Sakura_Falling

Tokyo in April is...Unimpressive

Tokyo in April is... felt like it had a lot of potential but got lost along the way. It started out fairly strong, but the ending was weak. I also think a stronger cast would have helped it's case as well, not that they're terrible, just unable to convey some emotions effectively. Despite that, I do give it credit for tackling some serious issues and actually giving them the attention they deserved. Even with it's flaws, there were parts that were well done and I did enjoy aspects of it.

Tokyo in April is... has the feeling of a slice of life drama which I actually quite liked. It centers around Kazuma and Ren, two young men, who met and became friends when they were teens, but were then separated for 10 years before reuniting unexpectedly. The story follows them as their renewed friendship turns to friends with benefits and then develops from there but with drama and angst along the way because what would it be without those elements. Flashbacks are used liberally, some are effective and give necessary background and information, but there are a fair number that are unnecessary and either add nothing or the scene shown was one that happened recently and didn't need to be seen again. Numerous issues were tackled, rape and drugging playing a more central part in the story, but also sexual/workplace harassment, homophobia, and abandonment. Rather than just being issues that were added to cause further drama or problems for the characters, it felt like they were given the attention and respect they deserved. And while I appreciate those issues being addressed, several of them were tied to Sanada who felt like an unnecessary and unrealistic villain. Personally, I would have preferred for the drama to focus more on Kazuma and Ren overcoming their misunderstandings, addressing Ren's trauma and depression, and their healing. Sanada felt almost cartoonish in his villainy. I also found it incredibly unrealistic that he could have taken out Ren. Not only were the circumstances surrounding their encounter unbelievable, but the idea of Sanada, who was much shorter and drunk, being able to subdue Ren was laughable. The ending with Kazuma's mother was baffling because up until the point she stated that her only problem with the two of them was that they were underage when they had sex, it was implied that she took issue with them both being men. It made an already anticlimactic ending even more so.

Miscommunications and misunderstanding is the name of the game between our leads. They've been in love with each other essentially since they first met, but neither had the courage to speak those feelings prior to their separation. Now, 10 years later, there's the same issue. Though they eventually do become friends with benefits, neither is willing to speak his true feelings and so the misunderstanding continues on. Ren's reticence is more understandable. He was aware that he was gay and had feelings for Kazuma when they were teens and even tried to sound Kazuma out though with little success. After they have sex, the first time for both of them, Kazuma falls seriously ill and Ren takes the full blame leading to his family disowning him and shipping him off to France. The experience leaves him deeply scarred, but when he and Kazuma meet again, he hides all of this, keeping it to himself as much out of fear as in an effort to continue to protect Kazuma. Being with Kazuma makes him happy, but he never speaks his feelings and after an encounter with Kazuma's mother brings the past rolling back, he runs away for Kazuma's sake. That's a trope that really needs to die. Kazuma is a bit more complicated in that there's not a clear cut reason for why he doesn't voice his feelings for Ren. He clearly has feelings for Ren as a teen, but perhaps is less consciously aware of them. After his illness, he's shipped back to the US before meeting Ren 10 years later though evidently he did try to find Ren in the interim. But while he is very obviously still in love with Ren after all these years, he doesn't give voice to it. Perhaps it's out of fear, but I didn't feel like a good reason was given. Towards the beginning he repeatedly used the word friend, creating a distance between himself and Ren. If the gay for you trope wasn't so overused, I might not have minded it so much, but here it just felt cliche. So much of what happened could have been prevented if either one of them had simply communicated. Wanting to protect the one you love is understandable, but when it causes more problems, is it really worth it? They were only able to move forward once they were honest with each other and communicated.

The acting was subpart to say the least. Neither actor was emotionally believable in the more serious scenes and any scene where they had to cry, there seemed to be a focus more on aesthetics than actual emotion. As such, they failed to convey anything real and I truly felt nothing. It's disappointing because some scenes could have been quite powerful with better acting. Their chemistry was hit or miss. There were moments when I felt it, but there was a lot where I did not. The actors seemed uncomfortable with physical intimacy in some scenes which didn't help to lend credibility to their characters. While the actors portraying the characters as teens made a lot of people uncomfortable, I felt like that was partially the point and was a deliberate choice. I found them more compelling to watch than the adults. They seemed more comfortable with each other and had good chemistry. They also resembled their adult counterparts enough to be believable.

I found myself a bit disappointed in the production value. There were some scenes that were really beautifully shot, but there were more that were awkward or just ineffective. There was really nothing special about it. The music was also unimpressive. The opening and closing songs were okay, but not great, and the rest of the music was forgettable.

I had hopes that this drama was going to be better than it was and while I didn't hate it, I also didn't love it. It's a pity it couldn't maintain it's momentum of the beginning and instead just became a bit monotonous. I wouldn't necessarily recommend this drama, but given that it's so short, I also wouldn't discourage anyone from watching it either. It's an easy watch and if your expectations aren't too high, you might enjoy it.

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Middleman's Disgrace

It's hard to believe that Middleman's Love and Bed Friend are in any way connected. They're so completely different, it's almost jarring. While I wouldn't say that Middleman's Love was a series I was hotly anticipating, I was curious about it and looking forward to it to some degree. Bed Friend had a host of issues, but Jade was not one of them. I thought Yim's portrayal of him was a bit one note and there just wasn't a whole lot to the character, but with the focus on him and a proper storyline, there was potential. Unfortunately what we got was a complete disaster. Where Bed Friend tried to be darkly sexy with a healthy dose of trauma thrown in, Middleman's love went for a rom-com feel, heavy on the slapstick comedy. It doesn't work and it was almost physically painful to get through. If it was any more than the eight episodes it was, I would have bailed and I very nearly did within the first fifteen minutes, but clung on because of comments that it improved. And while there is some improvement in the last two episodes, it's far too little, too late to make a difference.

