autumn carrot

Fix-it Fanfiction (featuring cooking puns…it just happened idk)

I was very excited about this show. For multiple reasons. The most important being that it paired up two actors who previously portrayed one of my all-time favorite couples in any Cdrama ever. The other is the concept of Royal Kitchens which reminded me of one of my all-time favorite Korean dramas: Jewel in the palace. Suffice to say...it did not deliver on either front...sort of.

The plot: Similar to The Story of Yanxi Palace, Royal Feast uses the excuse of the harem setting to make a commentary on the commodification of women. From being buried alive along with your husband, to a woman’s life being treated as less important than a barely formed fetus (something that is ironically still fresh news in our time). The show doesn’t really have a clear or concise plotline. Instead, it’s made up of slice-of-life episodic stories that each capture a new horror or tragedy of being trapped in the Palace. That said, either through bad editing or bad writing, but most probably from a combination of both, the attempt is sloppy and not as impactful as the graceful scene that was drawn in Yanxi Palace. Characters are raw sketches of what they could be, the passage of time is extremely precarious, and stories are not properly developed and end abruptly, with little impact or consequence for the rest of the plot. It’s really hard to connect with the characters because it feels like instead of getting to know them, we are swiping through an album of pictures with faces that rapidly become familiar in motionless snapshots, without much knowledge of their personality, unique voice, wants or needs that would help flesh them out as believable human characters. Overall, the show feels like a script that needed to be worked on. It’s like a dough that hasn’t properly risen yet.

Acting: I think everyone tried...but their characters were just boring. Right off the bat, I think Xu Kai was miscast. He has the looks of a free-spirited youngster and doesn't have the gravitas of a crown prince or emperor. He does this "puffing of the chest" acting and it just didn't work for me. I don't think it's his fault. I just think he was wrong for the role. I don't like the agist, sexist takes I've seen about Wu Jinyan's looks in this show. She's a good actress and that's the only aspect I care about. Sadly, she was given the bare minimum to work with here. The only standout in the cast was He Rui Xian who injected as much unique flavor into her character as she possibly could.

The production: The production is beautiful. From the artistic food arrangements, and the opulent sets, to the extravagant dresses and the saturated cinematography, the show looks expensive and high quality but all the world’s professionalism and money can’t buy a show any credit if its all just fodder for a story that doesn’t utilize the ingredients it has at its disposal to the fullest. A real waste.

Music: Did this show reuse Yanxi Palace's music? It sounded just like that and somehow less magnificent too... how did they manage that?!
Rewatch: No. Despite the moderate episode number, the show still managed to become really boring after episode 30 and that's being really generous as many would argue it was boring all the way through.

Negatives: There is something really wrong with the post-production of this show. The editing and flow of narratives are all over the place. There is at once too much time wasted on every arc while also everything is underdeveloped and not thoroughly thought out. The romance is instantaneous, the friendships and rivalries are not given enough background to feel genuine, and the political plots are there but it also feels like the show didn't want to waste time to develop any of it so it's just "So problem existed and um...emperor had to solve it...and then HE DID!YAY!"...very weird! Every character is super bland. No one has proper motivation or any charisma. I just kept waiting for someone, anyone, to develop some interesting personality trait but it was all for naught. Plus, the show tries too hard to be inoffensive to the point that all the villains are misunderstood or secretly really tragic. None of which lands at all because every villain was super stereotypical and common. Like I have seen similar idiots in at least 10 other shows and books.

Overall: Once the novelty of seeing my favorite couple living out their best Alternate-Universe-fix-it lives wore off, it just became a task to finish this. The plot was kind of better when the kitchen stuff was happening; though this was nowhere near as well-thought-out or exciting as Jewel in the palace, and once the main character moved to the harem, the plot just straight-up died. This was the blandest harem ever. And I sat through The Sword and The Brocade! Not a single interesting person in that palace! Everyone was like those caricature village people in games.
This wasn't a hate-watch though. More of a pity-watch or a mercy-watch. That is like mercy-kill but more painful and took much longer.

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It takes a whole tower to exact justice

I started watching this show one hour after finishing Goodbye my princess and I thought to myself, what would make me feel better about the tragedy I just watch? A show about a girl dying at the young age of 28, of course. The perfect follow-up to GMP!
As I had predicted, with just 16 episodes, this show is one of the easiest shows to bingewatch. I watched the entire thing in two days and barely got tired. Masquerading as a whodunnit, this show is actually using the excuse of a murder to tell a story about the silenced victims of crimes that are not as big or as flashy as murder and therefore go unnoticed, unavenged. I won’t say more so as to avoid spoilers but I would say this: If you are here for a smart and snappy murder mystery with heavy police work and use of deduction skills, then you’re in the wrong place. The police work in this show is actually abysmal! They don’t even make a timeline of events. Their study of the murder scene is very superficial. I noticed things just by comparing it to other detective shows I have watched before but none of that really mattered because I kind of caught on early on that this isn’t the point of the show. The show deals with a very sad and real fact that sometimes law and justice fail those who need it the most and the worst kinds of crimes go unpunished because the gray areas are just too complicated to maneuver. If that doesn’t tickle your interest, then I don’t know what will!

You should still watch this show if you like:
1.Agatha Christie novels and their adaptations
2.Mysteries
3.Feminism
4.Female friendships
5.Tragedies
6.Stories that appear like one thing but then it turns out something else is going on
7.Good productions.
And if you can handle:
1.Violence
2.Abuse
3.Upsetting concepts in which bad people hurt innocent people including women and children
4.Murder
5. And other things that are definitely spoilers

Summary: The story starts when a young and beautiful coffee shop owner dies in her apartment in Horizon tower, a tower that is a very symbolic clash of class and culture. What appears to be a crime of passion becomes more and more complicated once the detectives on the case discover more details of the victim’s past.

Plot: This was a high-tension, mystery with a considerably big ensemble cast whose roles fit together like puzzle pieces. Every episode became better and better in my opinion. The weakest link in the show was probably the characterization of the victim which was basically “beautiful and perfect in every way” which…eh, boring. The more you learn about her, the more refined her character becomes but I honestly think she’s the least developed character in the story. It’s not that she’s not complex, it’s just that putting the label of “perfection” and “angel” on a character in a show that is meant to be realist, kind of makes it seem childish. Anyway, to me the further the show steps from its façade of a murder case, the better it got. It might not be a seamless web of cunning plotting, but you will hardly notice in just one watch. The main point is that it’s an exciting, provocative story with a satisfying ending and also just a very progressive message. It’s a bit of a heavy watch, since injustice against children comes up in it and these kinds of topics are always hard to watch but I think the overall effect of the show was very satisfying and totally worth it.

Acting: The ensemble did a really good job. Because of the nature of the story, you don’t get too much of anyone besides the detectives and the victim but the supporting cast really did a great job in this one. They all used the limited time they were on screen to communicate their character’s particular behaviors and it was great. I’d heard Angelababy is terrible…I don’t know she was fine here? Very muted and calm performance without any overacting. Her crying scenes were a bit fake looking sometimes but I think she was fine. I haven’t watched her in anything else, I don’t really have a point of reference. I was expecting her to be terrible but really, she held herself up against a very good ensemble. And her voice is not high pitched. I really appreciated that. (I know it’s not a choice but still.)

Music: This show had a very generic but well-executed English pop ballad and standard mystery music. It was fine. It worked well for the show.

Production: Now the production here was great. The sets look great, the costumes helped the characters define themselves. The cinematography and editing were great. There were no weird jumps unless specifically done for artistic reasons. The lighting was atmospheric and everything really looked professional. I think a lot of modern Chinese dramas maybe lack this level of production value unless they’re a Lights On series show. Those are great.

Rewatch value: I wouldn’t say no. It’s super short and very easy to get through and there’s enough foreshadowing and mystery to maybe go back and try to find more clues once the whole thing is solved.

