jiritwist

Above average series

This Thai project pleasantly caressed my soul and even though it was not completely perfect, it left a small mark on me. The story is interesting, the acting is good, the music is great in the last parts of some scenes (I don't mean the opening song). And now he has a subtle critique. The main pair of Tawan-Mork, in addition to looking very good, said it nicely, the "something" there was felt, but physically worth the old white and their "kisses" behind the foul word, the director is apparently blind and deaf. The second pair of Toy-Boss was completely artificial for me, even though the ending was too sweet. As a senior doctor, Boss didn't sit well with me, he was too young (20), while his "trainee" Toy, who was studying with him, was actually 28 years old, and his make-up was further enhanced by combing a tall "helmet" from his hair, so he looked like wax doll from the Madame Tussauds Museum. Here, with this pair, the creators did not come across a choice of actors and the types they played. In the hetero pair, I enjoyed the symposium barista Mayom, who is really a doctor in civilian clothes, so it's funny to me that a 20-year-old boy plays an experienced doctor and a real doctor plays a hopscotch in a café. In this context, I was probably best impressed by the two older uncles in supporting roles, who played a great relationship with them for many years.

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In short: beauty in power saving mode.

I didn't find a mistake there, everything fit as it should. In the beginning, two actors in their twenties who look even younger and lo and behold, one is 27 and the other is 32. I enjoy the intimate intimate concept if done well and the sing-along Korean and all enhanced by the soft background music and slow non-violent processing, even though you iced teas, which no character ever even touched ... and when the fourth character - the handsome prince - came in the second half, it was swept away, however it might have ended. I guess I'm different (yes, I am), I just have a different opinion than most on IMDb and MDL.

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No teenage boys with lids up to their eyes or yaoi flip flops screaming in admiration. This is a short series for adults, from life, and it is well done, at least for me. Bisexuality, bisexual behavior and related problems. I really, really liked the series because it touches so many of us. Specifically me for sure. Excellent acting, especially Tod played it so convincingly, I believed every word he said and his character clearly proved that not all gays, bisexuals, have to be outright twisted or immediately recognizable. The other two characters also played it flawlessly. How 35-year-old Tony at the time (he played the character of Meng) and I was amazed how great he looked in the first part in the "studio" days, you don't know at all that he is already "so" old and the corpse Nuch, played excellently by Thai Bebe, is also no more sapling, and in some scenes it not only cut her off immensely (see e.g. the wedding and others). The director is really a fighter, everything we have from him here at gaytitulky.info is highly rated (Club Friday 5, Club Friday 12, Tonhon Chonlatee).

I absolutely cannot agree with the appalling review and rating of "paulasmess", where her disagreement with the story was punished with the lowest rating for acting and music. Where did she put her eyes and hearing (???)? She has no idea that bisexuality and labels exist, such as if a man in a relationship with a woman has something with a man, then he is immediately gay and the opposite does not apply (?) when a man in a relationship with a man has something with a woman - so why is it not heterosexual.

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The very beginning was fresh and nice, a few minutes into the opening credits, it would have been a good short ("Did you forget something? Yes. You!"). Overall, I agree that this part got rid of Pinoy deposits, did not branch out and lacked dismembering trances, but that was perhaps to be expected from this director (he also directed the successful Gameboys). Everything came very close to the western format. Acting very solid, believable. However, I had a little problem with the character of Tina, from whom the script made a hysterical, sometimes even a moronic psychopath, and the film's "means", for example in the constant smoking with a shaking hand, were very transparent to me. That's why I reduced one point for the story, originally I wanted to give a pure nine. I also appreciate very tasteful soft erotica, when nothing was "shown" anywhere and the characters were not "getting along" somewhere by the wall through jeans or up to the navel through a sweatshirt, etc., and there are also dirty words, so I rather do not recommend it to some gentle ladies here??


Hned začátek byl svěží a hezký, několik minut do zahajovacích titulků, z toho by byl dobrý kraťas ("Zapomněl jsi něco? Ano. Tebe!"). Celkově kvituji, že se toto dílko oprostilo od pinoy nánosů, nevětvilo se a chyběly pitvořící se transky, ale to se snad i dalo od tohoto režiséra čekat (režíroval i úspěšný Gameboys). Vše se hodně přiblížilo západnímu formátu. Herecké výkony velmi solidní, uvěřitené. Malinko jsem měl postupem ale problém s postavou Tina, ze kterého scénář udělal hysterku, mnohdy až debilního psychopata a filmové "prostředky" např. v neustálém kouření třesoucí se rukou byly na mě hodně průhledné. Proto jsem za příběh jeden bodík snížil, původně jsem chtěl dát čistou devítku. Oceňuji též velmi vkusnou jemnou erotiku, kdy nebylo nikde a nic "ukázáno" a postavy se "neládovaly" někde u stěny přes rifle nebo do pupku přes mikinu atd., a jsou tam i sprostá slova, takže některým zdejším jemným dámám spíše nedoporučuji ??