The story is a pretty generic office romance between an employee and his intern. It had the potential to be cute, but there's so much crap and unnecessary drama to bog it down that it's anything but. And sometimes that's redeemable if the characters are likeable, but they weren't. I guess there's the theme that there's someone for everyone, but it definitely could have been done better. I was put off almost immediately by the animation sequence that started things off. It was weird and unexpected and pointless. There were a couple more instances of that and they failed to add anything beneficial. They just continued to be weird and pointless. Equally off-putting was the abundance of comedic sound effects. Those were eventually toned down, but still very much overused. Given the title, I anticipated the fact that Jade always found himself in the middle would play a larger role than it did. In effect, it really played no role as it was mentioned a couple times, but that was about it. I think the drama could have been much more interesting if they had leaned into that concept and how always being in the middle really affected Jade. The NSFW scenes were...interesting to say the least. The scene between Gus and Tong felt abrupt. There had been the whole push and pull between them for a while, but when they finally got to the point where they were a couple, they immediately jumped into bed. To me, it felt out of character and out of place. Jade and Mai's scenes were even more out of character. Considering how Jade is Jade and that he was a virgin, the level of sensuality he gave was not believable to me. There needed to be some awkwardness and fumbling and not straight to sex god. Also going to say that the two of them eating the rose was just weird. There were, however, a couple things that I did appreciate like the theme of consent that continued over from Bed Friend. Gus actually verbally giving consent to Tong was nice to see. I also really liked both Jade's and Mai's families and how supportive and loving they were. With Jade's family, the conversation they had where they acknowledged his feelings was very well done and I wish we'd had more scenes like that.

The characters were pretty much irredeemable trash.
-Jade in Bed Friend was cute, a bit quirky and eccentric, but not in a bad or obnoxious way. He was a good, loyal friend who seemed to have a solid head on his shoulders. But with this series, it's like they took his eccentricities and magnified them a thousand times to the point where it didn't even seem to be the same character. And that was a major downfall because Jade ended up feeling more like a caricature than a character. He was loud, awkward, and painfully self-conscious, not at all cute. Other than getting over his fear of rejection to pursue Mai, there was very little character development. There was a lot of potential for Jade and if they had retained his original character, I think the romance between him and Mai could have been quite sweet.
-Mai was a besotted puppy who truly was essentially perfect. He was not one of those characters who seems perfect on the outside, but as things progress his flaws are shown. No, he was portrayed as being the perfect employee, the perfect boyfriend, the perfect son, everything. He lacked any kind of dimension or interest. He revolved around Jade and that was it.
-Ueau and King returned to serve as love advisors for Jade and Mai. We didn't get to see a whole lot of them outside that role, but the few moments we did revolved around petty drama. The fact that Ueau couldn't have a simple conversation with another man without King getting his hackles up was absurd. And while Ueau was still pretty much himself, they neutered King. In Bed Friend, he was confident and sexy, and while he pretty much always caved to Ueau, he had a personality and was his own man. Middleman's Love saw him turned into a simpering puppy whose most frequent line was calling Ueau Teerak (darling). Sort of cute the first time or two, but it quickly became redundant. He as a name, King, consider using it. Also, be done with the jealousy. It's not cute.
-Gus and Tong were a cute secondary couple, but their back and forth and where they stood got confusing at times. It would seem like they were getting somewhere and then next scene Gus would be sulking for some inexplicable reason. They needed more screen time to really build on their relationship. Also found Tong's comment that Gus never annoyed him and that he was just foul-mouthed to be utter BS. You were acting very annoyed a time or two there, sir, being foul-mouthed had nothing to do with it.

I'm not going to hate on the actors because they had garbage to work with. The script was a disaster and should have been shredded then burnt. Watching the behind the scenes, you can see how much effort they put into it, but there was just no saving it. As much as I couldn't stand Jade, I will give Yim all the kudos because I can only imagine how hard portraying him was. Playing high energy characters like that is exhausting, but he remained consistent. Tutor, again, just had nothing to work with. I know he's a good actor, but there were so many close ups that I don't think he had a chance to really spread his wings. He wasn't wooden though which he easily could have been and there was expression in his eyes so I'll give him that.

The production needs to be fired. How they looked at any of this and thought, yeah, this looks great is beyond me. They let down their actors who deserved so much better and they let down the fans who had been looking forward to this. There were some awkward scene cuts as well as a few scene jumps that didn't help matters and made the story progression more confusing than it needed to be. The opening credits with the bobbleheads was not cute or funny, just bad. That was one of my first indications that this series was not going to be what I expected. And the music, particularly during the NSFW scenes was either forgettable or distracting. For the NSFW scenes, it didn't fit and I ended up muting eventually. I don't understand why they feel music is necessary for those kinds of scenes. If you have to have it, use instrumental pieces, it flows better.

To sum it up, Middleman's Love was a dumpster fire that should never have been made as is. The few cute or wholesome scenes are buried so deep, you have to sift through a mountain of garbage to find them. This is such a case of wasted potential and I hope Tutor, Yim and the other actors are given better opportunities to show their talents cause this was not it.

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Too Big A GAP

Going into watching GAP, I wanted to like it, I really did. Especially with it being, from my understanding, Thailand's first GL focused drama. Also considering it had Becky and Freen as the leads, I was hopeful. I was, unfortunately, sorely disappointed in it. It started out strong but just went downhill from there and eventually there was simply no coming back. It became repetitive, tedious, and downright boring. I severely struggled to get through those last couple episodes. I think what I find saddest is that it had all the ingredients for a solid, if not spectacular, drama, but instead it just imploded.

The plot is thin here, razor thin. Okay, fine, I can work with that. Character driven dramas can be great too if done well. Except this wasn't done well. I liked the beginning with Mon and Sam reunited but with Sam not remembering Mon. I thought it was a stretch for Mon to expect Sam to remember her after so long, but, again, we'll go with it. The build up of their romance was okay if not great. They both seemed a bit too obtuse regarding figuring out their feelings. If you're biting each others lips and noses, it's a safe bet that you're probably not just friends. A lot of the problems though came once Sam and Mon actually got together. We got thrown into a repetitive cycle of fights and misunderstandings followed by making up only to do it all over again. Also, the waterworks. There was hardly an episode where one or both didn't cry at least once. I'm fairly certain the water level in the Gulf of Thailand went up an inch or two. And what all that bickering led me to wonder was if they even really loved each other. There were so few moments of them actually happy together, it made it hard to believe that they were each other's happiness. The pacing was awful after the first couple episodes. By the time I hit Episode 10, I was seriously wondering if I would make it through. It was just rehashing the same things over and over again and I was so done with it all.