Negatives: It’s not really a murder mystery case show in the traditional way. If you’re somehow one of those people who have beef with modern society striving to do better socially and culturally for equality of men and women, then you might get your panties in a twist over this. (Side note: don’t care. Block me if you really have anything against the message of this show because wtf is wrong with you?!) Some say the “villain” is ridiculous or unrealistic... I don’t think that was the case. I think it was a choice to make him seem like a bigger threat than he was to highlight the trauma of the victims. As in, he *seemed* that big to them because they had weaknesses that he was exploiting. It was actually a very poetic choice. I do have some doubts about how the show depicts laws concerning SPOILER BUT ALSO CENSORED BECAUSE I’M SURE THAT WORD IS ON SOME KIND OF WATCHLIST SO NO THANKS, I WON’T SAY IT ALOUD. I mean I assumed the whole world had some kind of law against *that thing* that protects victims but the show kind of never addresses the consequences of having SPOILERS of SPOILERS. (Sorry. These sentences are helping no one.) What I’m trying to say is, there’s a bit of a loophole to the show’s overall logic if you want to be nitpicky but I doubt anyone would notice because the show is very thrilling and viewers will be too busy biting their nails to realize the plot could be solved in three seconds. (Spoilers in the comment.)

Overall: I liked this show. It was a very high-quality production which a great cast and an engaging and IMPORTANT story to tell and it wasn’t dragged out and it had some serious ideological concepts to chew on and I really appreciated that. I felt both thrilled and emotionally touched and I highly recommend this show.

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So you think you can just make a dance movie and call it BL?! HAH!

Before this came out, people were hopeful that a prestige BL movie had finally been made. Hoping that this could give the genre a boost in the market and provide better quality BL with better investment and high-profile actors attached to them. This is not a prestige BL movie, I'm sorry. This is a prestige dance movie, which is great, but it was not gay enough for that label to be its selling point. There are two steamy scenes and very little active romance in between, and all that was already spoiled in the trailer. Yeah, what you already saw was literally it.
They just wasted all that passion, desire, and built-up tension and it all went nowhere. Or it went somewhere but it was like a volcano erupted into a teacup! The potential was forced into a form that was smaller than its force...you know?!
I was expecting them to really dig their nails into the flesh of this and give us something raw, hot, and passionate. Don't get me wrong, there is sexual tension. There is chemistry, there is romance...but they didn't commit to the bit. They chickened out, I feel. Or maybe not chickened out per se, they just put most of their attention on a different part of the plot, instead.
If we talk about the dance, though, they committed 150%. The actors did such a great job with the dance; they all worked so hard, and the main plot does the dance justice. My knowledge of dance is limited to SYTYCD, okay? So I'm not an expert but to my unprofessional eyes, they looked good! They even pulled faces like real ballroom dancers do and there was so much detail to the dance parts that were executed so well. There is even a blink and you'll miss it nod to the racism that Asian dancers have to bear and I loved that they acknowledged it, although subtly.
But for the romance part...
So this movie is mainly dedicated to the dichotomy of these two dancers who do not simply dance different dance styles but also live by completely contrasting philosophies. It's like a clash of class, culture, philosophy, body, and mind. And yes, the passion and push and pull they maintain throughout their interactions is all there, both in the dance and as a catalyst for the romance. However, I feel like there was a bit of a disconnect between the establishment of these differences (and conveying the seduction that exists by playing with these dichotomies) and actually textualising that with a romantic or sexual relationship coming to fruition. It's two hours of slowly shoving you to the edge and then no payoff. It was like the notes of a chord left unfinished. And I'm not referring to the "open" ending. What I mean is that as they give in to the temptations of each other, the plot pulls all the way back, and the final third of the film just doesn't deliver the sort of conclusion that was set up in the beginning.
Overall, it was a nice movie to watch but I had expected a lot more romance and passion and I felt like this was more a technical dance movie and less about using the dance as a way to show these characters interact and fall for each other. It was like the means became the end. I had expected the dance to be a tool for the romance but it seems like this was "a dance for dance and romance for dance too", sort of stroy.
I also felt some elements, like the journalists and other dancers to be a bit awkwardly developed.
I did, however, love the female partners. They were so sweet and I was rooting for the girls.
Takeuchi Ryoma's acting was a standout, too. He embodies this free-spirited, violently passionate dancer so well. I didn't hate Machida Keita's acting either but it was slightly stiff. He had amazing moments of micro-acting but some moments felt too dettached. And I thought the two had such a sizzling chemistry; they did so much with just their eyes. The film sort of wasted their potential. The actors gave them so much ammunition but the movie itself didn't kindle the fire.
Still, this is a stylized movie with great acting and an engaging plot so I think it's definitely worth a watch.

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I give it six months!

The initial review I wrote for this show when I was only a third of the way into it, was a much more positive one than the one I’m writing, now that I am done with this show. To be perfectly honest, this show is very cheap. Not just in the sense of its budget, but also in content and quality. Yet, it has some redeeming qualities. The main character is a rather likable blank canvas, the show is not as sanitized and prudish as the more popular and well-produced shows, and there is certainly a charm in its simple yet entertaining plot that manages to seduce the viewer into keeping up with it. So as a result, I am deeply conflicted in my review of this show and in my assessment of whether I enjoyed it or not.
It would be a lie to say I hated watching it. It would also be a lie to say I found the romance irresistible or nurturing. The best way I can describe this is perhaps to say that it feels a LOT like someone turned a 13-year-old girl’s Mafia-romance fanfiction into a semi-watchable show. It’s watchable because it tickles the nostalgic sentiments of a naïve and long-gone idea of romance that a lot of people harbored in their new young adult phase. As long as you take it lightly, it’s a short and entertaining watch.

You should check this show out if you like:
1. Mafia AUs
2. Short and concise shows with little Drama
3. A good time without much brain-usage
4. Modern Bodice rippers (Lots of sexy times. For a cdrama. It’s like kids’ play in comparison to western shows, though)
5. Summer aesthetics
6. Bestfriends shipping the main couple
7. Happily ever after

Summary: Five years ago, Ruan Nan Chu accidentally wanders into a gang territory and is taken hostage by them. In order to protect her, one of the leaders, a man named Lee, takes her into his custody. As Nan Chu spends more time with him, she begins to fall for the man. Then Lee helps her escape but seemingly perishes in an explosion. Despite that, in the following years, Nan Chu has maintained the belief that he is alive. Then unexpectedly, she actually runs into a man who looks exactly like Lee, named Li Teng, at a party. Drama ensues.

Plot: The plot is weirdly simple! In some ways that’s good. They don’t take 20 episodes for the characters to reveal their true identity and 30 more for the love triangle to develop and another 10 nothing-episodes before they will get an exhausted, long overdue happily ever after. The show’s run is short so things move forward rather fast but also because the main question of the plot is resolved in 5 episodes, the show still feels a bit too long. I used the fast forward button rather generously. In addition to the simple plot, there are some seriously questionable narrative choices made by the writers that left me both amused and confused. Almost no effort is made to make the romance seem like anything remotely plausible or sustainable to any extent! The two barely know anything about each other, their interest in each other seems purely physical, the male lead is honestly creepy most of the time with controlling and jealous streaks, and that’s the level they stay at. They never once have a meaningful conversation or evolve into better partners. It’s a stagnant dynamic that is bound to burst once their honeymoon phase is over. Or when Ruan Nan Chu will report Li Teng for domestic abuse. Whichever comes first! The second couple is no better. The SFL is clingy in a not-cute way and very immature. Her male counterpart seems to be hassled into the relationship by intimidation and a sense that it would be rude to reject her. With the romance so lackluster, the mafia plot should’ve been a bit more interesting but that was also sloppy and rather easy to resolve. Despite the atrocious romantic dynamics, and the pedestrian mafia subplot, the show has this charming x-factor that gets you! I was invested. I wanted them to succeed. The best thing I can say about the show is that it had no delusions of grandeur. It was self-aware. The plot was simple and so matters were resolved easily. It also has a dual-edge of both being feminist and forward-thinking (sexual agency, focus on the FL’s career, etc.) and being deeply problematic and backward (Li Teng is a controlling love interest and it definitely will digress into an abusive archetype at the flick of a finger).

Acting: The acting is not great. The only one I was really impressed with was the female lead but I thought the male lead fell short because he was constantly carrying this brooding smolder expression that was interrupting the authenticity of his performance. The sexual chemistry between them was great and there was plenty of steamy kiss scenes to highlight that but when they were not kissing, the acting was just not good. Everyone else felt like fodder as well. The only balanced performance belonged to the female lead who honestly deserves better projects where she can shine.

Music: Generic pop ballad that repeated over and over again. Overall, like every other cdrama out there.

