xiaoyezi

Sensible romantic comedy

“I am lucky I met a person.
He came into my life,
Lit up the corners of my heart,
Made me willingly shed off my mask.

He gave me the strength to let go of my past, have no fear of our future and focus on cherishing every present moment.”

A modernised contemporary rom-com. Written by the scriptwriter that produces Day of Becoming You, I love the familiar subvert of rom-com troupes with humor, wit and heart. It’s Wang Xiong Cheng’s signature style and he never disappoints. (Yes, I am biased, deal with it!)

While a love story between a humble 富二代 (child from rich family) and a driven working class sound like a fairytale come true, Hi Venus is a through and through down to earth romance of 2 sensible people, getting to know each other and overcoming the natural challenges that comes with their different social class.

Lu Zhao Xi (LZX), though born with a silver spoon, is a capable leader who respects individuals and conscious that the world does not revolve around him, just because he is rich. Ye Shi Lan (YSL), though came from a lower income single family, is a capable worker who sincerely earns her rights to where she is.

There are common plots in a romantic comedy. Their meet cute, is a typical setup of boy in trouble, girl saves boy, boy and girl start off at the wrong foot, but eventually fall for each other. What subverts the rom com troupes comes after LZX and YSL are back to the city. This part onwards, is refreshing to watch.

Both have different exposure and perspectives due to their respective background. Yet, both characters have actions and concerns that we can relate to.

They respect each other’s views and take accountability on their shortcomings. They take the time to understand each other and fall in love deeper, bit by bit. They communicate and listen. The parts where they had their greatest conflict due to the difference in their background and status, and then, their confession towards each other are sincere and warm and touching.

“LZX: I knew I had a momentary crush towards you way earlier. But I knew what I wanted is a constant and spontaneous feelings. It’s the kind of feeling where I can’t help but want to hear your voice, want to see you. Just seeing you makes me happy. I like to talk to you, I want to share my day to day to you. My feelings towards you are not a spur of moment. It’s what I am more certain over time, that it’s what my heart wants.

YSL: I feel blessed being liked by you. However, I am aware that I’ve never been a lucky person. So every time I become more immerse or too carried away, the alarm will set off. I’ll ask myself if I am able to handle that kind of happiness.

I’m a timid person. I want to have it but I am afraid of losing it.

…But this time, I want to get carried away.”

And these make me buy in to their love story.

Apart from the main leads, the second leads love story is also lovely. It definitely has great potential as a spin-off or a short mini series in the right production team’s hands. Love the support they provided to the main leads, as any rom com best friend and secretary rightfully does. LZX’s parents are lovely too - the open minded, modern parents that we should have more in stories these days.

In short, Hi Venus is a relaxing rom-com that’s healthy for the soul. It’s our Venus to have such a show.

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Friendship warms the heart

As a regular watcher of dating reality shows, I found Heart Signal 6 particularly special. The most heartwarming aspect was the genuine friendship among the participants and the most engaging element was the reaction of the commentators.

I loved the bromance in the "601" apartment, the fated rivalry between the Tsinghua and Beida graduates, and the grounded "Jin Zhao" couple.

This season is focused on finance professionals and athletes. Coming from a similar industry myself, I felt a special, unexplainable affinity for many of the participants.

The production team certainly struck gold with the storyline of top-university graduates vying for the same woman. The plot thickened perfectly when Yang Jie entered the show midway. Her calm demeanor and emotional maturity allowed her to join the love triangle gracefully, ultimately leading to a happy ending that resulted in two couples—an outcome everyone can celebrate.

Despite the buzz around that central storyline, my personal favorite couple was Lucky and Zeng Zeng (full spoiler alert —since I tuned in late, I already knew they are engaged in 2025!). I adored Zeng Zeng's patience and how it allowed Lucky to be her most comfortable self around him.

Among the commentators, my favourite is Rainie Yang and Ma Bo Qian. Their reactions felt sincere and the delivery of their insights were direct. Rainie Yang, in particular, was remarkably accurate in her predictions, often sharing viewpoints that revealed her empathy and maturity. While I don't recall many specific discussions verbatim, their commentary enhanced my enjoyment of the couples' journeys.

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Good things, are felt in the heart

“Her” stories can sometimes feel like one step forward two steps back. With so many feminism themed stories, what makes Her Story special?

Grounded. Relatability. Chemistry.

First, Her Story found the right balance between our female leads’ strengths and weaknesses. As one of the quotes I read online before mentioned, “There is no perfection, only beautiful versions of brokenness.” For a movie that’s character focused, half the battle is won when it has main leads whom we can relate to.