There were also some aspects that were left unanswered or unexplained.
-One of the big ones I had was what exactly did Sam's company do? Their spin off that Mon worked on, Diversity Pop, seemed more social media oriented, but the rest of it was unknown.
-I don't believe Sam's parents and where they were or what may have happened to them was ever addressed. I would assume they're deceased though given that she and her sisters were raised by their grandmother.
-And where were Mon's parents? Their daughter was shacked up with her boss and there were no questions? No discussions? I mean, her parents seemed willing to agree to anything regarding Sam, but it was odd that they just kind of disappeared.
-What was with Nita? The flirting with Sam was very weird and awkward, I thought that was going to come back up at some point, but then she never appeared again. What purpose did that serve?
-There were a couple of times, particularly in Episode 11 though, where Yuki would be present, but she would be asked to do something to get rid of her. One, I didn't get why, it wasn't like they were sharing state secrets, and two, even if they were, they weren't lowering their voices at all so she wouldn't hear what they were saying. It was just weird.

The characters of Mon and Sam were an interesting pair given their differences. I liked how Sam was created. She was just bitchy enough to show the character's development throughout as she softens without making you absolutely hate her. Her awkwardness and struggles with communication also leant her a level of realism as well as giving her background more believability. However, I didn't think we were given enough insight into her emotions and thoughts. She loved Mon, but had she really given any thought to their future? She knew how her grandmother had reacted previously so why hadn't she put any thought into what would happen when her grandmother found out? It was all fair too vague for my taste. Mon was interesting because her appearance belayed her actions. She appeared sweet and innocent and yet when it came to things like continuing her relationship with Sam despite Sam technically being in a relationship with Kirk, she didn't put up much of a fight. She was portrayed a very much a people pleaser, something that came back to bite her a few times. With her I also had the question, prior to Episode 10, of whether she ever saw a future for them together. That lack of insight again was frustrating. And neither character had particularly great character development. Minimal at best. Together, while the theme seemed to be that differences attract, their relationship was not fully realized. Yes, they had chemistry and physical attraction, but very little beyond that was explored. There was a constant failure to communicate effectively despite several conversations discussing how they needed to communicate and by the end, it didn't feel like their relationship had developed to any real extent. Not every relationship in dramas needs to be sunshine and rainbows, but it does need to be established why the couple is together and what they're fighting for. Aside from Mon's hero worship of Sam, I really didn't get why these two were together.

Mon and Sam together also created a level of interest due to their moral ambiguity. It's not a primary focus, and it's never really addressed as such, but essentially Sam was cheating on Kirk. Despite the fact that she had no feelings for him, they were in a relationship that was headed towards marriage, willingly or not. While Mon shows some reticence towards this treatment of him, she never pushes it and Sam has no qualms despite being fully aware of Kirk's feelings for her. Now this can make it easy to view Kirk as a victim, however, that's hardly the case. While not the same big bad as Sam's grandmother, Kirk is an antagonist in his own right, albeit a more sympathetic one. His privilege comes screaming through in his actions, forming the deal with Nita, pressuring both Mon and Sam about the wedding, taking Sam's grandmother's words as gospel, all of it comes together to reveal that he's a man who doesn't really respect or value Sam regardless of what he says. His actions speak louder. I really appreciated his character for all his dimensions because you really don't view him as an antagonist initially. He's sweet and handsome and likeable and it's easy to think he's been ill used until you examine his actions more closely. Although proposing to Sam at Jim's wedding, that was an asshole move.

Yuki, Tee, Jim, and Kade were vastly underutilized characters. They pretty much popped up whenever Sam and Mon had a fight and oddly, despite being primarily Sam's friends, were always seen supporting Mon. The typical excuse was that Sam was unreachable, but I would have preferred if they switched things up with sometimes being there for Mon, other times being there for Sam or dividing and conquering. Although generally over the top all around, they added a good dose of humor and served as a source of support and advice for Mon. I just would have liked to see their characters fleshed out more and given more screen time. At some point, Tee and Yuki appear to have started a relationship, but it's never fully confirmed and never really shown either which I found disappointing. A side couple to divert from the main couple would have been very welcome.

Sam's grandmother was the big bad of the drama and frankly I was really disappointed with how she was used. I hated that they gave her a redemption arc as it was done far too quickly and unrealistically. If she had found out about their relationship earlier on and had been given more time to reconcile to the idea of them together, then I could have maybe gotten on board, but as it was, I was disappointed. Considering how set in her ways she was and how obviously firmly she held to her beliefs, it felt contrived that she changed her mind so abruptly. I would have much preferred to seen her stick to her guns and instead have Sam finally have the cojones to break free like her sister and damned what happened to old biddy. But that wouldn't be a totally happy ending and we can't have that.

While all the crying got very tiring after a while, I was impressed with both Becky and Freen for their ability to bring the waterworks. They were, for the most part, believable in those many emotional scenes. They had to be absolutely exhausting though. Becky's acting had a bit more a natural and raw feel to it, whereas Freen sometimes seemed almost too controlled even within the character. Still I overall their portrayal of their characters and they did have great chemistry together. Yo who played Sam's grandmother deserves a shout out because she made me legitimately despise the character.

The production quality was nothing special. There are some shaky shots that, while infrequent, I found distracting. Flashbacks are massively overused, particularly in later episodes. The songs used were repetitive and got old after a while. Basically the usual occurrence of the same song is played every time someone's happy, someone cries, etc. The instrumental music utilized varied from fitting to almost discordant. In particular, there was a scene in Episode 9 where the music was very loud and distracting and did not fit with the scene. It was awful.

Despite all the criticisms here, there were aspects that I enjoyed of GAP. The lesbian representation was obviously a highlight as was having a large female cast. I also appreciated that unlike BLs which have a tendency towards misogyny and objectification of their female cast, that was not the case here. The few male characters were treated as full characters and actually utilized within the story. I was uncertain about how the sex scenes would be portrayed, but they were aesthetically pleasing and well done.

GAP lacks a lot. In my opinion, it is not worth the slog to get through it. However, I am hopeful that GLs continue to be made and gain popularity and traction so that at some point, something truly great can be created. I would love to see a female director take the helm to bring a non-male perspective and perhaps even a full female production and film team. Only time will tell.