Production: They maintain a certain aesthetic throughout the show. The costuming is very consistent with the female lead having a clear style throughout the entire show, a rarity when there’s ample chance to flaunt flashy fashion choices. The whole show has a special color grading which makes it cold and clinical. I didn’t love it but it did make the summer heat of the coastal setting seem less painful at least. For such a small budget show, with barely functioning anything, the fight scenes were seriously well-choreographed and created a nice hype.

Rewatch value: It’s short so it encourages that. I won’t rewatch it though.

Negatives: Evil femme fatal, tired trope! The gratuitous second prospective love interest in the Shixiong. The weird love triangle towards the end. The child character being annoying almost consistently throughout the show. That one female character who went mad because her husband died (wtf kind of 50s sexism is this?! Not to mention the weird implications about how mental health works). I’m still not sure what Lee’s job was prior to the bodyguard business. Was he in the military? Another gang? No idea! And to top all this off, there were those ridiculous shampoo ads implemented into the plot. It was hilarious but also just so absurd. There are a lot of questionable plot points with holes and just sloppy planning but if you don’t take it too seriously, then it’s more fun to watch.

Overall: I don’t regret watching it! Every time it became too stupid, I just laughed it off. When it shows genuine moments of sincerity, I enjoyed them. It reads like a fanfiction that is not particularly well-written but it is a fun time, anyway. In some twisted way, I want to recommend this show, actually. Just don’t watch it with high expectations.

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UGH! Can we stop now?!

I'm so sick and tired of these ridiculous action shows. Enough already! I'm so sick of this and I hated watching this and I would've already stopped if Lee Dong Wook wasn't in this but goddammit he's so sexy! UGH! I genuinely just watched this awful show because he's hot. I don't even have an excuse. That was it. I barely took in the plot, mainly because it was jumbled and not very good to begin with so it was very difficult to feign investment in what was happening but also because the main point of this show is to drool over one (1) sexy man and then just...feel dreadful worry for the good guys as these tank-like VILLAINS just piss you off for FOUR HUNDRED AND EIGHT freaking minutes!!!!UGHHHHHHHHHHH

Summary: Hot uncle dies. Niece comes home and then for some reason that gets explained WAY too late into the show, a bunch of psycho murderers start attacking the house, trying to kill her. UGH! WHY?!

Plot: This plot was just mediocre. Was it horrible? No. But it's just not worth all the fuss.

Acting: Actors were very good. Lee Dong Wook is hot... I don't know, that's like 80% of what I registered. Sorry, a bit one-track-minded over here.

Music and production: Again, good production is worth horse dung when the plot is boring.

Rewatch: No...but I'll probably watch season 2! (╯°□°）╯︵ ┻━┻

Overall: This was an action show. I don't like this type of show. I just accidentally got attached to the characters and had to finish this.

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Almost the best show of 2024

I can now say with clarity that 2024 was an abysmal Kdrama year. It was one disappointment after underwhelming show after trash fire show after another! All the shows that started with great hype and massive potential *cough* lovelymarrymyrunnerhusband *cough* ended up with weird third acts or just bad plotting or shoehorned actors...everything was BAD! Everyone's favorite 2024 drama worked like the strongest sleeping pill for me! I fell over my computer on 4 different occasions before I gave up on it! It was basically impossible to find a good show! The late entries of the year that I ended up giving 10 stars to, were on par with previous years' 8-stars show but given the depressing landscape of 2024, I was desperate to give them some good ratings and they ended up over-complimented in the process.
And then, When The Phone Rings started airing.
I had no intention to watch this, like most shows I watched that year. It just sort of happened. I tried the first episode and it was so tense, addictive and mysterious that I immediately went for episode 2 and then I was craving for episode three! Sure, you need to lowkey turn off your feminist brain for the show to be enjoyable and there's still a lot that is questionable/unexplained in the plot but overall, it was good at keeping the tension high and building momentum for the upcoming episode. Add to that the steamy but subtle chemistry between the leading actors, their complex personalities and the ambiguous dynamics they had which bordered on unhealthy but never quite tipped into toxic territory and that kept the show fun to watch and also added a little spice to boot. This show was fun! Was it high quality? No...no, the production is really actually bad! The set designs are so basic, you can tell they had a low budget but they kept it classy. The acting wasn't good across the board either. For the most of the run, I thought this one guy was a secret villain but it turned out that the actor just...has an intense gaze, he he (awkward...). The mother characters looked really fake and just uncomfortable when they did their crying scenes. So it wasn't perfect in technical aspects and the plot was cheesy and slightly off at parts but the overall storytelling was so enjoyable and entertaining.
There was also sweet separations from the norm, the SFL isn't vengeful or jealous. The SML while still a SML (So like, how good can he be?!) was still less pushy and didn't overstep. The characters set up to be jealous and cruel were just supportive and neutral. The villains were not omniscient gods. They were sh*t at being villains like you would expect normal humans to be sh*t at stuff. The FL, though mainly a damsel in distress, showed unexpected spunk and fire and managed to save herself a number of times. The ML, is the main reason everyone watched this, was SO HOT! And though he was gloomy and broody when he was grinding on that miscommunication train, he was at his sexiest when he started to learn communication. Love to see it! This was the kind of show that was so fun and good to watch in small doses!
And then, around episode 8 it started to get a bit slow and I found episode 9 and 10 to be less enjoyable than previous ones though they still wrapped it up nicely. But then...episodes 11 and 12 were awful! I have never seen a show ruin itself so magnificently! My god! I can't believe I'm saying this...this show did not need 12 episodes!!!! They could've wrapped this up in 10 episodes! 11 at most! The pacing was slow in 11 but in 12, the pacing was high on drugs and tripping on freaking clouds! It was confusing, it made no sense. WHY???? Why would you do this to your show?! omg...you almost had the perfect show, goddamit!
So yeah. If this was to prove anything, it proved that nothing about 2024 was good and redeemable! This was the last chance to have a perfect 2024 show but they fumbled the bag.
It's not even a mini-problem! They spent 10 episodes setting up a character who learns communication, only for him to just forget all about that character growth and just regress to "I know what's best for her" nonsense. How can you undo everything you so meticulously set up for 11 episodes, in just 67 minutes?!
And it dragged. The most boring episode of the show. Made no sense, was all over the place, suddenly we get a voiceover explaining random conclusions to plot points, the filming technique looked like daytime sitcom shows, the acting was stilted, the plot was out of the left field. And then they give you the cute resolution in the final moments but it came after the most bizarre and random episode that I didn't even enjoy it well.
Almost. It was almost the best show of 2024. What a pity.
I don't regret watching it but it ended on a really sour note and I redacted 2 points, at first but then, for the sake of all that I had enjoyed in this show, I returned one point.
Could've been a ten...but it's not. What a waste! What a pity.

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Come for the yaoi, stay for the supernatural trauma symbolism

This was an okay show. It started very strong, with a story that was both intriguing and entertaining. The biggest problem with this was an unstable quality across the board from plot to acting, which diminished a good part of my enjoyment. This went back and forth throughout the show causing both frustration and confusion. But still, it had enough redeeming qualities to make the time spent on it, worthwhile.

First on the plot: So the story follows Khemijira who carries a centuries-old family curse on his back that will result in his death, once he turns 21. He already has terrible luck and ghosts follow him everywhere, trying to harm him. Desperate and inching closer and closer to his birthday, he and his best friend petition for a great shamanic master's protection but the master is reluctant, for unknown reasons.

Right out of the gate, the setup for the story is great! We have flashbacks across multiple timelines to help tell the story, we have ghosts and murder attempts, we have mysticism and spiritual rituals, and I would say the strength of this show was in its scenes of traditional practices and focus on religion and folklore rituals. When they worked with those elements, the show was a ten out of ten for me. Showing the vicious cycles of resentment, revenge and karma was brilliant here. Not only was it interesting to watch, but it was also executed with care and attention to detail. The ritualistic chanting was beautiful. The ways that karma is shown to be felt cross lives was enlightening. Even the simplest subplot about ghosts and karma was interesting enough and in "some" cases, it was connected to the main plot, so the story wouldn't feel stagnant. The thing that was dragging the show down, however, was the main plot!