In Her Story, we are able to see Tie Mei’s capable sides - upright, honest, independent, forgiving, helpful and adaptable. We also see her cowardly sides - strong facade, bad temper, insensitive and unwilling to rely on others. Not only Tie Mei, other characters have multi dimensional facades that make audience relate to them. Ah Ye, though a hopeless romantic and has low self esteem due to family upbringing, is courageous in her pursuit of love. Sure, she is the friend that we will scold for giving attention to a guy that’s undeserving. But she is also honest with herself and always willing to take the first step in relationship. The last person who forms this stable triangle is Tie Mei’s young daughter, Mo Li. A little perceptive beyond her age, she is often able to point out the crutch of the issue in a few words. Though this child also has her moody, sensitive and more innocent side befitting of a child.

With such strong characters and great actresses portraying them, the other half of the battle comes the script and messaging of Her Story.

Remember the one step forward two steps back I mentioned at the beginning? I am glad Her Story is taking two and probably three steady steps forward - which I hope will be the wave that leads feminism themed story to a positive direction.

Her story openly explore and ask us whether we should question some of the common mindsets we have been holding for awhile now - the open talk about menstrual cycle, saying No firmly to behaviours you don’t like about sex, the shallow mindset of feminism that misses the mark, the “rule” of capitalism and pragmatism, being honest about your own experience and feeling, judging people when you aren’t in their shoes, as well as being our own harsh critics and prisoner.

These aren’t anything new or groundbreaking. And they sound like heavy, sensitive topics. But I love how Her Story raises them rightfully, carefully, heartwarmingly and wittily through the chemistry and love we feel Tie Mei, Ah Ye and Mo Li share. This gives a positive, forward momentum to face these common issues we face day to day.

I generally instinctively avoid heavy themed social stories because there are often more noises than groundbreaking insights among the opinions. Her Story feels special because it contains a level of grounded optimism and wit in delivering a feminism themed story. And so, this is Her Story, moving forward.
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“Because we are optimistic and confident enough, we thus can face tragedy head on”. ~ from Her Story
“因为我们足够乐观和自信，我们才能直面悲剧”. ~ 好东西

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Figuring out as we go along

Central business district (CBD) - a place where people come, meet, and go.

In CBD, we talk ambitions, we talk schedules, we talk business. As CBD folks
(1) juggle through various demands of bosses, clients, parents and colleagues,
(2) keep up with (or ignore) trends and assumed social expectations,
(3) battle with conflicting desires at different phases of life, there is little to no energy left for dreams, relationships and rests.

Every characters have various fake "masks" CBD folks would be familiar with.
(1) Tang Ying's 躺平 "tang ping" boss is a worker who have lost all work motivation after decades of high stress lifestyle that broke her health. Translation: The western equivalent social trend to "Tang Ping" are quiet quitters.
(2) Tang Ying's cringey client, Liu Mei Ling, is a lonely woman who wants to maintain her happy marriage bubble.
(3) Tang Ying's materialistic younger cousin, Xin Zi, is a young 20's who thought that successful and good enough man can provide her a stable life she wants.

Enter our main character, Tang Ying, a seemingly professional elite lawyer who had it all. But 1 episode in, all her fatigue looks, polite smiles and "yeses" on phones break this bubble. Indeed, the life of a true blue working class.

Her meeting with Xu Zi Quan, an investment banker who works nearby her workplace is a series of coincidences that unexpectedly turns to something more. I love the pacing of how they develop their relationship - the push and pull, the tango, the cautious (and kinda fun) testing. I love their individuality, and emotional stability - they are no prince charming nor damsel in distress. They have their life priorities and similar outlook that remains consistent and in tact throughout the stories - sure, Tang Ying and Xu Zi Quan are attracted to each other and enjoy each other's company, but they also have deadlines and demanding stakeholders to take care of first.

None of them were chasing for marriage or forever. They just happen to connect and enjoy the flirting, one interaction after another, until they decide to take the leap.

In the era where many people (and series) idolise "finding purpose", "chasing dreams" and "romance where women must have it all", I am glad to see a relatable contemporary dramas of people with relatable struggles that perhaps hit slightly too close to home as well as a grounded onscreen CBD partnership that I can believe happening in real life.

"Fake It Till You Make It" is a true blue, hustle bustle lives of busy professionals in CBD. We can feel the characters' pressure, anxiety, confusion under the layers of masks.

Some eventually decides to take down these masks, while some decides to push on. More importantly, none of them dwell on their past choices nor stay down after a fall or two. They regroup, and start again...until they make it.

Some of my favorite relatable quotes from FITYMI, just because
~~~
There is a phrase that suits you a lot - it's called 拧吧 (twisty - refers to someone who awkwardly makes things more complicated than it has to.)
Actually there're a lot of things, you think too much. It's better if you can keep it simpler.
The world isn't as complicated as you imagine.
But it's okay. Youth is a process of twisting. I was like that when I was 20.

~~~
Do I really want to be a lawyer? I don't know.
Between the lawyer I had in mind and my present life - the stress, anxieties, insomnia, and walking on thin ice I am facing now - which one is more authentic?

But I do know, there is nothing more absurd than talking about dreams in CBD.

