Pros:
+ Shi Ma and Yao Yao [1]. Shi Ma's character is hilarious, especially how his best friend is just a ball (to quote Yao Yao). The drama can cut out the other main storyline and it'll make it even better, because 99.9% of people watching are really just watching for these two characters.
+ Shi Ma and Yao Yao's romance. Okay, I'll readily admit that this is just an extension of the previous point. Very standard relationship progression, from a bickering duo to lovers. Their interactions are super funny. It helps that they are a very good-looking couple. I mean, TVB actors aren't exactly known for their looks really.
Cons:
- Sisley Choi. Her acting is horrible, her voice is annoying. I'm usually not skeptical of acting really, but she's bad. Her voice is totally unbearable though. I wondered if it's because she's not a native speaker, but I concluded that her voice is just naturally not-so-pleasant.
Summary:
A very standard HK procedural. Not very brainy. It doesn't need to be since it's focusing on the traffic police, which is honestly not very interesting material. One of the better dramas of the year, by virtue of Natalie Tong and Benjamin Yuen's characters. A surprisingly easy pair to root for given that it's their first cooperation. I do wish that they'll continue to pair up gorgeous looking fadans and siusangs. I'm quite superficial in this regard, which is why the only other drama I watched in 2016 is the Mafia drama which had Elisa Sam and Matt Yeung. I was looking forward to Roger's drama (not so superficial after all), but it was a letdown...
-- Footnotes --
[1] I don't know how to romanise Cantonese since I can understand but I can't speak the dialect. So all names will be romanised as it is spoken in Mandarin.
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Go Back Couple is not a drama about romance. I know that there is fervent shipping going on, but that is not the focus of the drama. Through the (unintentional) mistakes made by Jin-ju and Ban-do and their consequent regrets, the drama relays messages and lessons to us viewers about the importance of relationships and communication. It was never about whom Jin-ju will end up with, but about how they went back and became better and more understanding persons. More so than the romance, the part which tugged at my heartstrings the most was the recurring theme of parental love. The relationship between Jin-ju and her mother is extraordinary. I cannot remember the last time I cried watching a drama, not to mention the last time I cried so much watching a drama. Kim Mi-kyung and Jang Nara have exceptional mother-and-daughter chemistry. Of course, their brilliant acting also played a part.
On to acting, I must first applaud Son Ho-jun for his breakout performance. Haitai was my favourite character in Reply 94 (which I did not finish), but Son Ho-jun didn't have great luck with his subsequent projects. His character in Blow Breeze was so bland and his acting so stoic that my first reaction to his casting was "oh no". Alas, I was absolutely wrong. He was fabulous as Choi Ban-do. Many Korean netizens have commented that this character would have been ruined if it was portrayed by another actor and I do agree. I think he has the right blend of comedy and melancholy in him, especially with his soulful eyes. Next up is Jang Nara. I'm a huge fan of Jang Nara, so I'm accustomed to her acting style already. She really impressed as Ma Jin-ju though. She's well-known for being the romcom queen, but I feel she excels the most when it comes to emotional acting (still great in comedy though). Besides, the two of them have excellent chemistry (Jang Nara seems to have sparks with everyone she's act with). The two of them (and Kim Mi-kyung) made me bawl my eyes out at their scenes together. The actor who gained the most from his appearance though, is Jang Gi-yong. I think he was great as a greenhorn, and he managed his expressions really well. I'm only slightly disappointed at the scene where he's supposed to stare at Jang Nara's character lovingly, because I really didn't feel the love. Nonetheless, he had a "perfect" character to work with and I think his stock is rising fast.
I don't see big flaws with the production at all. I'll certainly be keeping an eye out on future dramas from the director and the writer. I know that some may have issues with how a certain trope was employed towards the end, but I felt that since the plot point wasn't exactly emphasised on, it didn't negatively affect the quality of the drama as a whole. I'm slightly disappointed with the ending, because I do not believe in second chances and I'm not so sure about the decision that was made on what should be retained from this "vacation". There is a fantastic (the adjective here means fantasy-like, it's not a synonym of awesome) explanation for their trip to the past, which was cute, but it takes away slightly from the realism the drama is all about.
In conclusion, this drama is an outstanding piece of work. It was slickly executed, with awesome directing, writing, and acting. I didn't give it a 10, but my heart is telling me to. I'm still torn about the rating, because there are only two 10s on my list - one is because of nostalgia, and the other because I loved the writing so much. Perhaps in the future I'll change my mind, since dramas on MDL are almost always overrated anyways.
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Like kids playing house
The drama came on Netflix recently so I thought I should give it a try since I don't mind the visuals of both leads. However, from the outset it was apparent that this was not a serious production, because there were obvious flaws with both the mannerisms and dialogues to the point that it was jarring to watch. I don't have high expectations on this front; the drama simply doesn't meet the passing mark.On to the story, it's actually a widely used trope in web novels, where a couple on the verge of a relationship breakdown go back in time, realise that there were too many misunderstandings on the way, and fall in love all over again (or realise they never actually fell out of love). It's not a creative plotline, but it can definitely be sufficiently entertaining, or it wouldn't be that popular in the first place. The problem is that the execution just sucked. It's like having a very patronising tour guide, who brings you from attractions to attractions, but never delving into the history and culture of the place. Once pictures are taken and there is proof that the location is visited, he ushers you to the next attraction, without checking if your expression is fine, if the lighting is alright and if the landmarks are all captured. You're basically just checking in to the different places soullessly without enjoyment. Yeah, that's the feeling I get after finishing the drama. To add on to that, the court intrigue was very frivolously designed, and the conclusion was very hasty as well.