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Nobody's SuperStar

Be Mine SuperStar can be summed up in single word: disappointing. This was a drama that had a potentially cute story, good actors, gorgeous filming locations, and yet still managed to completely fail. The plot is all over the place, the characters were a combination of cringe, problematic, and charming, the comedy aspect was boring, and the supposed love between the characters ranged from almost nonexistent to only about sex. Getting through those last few episodes was almost physically painful. If anything, this drama gets the reward for most pretty crying scenes in the shortest amount of time.

The premise didn't sound ground breaking, but it doesn't need to be either to tell a good story and be fun. I mean, how many of us have dreamed of meeting our celebrity crush and them falling in love with us? It seemed like if nothing else, it would be relatable and an entertaining rom-com. It wasn't. Frankly, I don't even know where to start with this mess. The plot was a bit all over the place and very inconsistent. It was only towards the end that it became a bit more cohesive. The comedy aspect was forced and overdone. Very little of what was played for laughs was actually funny. There were a few amusing parts, but they were few and far between. The angsty drama, mostly centered around the managers, was excessive and unnecessary. It was, I think, supposed to be amusing. It wasn't. It got old very, very quickly and took far too long to get resolved. Some arcs felt a bit unfinished, particularly with Priew and Title. Priew was arrested and Wan released the video of Title threatening to hit her and then that was it, there was no real resolution as to what happened to them. There didn't need to be a huge deal made about it, but something along the lines of mentioning that Priew was being prosecuted or Title was thoroughly disgraced and no one wanted to work with him would have wrapped up their stories a little more cohesively. The love stories were both very lacking. The romantic chemistry between Achi and Punn was almost nonexistent. Achi was too passive and Punn seemed more obsessed with Achi than in love with him. It just wasn't well developed to make it believable that these were two people in love. Lack of communication is almost always the source of conflict in dramas and this one is no difference. Despite being advised to communicate with each other, we never see them communicate effectively. Throwing Title in as the villain to their love was cliche and boring. He was not an effective or interesting villain. Muang and Ning's story was both troubling and boring. Muang was a red flag multiple times during his pursuit of Ning. The way they actually entered a relationship was glazed over and rushed. One second Muang is clinging to his leg begging him and the next they're having a drink and talking. There was too much left in the air. And once they finally did get together, pretty much every scene they had together was a NSFW scene or they were talking about their friend's problems. Other than obviously being sexually compatible and physically attracted to each other, I have no idea why they even liked each other. In general, both relationships lacked substance and meaning. The pacing was inconsistent, it positively dragged toward the end and ended being mostly filler with a lot of pretty crying and staring wistfully into the distance. It was a very anticlimactic ending to an anticlimactic drama.

The characters were lacking...a lot. Very little background on most of them which was disappointing because having that background can make or break a character. In this case, that lack didn't allow viewers to get a better understanding of the characters and help them understand their actions and behaviours. I had initially gotten the impression that Punn's history with Achi was going to play a bigger role in their story, but it was pretty casually brushed aside and basically only served as the starting point of Punn's love for Achi. A lot more could have been done with that to enhance the story and characters and I was disappointed that didn't happen.
-Punn was a struggle for me. There was a part of me that kind of liked him, but mostly I just found him to be incredibly immature and his behaviour to be very cringy. I don't know what they were going for with his character, if he was maybe supposed to be socially awkward or neurodivergent, but it didn't work. One of the questions I feel like his character brought up is whether the love we feel for our celebrity crushes can be romantic love or just a form of hero worship. True, Punn met Achi before he became famous, but it's clear they never actually knew each other and Punn's love for Achi did seem more hero worship than romantic to me. He came across as obsessive at times and he also didn't seem to fully appreciate or understand the boundaries Achi set for when they were in public given that he broke them multiple times. He just didn't seem mature enough to really be in a relationship. And some of his actions made zero sense. For example, when Priew was blackmailing him, rather than going to Wan who he knew would be in his corner, instead he went to Muang who also didn't suggest going to Wan and told him to sign the contract. What exactly were they thinking? And then there was the absurdity of his reaction to Achi's notes which served as the catalyst for their fight that took up the last couple of episodes. I feel like it's fairly common knowledge that actors and artists in general infuse their emotions and real life experiences in their art. That's part of what makes it realistic. So Punn taking Achi's notes as a sign that Achi was using him seemed unreasonable. Also, Punn had proven himself to be gullible at times, but to so easily believe Title when he knew Title didn't like him and was in love with Achi just seemed unrealistic. I really wanted to see Punn grow in maturity and come into his own as the drama progressed, but that just never seemed to really happen.
-Achi was a bit of an enigma. I struggled with his character because he seemed too passive at times. His words and actions just didn't match up for me. He said he loved Punn, implied that he was the love of his life, but I didn't feel it and didn't really see it. He seemed to find Punn's hero worship of him alternately amusing and, at times, vaguely annoying. I can understand if his character wasn't meant to be overly demonstrative but there needed to be something to show that he truly loved Punn. The build up of his love for Punn was also lacking. You could see him coming to tolerate Punn more and developing a certain level of affection for him, but where that crossed over to love wasn't clear. Essentially, there was a clear physical compatibility between them, but not so much a mental or emotional one. His lack of setting up boundaries with Title became an issue and why he didn't communicate that he was off the market, even if he didn't specify who he was with, is beyond me. In general, he was just a bit too trusting and seemed almost naive at times which didn't quite track with someone who'd been in the entertainment industry for a while.
-Muang was the highlight of this drama for me and for the most part I really loved him. He was funny, loyal, selfless and generally just a gem. Except for one glaring fault which would be with Doctor Ning and their second encounter together. I get that Muang was head over heels for him, but the fact that he was willing to take advantage of him when he was inebriated was a huge red flag. And then it was pretty much brushed aside and never mentioned again. That didn't sit well with me and felt out of character. In general, Muang's behaviour regarding Dr. Ning prior to them getting together was not great. He essentially stalked the man and wore him down, but not in a healthy way. Their relationship in general didn't seem particularly healthy and I was not a fan of it. For all that Muang said something to the effect of their relationship was not just about sex, that's pretty much all we saw them do. So that aspect of his character, I didn't like. Muang as a friend though was great. I liked how he took Punn under his wings and really did in some ways become a father figure to him, helping him, guiding him and supporting him. He was also a good friend to Achi, serving as a sounding board at times and supporting him as well.
-Title was boring. I know he was supposed to be the big bad coming between Achi and Punn and causing issues between them, but he was such a cliche that I just found him to be pointless and ineffective. His whole spiel of if I can't have him nobody can was eye rolling. The thing is, I think he could have been more interesting if he was given more depth and purpose.