People who stay here only have goals. 5 year goals, 10 year goals. Their thinking is realistic and rational, having weigh all the pros and cons. Those crazy people who wants dreams, have already escaped.

~~~
This city is still bustling, and it will not stop for anyone, just like life.
Recalling the people I met, who didn't wish to have a great head start and stay ahead?
Boss. Subordinate. Friend. Rival.
Trapping oneself in one role after another.
Say what one should say. Do what one should do. Believing that this is our life.

But they, somehow seemingly have great tacit understanding.
When they have perfected their pretense, they somehow come to one truth.

Happiness, success, and joy can't be determined by some scriptwriter. It can only be our own tangible experience.

I've met many people in this city.
And they eventually taught me, that the world is very big, bigger than what we can imagine.

So walk your own path, and not according to a written script.
Throw away the script, and struggle to find your own life. It's okay to fail. It's okay to walk the wrong path.

Live freely [at your own terms].
Isn't this classy?

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Match made in heaven (and hell)

The chemistry of opposites are often the delight of any stories. Ye Tan and Qing Kui are twin sisters with marriage alliances to princes of Demonic and Heavenly Realms respectively. This match is in line with the signs surrounding their birth, with Ye Tan representing the ominous star and Qing Kui representing the auspicious star. With their wedding carriages swapped, The Starry Love is a xian xia version of wrong bridal sedan leading to the right groom.

Having 2 sets of couples with opposite characteristics, this troupey show makes for an absolute delight in its comedic moments, CP’s chemistry, and light hearted cast.

The Heavenly Couple, 情投”夜”合CP (Have Affinity) - 2700 years old recluse meets 18 years old mischief
What shines here are the surprising comedic execution of the familiar clashes between 2 opposites. Their dialogues and interactions definitely draw a lot of laughter.

Best part remains during their early days face off which draw in lots of fun and laughter.
- Ye Tan failing to kidnap You Qin, and then resorting to let him have bad impression on her (whom he thought was Qing Kui) so he will not want to marry
- You Qin’s needing to “meditate” after every interaction with Ye Tan
- Ye Tan trying various undermined tactics to get You Qin to remove a security lock he placed on her
- You Qin taking back a shooting star he prepared for Ye Tan within a minute because her wish is deemed non-noble

The Demonic Couple 青風徐來 CP (Gentle Breeze) - Hunter becomes the voluntary huntee
If the Heavenly Couple is 2 opposites slowly falling for each other through their various face offs, the Demonic Couple shows the quick fall of shrewd prince towards an angelic princess that may be naive but certainly not gullible.

Chao Feng, the 3rd prince whose mother is from a lowly status, is the one behind the bridal switch. Hence, he knows of Qing Kui’s identity from the get go. At first, he approaches Qing Kui to ensure no one, including Qing Kui, would realise he is the one behind the switch. However, he quickly finds himself falling into the charm and sincerity of our angelic princess. How could he not?

Beneath Qing Kui’s gentle exterior lies a steel of heart who adapts quickly, takes accountability and treats everyone with sincerity. Qing Kui isn’t a case of damsel in distress. In fact, she heals people around her, literally and figuratively. This makes her character charming in a way that’s different from Ye Tan.

And of course, nowadays, a show would not be outstanding with just great CPs alone. Icing on the cake are the supporting cast and their comedic interactions with our leads.
- Our Mortal Realm dad and Chao Feng’s mum who shine with their comedic reactions to various scenes
- Man man, Hai Chao, and Fei Chi, the trusting sidekicks who provide timely comic reliefs
- You Qin’s lovely siblings and mum who have one of a kind observations of our main couple
- The gullible and muscular Wu Dai who surprisingly has more screen presence

The starry love is not without its bugs. Plot wise, I find it rather one track minded. Both the Heavenly and Demonic dads of You Qin and Chao Feng are rather 1 dimensional and serve only as plot devises. The familiar heroic I-sacrifice-for-you troupe is, familiar.

Though as someone who aren’t a big fan of xian xia drama, I still say the Starry Love is an enjoyable light hearted story that’s bound to elicit laughters and pleasant surprises with its few refreshing takes, once you are bought into its starry world.

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For corporate millennial ladies in late 20’s and beyond

“Ever since I started work, I worked hard to be of value to my boss so my contribution at work will transcend my gender.

…but I am wrong…

If your boss can’t leave you, you cannot “graduate from” your boss.”

With the rise of working female and talks of feminism in social media over the years, the show biz is quick to capitalise on the market opportunities through commercialisation and stories that center on these themes. What makes Nothing But You stand out among the lot of crappier stories, rather considerably is the realistic portrayal of Liang You An (LYA)’s corporate struggles in today’s middle class’ ladies.

This is a modern corporate lady contemporary show done right.

How many late nights, urgent calls and contemplative car rides we have taken, thinking about our progress at work, recognition, value and purpose. How many times have we thought about quitting the stressful and meaningless job, but came up with a blank because we also do not know what we want to do next. Our parents and society would say we are thinking too much. Yet, shutting the voices down also dulls us, gradually but surely. And that’s on the career aspect.