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The TV adaptation of this series exactly corresponded to the Thai mentality. Pretty faces and, to top it off, relationships that begin to interweave into hard-to-predict (even downright monstrous) dimensions between three men and one woman. Finally ... what could we expect from the director of such gems as Club Friday 5 or Tonhon Chonlatee. And everything in addition according to the real event. The last episode was such a little bomb, when everything starts to become clear, even with the help of slaps and kicks, and each of the characters gets something for it... Nice and a little bit funny experience.

TV zpracování tohoto seriálku přesně odpovídalo thajské mentalitě. Hezké tvářičky a k tomu vztahy, které se začínají proplétat do těžko předvídatelných (ba přímo obludných) rozměrů mezi třemi muži a jednou ženou. Nakonec ... co bychom mohli očekávat od režiséra takových skvostů, jako je Club Friday 5 a nebo Tonhon Chonlatee. A vše navíc podle skutečné události. Poslední epizoda byla taková malá bomba, kdy se začíná vše vyjasňovat, i za pomocí facek a kopanců a každá z postav dostane co proto ... Pěkný a trošku i úsměvný zážitek.

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I had a lot of fun with this Filipino musical, even with how seriously some Asians writing reviews on MDL took it (while the project has a high rating on IMDb). Those who like any project with Asian naivety, rudeness, affectation and full of grinning trances, pause here, how terrible it was. At the same time, it is a gay musical fairy tale for young and old gays and not only those, and those who take it with an open mind will have fun with really beautiful songs, but also with the set and all refreshed by the main roles - 18-year-old Prince Zeyn and 19-year-old Mikey, and sorry all flaws. At all, as if this project didn't even come from the Philippines, it's so different ... The musical is primarily about the songs, and only then about the acting, they sang it beautifully and refreshed it with a pleasant sympathetic appearance. Their mothers and then Angel, Ms.Becky and others also added theirs. And in the last quarter of the last part, I grabbed my stomach at the scenes with bananas, stargazing or the speech of the new king in front of a "crowd" of subjects. Yes, the 3rd and 4th parts took a little away from the drama, but that doesn't change the fact that I was refreshed and wasn't looking for any fly in the project.


Moc jsem se u tohoto filipínského muzikálu pobavil, a to i tím, jak vážně jej někteří Asiaté píšící recenze na MDL vzali (přitom na IMDb má tento projekt vysoké hodnocení). Ti, kterým se líbí kdejaké projekty s asijskou naivitou, toporností, afektem a plné šklebících se transek, se tady pozastavují, jak to bylo hrozné. Přitom se jedná o gay muzikálovou pohádku pro malé i velké gaye a nejen ty a kdo ji bere s nadhledem, tak se pobaví opravdu krásnými písněmi, ale i výpravou a vše osvěženo hlavními rolemi - 18ti letým princem Zeynem a 19ti letým Mikey-em a promine všechny nedostatky. Vůbec, jakoby tento projekt nepocházel ani z Filipín, je tak hodně jiný ... U muzikálu jde především o písně, a teprve potom o hraní, zazpívali to krásně a osvěžili to příjemným sympatickým zjevem. Jejich matky a dále Angel, Ms.Becky a další také přidali to své. A v poslední čtvrtině posledního dílu jsem se za břicho popadal u scén s banány, pozorováním hvězd a nebo projevem nového krále před "davem" poddaných. Ano, 3.a 4. díl malinko ubral na dramatičnosti, ale to nic nemění na tom, že jsem se osvěžil a v projektu nehledal kdejakou mouchu.

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Perhaps the director was enlightened by the Holy Spirit, otherwise I can't explain it after the near-flop called Skinship, where both actors also appear. I think it was a collective shift of the entire crew, the production, a radical cut, and episode zero was released into the world, which in my opinion has all the best attributes, even if the story itself has already been used elsewhere. Suddenly there is incredible chemistry between the actors, everything fits together, great music (not mostly Thai, but world music is used, especially the ending complements the ending beautifully) and I can only look forward to the series itself (unless, of course, the creators screw it up...)


Režiséra snad osvítil Duch Svatý, jinak si to nedokážu vysvětlit po téměř propadáku jménem Skinship, kde oba herci rovněž vystupují. Myslím, že to byl ale kolektivní posun celého štábu, produkce, radikální řez a na svět se vyloupla nultá epizoda, která dle mě má samé skvělé přívlastky, i když příběh samotný už byl jinde použit. Najednou je mezi herci neskutečná chemie, vše do sebe zapadá, skvělá hudba (není vesměs použita thajská, ale světová, hlavně ten konec krásně doplňuje) a už se mohu jen těšit na samotný seriál (pokud to ovšem tvůrci nepokazí ...)