The actors did a decent job given the garbage they were working with. Both Ja and First are talented actors. I've watched almost every drama they've been in so I've seen that they have good chemistry and work well together. Here though, the story and the script just failed them and they seemed to struggle. I was excited to see First in a more serious, mature role and I think for the most part, he did a decent job except for when it came to the romance aspect. He was too stoic and, like I mentioned before, I struggled to tell if he truly had feelings for Punn or not. For Ja, again, I'm not sure what they were going for with his character, the level of second hand embarrassment he generated was extreme, but he was consistent with it. I wasn't overly fond of the character, but Ja did commit himself to the role. Their chemistry was lackluster, nothing like in previous dramas such as Don't Say No or Remember Me. Bosston did a good job as Muang. He generally lit up the screen when he was on and was the one overall bright spot in this drama. His physical chemistry with Jo was good, I just would have liked their characters to have more than that. Wayo worked well with what he had. His character was just lacking in addition to the script and I can't really blame him for not being able to save it. I hope he has better opportunities in the future.

The one production aspect of this drama that really shone was the costuming. The costumes, whether within the drama they were filming or their regular clothes, were so well done. The sets were also well done, particularly the filming ones. Beautifully designed and they were well used. The cinematography, particularly in Japan, was beautiful. They really made use of the snow and snowfall to create some really beautiful shots. Some of the shots on the drama set were well done too, I particularly liked the one of Achi and Punn looking at each other through the fan. It was creative and oddly beautiful.

I was excited for this drama and the seemingly fun, romantic story it was going to tell. I was excited to see Ja and First again since their last drama, Remember Me, wasn't particularly good. And I was excited for the beautiful scenery the trailer showed and all of it's possibilities. The only aspect that didn't disappoint was the scenery. The rest was a bust. I kept hoping that things would get better, but they never did. It got to the point where I was looking forward to the next episode just because it was one step closer to the end and I wanted to be done with it. This isn't a drama that I recommend. It's got a few good parts, but overall, it's just not worth it.

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Sweetly Sung

Sing My Crush is a sweet, breezy little drama that manages to keep a good balance of fluff with a little bit of angst and drama to keep it from being cloying. It's easily bingeable and can be completed in an afternoon and is a great de-stressor after a long day at work. I speak from experience. The characters are endearing, the plot simple, and the music divine.

The story is simple and it's simplicity is an asset considering the limited number of episodes. There are no deep dives into the characters' backgrounds, no real flashbacks, just a steady progression as the characters grow and it works. The story is overall cohesive, there are a few loose threads, the issue with Sangin doesn't feel fully resolved, for example, but nothing huge to complain about. The pacing is steady and overall well done despite a few laggy moments, but they're not enough to hold the story back too much.

The characters aren't overly complicated; on the surface, they're fairly transparent.
-Han Ba Ram is a sweetheart who, after being burned by love, is a bit hesitant to confess again. Being gay also complicates the matter and elevates his fear, so he keeps it a secret and continues living with the man he loves until his first love re-enters his life and complicates things. There's an element of frustration with him, the feeling that wouldn't it be better to just confess and get rid of the proverbial sword hanging over his head. But, having been in his shoes, I can also understand how incredibly difficult it is to confess, especially when you're afraid of ruining the friendship that you have. I was impressed with the character growth seen in such a short period of time. You can really see his confidence grow both in his music and as a person.
-Im Han Tae has to be one of the most dense characters I've seen. I truly thought he was already in love with Ba Ram up until Ba Ram confessed and he was totally clueless. His actions and behaviour afterward left me alternately laughing in exasperation and wanting to bash my head against the wall. It's a good thing he's cute. Nevertheless, I appreciated his loyalty and steadfastness when it came to Ba Ram and even when he wasn't 100% certain of his feelings, he still took care of and protected him.
-Sangin annoyed me from the get go and just got worse from there. He was far too handsy for any kind of reputable teacher and the way he baited Ba Ram into trying to kiss him to prove his love was disconcerting. Coming back after the fact and trying to steal Ba Ram's song was the cherry on top. I found it disappointing that he never once took responsibility for his actions, but continued to blame Ba Ram till the end. As a side note, he seemed too old be debuting, not that I'm any kind of expert on that and frankly I think expanding the age range would be great, but realistically, I didn't buy it.
-While they didn't play huge roles within the story, I liked Young Mi and Jeong Pal. They were cute as a couple, but I also liked their friendship and dynamic with Ba Ram and Han Tae.

The acting was good all around. Do Yoon and Hyun Woo had good chemistry. Even their first kiss, which I would normally consider a dead fish lip press, actually worked for them. It was hesitant and sweet and felt realistic for a first tentative kiss. They just seemed very comfortable around each other and I liked them together. I felt both actors did their character's justice.

I loved the music. Both "Letter of Apology" and "Second Wind" are beautiful songs. "Letter of Apology" was utilized throughout the run but it was done in such a way that I didn't get tired of it or feel that it was overplayed. The rest of the music was pretty generic but those two definitely stood out.

This is not a deep drama, it's too short to delve into any kind of real issues, and again they were smart to keep it simple. But simple doesn't mean without it's merits and it does touch on elements like having confidence in yourself, growing as a person, and pursuing what you love. I found it to be an enjoyable diversion for an afternoon and one that I would recommend and will likely come back to in the future.

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Super Special Commercial

So this super special episode is essentially an extended commercial for laundry detergent. It's like those ones you see where the kid brings in their super dirty clothes and mom or dad uses the detergent being advertised and everything comes out perfectly clean, except this commercial is 15 minutes long instead of 30 seconds. That being said, it's still fun and it's still cute.