On the relationship aspect, LYA’s perspectives were also spot on. I like that the show didn’t characterise her as an ambitious woman who didn’t want love. Yes, she takes a long time accepting her feelings and undeniable attraction to Song San Chuan (SSC). Yes, she has her fair share of reservation through their journey. Which is realistically, how a lady who had built a decade of independence, would feel and behave.

It’s easy to think that SSC represents the idealistic side with his career and theme focusing on sports and career switch. Represents the beacon of hope because he is young and full of possibilities. Look a little beyond the stereotype though, 20’s in sports can feel like our corporates’ 30’s, or even beyond, as many competitive athletes retire by SSC’s age.

Hence, they met at the right career juncture of their own. An athlete who found renewed spirits to step on the court again, a corporate worker who found renewed purpose to take charge in her career.

And then, only when they had their direction in life, they found “Nothing But You.”

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Bewarned - don't watch this on empty stomach

There is no denying it. Food is an essential part of people's lives. Yet, cooking may be a gradually lost art among more Generation Z and C than our parents / grandparents would've liked, especially with the growing convenience of Delivery Meals, dining and restaurants.

Here comes Dine with Love, which brings us the message that home cooked food need not be elaborated, as well as the importance of sharing your meal time with family. With only 16 episodes, this drama is a quick and easy watch. The main characters for our show is Yu Hao, an efficient, logic driven entrepreneur who created his own food platform, and Su Kelan, his public relation director. Both worlds collide when a video of Yu Hao shooting with a stand-in on a food reality program his company sponsored gets leaked. Yu Hao had to quickly learn how to cook from Su Kelan, while the latter had to quickly learn how to adapt to the former's working pace.

What makes the romance part of this story nice is how Su Kelan isn't a Mary Sue or someone who needs protection despite being a gentle and understanding person. The part of the story where she had to continue working despite going through tough moments in her personal life is probably one of the most relatable scene for us working adults. Facing a boss who is known as the slave driver and demon, Su Kelan is able to stand firmly on her ground and communicate her thoughts calmly. Yu Hao, despite his cold demeanor. is also not one to stubbornly insists on his viewpoints if the other party is able to convince him on their arguments. Sure, he can be bossy, but he definitely works as hard as he drives others. He is also fairly observant and will do little things for another without needing to let s/he knows. Both of their relationship development is mature,

The key main ingredient for this story though is the food and the meaning for each dish presented. Hence, it's the few rare story where I would rate the re-watch value higher than the story plot itself. I like the messages shared behind each dish that were introduced - from bitter gourd, to fried rice, to tomato omelet, to steamboat and many more. I'd re-watch this show for the recipe of the food.

With such great ingredients, why do I only rated Dine with Love at 7.5? It was unfortunate, I personally feel that the story plot and pacing becomes a little choppy when they are string together. It's like a slight overcooked steak or undercooked fish. There are moments in the story that feels forced so that there would be reasons for our main characters to progress their relationships.

Nevertheless, I would still recommend to watch Dine with Love, if not for the food. Afterall, quoting a popular Cantonese saying - 民以食為天, which translates to people see food as primary need.

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Getting to know each other, with heart

It baffles me as I am writing this sentence, Let's Fall in Love 3 is more than a dating reality show - it's about connecting and exploring, with others and with yourself.

In a dating reality show where a bunch of strangers stay together for a couple of weeks, LFIL3 is by far one of the more drama-free ones, thanks to the maturity of the participants and the commentators / observers. Credits go to the production team for good pacing the "dating injects" for the participants and good editing of the narrative.

When we watch a dating reality show from a third party perspective, we have a tendency to forget that this bunch of people only knew each other over 10 days, hence, the tendency to get invested way too fast over certain "couple lovelines" or too judgmental about a person's actions during the course of the story. This is where the commentators / observers play a part - and I like that this season's ones have rather matured discussions to provide a more objective view. They also visibly able to empathize with the participants' actions / decisions. I particularly find Annie Yi's comments in one of the latter episodes insightful and I translate - "In relationships, use your heart, don't use force. 在感情里, 用心, 不要用力." Helps one to ponder and reflect.