So the romance plot: In my opinion, the romance was weak, underdeveloped, ham-fisted, and not engaging enough. The show does this very boring thing where we are told about a past connection between the main characters, and then no more attempt is made to make this romance work! There is no attempt to build a connection between these characters as they are now. There are only external elements pushing them together; a pre-destined connection, jealousy of potential rivals, and the forceful jeering of side characters. These are alright situational plot devices to draw characters together; however, the show needs to actually build a basic chemistry base for these characters, first. They barely talk to each other! The master is constantly avoiding Khemjira like he killed his pet kitten as a child, and Khemjira just cooks and cleans like a modern cinderella, giving kicked-puppy eyes to everyone but mostly the master, as if doe-eyes and a dream are enough to build a relationship around. The two of them are not put in enough one-on-one plot situations to build any kind of dynamic together. They are mostly kept away from each other in the main episodes focused on their romance which not only made those episodes drag with barely anything happening but also, just wasted those episodes because the curse-plot was sidelined and nothing was happening on the romance front, either. Well, unless we count the really boing romance between the supporting characters as development, which I don't. On that note, I did not like the second couple. It was just very forced. Their scenes bored me. Most of the romance was focused on their lame dynamic, and there was this sense of "this is gonna happen, anyway" to them which made it feel like this was not happening because the story was naturally headed in a romantic way but because this was a genre trope that could not be avoided. This was true for the main romance, too. There is an automatic feel to all of it. Like two great hands are grabbing these characters like dolls and smashing their faces together for a kiss. As a result, I did not enjoy the romance. I like my romances with massive build-up. I like them heavy on the conversations and building of connections, so when we are just expected to accept they are destined to fall in love, and no one actually tries to explain their attraction in any way besides "Pretty boy! Me kiss kiss!"...yeah, not my cup of tea!

To make matters worse, the actors had NO chemistry. I get it! They are handsome men! But you can't just put beautiful people together and call it a day! They were so awkward together. The actor who plays Khemjira is so obviously a tall and broad man, while the actor who plays the master is clearly lean and delicate in the features, and they tried SO HARD to make the master seem domineering and macho while Khemjira was delicate and dainty...and it was not working! I could SEE Khemjira slouch in on himself to appear smaller when the men were clearly the same height! lol (also his head was way bigger than the other actor which lol, doesn't mean much just...the doe eyes were not working!)This made everything feel so odd. Like, why are we making this giant man act like a sweet, feminine, tiny person?! It was just odd, and the effect was unsuccessful, which made Khemjira's character uncomfortable to watch. I wish they would just let the guy be an ordinary, not-dainty, but just kind and sweet, person. Which is how the show started, before the romance was introduced and how the book depicts him (heck yeah! I read enough of the book, to judge the show's adaptation skills, for it!) but once the romance starts, they start to feminize the character which while there is nothing wrong with more feminine male characters, it was just not working here!

None of this was helped by the fact that the core four main actors are bad at acting. There! I said it! I'm sorry. They could not act. They stood out like sore thumbs too because the supporting cast was good! The subplots about ghosts and folklore that made up the best parts of the show were the parts that mostly dealt with side characters, and I would say these supporting actors were doing the heavy-lifting when it came to acting. Even the child actors were better! I guess these guys were cast for their looks and to sell that yaoi aesthetic because they have to work a lot harder to sell...anything! The crying was awkward, the lovey-looks they gave each other made me cringe, the sex scenes were a torture to watch (weird choreos there, too), the line delivery was bad! I suffered! The acting was bad. Not the support cast, though. They were fine! Some of them were actually good! Not the mains, though.

I will say one good thing about the casting, the casting team's ability to find past lifetime equivalent actors who look so similar to the mains was astounding! The female counterparts of the male actors looked so similar to them that I was totally speechless! In fact, all of the production on this show was great. I will give them that. The multiple past lives were gorgeous and I loved those parts.

So, to sum it up, this show had 4 solid episodes of intense plot, focused on the curse and developing the base for the show. Then the next 4 episodes that focused on romance were boring, not good. Then from episode 9 onward, one episode would be amazing, and one would be lackluster. This level of unstable quality across the whole run of the show is what was slightly disappointing to me. However, I gave this show an 8 because I thought the good parts were very good and I was invested in the show thanks to them. Shoutout to my favorite character, Ramphueng. She was what held this show together. Vengeful, wronged, chaotic, yet pitiful. She was so compelling that you both felt for her and feared her and resented her actions all throughout the show. I honestly would have given this a 5 if the show had messed up the ending with her but the show ended the plot surrounding the curse so beautifully (at the 11th hour, too! lmao) that I raised my rating from a 7 to an 8, just because of how emotional it made me. The plot was dragged though...
I also enjoyed the past live plots. I will not spoil anything but what was happening there was told much better than the modern era. I liked those moments so much. I wish the show had been more focused on those lifetimes.
There is also plenty of fan-service after the main plot, which I know a lot of viewers will be happy about.

Overall: I do recommend this show! Weirdly enough, though I didn't like the romance, I loved the other parts of this show enough to recommend it. The production is great, and sans romance, the story is compelling too. It's not too scary either, as far as horror stories go, since the show breaks a lot of tension with cheap BL-exclusive humor. You will enjoy it even if (like me) you don't like horror.

Fun fact: There is a scene at the end when one of the characters just lists all the plot holes. Very funny! lol

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This is why I have trust issues

Why is this show so popular?! It was trash; basically. I'm not trying to be cruel, it was just a very badly made melodrama. I would have dropped this but I watched it with my mother and for some inexplicable reason, she was obsessed with watching this to the end even while complaining that the show is terrible...so we watched it, all the way to the end. I think maybe part of the issue is that this show is just very old and from a time when Kdramas didn't always try to be good. But this was just so cheesy! And it wasn't like Moon Lovers, that show is so obviously cringe, I mean the first time we meet the princes they're bathing! That show was so unserious and in your face with its awfulness that it was fun to watch it but this show was almost good! There are so many strong actors, the plot is serious, and it's like it's trying to be taken seriously but it falls short, my god it falls very short!
So first off, the plot here is convoluted but also underdeveloped, with a bit of tweaking this could have been so much more interesting. How? Some mystery would've been nice! The audience knows every single mystery of the plot the whole time (minus the one in episode 19 but by that point, you know these characters so well you will never fall for the plot's tricks.) So basically if we knew a bit less, it would have been so much less tedious to watch characters find out about stuff 10 episodes late. Secondly, this romance had less substance than cheese puffs! Why are these characters in love? Meeting twice and having three interesting conversations is a good build-up but it was just not enough for the epic romance this was set up to be. Also, the plot seems to have given up on using brain cells the moment the characters reached adulthood. The childhood era was actually nice, it tricked us into thinking the show is good. But then, everyone is suddenly dumb as an adult, especially the female lead who was so sharp and intelligent as a child. I get that that's what the amnesia plotline does to any respectable woman so I guess I just hate amnesia plots then. ._. And that's the other thing, the female lead is so passive. The literal moon that is in the sky and is shown, frankly too frequently, was more proactive in this plot than her. In fact, despite being the female lead, she barely has any role throughout the story. She's just there for everyone else to act around! Then there's the fact that events have no consequence as long as the female lead is involved. In fact, a major issue is how hard the show bends logic to protect the female lead's protagonist's halo. It's so frustrating. It was all so frustrating. I was either falling asleep from boredom or rolling my eyes from frustration while watching this.
So the casting...it's really good?! But why is everyone behaving so weird?! I don't know why but these really class actors were delivering absolutely no emotional impact. I could not care less about these characters and the acting made me so uncomfortable, everyone was so cheesy. I only liked Jung Il Woo, he was surprisingly a very strong actor and seemed a bit wasted here. The female lead was a nightmare and I bet Kdramaland unanimously sighed in relief when she married and gave up acting 'cause YIKES! what is that?! It was like she was allergic to expressions and having a personality...though the second one is probably the writer's fault! Everyone else was over acting. I like Fl's mom though. She was in Jewel in the Palace and I just like this woman a lot and her crying scenes were the only emotionally touching ones.
Music....do not even ask...
Production was terrible too but that should go without saying.
And I will not rewatch this, I barely wanted to watch it!
Overall: So many shows are popular on this website for no logical reason! Maybe they made sense 15 years ago, barely any of them hold up now. And I know there are good old shows but none of them are as popular as the bad ones! At least, so far in my experience. I'm gonna watch Goblin and hope for the best...