The story here is simply that Tinn wants to hear Gun say that he likes him and he goes to various lengths to get Gun to say so dirtying his shirt considerably while doing so. Gun also dirties his shirt and so they need to wash them, hence where the laundry detergent comes in. We're also treated to Gemini and Fourth singing their song You're Blushing.

It doesn't add much to their story, it really is just light and sweet, a pleasantly short diversion. But after the disappointment of their episodes in Our Skyy 2, this was a much more satisfactory way to wish the characters farewell.

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Save the Date

Our Dating Sim is a drama with a lot of heart in a small package. It manages to combine a lot of well known tropes into a cohesive, well paced story that's cute and entertaining without overdoing it on the fluff factor. It presents characters that are likeable with enough of a backstory to also make them compelling. The game component added another layer that was engaging and further drew the viewer into the story. It was an all around fun little romantic comedy.

The story is relatively simple and uncomplicated which, with such a short air time, is smart. Flashbacks are kept to a minimum, just enough to give the viewer the gist of the characters' past relationship and it's importance. The pacing is very well done. It's not rushed, but the story is constantly moving and it never gets boring. It is very much a fluff fest, but there are a few tenser moments and some angst thrown in to keep it from getting too overbearing. Those scenes also allowed glimpses of characters in their more vulnerable moments.

Lee Wan and Gi Tae both presented as compelling characters. I liked that Gi Tae was a confident character, but he wasn't a bully like those types of characters often can be. He was clearly comfortable with himself and he shared that positivity with those around him. Underneath that confidence and positivity though was the pain of having lost Lee Wan and once he found him again, that pain turned to fear, the fear of losing him again. The scene where he thinks Lee Wan has disappeared again and he goes searching the streets for him is a poignant one. You can feel his fear and distress. And then once he does find him, his relief that he hasn't disappeared again is almost palpable. Much like the plants that he loves and cares for, Gi Tae takes root and really doesn't change much. His character is pretty much unwavering, but that simply allows Lee Wan's character to grow more.

Lee Wan is a bit more complex. One of his defining characteristics, at least initially, is his flight instinct which is very much active. Interestingly enough, they're typically preceded by moments of bravery like confessing to Gi Tae or accepting the job interview. He's an admirable character. He throws himself into his work, pushing himself, striving to learn. He's not a wallflower, but he also doesn't stand out. His journey has more ups and downs than Gi Tae's as he discovers more about himself, finding that in a way, Gi Tae is his roots, the reason he started drawing. He stops running away, instead accepting and declining opportunities after considering what is the best option for himself.

Lee Seung Gyu and Lee Jong Hyuk absolutely delivered with their performances. Physical intimacy is generally poorly done in Korean BLs but they brought their A game and everything about them was so effortless and natural. They both had clear understandings of their characters and their performances were believable and nuanced. I also really liked Sung Ryung as Sunny. She had a great presence and while she didn't say much, what she did say held weight.

The production value was fabulous. Having the dating game theme continued through pretty much every part was very engaging. The game stages at the end of each episode were cute and fun. I personally took them as an example of how the game they created was played and thought it was nice way to incorporate it.

This is not one of those dramas with a lot deep, thought provoking content and it doesn't try to tackle any issues, but it doesn't need to. It serves as something light and fluffy to take your mind off things and give you something to smile at for a bit. It's a very well done, short drama that I would absolutely recommend for multiple viewings.

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The Gift of The Thousandth Star

Going into this final stretch of Our Skyy 2, I found myself with conflicting feelings. I was not expecting to see Bad Buddy and A Tale of Thousand Stars combined. None of the other stories were connected and I'm wondering why they decided to do so here. It's not bad, but I feel like the focus is more with the Thousand Stars story and Bad Buddy is the side piece. Like many other viewers, the Bad Buddy and Tale of a Thousand Stars episodes were the ones I was looking forward to most. They're the two oldest and so the nostalgia is stronger with them since it's been a couple years since we've seen these characters. As much as I anticipated these episodes, I found the first two just fell flat while the last two and particularly the final episode served as a suitable ending .

When it comes to Bad Buddy, I'm not sure how much of a fan I am in going back in time to just after Pat and Pran pretend to break up. I feel like a lot of the plot in that first episode is a rinse and repeat of what we've already seen. I would have preferred if it was a continuation from the end of the series after they graduated. We'd seen the rift between their parents starting to heal and things had reached a point where they weren't going to need to hide their relationship. Going on from there, continuing to show that healing, the novelty that they could be together openly, all would have made for a great conclusion to their story and would have focused solely on them. Its placement also limited the amount of character development that could be done since it did need to coincide with the ending of Bad Buddy.

Their relationship, while very similar to how it was in the series, does have its differences here. There was a good balance in Bad Buddy of mischievous/playful and sweet moments between them. I liked that it was a series where both leads were strong minded young men. It gave a whole different dynamic that worked very well. In the first two episodes though the sweet moments were few and far between while the mischievous/playful moments take precedence. And those few sweet moments are by and large initiated by Pat at which point Pran pushes him away or something interrupts them. It's been a while since I watched it, but I felt like they were on more of an even keel in the series of who initiated physical intimacy of any kind. That's not to say there aren't some sweet moments between them, there are, it just overall didn't feel quite in harmony with the series. And I was expecting a lot more of those sweet moments once they were away from their friends and parents since they wouldn't have to pretend anymore, but they took a back seat even then. As a side note, Pran's reaction to up and leave without Pat because of Pat's comment felt over the top. Since they were pretending to still be enemies, it would make sense that Pat would be bad mouthing him or making it seem like he was superior. Considering that Pran typically came across as relatively level-headed previously, his taking that comment to heart and deciding to abandon Pat didn't seem to quite fit with his character.

And while I wasn't a fan of those first two episodes, it was like a flip was switched for the final two. Suddenly we're getting more sweet moments between them, little ones as well as some genuinely heartfelt moments like when Pat finally admits that he can't live without Pran. It's a really beautiful little scene the likes of which were completely lacking in those first episodes. There are also little throwbacks to Bad Buddy like Pat asking Pran to rate his "performance". Things just seemed much more harmonious and back to normal between them in those final episode. I loved the play. I don't know why exactly, but I actually teared up a bit watching it. It was just well done and it was fitting that the two of them played the parts of Tian and Phupha. Their ending was both sweet with their kiss as well as funny with Pat's sister interrupting them again. It just suited them.