Now, the actors. They look way too young for their roles, and I cannot take them seriously. The princess royale has zero authority and presence, and it doesn't help that she actually looks like a kid. Cutesy-looking actresses have this going against them - they are not convincing in roles which require more gravity. I think this is just a miscast. Zhao Jinmai needs several more years to pull off this kind of roles because she's naturally disadvantaged. This is something meant for a young Ning Jing, young Fan Bingbing, or young Dilraba. You get it. Zhang Linghe is underwhelming as expected, but he doesn't need to be impressive since this drama focuses on Zhao's role (and also because his rival has no charm so competition is non-existent). The second male lead is about as interesting as a twig, so there's that. He also has either a terrible dubber, or terrible vocal colour. Frankly speaking, the entire cast's inexperience shows and the acting is just painful to watch. There is chemistry between the lead actors though, but not enough.
All in all, it's a disappointing show. Even if you really like the two leads and you buy the romance between them, you'd be surviving on scraps. I cannot think of any reason to recommend this drama.
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Perfectly normal
I definitely think that the romance here is entertaining. Having a daring female lead tease and flirt with a more reserved male lead is just a winning trope. Still, Thai dramas need to cut some episodes, because that long stretch where they both were thinking that the other person is in love with someone else was so stupid that it's frustrating.The female lead is definitely the more developed character. A girl who is very forward thinking, and is not afraid disregard chatters to pursue her own happiness. She is always taking the lead in the relationship. The male lead is, like what they say, a "saint". Too perfect to be true (other than being overly obtuse in love). They are a great match, which is why I'm always scratching my head when the female lead says that she's not good enough for him. I mean, you're pretty, rich and sassy, how is that not good enough? Pretty decent acting all around from the main pairing and very good chemistry. I do agree that Tor is very talented. I just wished that he had a better vocal colour, because he sounds slightly too high pitched when you hear him for the first time.
I'm also glad that this isn't one of those hysterical lakorns. It's mild for a Thai drama and in general a good watch.
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Inconsistent drama, amazing Jang Nara
I loved all the episodes up till episode 10, and I loved episode 12, but everything fell off a cliff after that.Sell You Haunted House is basically an episodic series with an underlying arc being the exorcism of Hong Mi-jin. The show was consistently good in the beginning. It is actually a relatively well-written supernatural drama with good world-building. We know from the very beginning how exorcism works: exorcist + name + hairpin + medium + stab + memory. The biggest puzzle was also written down plainly right at the start. Why is Hong Mi-jin still dwelling in the human world? What is needed to exorcise her? We know what's happening and we have a direction for the story, and that's a good thing.
Every few episodes depicted the story of a lingering spirit. The pace was good, the execution was slick. I was especially impressed with episode 10, because I genuinely had a heart in the mouth moment. The action sequence was exciting, the improvisation was smart, and everything was just perfect. That one scene pushed the drama to a high. What was even better was Jang Nara's performance in episode 12. Simply legendary.
However, I wonder if this "high" proved to be detrimental to the series, because in comparison the remaining parts of the story lacked punch. After episode 12, the preview for the next episode was like telling the viewers "don't watch". Episode 12 was not a build-up, it was the climax. And so it was difficult for me to continue with the series, because I didn't think it was possible to Jang Nara to top her performance (not because of her, because of the flow of the story) and I didn't think it was possible for the series to give more excitement. I was right. I had to force myself to finish the show.
I do appreciate how the clues were given and how the solution to our puzzle was logical. However, I already guessed how the egg ghost could be exorcised, and I guessed how Hong Mi-jin could be exorcised. A better approach will be to push it further and make it smarter. The show needed a surprise, a eureka moment, but the writers failed to do that. I would prefer it if another episodic plot was added in to make the unravelling of the main story much quicker, and the quicker pace would've also allowed the writers to cover the flaws of their plot.
Overall, this is still one of the better K-dramas of 2021 though. Even if you don't like how it ended, I would say that the first half was a good watch anyway.
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Most disappointing drama of the year
The Worm Valley was one of my most anticipated dramas of 2021 having watched both its predecessors. Tomb raiding plus a good production crew is a sure-win formula in general, so I was shocked that it failed so spectacularly. I actually extended my WeTV subscription specially for this but still I did not finish the series, and that tells you how bad it is.I have seen many domestic reviews of this series saying how it is a departure from the original novel and due to censorship there are scenes which cannot be filmed and the excitement level took a huge drop because of all these restrictions. I am not concerned about these things. I will admit that I have read the novel before, but I cannot remember anything from it so I am looking at things without bias.
The biggest issue about this show is pace. The show spent about 8 episodes getting into the tomb. Mind you, the length is just 16 episodes. Literally half the time was spent dilly-dallying on things which are not supposed to be the focus. What was more outrageous was that the tomb exploration itself was lame. One episode fighting an invincible worm and another episode fighting a cluster of monsters, with very basic background digging and puzzle solving. There is no excitement at all. It drained my interest in the lore, and the fights were just run and gun.
The next thing which bothered me was how deliberate the jokes were. They were so not funny that it became awkward watching all these scenes. The romance subplot was another thing that turned me away. Hu Bayi and Shirley Yang should not making long eye contact inside a crashed plane. The romance subplot should be subtle and natural. This is NOT a romance drama! There is no need and no place for inconvenient, cringeworthy tropes. These are recurring scenes in the drama and I had to fast forward through all of them.
I am not sure what happened, because the show is wrong on so many levels. It is perplexing because I had so much faith in the cast and crew. Unfortunately, the drama was a huge let down. I still have my fingers crossed for the sequel though.
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