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What a devastating turn of events

I needed a few days to sit with my emotions before I could talk about the absolutely tragic series of events that led to the present situation: me, mourning the cancelation of an 8-year-old show!
So, in case you are reading this from the future, this is from the summer of 2024 when the book "Are You Addicted?" received its third adaptation into a BL drama; this time the attempt is by Thailand. I had heard about the first adaptation aka the present title) but I was told that the show was: 1) Bad. 2) Heavily censored and canceled before it even ended.
So I naturally never even considered watching it but with the new adaptation coming out, I became intrigued and decided to check out the new adaptation. But for *reasons* I ended up sort of hesitant in approaching the series, and as it continued to air, I saw fans of the previous adaptations complain about the quality almost non-stop. So between my new-found interest and the complaints and other reasons...I finally took the bait and watched this one, instead.
Reader, I was not ready. *ugly crying*
First of all, a big flipping-bird to the misleading masses who said this was bad! I went into this expecting it to look and behave like some cheap, homemade p*rn video, with terrible acting, bad lighting, overall abysmal production, and little to no comprehensible plot. That's not it at all!!!!! This is a proper show. And let me just burn all the bridges right here and say that a low-budget, first-project, basically-put-together-with-glue-and-determination-of-the-crew Cdrama is STILL miles better than a high-budget, well-supported Thai drama. What goes on over there?!
Anyway...
Yes, the show looks very cheap. The lighting in some scenes is pretty bad too and that does unfortunate things to the also very humble make-up work BUT the show makes up for all its shortcomings with amazing acting, a great script that follows the book to a T (well...the little bit of the book that I read), and sincerity.
This is perhaps the best that one could expect from a Cdrama, when it comes to a faithful adaptation of a heavily explicit gay romance (and also just an overall great adaptation in other regards too, actually). They clearly cut the parts that needed higher budgeting but the dialogue is almost verbatim from the book. Each event is followed so closely that it's almost uncanny! I really appreciate the fact that they didn't turn the adaptation into a farce just because they had no money. Like, I love me some (no, I don't) Go Princess Go type of absurdist, camp adaptation that makes a mockery of both itself and the source material (I have no idea how that show worked out but it only just barely got away with its bs) but it's just something else when the show has a low budget but they maintain their dignity enough to treat it seriously and do the best to make the finished project a respectable, acceptable product.
I was won over by the sincerity of this project more than its weird-ass plot (it's really weird), or its salacious romantic scenes (idk if some people's boat floats that way but honestly? I was not wooed. Like, never would I think "oh yes baby, throw me against the wall like that..." but we will get to that part later...). What stands out in this show is how every single person present on the screen and also every single person working behind the scenes was totally committed to making it work. And it worked. (Kinda like Untamed but if Untamed was, like, REALLY broke.)
Both shows had a lot of heart and they did all the technical things as correctly as they could to make the show work. I respect that. I LOVED that.
Now, the other thing that worked? The acting. Holy Meow! I genuinely thought I was going to deal with abysmal acting. Like constipated faces, vague statue-like expressions, and maybe a bit of self-effacing embarrassed acting. I thought they would just be trying hard but looking awkward...Reader, there was none of that! I am an instant fan of these boys. In fact, I am emotionally attached to these young actors who put their careers and futures on the line and then committed 100% to the characters they were given and acted the pants off of them! These characters feel more real than 90% of what you see in Cdramas and maybe 50% of Kdramas too, actually (100% more realistic than those you see in Thai dramas, and the numbers are out for Jdramas 'cause they swing back and forth between silly anime acting and proper acting, idk). These felt like real boys. And it really helped that the voices were recorded on set and thank goodness that the guys were so good at talking and following the script. They felt raw. Real. Human. And it's ironic because a lot of their behavior makes 0 sense. Like, any and all characters could be in jail or mental hospital, if they pulled one of the many shenanigans they pull in real life but somehow because the actors are such great actors, they made it work. So you see the most bizarre thing on screen and you can actually can comprehend why this very real human boy would do that action in that moment. Even if out of context, two seconds away from the screen, it would cease to make sense. I am so impressed by Johnny Huang and Timmy Xu. Too impressed. I don't know. I'm a little speechless (Shocking, I know. I've been blabbering nonstop but I really want to say more but feel like words are failing me) They were so raw, guys...They just did so well and I think the supporting cast did very well too. I would only say maybe one or two actors are weird or gimmicky but thankfully by the time they show up, the romance brainrot has taken over both the viewers and the two main leads so we literally do not care. Like, all we want is for the pesky supporting cast to leave so they can...wrestle a bit more. I wish the best for the actors. They did too much. They literally were too good in their chemistry, it got the show canceled! *ugly crying* But that's the price we all paid for excellence, I guess. (Ok, I'm talking it up but this was their first project and it was risqué and controversial and demanding and they both did so well. I feel like they deserve the confidence boost)
Music-wise...they use such beautiful classical pieces..with literally no context. There would be a jig while the characters are crying! It made no sense. Whoever did the background music work must've just put their Spotify on shuffle. The only music choice that works is this one scene in episode 15...which was unfortunately too explicit and the whole scene was cut and it's a very unfortunate situation...yikes!
Plot summary: Gu Hai's dad is marrying his mistress and Gu Hai is super bitter about it. The stepmother in question has a son and when it's suggested that the 4 of them should all live together, Gu Hai finds this to be too much and bolts from the house. He's a rich boy so he goes across town and lives alone in his loft apartment and attends a new school where he meets Bai Luo Yin. Love knows no reason and also has one brain cell, apparently. Because Gu Hai is immediately 150% obsessed and he also has the social skills of an octopus in a dog's body so he expresses his feelings as eloquently as that and I don't know what to tell you! It's just that! Oh! And Bai Luo Yin is THE stepmother's son! lol
Negatives: I'm just gonna say it straight up. This show has r@pe. A lot of it. In fact, the concept of consent is extremely murky and undefined in this narrative. And I could sugarcoat it and come up with excuses....it's r@pe. Okay? And I know why it's in there...it's plausible deniability. As long as it's not two-sided, you can get away with showing some sexy action, and yes...the ONE time the show had consensual, two-sided, enthusiastic (well, actually...one was drunk still, yikes, so not 100% consensual but we are beggars, and the show literally gives us no choice, so...) the show got canceled for it. -_-
Yes, reader...you read that right *ugly crying* This show was Icarus! It flew too close to the sun!!!!! And it was burned to a crisp, I tell you! *ugly crying* We were left hanging in the middle of the air! Never to fly, never to fall, just levitating, wondering how it could've ended! *ugly crying* Woe is me! What is this tragic nonsense?! We're in the 21st-century, ffs!!!!
Anyway, the show has weird romantic dynamics. You know it's supposed to be slightly more consensual than what we see because at a high point, the character's argument is "Stop! My dad could see you from right there" So like...if he was bothered, he could literally scream for his dad to come save him from the octopus-man but no, he's just worried they would get discovered. Which is not great but I guess it's a bit of consolation. STILL, if you can't handle SA, don't watch it! It will upset you. I was fine because I don't necessarily assume the situation I am watching is supposed to be morally appropriate and because I don't have that expectation from my lead characters, I can still enjoy a show even if the mains are terrible people who do terrible things. But if you feel uncomfortable by that or it might trigger you, be kind to yourself and don't put yourself through it...or I guess you can skip? But at some point, you would just be skipping the whole show.
Overall: Reader, it was love at definitely-not first sight. It took a few episodes for me to warm up to this but just like how Gu Hai becomes this obsessive mess, I too, eventually became an obsessive mess when watching this show. It was just a good, though not high quality, show that captures your heart with its sincere heart and then just as you are freefalling into its rabbit hole, it ends on an inconclusive note. An unfinished sentence. We will never know how this was meant to end and that's heartbreaking. But the fact that the cast and crew paid the ultimate price and were either banned, imprisoned, or forbidden from working takes the tragedy from a 10 to a hundred. It's in respect to the sacrifice they made that I think it's good to see so many love this work and keep its legacy alive. If you prefer a more family-friendly version of this plot, Stay With me, the second adaptation of the book is also available. The Thai one has its own issues...I'm not gonna tell you, go find out about it yourself. But if you can handle the controversial bits, this show is so worth the heartbreak. Yes, the heartbreak. You will be heartbroken but you will also be thankful for it. It's all gain and all loss.
P.S. (because I didn't talk enough): One thing I love about this show is how both characters are such macho men. They're like...big, manly man types! Which is very rare in BL? I have never seen it like this, to be honest. And it was just so refreshing! I don't know, I liked how they were both big, strong men who could punch each other and cause actual damage! hehe he he he...I don't know, I guess we all have issues?!