There were a couple of things, however, that just didn't quite work. Pat and Pran are supposed to be broken up and back to being enemies at this point. However, they don't act like it at all. They're constantly together in public without showing a bit of animosity and we're supposed to believe that their friends are in the dark. Yes, they're questioning it to some degree, but seriously, those two are so obvious a blind man could see they're still together. Besides that, it also appears that they're living together. Living across the hall from each other and sneaking into each other's rooms is one thing, but how on earth does them living together work? Do they just not have any friends who aren't in on their secret over? What about their parents? The other part that didn't work for me was how little time they spend together. With the first episode they spend a good portion of it together, but once the second and third episodes hit and they're in the village, they're pretty effectively separated for much of it. I would have preferred to see more of them working together rather than their divide and conquer strategy. There's also the matter of the play. If memory serves, Pat's father gives him grief for acting in Pran's play in Bad Buddy. But here, it's made out to be no big deal. Even with their kiss, Pran comments that his mother is proud of him and knows it's just acting. Um, did his mother have a lobotomy or something? She would have flown off the handle over something like that in Bad Buddy, but suddenly she's chill with that, no questions asked? That explanation really didn't work for me.

Ohm and Nanon are both very talented actors and two of my favorites. Their chemistry together in Bad Buddy was phenomenal and their interactions were just very natural. I've heard rumors of some kind of conflict between them, it's not something that I've really looked into, but after watching the first two episodes, I did have to wonder if there was something going on between them. The spark they had previously just wasn't quite there. I can't put my finger on it, but something felt a bit off. And then, with those last two episodes, the flip was switched again and it felt like they were back to normal. They seemed more comfortable with each other and everything between them went back to feeling natural. I have no idea what changed, but I'm so glad it did because it made a huge difference.

A Tale of Thousand Stars was a series that I really enjoyed. I liked the story which I felt was overall well done as well as the characters and acting. I was very excited to see Tian, Phupha and the rest of the characters from their story again and I have to admit I'm a bit disappointed at how few of the characters were brought back. For their story, I was hoping for a continuation from the end of the series focusing on Tian getting reacquainted with the village and villagers and settling back in with them and into his relationship with Phupha. I was not hoping for angsty, teenage drama between two grown men.

The inconsistencies between the series and Our Skyy 2 are grating. Phupha seems to have undergone a personality transplant because initially he's just coming across as an unreasonable jerk. He was a serious character in Thousand Stars, but he wasn't totally unbending and there was a tenderness about him whenever he was with Tian that was very endearing. That was just gone. Their conflict felt very contrived. In the series they generally came across as two reasonable adults, here though they feel more like sulky teenagers. I was hoping to get a better explanation for why Phupha didn't want to accompany Tian than he doesn't like crowds. That reasoning just seemed like BS since we saw him at at least two gatherings in the series. I was glad that was cleared up, but it still felt a bit BSish. I don't understand the popularity of keeping a secret from your SO that's causing damage to your relationship just so you can surprise them later. It doesn't work. Sticking with Phupha for a moment, his fainting just as he meets Pran also felt off. This is a man who very rarely showed any kind of weakness, so to see him keel over because he hadn't had breakfast felt out of character. There was also Tian acting like he didn't know how to get to Pha Pun Dao initially when he went there alone, in the dark previously. And besides that time, he'd gone at least two other times, if not more so his uncertainty of how to get there didn't make sense. When Phupha meets Tian's parents, it almost seemed like he didn't know Tian's dad, which, if memory serves, he had been Phupha's superior officer at one point or something along those lines so I didn't understand the disconnect there. There are a few other minor details that don't quite jive with the series which was more just annoying than causing any actual issues.

The final two episodes mostly made up for the crap from the second one. I liked that Tian and Phupha started to at least try to communicate to some degree. Not well necessarily, but the scare of Tian being lost seemed to knock some sense into the both of them and make them realize how much they actually cared for each other. Phupha surprising Tian in Bangkok was kind of fun. Again, I don't approve of those kind of surprises, but Tian was obviously thrilled so all's well that ends well, I guess. They felt more in tune with each other during these scenes, and I'll attribute part of that to Phupha finally reading Tian's diary and gaining a better understanding of him. Again, not a fan of the whole birthday surprise, though it was kind of adorable to see how happy Tian was when he saw Phupha standing in front of him. That scene though when Phupha essentially proposes to Tian and gives him their thousandth star was beautifully done and had me in tears. That scene alone made up for everything else honestly. I also found it hilarious how the final scene was basically a mash up of the ending of Bad Buddy and Thousand Stars. Perfection.

Similar to Ohm and Nanon, Earth and Mix didn't have quite the same spark between them in those first two episodes as they did in the series. Even when they were in conflict, you could feel that magnetic pull between them. Maybe because their bickering here just felt petty more than anything, that pull didn't seem to be there as much. But, again, flip switch with those final two episodes and it felt like they were back to themselves which made me very happy. The angsty teenage drama and attitudes were gone and they were back to being reasonable adults. It also reminded me just how good these two are together. They communicate so much emotion just through their eyes and it's amazing to watch. Truly phenomenal actors.

Having these two series combined did create some interesting and entertaining moments. Pat and Phupha waking up and panicking about what they may have done together was a particularly funny scene. Also the fact that Phupha offering Pat his shirt was a direct call back to a scene from Thousand Stars. Phupha asking Tian to rate him after their night together as well as the ending between them both called back scenes from Bad Buddy. The friendships that developed between Pran and Tian and Phupha and Pat were really neat to see. Tian and Pran had the more heartfelt moments and you could feel a real connection between them whereas Phupha and Pat were pure chaotic entertainment.

While I love both Bad Buddy and A Tale of Thousand Stars, I didn't think I would love them combined. To an extent, I still feel like we were robbed of Pat and Pran's story in favor of one centered on Phupha and Tian. I don't think combining them was necessary and I think there needed to have been a really good reason to do so which I just don't see. If it could be redone, I would ultimately prefer them to be separated and each have their own two episodes. However, since that is not what we got, I will say that the final two made up for the severely lacking everything of the first two. There were some really beautiful and heartfelt moments and it felt like things got back on track. All in all, I would say that they served as a fitting conclusion both to A Tale of Thousand Stars and Our Skyy 2.