When it comes to dating reality shows, the "dating injects" do help to make or break the pacing and development of "love lines". In this season, I like the way they are set up. They aren't too many last minute surprises or overly intentional "dating injects" that's meant to direct a particular couple's progress. This makes LFIL3's participants feel more genuine, and the overall vibe of the show more comfortable to watch. We are able to relate to their decisions more.

In terms of the participants, I find this season's the most relatable for some reason. They are not only focused on being fancied by their "crush", they care about making friends with everyone too. They participate in the games and hangouts at nights after their day date. They are conscious of not letting their personal feeling affects the group's dynamics. Towards the latter episodes, we can see genuine friendships built as they share their thoughts with each other. This development is one of a kind, and one that likely would last for a long time.

Concluding my review, I believe we sometimes forget that dating is about getting to know another person and being honest about how you feel through the process. There's no one kind of love for there are also friendships, family, and self love. There's no rushing in love for we have a lifetime to experience it.

Special shoutouts:
- I admire how Yang Yang balances between pursuing for opportunities and respecting the choices of Xiao Loong and Ah Shuang. And she is only 21.
- I respect Wen Jun's courage in making the first move, follow by confronting and breaking the ice of awkwardness with Shun after it's getting clearer that he fancies Tan Nee more.
- I empathize with Ah Shuang's dileema on her choices and feelings over her current stage of life.
- I am touched by Shun's out-of-the-box thoughts and gestures in writing 2 letters in one of the episodes - one to Tan Nee, one to encourage his friend Ah Xing.
- I like Tan Nee's and Danny's steadiness and steadfastness, as they're both the oldest in this group.
- I also wish the best for 2 couples: Shun and Tan Nee as well as Danny and Wen Jun from this show. May they be able to bridge through the distance as they resume back to their respective life.

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Idol romance meets ice rink

This is your typical idol c-drama with ice-sports as backdrop. Shen Zheng Yi is your typical female lead who has all the passion, the talent, the grit, and the optimism for speed skating, except professional training as her mum objects her dreams to be a professional speed skater. Supporting and helping her once she gets into a professional team is Shao Bei Sheng, your typical male lead who is the handsome, hardworking and talented Figure Skating Prince that's loved by everyone, including his strict mum who is also Zheng Yi's coach.

That said, typical doesn't mean it's not enjoyable. One of the greatest strength is this idol drama knows thyself well, and hence, does a good job in being a light hearted and sweet idol drama we expect it to be. Their relationship progress is mostly nice to watch, albeit with a little too much drama and cliches. What is enjoyable about this couple is their playful interaction, and support for each other through each challenge. Ultimately, this couple manages to make me care for them, and their relationship, especially by latter half of the drama - I guess it's a success by idol drama standard. The second couple in this show is also cute, I love how innocent and support of a friend both are as our main leads' sidekick.

What I enjoy the most for the show though is Coach Zhuang's tenacity and journey in instilling the right mindset for Zhu Feng Sports Club. Here, the drama spends time to highlight some of the teammates' improvement under Coach Zhuang's tutelage. While these supporting characters do not have enough limelight, they have their shared passion to the sports and own motivation, bringing more colors to TFWY. The cinematography of ice skating moments are great for an idol drama.

If there is one thing that bugs me about TFWY, it's the editing. As Shen Zheng Yi and Shao Bei Sheng have different specialization, there are 3 narratives to follow - (1) Sheng Zheng Yi and the Speed Skating team, (2) Shao Bei Sheng and his Figure Skating career, as well as (3) Zheng Yi's and Bei Sheng's relationship. Most of the time, it isn't too distracting... until competition days - I can't help but get sidetracked, wondering how our leads get so much interaction time in-between competitions. I mean, I know they are spread over a few days...still, shouldn't the one who hasn't compete focused on practice? And this indirectly affects the pacing of the show slightly, especially when we weave in the supporting characters, who have their own storyline too.

To sum it up, TFWY is an enjoyable idol drama about aspiring for your dreams. It's also a good introductory drama about speed skating, figure skating, and healthy athletism mindset.

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Lovely Mr. Cinderella and Princess Charming

It’s a contract-marriage drama no doubt with a slight dose of (Mr.) Cinderella element, but it’s also absolutely adorable and refreshing with its own flavor. What originally started out from mere curiosity unexpectedly turned to lighthearted enjoyment that had me cracking every other episodes.

The two leads had interesting dynamics from the get-go. Lu Fang Ning, though strong and charming, has many adorable moments. Ling Rui, though caring and warm, has an unyielding side. While Fang Ning initiated a lot of the lovey dovey moments, especially in the beginning part of the drama, Ling Rui was the one who “sealed the deal”, and in my opinion, progressed the relationship. The leads, Zhou Yu Tong and Simon Gong were casted well indeed – I feel that not many actors and actresses would be able to draw out these multi-facets within the characters and nuanced dynamics between the two as smoothly as the two did.