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Mame (a Thai writer) got her act together (or rather "poMamila") and wrote another fairy tale from a wealthy background, which fully accepts, for example, the fact that both brothers are ultimately gay (I also know such in the Czech Republic). And now seriously. When I think about all the fairy tales, the story turned out to be engaging for me, a little weepy for my taste, but the central couple (calmness, prudence vs. distraction, cuteness) made up for it all to the highest possible extent. I also appreciate the fact that the story didn't get bogged down in walking through the school corridors, didn't branch out pointlessly, and from a physical point of view, it's no longer just a hand grab or a light fishy kiss at the end of the series. Everything is much more mature. Of the other characters, I was particularly interested in brother Leon. On the other hand, Pob, whom Leon applied for, where did they dig ... 8 years older than Leon, two years older than the director himself, no acting experience, in reality Pob looks ok (see civilian on MDL), but how they made him combing that hair and that uninteresting face. "Dads" - they have already played in many such series, so familiar faces. The music is excellent (appropriately chosen for the more titillating scenes). Great satisfaction for me.
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Another Japanese film that arouses rather condemnation from a large part of the audience who do not understand its meaning, why it was made and for whom. Sex, hard sex, forced sex, rape. These are all the elements of yaoi manga as Japanese girls and women have gradually forced them over many decades, or better said, this is how the rules that Japanese women like have been determined. It is not worth wondering why in the film the rape is not even followed by condemnation of others. The only thing that bothered me a bit was that Yuuki (Takasaki Shota, the still cute actor after nine years), the concertmaster, couldn't actually play the violin, even by mistake.


Další japonský snímek, který vzbuzuje spíše odsouzení u velké části diváků, kteří nechápou jeho smysl, proč byl vyroben a pro koho. Sex, tvrdý sex, vynucovaný sex, znásilnění. To jsou všechno prvky yaoi mangy tak, jak si je v průběhu mnoha desetiletí postupně japonské dívky a ženy vynutily, nebo lépe řečeno, takto byla určena pravidla, která se Japonkám líbí. Nemá cenu se divit, proč ve filmu po znásilnění ani nenásleduje odsouzení druhých. Jediné, co mi trošku vadilo bylo to, že Yuuki (i po devíti letech stále roztomilý herec Takasaki Shota), koncertní mistr, neuměl ve skutečnosti hrát na housle ani omylem.

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"...MY BODY DESPERATELY WANTS TO LIVE, WHILE INSIDE I'VE ALREADY BEEN DEAD FOR A LONG TIME..." The surprisingly beautiful and immeasurably deep Japanese project will appeal primarily to gay viewers. I devoured everything in one Sunday. How fate waved the hidden eighteen-year-old gay Jun (perfectly played by actor Kaneko Daichi, 22 years old, I added four photos to the Pictures folder) in the last year of high school is not seen. He lives only with his mother Yoko, he loves Makoto, a married man with a family who could be his father and secretly meets him for sex, he gets closer to his classmate Miura, who is a fujoshi and ... I won't reveal more. Such a true story that many gays go through, I would not expect from this series at all. All the characters (including Mr. Fahrenheit's online characters - a big shock at the end of the series) are drawn absolutely flawlessly, everything fits together (often sadly). I recommend it to all the more sensitive souls, but I only recommend it more, because the Japanese method of processing is different and someone may not take it...


"...MOJE TĚLO CHCE ZOUFALE ŽÍT, ZATÍMCO UVNITŘ UŽ JSEM DÁVNO MRTVEJ..." Překvapivě krásný a nezměrně hluboký japonský projekt zaujme především gay diváka. Já jsem vše zhltl za jednu neděli. Jak osud zamával skrytým osmnáctiletým gayem Jun-em (skvěle zahráno hercem Kaneko Daichi-m, 22let, přidal jsem čtyři fotky do složky Obrázky) v posledním ročníku střední školy se jen tak nevidí. Žije jen s matkou Yoko, miluje Makotu, ženatého muže s rodinou, který by mohl být jeho otcem a tajně se s ním schází na sex, sbližuje se spolužačkou Miurou, která je fujoshi a ... dál neprozradím. Tak pravdivý příběh, kterým prochází řada gayů, bych vůbec od tohoto seriálu nečekal. Všechny postavy (vč. online postavy Mr. Fahrenheita - na konci seriálu velký šok) vykresleny naprosto bezvadně, vše do sebe (mnohdy smutně) zapadá. Doporučuji všem citlivějším dušičkám, ale jen spíše doporučuji, neboť japonský způsob zpracování je odlišný a někdo to nemusí pobrat ...