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I think I just found a new favorite Kdrama!

Sometimes, a hyped show is overrated. You keep turning it up and down, trying to figure out what others see in it but it makes no sense. Then sometimes, the show isn't bad by any means but it's definitely not as good as others say. But on very rare occasions, the show is actually as good as everyone says it is! Twinkling Watermelon is definitely one of those rare stars in the night sky. Sure, it's a musical and that is a bit irritating, but the show makes up for it with a very creative plot, amazing cast with natural chemistry, effective humor, and so much genuine emotional anchoring that not watching this show would be an absolute loss.
Now, obviously this has time travel and I think they did it in such an interesting way and we're not gonna over-analyse the logistics of it...anyway, I thought the way that this works out which is sort of similar to "Back to the future" was so cute. It's just so emotional when Ha Eun Gyeol, the main character, meets his parents for the first time.
The plot is complex, very complex, but the show doesn't fumble and it wraps it up so well. And I'm so surprised to be saying this but I think this show could've had maybe an extra 20 minutes to explain some bits from the ending even more! (I know, asking for more time when usually 16-episodes shows drag, already! WILD!) The whole thing is heavily relying on the relationships between the characters and these characters are just so easily lovable that watching the show is just so fun. I didn't totally love our female lead as she caused a whole lot of drama but the actress is a personal favorite and she did a good job and despite the frustrations, it's all a part of her character growth so I think it wasn't a bother. My favorite characters remain Ha Yi Chan and Chung Ah, though. And of course, nothing beats the relationship between Yi Chan and Eun Gyeol. It was so touching and I just wanted them to be happy. :(
I've already expressed my love for the four main actors but the supporting cast were wonderful too. Everyone was just right in their own position and they all did such a good job. Kudos all around.
I wanna gosh more about just the plot and the perfect humor and the fact that despite a little hiccup between episode 11 and 12, this show manages to escape the curse of epsidoe 12 and the show doesn't lose the narrative momentum in episode 12. Despite the fact that it could've ended at that point, the story does find an excuse to keep going but at least here the excuse they use lands well for the plot and facilitates the existence of some of the most emotional moments of the whole show in the final episodes. Overall, I'm just so impressed with the writing in this show. It stands out among the sea of repetitive (if still endearing) and overwritten shows that keep getting made. And I think this isn't even a webcomic adaptation, right?! An extra star just for that!!!!
The production is very good here. It's nothing revolutionary but there are little affects used here and there that just make the show quirky and unique. The story is mainly set in 1995 and the fashion is just the right amount of vaguely retro that it isn't offensively modern and still conveys the 90s aesthetic. At least they don't have a 30 year old woman wear a 2024 trendy hairclip!
I might rewatch this actually. I loved it.
Final comment: This show deserves its place at the very top of Top Shows list. It was a delight to watch and I recommend it to everyone!
P.S.: If anyone knows who the singers for the main characters are, please let me know! Thank you!

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Could be gayer?!

Warning: This movie is for 18+ viewers ONLY.
A year ago, I came across this movie but it wasn’t available anywhere so I read the summary on Wikipedia and gave up! Now about a week ago, by complete dumb luck, I found the movie on a website and thought I’ll watch it, anyway. It’s a good movie. The production, the story, the acting, etc. were all nice. On top of it all, it has a well-executed love triangle of the type I like. So it was a shoo-in for 10/10. It’s just…I liked the first two-thirds but the third act was kind of…meh? I wanna say it was a total sad surprise but I kind of could already tell I wouldn’t like the ending when I read that summary a year ago. No, it’s not negative bias that affected my judgment. Because when I started watching the movie, I expected to be underwhelmed but the movie surprised me by how good it was. Then the third act happened!
I’m really conflicted over this film. About how I felt about it and what to rate it. I said I’ll give myself some time to think it over but a week later and I’m still none the wiser.

You should check this out if you like:
1. Historical fiction
2. Tragic endings
3. Love triangles
4. Internal conflicts
5. Betrayals and moral ambiguity

Summary: The king of Goryeo is gay. He’s been sleeping with his chief of guards (whom he may or may not have groomed since childhood) for a long time. The problem is that Goryeo is now a vassal state of the Yuan dynasty and if the king can’t provide an heir, his country will basically get taken away from him. So, the king has the brilliant idea to have his queen and lover provide an heir for him…because that would still be in the family, right? Well… wrong!

Plot: Love triangles get a bad rep because these days we are sort of sick of them and also because they have turned into formulas that are uninspired, repetitive, and stale. Back in the noughties (The author of this review was on a noughties drama nostalgia bender at the time of watching this movie and reviewing it!) the trope wasn’t done to death yet and people still had the guts to go really wild with their love triangles. That’s the kind I love. Like here, where all three points of the triangle are involved with each other romantically and everyone is simultaneously in love with the others and jealous of them. It’s a MESS! And believe it or not, love triangles are only fun to watch when they are really bunkers. If you can already tell which side will end up together, then it’s not a love triangle. That’s two people in a relationship and a stalker. Anyway, this movie really impressed me because, for two-thirds of it, it delivers all the delicious, terrible feelings of being in love with your love rival and feeling hella conflicted and guilty about it. The final act though was rather tonally different. It was still great. The best of the acting happens during that time and it’s packed with plot and action but it fails to deliver the satisfying emotional punch that was building up in the first two acts, for me. Because while things seemed ambiguous and uncertain before, the last act tries to deliver fast and concrete answers to those questions and it cheapens the story that was told before.

The acting: It was great. I wasn’t super impressed with Jo In Sung here. His expression began to meld into the same two after a while. (But then I watched WHIB right after this, so I think he’s great anyway!) Joo Jin Mo was really good though. A Standout. Everyone else was fine. I wanna pour a drink out for the female lead who had to do so many explicit scenes though. Girl, I wouldn’t wanna be you. That looked so awkward.

Music: Great music elevated the emotional scenes in the film. It set the sad and somber mood perfectly and was also pleasant to listen to.

Rewatch value: Probably not. It’s a tragedy and has too many explicit scenes.

Negatives: For the record, yes, it does matter if the story has gay romance or not. The whole conflict exists because of the issue of sexuality so there’s no way to think about the plot by pretending the tension would still exist if the love triangle wasn’t set up the way that it was. Because the thing that makes this movie interesting and watch-worthy and the thing that sets it apart is the fact that it is known for the relationship between the king and the guard dude. If the guard was just a friend, the story would immediately be way less interesting. That would be something they would make nowadays. Not the noughties!!! With that said, I think the story was a bit conflicted in itself. Like they hesitated to lean into the implications. It didn’t know if it wanted to be about the tragic gay couple or the star-crossed straight couple and that hurts the last act because a lot of the nuance disappears as the king and the guard take the shape of stereotypical rivals more and more. The thing is, by modern standards, the straight part is not a love story at all. It’s just a physical relationship so there’s just no charisma to it. I couldn’t root for the guard and the queen to save my life! They have nothing in common except their physical desires. I can’t fault the story though. In a historical setting, I can understand how that was as good as either one could wish for. It’s just that their romance became the main drive of the last act and that was just not a strong enough romance to carry the plot. So it’s a bit less interesting to watch than when everyone is in love with everyone or married to them and they have all these feelings of lust and betrayal and confusion that they don’t know what to do with.
There were also way too many explicit scenes! Omg, just…so many! Why?! I fast-forwarded most of that because I just couldn’t stomach it. It almost looked clinical. Really disturbing. I felt so sorry for the actors…just YIKES!

Overall: The film has such a perfect set-up. When we meet the characters, the king and the chief guard seem to have a very good and intimate relationship. Same with the King and Queen who though obviously not romantic, still get along. The queen and the chief guard have this mellow rivalry which is very polite and respectful in appearance and the political unrest is interesting. Then the stuff happens and the conflicts are deliciously tantalizing as we see the three characters torture themselves and each other with their silences, with the things they keep from each other, and the stuff they want but can't have. It’s just such an interesting story to tell. The ending is still good even if it doesn’t live up to its potential. The beginning promises an epic fallout and we do get one. It’s just that it could have been an even BIGGER fallout. I think it’s worth a watch. It’s a very well-made movie.
Sidenote: If you think about it, all the problems would be solved if Hong Rim could just identify as a bisexual.