Both characters matured throughout the series, and so did their relationship. Once their kid was thrown into the mix in later part of the drama, it was heartwarming watching their family time and interactions with each other – and of course, the lovey dovey moments. The side characters were great too – each were well fleshed out such that they did not feel one dimensional within a rom com.

Begin Again did well in doesn’t taking itself too seriously for an overuse common marriage contract plot. It has been awhile since I am able to watch a rom com from start to end. I thoroughly enjoyed Begin Again and hope to see the leads together in another drama, maybe an ancient one. In the meantime, I’d surely Begin the drama Again whenever I want a light watch – …okay that’s a bad pun, time to wrap up my review here.

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The fantasy love game plan, success

Fantasy idol dramas aren't usually my go-to genre, but Love Game in Eastern Fantasy proved to be a surprisingly enjoyable exception, especially in its first half. The premise is immediately engaging: Ling Miao Miao is unexpectedly sucked into a story world and given a seemingly impossible mission—to increase the male lead, Mu Sheng's, affection for her from a disastrous -250% to a perfect 100%.

I was thoroughly charmed by the director's sense of humor in the initial story arcs. These clever moments elicited genuine laughter and kept me eagerly watching. Highlights include:
· The hilarious meta-touch of the end credits rolling just five minutes after Miao Miao arrives in the Demon Catcher world. (Plus 1 point!)
· Miao Miao's creative and adaptive interpretations of her missions, constantly finding clever loopholes to progress the story. (Plus many, many points!)

Beyond the humor, the series adds several heartwarming touches not found in the original source material. The adaptations of Miao Miao’s relationship with her dad, the Little Bamboo, the water demon arc, and Princess Duan Yang's respectful pursuit of romance were all executed very well.

Alas, I may have simply outgrown the on-screen fantasy idol genre, as my engagement began to wane after the Consort Dowager Zhao arc. The narrative continuity started to feel fragmented, with glaring plot points glossed over. The backstory of Mu Sheng’s parents felt lackluster, and the redemption arcs for some demons struck me as abrupt. This gradually caused me to lose interest in the overarching story.

It was also around this time that the romantic progression between Ziqi and Miao Miao lost some of its spark for me—ironically, just as his affection meter reached 99%. Don't get me wrong; I appreciated the poignant message behind that final 1% and enjoyed the unique connection the leads shared. I just found that the scenes themselves didn't captivate me as powerfully as those in the first few arcs.

Overall, Love Game in Eastern Fantasy is a rather enjoyable show and stands out as one of the top period idol fantasies to come along in quite some time. It actually piqued my interest enough to watch Yu Shuxin and Ding Yuxi's other collaboration, Moonlight, where I was delighted by the romance between Zhou Chuan and Chu Li. I sincerely hope this duo gets a third collaboration in a story as lovely as Moonlight and the first half of Love Game in Eastern Fantasy.

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Nirvana in Life and Dongli Hospital

生 birth, 老 old age, 病 illness, 死 death.
It’s the passage of life we cannot avoid.
It’s the passage that’s explored in The Heart through our Medical Team at Dongli Hospital and the patients we come across... The passage where everyone battle with illness and death so we can continue living.

Medical dramas aren’t anything foreign. In fact, it’s precisely the familiarity of the profession and the amount of shows featuring them that makes this genre a tough nut to crack. On one hand, this genre deals directly with emergencies and deaths - perfect ingredients to string our emotions. On the other, it can be overtly cheesy at best, and a turnoff at worst if they overdo with the dramatic stories.

That’s what stood out about The Heart - it draws this balance perfectly, almost.

While we go through this show through our 3 main leads - Doctor Zhou, our physician, Doctor Lin, our surgeon and Doctor Fang, our ICU and post care doctor - the patients’ stories in The Heart makes them more alive than ever. None of the patients were fillers, even if they only take up 1 episode or less. None of the patients’ arcs were predictable, even if they appear to be the familiar troupes we come across in other stories or our day to day lives. This says a lot about the heart and sincerity that goes towards the cast and story plot.

The depth of patients’ stories made me afraid to watch this show in public transport as I go back and forth to work. This is because they draw tears at every juncture. Tears that I don’t feel cheated of.

Besides the patients’ stories, they also explored the politics of the doctors in The Heart delicately, pragmatically, and realistically. One can argue that politics shouldn’t be present in the face of life and death. But Doctor is another profession that requires management, systems, budget, and communication structure to continue its operations, even if they are in the line of saving patients.

Instead of taking time away from the patients or medical team, the political affairs of Dongli Hospital add color and life to The Heart. Even if we do not enjoy or agree with the political moments or the decisions that the characters take, I feel that those plots cement the fact that these doctors are people too.