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I rate the edited version on the BL line

A series that should definitely not be missed by those who choose only the cream of the crop from Thailand ... I rate the edited version on the BL line, the main characters share a single story, which is very important and it also affected my rating. And it doesn't matter at all that the individual parts are very large and that the other 4 main hetero characters Claudia, Eve, Danny and JC are practically invisible (they are seen in the final part around 25 minutes).
In addition to MAX, whom everyone probably knows as a super nice guy, another symposia TEN totally got me as an actor and he played it so well that I believed in him absolutely everything, every hair, it came out from inside him like a water fountain (I mean, he plays such a character and that she's loved Keaton since she was a child - actually even Win back then).
Other characters also appealed to me as actors: Dr. Krit (38 years old), transwoman Mednoon (32 years old) and Keaton's client and lover - Jennista (44 years old). The fact that he is older than Keaton (Max) by twenty years was not even recognized in many scenes. The music is beautiful, the processing in the details is perfect. In the last 13 episodes, TUL also appears for a jump at the end...
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Seriál, který by rozhodně neměl uniknout těm, kteří si vybírají z Thajska jen tu smetánku ... Hodnotím sestříhanou verzi na BL linku, hlavní postavy jedou jednolitý příběh, což je moc důležité a ovlivnilo to i mé hodnocení. A vůbec nevadí, že jednotlivé díly jsou hodně velké a že další 4 hlavní hetero postavy Claudia, Eve, Danny a JC nejsou prakticky vidět (jsou vidět v závěrečném díle kolem 25 minuty).
Kromě MAXE, kterého asi všichni znají jako supersympaťáka, mě herecky naprosto dostal další sympoš TEN a zahrál to tak skvěle, že jsem mu věřil naprosto vše, každý chloupek, vycházelo to z jeho nitra jako vodotrysk (myslím to, že hraje takovouto postavu a že od dětství miluje Keatona - vlastně tehdy ještě Wina).
I další postavy mě oslovily herecky: Dr.Krit (38 let), transka Mednoon (32 let) a klientka a milenka Keatona - Jennista (44 let). To, že je starší od Keatona (Maxe) o dvacet let, nebylo v mnohých scénách ani poznat. Hudba krásná, zpracování v detailech dokonalé. V posledním 13 dílu se na konci objevuje na skok i TUL ...

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A Hong Kong "festival" dealing with the not entirely common theme of two warm grandfathers certainly did not impress me for 10. Overall, the story was the weakest link for me, when the conclusion perhaps fit thirty, fifty years ago. The theme of older gentlemen keeping their mouths shut all their lives and only hungrily peeking at others in smelly public toilets and hollands will seem odd to me in the third millennium. I have the impression that this former British colony is increasingly "dissolving" into China after more than twenty years of Chinese rule" and I am not surprised that Britain is ready to take in up to one million Hong Kongers who are preparing to collapse before the rigid Chinese laws. And the topic " "gay retirement home" for gays who hid from the world all their lives under a woman's skirt didn't seem very interesting to me either. I just wouldn't want to live among gays in my old age, as it is not possible even in ordinary life, where they are all part of the majority society. At least the straight guys shut up and it's quiet, but among the gays, and I found out here, there are also vengeful envious people spitting venom, malice, resentment and treating each other's problems. The acting was professional, but the characters didn't need to be actors they also squeezed out the soul. The sound and processing are above average. I thank Ming for his other cz subtitles.


Hongkongský "festival" zabývající se ne zcela běžným tématem dvou teplých dědečků na mě za 10 určitě nezapůsobil. Celkově právě příběh byl pro mě tím nejslabším článkem, kdy ten závěr se snad hodil do doby před třiceti, padesáti lety. Téma starších pánů držet celý život hubu a krok a pouze hladově pokukovat po jiných na smrdutých veřejných záchodcích a holandách mi přijde do třetího tisícíletí lichá. Mám dojem, že se tato bývalá britská kolonie po více jak dvaceti letech čínské nadvlády stále více "rozpouští" do Číny" a nedivím se, že Británie je připravena pojmout až jeden milion Hongkongčanů, kteří se připravují zdrhnout před tuhými čínskými zákony. A téma "gay domova důchodců" pro gaye, kteří se celý život schovávali před světem pod ženskou sukni, mi nepřišel také právě moc in. Jen mezi gayi bych na stáří žít nechtěl tak, jako to nejde ani v běžném životě, kde jsou všichni součástí většinové společnosti. Heteráci si alespoň dají přes hubu a je klid, ale mezi gayi, a to jsem poznal tady, jsou i mstiví závistivci plivající kolem sebe jed, zlobu, zášť a léčící si své mindráky. Herectví bylo profi, ale postavy nepotřebovaly, aby ze sebe herci vymáčkli i duši. Zvuk a zpracování nad průměrem. Mingovi děkuji za jeho další cz titulky.

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