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How to boil frogs alive?

Warning: This show has a lot of triggering content, including suicide, drug use, corporal punishment, abusive language, and sexual assault to name a few. If you have any trauma-specific triggers or cannot handle extreme violence, then tread lightly.

Violence breeds violence in this visceral, dark study of what it takes to break a person who is getting broken every day, over and over again, to the point of no return. The show connects violence in male-dominated environments to domestic abuse, to complacency and apathy in an ominous epic where heroism is nothing but the polished facade over a sick and rotting within.
This was such an unexpected watch for me. I wasn’t planning on watching this because I dislike military and everything connected to it (including fictional works about it) but it’s just 6 episodes and I like the main lead’s acting to I thought I should give it a watch and I was blown away (pun not intended). This was not at all what I had expected from a Korean show. They never hit as hard as Korean films do but this show is a visceral, horrifying watching experience. I can’t say I enjoyed watching it. It induces a lot of stress but I also couldn’t look away. The show tackles the military with a critical eye. It has a “lord of the flies” lens and it shows how the hierarchies in the military enable sociopathic, violent people with dark fantasies to do as they please without any consequence. It’s a system that sustains itself with gore, intimidation, humiliation, and mind-break. The show is almost too successful in exposing these and also connecting the issues of that environment to the hierarchies and toxicity existing in the society outside of the military compound.

You should watch this show if:
1. You hate the military like I do
2. Can handle violence and injustice (extreme)
3. Short format with no wasted moment
4. Subtle character developments
5. Realism with a touch of dramatization
6. Buddycop dynamic
7. Tragedies
8. Police procedural
9. Dark humor

Summary: The show follows Ahn Joon Ho, an apathetic young man with no prospects, no future, and no emotional attachments who joins the army for his mandatory 2-year service, seemingly on a whim. He survives the initiation process through his sheer will to feel nothing! Then his observation skills and sharp mind land him a job with the deserter pursuit unit and with every new case he follows, his icy veneer melts away as he starts to care. A bit too much, maybe.

Plot: This is a very sharply written show. There’s no one scene wasted on unimportant matters. The show is subtle with its character arcs and humor, which helps put the exaggerated and extreme violence in the show into stark focus, making it feel more jarring and uncomfortable. Foreshadowing, symbolism, and parallels are used with great cunning to help flesh out the world and the characters in it. I really like that detail about it. Aside from technicalities, this is an adrenaline-packed, mystery-solving, action story wrapped in trauma and social commentary. It’s an exhilarating watch that will hype you up while also draining your emotions. The format is more or less episodic with each episode following a case. This does dampen the show’s edginess a little bit, as all procedurals do, but thankfully it’s super short so it doesn’t get pedantic.

Acting: The acting was amazing! I already knew Jung Hae In was an amazing actor but I just couldn’t imagine him in a violent, macho military show. Turns out he’s not just good at dramatic acting and being an extremely ideal love interest. He’s also really good at throwing punches. But I have to say, the show benefits from his skills in delivering emotional punches (lol so many boxing puns!). With his naturally sad eyes and empathetic expressions, he raises the show above just being gratuitous violence. Koo Kyo Hwan plays his sardonic, eccentric character to PERFECTION. His humor is not slapstick and cheap and when the emotional moments come up, he keeps his performance steady and mature. He was amazing. Jo Hyun Chul deserves some sort of award for his performance. If he doesn’t get anything then the awards must be rigged. The ensemble was all good in their roles as well.

Music and Production: The music was fine and it worked well for the show. This was a very well-produced show. The camera work, details, sets, everything was done with great care. I guess it’s a Netflix show so it’s expected to deliver a certain level of professionality.

Rewatch value: No. It was too much. I can’t watch it again. I’ll watch a sequel, though.

Negatives: There is an overarching plot and there is character development and the whole show is a very in-your-face social commentary but the procedural format does redact a bit from it. When the plot really starts connecting from episode 4 to 6, it becomes a bit too melodramatic and certain parts are not as enjoyable as the very stylistic first episode that has you hooked. It survives though. There’s extreme violence and it can be argued that it kind of goes against its thesis by showing such over-the-top violence but I rarely see anyone critic compulsory military service so whatever, I’ll take it!

Overall: Definitely a good show. I would give it a 10 but that’s for shows I have fun. This was not exactly fun to watch. It was painful. Just the kind of pain that is worth getting through. One thing I loved about this show was that it has that "get revenge from the bully" situation but it manages to make you not enjoy the righteous violence despite the justice in it? At least for me, it was so. I’m curious to see if the show will get a second season because it has space to say more. As it stands, it could pack a harder punch. It does show the absurdity of the military so well and it almost makes fun of it but the humor is so dark that it’s almost no longer dark humor, just dark. I would like to see them explore the problematic structure of military a bit more. I won’t ask for justice or a journey of righting wrongs because it’ll be tacky but I want to see more of the show.

So how do you boil frogs alive? Well, how about not doing that, you sick sociopathic monster! Not every man has to be a killing machine. Some men like to plant flowers and draw comics and teach children that they are worth it and they deserve good things and you know what? They are more heroic than those who kick a person just because they can, because they have big muscles or a weapon and whatnot...anyway, don't boil frogs but if you do, just expect one to jump out and bite your head off.

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Why you should instead watch the director's cut

This is not a proper review. Yes, this show is amazing. The story is heartbreaking but beautiful. The acting is professional and the entire ensemble did a great job. The show is gorgeous with beautiful sets, costumes, and wonderful principal photography that highlights these gorgeous setups. The ending is sad and the romance is nothing to write home about but it's intentional and very well done.
But I am actually here to tell you to not watch this and instead go watch the director's cut version of the show.
Yes, it's only three episodes longer and it does have more parts that are not directly related to the romance plot but:
1. The story makes more sense
2.The flow is better
3.This is a very classic cut with weird jumps and messy editing but the editing in the director's version is better and more professional. It actually is just an overall better production in that version because it's how the director meant to tell the story.
It's technically the same but that one makes more sense and it's a better watching experience.
So if you are turned off by the first episode or if you haven't started this yet, jump over to the Director's cut version and watch the superior one!

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Generational trauma is a b*tch to get rid of, I tell you!

Yeah, okay this wasn't as bad as everyone made it sound! It was actually fun! So there was a lot to love about this show. The depiction and use of shamanism in this plot makes it very fresh and engaging. It's contemporary fantasy but make it VERY Korean and I don't know, it was a breath of fresh air. And the show stays very consistent with its involvement. Now, I'm not familiar with the religion or shamanism at all so I don't know how true the practices were to the actual thing but at least the story stayed consistent with its rules. You had the deity-patronized shamans and you had the deity-less shamans and you had your vengeful ghosts, evil spirits, the faceless ghosts, and the lost souls...it was such a consistent and engaging canon. Then there is the character arcs and the plot.

So the story follows Seong A who is a teen shaman who wishes she was just like other teens and then you have Gyeon U who is a teenage dreamboat cursed with misfortune. When Gyeon U walks into Seong A's temple upside down, she knows he is bound to die in 21 days. But he's so handsome so she instantly falls in love with him and vows to save him no matter what. Then he also walks into her ordinary life as the new boy at school and it's like a blessing and a curse all at once as she tries to hide her shaman status from the gloomy Gyeon U while maneuvering her crush and her fate-defying heroics to save him. But little does she know, there are dark forces at work behind the scenes that are trying to thwart her plans.