~~~~
“Everyday you have to worry about this, consider about that, aren’t you tired?” Dr. Lin asked.

“Tired. Very tired.” Dr. Zhou remarked.
~~~~

At The Heart center, the dynamics of our 3 main leads are the core of the stories. Doctor Lin is the medical genius that learns to work in a team. Doctor Zhou is the workaholic that learns to rely on his team. Doctor Fang is the cherry one that reassures everyone. From these 3 lines, it’d sound like Doctor Fang has a shorter end of the stick with her character arc compared to the former two. And this is somewhat true.

That said, these trio won’t be complete without her. In a story that has so many things going on, Doctor Fang is a steady and warm presence that plays a more important role than people would give her credit for.

I love how they become comrades together with the medical team in Dongli Hospital. It made me wish that I too, will be in the hands of such a team.

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“每个病人都像一本书 Every patient is like a book。
医生能做的是尽量弥补他们的破碎 What doctors can do is try their best to mend their broken things -
不管是心脏 be it the heart，
还是心灵 or the soul.”

quote Dr. Fang.
~~~~

Besides the story, the OSTs of main theme are apt. Especially the ending song, 活着 Living. Deep and impactful lyrics.

Here is the official MV: https://youtu.be/5bOhd4oT6yg

Lyrics extract

生life, 死 death, 离别 separation，
若不由人选择 if it’s not up to people’s choice,
那就向前走 then let’s move forward.
~~~~~

To sum it up, there’s only ever 1 medical drama you have the quota for, give it to The Heart. It’ll pull your heart’s strings like no other.

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Values and characters worth to learn from

It was an unexpected day for He Huan. On her 10th year marriage anniversary, her husband went MIA, and 4 debtors soon came to collect million of debts owned by her missing husband. As if this news weren't shocking enough, her long term program got cut due to critical reviews by her friend, her mum diagnosed with cancer, oh and her missing husband - turns out he cheated.

Thus, we have our story's premise for Be Your Own Light, a story of a woman requiring to step back up on her own feet after her world crashed oversight.

What works well for a seemingly cliche plot is the element of surprise. The show smartly use our bias to make us enjoy the show. It has grounded and likeable characters. It has smart, witty slightly over the top approach for moments that were supposedly cringey or dramatic. It has sincere dialogues and positive messages for us to learn from - on career, on life struggles, on beliefs.

And the show smartly turn its focus to He Huan's, Bai Yang's and Yuan Yuan's career line after the necessary context of He Huan's situation was established.

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Starting with our main female lead, He Huan played the role of a woman who seemingly had it all, with stable career and loving family. When her world crashed before her, I was impressed with how the show laid out her growth and development. Here, we saw a strong woman who picked herself back up steadily and decisively after going through the proper stages of grief. Yes, there's a tad teeny idealistic cliche-y moments. No, there is no domineering CEO boyfriend to the rescue nor some untapped special potential that He Huan unlocks. If anything, her talent is always recognised before she left the news industry 13 years ago to prioritise family.

I like that He Huan is kind, but not a Mary Sue, principled but not a preacher. She had clear and admirable motivations for her actions. He Huan accepted the reality that her skills may not be able to meet the current fast paced environment and humbly chose to start again. She worked through the ranks again, and gained the rightful recognition through effort, sincerity, and tenacity.

~~

Bai Yang played the foil of He Huan's character - the successful career lady who remained single. With her blunt, no nonsense, demanding, rigid and prideful personality, she can be a character that's easy to dislike or sympathise. To Bai Yang, she says what she means and she means what she says. If anything, Bai Yang, though the most expressively critical of He Huan, is one of the few that truly believed in He Huan's capability and often helped the latter in tangible ways.

While Bai Yang's arc may feel a little outdated in 2023 for some modern single ladies, I enjoyed how the show highlighted her vulnerable sides and how the few perceptive ones in the show could see through as well. I love they knew the right opportunities to offer words of comfort which Bai Yang needs to hear. Sure, Bai Yang has a strong steel of armor, but she is no machine. These moments ground her characters and made Bai Yang real.

~~

Last but definitely the most refreshing, we have Yuan Yuan. Yuan Yuan resembles a lot of more what people who term as "masculine" traits. She is ambitious, competitive, assertive, courageous, calculative, and decisive. With people, she is direct in expressing her thoughts whenever the moment is right. She is the first one that helped He Huan and gave the latter a much needed dose of reality checks. At work, she is resourceful and almost never let emotions get in the way. While certain actions toe the line, Yuan Yuan has her principles that she doesn't cross. With the right reminders, she focus on her own pie and value. In relationships, she is clear with what she wants, and is quick to honor her thoughts when she changed mind too.

~~

To wrap up my review, Be Your Own Light shows that light can come in many forms - so long it is our own effort.

While my review did not highlight much of Liu Yu Ning's character and arc, he did a great job too and his character, Jiang Jun Hao, is one of the cutest onscreen debtors. The pacing is by and large okay, with the last part a little rushed. I don't quite get He Huan's husbands' motivation / actions, and I personally also didn't feel we need Jiang Jun Hao and He Huan falling in love. But I guess we won't have a story if the husband isn't a jerk and each of these lovely females having a "worthy happily ever after" partner. Oh well, the silver lining is their love stories aren't that forced, cliche or not.

And thus, Be Your Own Light is an enjoyable series with admirable characters, especially the ladies.

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侠 (“Xia”) in essence - protecting what matters

