this. Everything deeper was already said quite well in season 1, and I was hoping for its own story to tell in this season. I get the sense that this season is more of a set up for the final one to come, and hopefully we all get a satisfying conclusion.
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Bold, epic with a slight stumble to the end
There is a lot to love about this drama - it is epic in scope and dares to tell a complicated tale not only of love but also of friendship, duty to one's country and respect for your fellow man (or woman). Above all, it features many complex characters that develop throughout, notably several strong female characters including our fearless female lead, Ren Ruyi (played by Liu Shi Shi).Ren Xin, a former deputy leader of the Scarlet Guards of the State of An, is framed for the death of Empress Zhaojie and forced to reinvent her identity as Ren Ruyi. While on her own quest to avenge the Empress, Ruyi comes across Ning Yuanzhou (Liu Yuning), himself also the former deputy leader of the State of Wu's Liudao Pavilion (a sort of spy organization not dissimilar to An's Scarlet Guards), who is busy trying to leave the world of court politics behind. They find themselves working together and join the diplomatic entourage bearing special envoy Prince Li (who is actually Princess Yang Ying in disguise) to An to rescue the Emperor of Wu.
While the story may sound complicated on paper, it is actually quite easy to follow and watch, a testament to the strength of the show's writing and performances. Particularly in the first half of the drama, with the entourage's long journey as the framework for the show, we get a terrific balance of adventure, exciting fight sequences and character development. Under Ruyi and Yuan Zhou's guidance, Yang Ying (He Lan Dou) transforms from cowardly princess to steely prince in what is to me the most satisfying and interesting arc of the entire show. Along the way, we also get to know NYZ's gang: the pretty playboy Yu Shi Shan (a hilarious Alen Fang), kind and cheerful Yuan Lu (Chen You Wei), stoic and loyal Qian Zhao (Wang Yi Zhe), and lover of all furry things Sun Lang (Li Huan).
At midway, the drama sags a bit when Li Tong Guang (relative newcomer Chang Hua Sen) meets up with the rest of the cast as his character devolves into an injured puppy in what is probably the least desirable arc of the show - his obsession over his former master Ren Xin. I would not have minded a few episodes of this, as I understand what the writer was probably going for. Having suffered a difficult childhood and losing his mother and master during his youth, I can see why he would latch onto his master at their reunion, but 10 episodes of this is overwrought and threatens to undermine his character's development from boy to man and from general to de facto leader of a nation. Fortunately, LTG's scenes with Yang Ying towards the end of the drama somewhat salvage things for me. But it is a bit too little too late.
Then we have the final 6 episodes or so, which zoom by at a more frenzied pace, making one wish perhaps less time spent on obsessive LTG would have translated to a smoother build to the climax and a more satisfying conclusion. And while I enjoy Chu Yue's (and Chen Hao Yu's performance) scenes with Yu Shi Shan, from a writing standpoint the story did not really need her character in there to work. Personally, I would have liked the ending scene to have included YY and LTG instead. Looking at the narrative and characters, these two are the most affected by our main leads, and lacking a conclusion (or at least some kind of denouement) to their story is a disappointment.
Ultimately, however, the many merits of this drama outweigh the downsides, and this is one you do not want to miss for this year if only for the truly great creation of many strong, multifaceted female characters (including villains). If I had watched this before Story of Kunning Palace (to which I gave a 9), I probably would have rated Kunning lower, as this is by far the superior of the two recent costume dramas in terms of story, characters, performances and music.
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I enjoyed this one a lot when it came out in 2021. It's a great slow-burn romance, which might be frustrating to some because the leads do make mistakes initially. Their missteps threaten to undo their relationship altogether, but it's a journey worth watching as they learn to trust and love one another wholeheartedly. Additionally, great chemistry and acting from the leads, bolstered by a wonderful supporting cast and memorable soundtrack, help move the story along.It's not all about romance - life for a woman in the Ming dynasty is hard. The opening shot of the 1st episode lays out one of these main issues/themes: the difference between the legal wife/children and the "illegitimate". This plays out throughout the whole drama, with some to tragic ends and others with heartwarming journeys of redemption and reconciliation. Highly recommend, also a great one to rewatch.
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