So the story has two main characters with their own arcs, right? Well, it also has 3 supporting characters who are also going through their own stuff and by the end, all characters reach the end of their arcs having overcome their problems from the start. In addition to all this, there is a great love story (even though it's based on appearances at first, the show makes a not-at-all subtle point of proving that appearances are not enough to love a person without a nice personality to boot. I love that!) that defies convention as our guy is the damsel in serious distress, great friendships that build through the show with humor and compassion, a whole comedy side show, and a freaking sport plot too! And I kid you not...the show pulls it all off. I know, I know! Some reading this are getting angry because I'm ignoring the blinged elephant in the room....I'll get there! Wait!
The thing is, the show takes some odd detours to reach its conclusion but if you actually try to follow each thread to its bitter end, you'll see that by the end of the show, everything is in its right place. Now as for the elephant...the issue with the plot is that, it seems like a while episode is missing between episode 10 and 11 which makes the start of episode 11 very jarring and completely messes up the pace the show had lain thus far. It's a hiccup and that's why this is not a 10-star show because it skips over two very important questions in-between those two episodes but I think it bounces back by sticking to its guns and standing by the rules of the story for the rest of the remaining episodes and two, the fact that even before then, the show keeps some serious mysterious vibe going by not over-explaining characters and their backgrounds. So omitting vital information is already on-brand for the show and if you pick yourself up and get over the sudden jump between those episodes, the rest makes sense again. But they definitely cut an episode out in the middle there. I wonder if they thought a show about shamans having 13 episodes was just too ominous! lol
But really, despite all that, this is a solid show with A+ humor and immaculate dialogue that really steals the words out of your head, at some points. The show also does something really amazing with the second male lead which makes the show that much more fun to watch and leaves us with a very memorable character to boot. That is of course if we ignore the other...SML...but I don't know if that menace counts as one...can someone be their own love rival?! ANYWAY! That brings me right down to...the acting!

So the acting...boy! Choo Young Woo is seriously one of the best young actors coming out of Kdramaland lately. Possibly the best one, actually. This is my second show with him and in both, he has shown such astounding skills that I genuinely think he has an MO now of picking really difficult roles that no one else can really pull off other than him. Like I really don't know which other actor could have pulled something like this off so well...maybe that guy from Weak Hero Class? He could do this too, probably. Anyway, he did so well here and I got chills because he is so detailed with his choices that it's impossible not to be impressed. Cho Yi Hyun is very cute and she pulled off her character really well as well, even though the cute acting isn't my personal favorite but I think she did well objectively, regardless of personal taste. The ensemble were great too. Some of the older actors are tried and well-known actors but the younger cast didn't let themselves be upstaged either.

I think the production was great too. Set design was gorgeous and beautiful (Seong A's bedroom was legit gorgeous! The most beautiful bedroom of dramaland. And Gyeon U's whole house was so cottagecore goals), the white washing in the show wasn't super severe either so the actors looks natural...good thing too! Otherwise how were we to tell the humans and the ghosts apart?! The music was awful...like ew! But thankfully, the show didn't do the slow-mo music video montages so I could easily skip those awful songs...

Now the negatives: The second half of the show has this fundamental hiccup as it depends on the assumption that viewers will have enough emotional investment in the evil spirit to watch and stay with the plot...and I don't know other but omg I could not give less of a F---...I could not care less about that lil menace. And because I didn't like the character, watching a lot of the events of the last three episodes was painful...but I wouldn't accuse the show of lobotomizing itself or to have fundamentally changed its tone. It's more that the show stays true to itself but it's just that the bitter path they're on isn't particularly likable. The show does make a solid point of saying how the scars of war are still deep in the consciousness of the Korean public and how the trauma is inescapable and will still hurt the people. And that the only way to move forward is to remember those who were lost to the unfair violence. That's a beautiful and melancholic message and if you stand by the show, you get to feel that at the very end. Sure, the show skipped one or two fundamental steps there but at least the end was a proper pay off. At least in my opinion.

Overall: Is it worth a watch? YES! Absolutely! This is one of the most fun shows I have come across this year. 2025 has been an amazing drama year, actually and this show definitely falls into the good side of that. I suggest you watch this if you like high school dramas, contemporary fantasy, star-crossed romances, or just a show with a good balance of angst and fluff. It's a great show to binge for sure.

P.S: I would like to congratulate Korea for finally figuring out a show that has 12 episodes but has fans begging for more! This has literally never happened before. Like the 16-episodes-curse is so real and alive and yet! Here we are! *standing ovation* truly another amazing showing by SK drama writers! How do they always manage to miscalculate the plot to episode ratio is truly amazing!

P.P.S: This show was plenty angsty, right? Like Gyeon U would have been a whole edge-lord if he wasn't so wholesome and sweet all the time but then Yeomhwa was like 5 degrees more angsty than the rest of this whole production! lol! Like, she was WAY too dramatic at some points! I was like, girlie needs to unwind a bit! lol

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Great concept, less than great execution

This show had such a funny and different concept that I was immediately drawn to it, and the beginning of the drama had a great balance of humor and sadness that it was interesting. But then the quality really dropped, not on a technical level but just in their storytelling. It seemed like, and I do understand this, in order for the story to reach its conclusion, some time needed to pass between episode 1 and 12. Because the passage of time is very much a part of the message of this narrative. But then, the show didn't really have enough plot for the in-between time, or at least not an interesting plot for it so a lot of the show was just wasted on repeatedly showing sad parts of heaven with pets and animal-centric jokes that were not funny, and then alternating that with the serious plot that involved the main characters. It became exhausting. I'm sorry, I get that animals are cute and people love their pets but can we give it a rest?! I would have much preferred some funny shenanigans that actually built up the relationship between the main couple to show us their love instead of just showing their exasperation with each other, and maybe some plots involving the residents of heaven...you know, like the human residents, not the animals! Like, why were there two separate cases of the "rainbow path" opening?! Why did we get therapy sessions for mistreated pets? It felt like a cheap way to get tears out of viewers, and also it felt like they were forcing PSA messages in the middle of the show...I don't know but maybe we could do an episode on not mistreating children or ...god forbid people of other races?! *gasp*

Besides the pandering, the plot wasn't bad at all. It had a very meticulous web of connections. Everything connected so neatly to each other (I even appreciate the attempt to connect the animals to the whole thing), and the blending of reincarnation into the heaven/hell realm was very neat. I just wish we had gotten to that sooner. The story felt slightly aimless when it came to its belief system. Sometimes, it was too preachy that it lost the thread of the plot, other times it felt like they were just too excited to show off the heavenly gimmicks of their show. Seemed like they wanted to offend no one, but also they wanted to represent Korea's beliefs, so I guess this was only a heaven for Korean people?! The world-building was a bit flimsy, maybe...but if you stopped thinking too hard about it and just went with the flow, it was a small town with a few Korean people who reincarnated, but also there was a church?...and only a church! lol
Lore-wise, this was a cross between Howl's Moving Castle and the good place! And now that I'm saying it like that, it makes more sense, actually! Anyways, so after a strong start, a below average middle, the show finally makes its arguments on the philosophy of life, and the ending is better. At least, once I started fast-forwarding the animal subplots, it was interesting! And a real tear-jerker. I feel like I never stopped crying while watching this and maybe that's something to applaud this show for because the kind of jeong that is displayed in the relationships between the characters is truly beautiful, heartwarming and touching. How the show displays the essence of reincarnation and lingering regrets is thoughtful and emotionally devastating. And trauma naturally has to rear its ugly head too because (and I really appreciate Korea for doing this) Korean writers truly understand what trauma does to a person and they are always looking for more and more interesting ways to visualize that. I hope this helps their people come to terms with their issues. I hope they're healing.
Last but not least, this drama felt like old-school Kdramas in its homely setup of characters and its focus on nurturing human emotions while honoring human connections. Although, it still felt almost sterile in comparison to something like Hotel De Luna which was so similar to this but actually had more obvious elements of Korean mythology.

Acting: The cast here are stacked! This was an A-list drama as far as I'm concerned; they had strong, professional actors who were the main draw of the show. Even though I was disappointed that certified stud, Son Suk Ku, was portraying a man-child in this one, I think his character grows on you a bit as the show goes on. Kim Hye Ja and Han Ji Min, on the other hand, are a golden duo who really need to stop meeting like this in dramas (lol), and them being in the show was my main reason to watch this. But then again, I didn't love Han Ji Min's character or her portrayal of the character in this. She was incredibly annoying, both for her posture (I know that sounds weird but once you see how she stood, you'll get it) and for the ridiculous outfit she was wearing THE WHOLE TIME. Neither of which are her fault...well, the posture is, actually...but still, I think the cast was very strong. The cast was great, their characters weren't always written well, is what I want to say, I guess.

Music and Production: I don't know about the music, I guess it was fine, but the production was very acceptable. Everything looked as it was supposed to and all things operated as they should. I especially loved female lead's outfits while I HATED Han Ji Min's! lol

Rewatch: No.

Overall: Strong start, weak middle, okay ending. A real tearjerker. Subplots were bad but main plot was touching. I wouldn't go back and watch it, though. It was a bit of a chore to end it. I feel like this would have been better as a movie rather than a TV show.

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