Back from the Brink (BFTB) has a simple story plot - a handicapped dragon in search of his missing parts due to an ex betrayal.

This simplicity is its strength. Within 10 mins of the show, BFTB has told us what we need to know about the background context, Yan Hui’s (YH) personality, and how she is interlinked with Tian Yao (TY) in his quest. Straightforward with no filters. (Yes, those cute little loyal genies aren’t filters.) Their meet cute were hilarious and logical - a rare combination in many stories these days.

The best part of this light hearted series is Yan Hui’s character. I love how YH is kind, but isn’t a Mary Sue. She trusts people yet will not allow others manipulate her. She has a protective instinct towards those being bullied, but rightfully, affirms her priorities and will say No to requests that she doesn’t want to do. She is decisive and quick witted. What a healthy role model! I also particularly love how direct and expressive YH is. While a lot of credit is due to the screenwriter, I got to applaud the actress, Zhou Ye, who managed to strike that right balance for YH’s character. Her portrayal of YH adds a lot of points to made this character so likeable.

TY’s character is also done with care. Although he was betrayed by his ex in such a cruel way, and had to experience a lot of pain for losing his body parts, I love how he didn’t project his hurt to others. Sure, he was reserved and cautious with strangers, and was a handful to deal with. Beneath the reserved exterior, I can see his kindness, strength and wilfulness, befitting of the only Millennium Dragon in the story. His journey of redemption was slow, painful and can be frustrating at times to watch - but hey, isn’t the struggle and growth the whole point of a great character.

Main characters aside, I love the representation of each story arcs and the key characters in them as YH and TY journeyed to gather the latter’s missing parts. I love Xiange’s determination and stance in protecting what she believes in. I admire Lu Mu Sheng’s loyalty towards his wife, even if they did not expound on it. I respect Qing Qiu’s key characters’ belief and protection towards peace. While it is a stretch to understand Su Ying’s and her sister’s respective obsession (I suppose that’s why they are family), I can accept that there are characters like these and feel pain for them. And of course, how can one not love the little genies and children at dragon valley - how innocent and cute.

Most importantly of all, there were timely injects of humors and heartfelt moments throughout BFTB, making this xian xia my favorite of this year.

OST wise, it took me awhile to like them. The cute CGI style could be a make or break for some audience. And while I personally like the story plot is simple, it may be too light of a taste for those who are looking for brilliant plot twists or dramatic moments in stories.

At the core of it, BFTB makes us think harder about our prejudices (if any) towards people who are of different class, differentiating between love and obsession, the implications of choices and trade-offs (i.e. What it means sacrificing one life to save the world), how to embody the value, 侠 (“Xia”) chivalry, and what protecting truly means.

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Living each other’s lives, literally

We often talk about being more empathetic and understanding of others’ perspectives - but how much do we really understand when we are not facing the same experiences or live in their shoes before?

Enter “TDOBY” as Jiang Yi’s (Steven Zhang) and Yu Sheng Sheng’s (Liang Jie) souls got swapped in an accident and literally got to live in each other’s shoes until they figured out how to swap back.

We naturally have a lot of comedic moments that comes with a gender swap story, and the leads really delivered these scenes. When Steven Zhang had to act as Yu Sheng Sheng, I can really see that “the lady in Jiang Yi”. Similarly, Liang Jie’s portrayal of Jiang Yi was passable as well - it is not easy playing a reserved character. Coupled with the impeccable timely background sound effect, the funny scenes were funnier, the awkward moments were “awkward-er”, which in turn make it funny for us, the audiences.

The pacing and progress of the relationship between the main leads were done well too. They started from tolerating each other (mostly on Jiang Yi’s part), to developing a friendship (that drives Jiang Yi’s manager nuts due to Sheng Sheng’s job as a reporter), and then eventually falling for each other.

I personally like relationships that are founded on friendship, and it’s great watching Jiang Yi’s growth and development throughout the show with Sheng Sheng’s influence. When they both officially became a couple, oh boy, those sweet moments and chemistry would make your toes curl.

What’s more, funny / light hearted and romantic moments were not all TDOBY have. It has a number of heartwarming scenes on family and friendships as well.
While the supporting cast was mainly in the scenes to progress the story forward, they are not 1 dimensional characters.
While I am a tiny bit disappointed that certain characters weren’t expounded further, I recognise and accept that at the heart of it, TDOBY is a story about Jiang Yi and Yu Sheng Sheng. Fingers crossed for a sequel or spin off!

Also, if one pays attention, TDOBY touched upon current social issues such as stereotypes, fanatic behaviours, social media commentaries / critiques, healthy dating mindset / attitude as well as accepting consequences of own choices.

It has been such a long time since I have watched an entire show, rom-com no less, without skipping any scenes. Nada, zippo - I sat through the entire 26 episodes and thoroughly enjoyed the show.

I personally like the ending concept that the scriptwriter has chosen. The dialogue in the last 10-15 mins really drives home the message on empathy, which I believe is what the scriptwriter really wants to share. My only complain is this choice leaves a couple of questions and untied loose ends for me. Also, I thought it would’ve been nicer if they extended a couple more episodes to properly reconnect Jiang Yi and Yu Sheng Sheng after the time skip. Okay, that makes two complains.

Nevertheless, I still love TDOBY and would highly recommend everyone to watch the fun journey of Ms. Jiang Yi and Mr. Yu Sheng Sheng.

And, Summer 21 best female lead goes to … Steven Zhang

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