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Doesn't Make the Cut

I expected more from this drama than what I got. The premise sounded interesting and I was especially intrigued by the fashion aspect. However, the synopsis was misleading and this turned out to be a terribly paced, terribly told story that was just disappointing. The worst part is that it had potential, it just completely failed to live up to it.

The story suffered from a serious lack of information and direction. I'm fine with minimal background information as long as it's done well and it explains enough to give meaning to the character's actions and motives. And parts of it did work. We didn't need a drawn out backstory for Ki Jin and Yi Bin's relationship. Likewise we didn't need to delve deep in Yeong Woo's history. In each case, just enough information was given to provide meaning to the story without any excess. However, the relationship between Yeong Woo and Yi Bin was never explained or explored which begs the question of what happened there? Were they former lovers? Friends? What? More information was needed than a handful of flashbacks that basically did nothing but lead to more questions. Also, the fact that they're suddenly friends at the end when the last time we saw them together there was definitely some animosity since they both liked Ki Jin made it seem like something was missed.

And then there was the complete lack of direction for the story. I have no idea what story was even trying to be told here. My initial impression was that it was going to be about Ki Jin striving to become a noted fashion designer and he ended up finding love along the way and that's kind of how it started, but partway through, it just completely lost its way and we're left with a lot of unanswered questions. What was with him suddenly turning all moody and morose? Yes, Yi Bin gave him his break, but did he really think he was chosen solely for that? What exactly happened during his last meeting with the chairwoman? Why did he apparently ghost Yeong Woo? The impression I got is that his show was cancelled in order for him to go to New York, but judging by the crumpled ticket in the trash that Yi Bin saw, that didn't happen either. So where was he for that year? Did he open his own studio? That's what it seemed like at least. And why did Yeong Woo forgive him so easily? They were both way too calm about that impromptu reunion. The farther I got into the drama, the more questions I had and almost none were ever answered. It was a very unsatisfactory ending to be left with so much unexplained information.

The acting was okay, nothing spectacular. Bum Jun and Choo Suk Young definitely stood out as the amateurs. They weren't bad per say, just definitely lack in experience. I think both have potential given more time. Eom Se Ung was the best of the three and gave the most solid performance. He was expressive without being over the top which I liked.

The production value was not great overall. The quality just seems pretty average, there were some sound issues, and the editing was obviously not great. Flashbacks were used far too frequently. The time spent showing the same scenes over and over again would have been better spent on fleshing out the story and answering some of the questions left unanswered. On the other hand, some parts of the cinematography were good. I particularly liked the ending shot with them on opposite sides of the street. The OST, while a bit repetitive, was still good and I did enjoy it.

One of the things I liked and I felt was a subtle nod to the fashion premise of the drama was the evolution of Yeong Woo's style. He starts out dressing, not sloppily, but very casually. Baggier clothes, oversized overshirts and the like. The actor's a good looking guy so none of it looks bad on him, but it's definitely not refined. By the end though, while he's wearing similar styles of clothing, there is a sense of refinement there. The clothing fits better and looks better, but it's still very much his style. I liked that it showed he had changed and yet, at the same time, he was still himself.

This is really not a drama I can recommend unfortunately. The lack of a concrete story and the need to try to piece all the parts together yourself just makes it a waste of time, in my opinion. There is no reason to ever rewatch it and this is one that I would just avoid.

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The King Has Fallen

I have rarely watched a drama that put me through such emotional highs and lows. What it did well, it did very well, but where it struggled in pacing, it struggled epically to the point that I shelved this drama for several months and very nearly dropped it. It is, in my opinion, a fairly flawed drama with an interesting concept but not nearly enough background or explanation for how things work. That being said it overcomes those flaws with colorful characters and an underdog story that keeps the viewer engaged.

The storyline as I mentioned before is, at its heart, your typical underdogs take on the big guns and come out victorious. It is also a comeback story for lead character, Ye Xiu, after being forced to retire from e-sports. It's overall quite heartwarming. It's fun to see this team slowly taking shape, to see the many personalities coming together and forming a cohesive unit. The first half or so of the drama focuses more on Ye Xiu and his comeback as Lord Grim, building up his new weapon and establishing his new character and the second half focuses more on the building of the team and their efforts to turn themselves into a professional team. Pacing during the first half is an issue with some real highs and then a lot of just filler that kills the mood. In particular, I believe it was around episodes 16-20 the pacing got so bad that it very nearly made me drop the drama. Thankfully things picked up again around episode 21 or so and the pacing improved significantly, but it was less than stellar there for a minute. One of the things I really appreciated about this drama was the lack of romance. I kept waiting for it to happen and was pleasantly surprised when it didn't. I enjoyed the focus on the friendships and felt that it was stronger remaining as such rather than evolving into something more.

This drama, overall, had a stellar cast. But there were a few that really stood out and a few that really didn't. Jiang Long as Shao Tian was a riot. I absolutely adored him and he was so entertaining to watch. He completely brought his character to life. I enjoyed his chemistry with Gao Han Yu as Yu Wen Zhou, they played off of each other really well and I overall just liked their friendship. Lai Yi is always a pleasure to watch because he just disappears into whatever character he's playing. He was so entertaining as the goofy Bao Rong Xing and I appreciated the chance to see him in a new kind of role. Daisy Li as Tang Rou did a good job of bringing her character's aloof arrogance while also showing her softer side. I've seen Yang Yang in a few dramas now and, in my opinion, he's mostly just a pretty face. He's not a bad actor, its more that it doesn't seem like he's really acting, like he's just being himself. He's not quite able to showcase more complex or subtle emotions. There's just a sameness to a lot of what he does that makes him a bit boring to watch. I really didn't find his character all that interesting and in part that was due to his acting. Lai Yu Meng as Su Mu Cheng had similar issues in that I felt she was very stale in her acting. Same facial expressions, same reactions throughout with very little variation throughout the drama.

Despite the large number of characters, I was overall quite impressed with how most of them were given enough screen time to make a meaningful contribution to the story. I was also impressed with the character development of many of the characters, particularly Sun Xiang. I really appreciated the fact that while his character improved and he wasn't the irredeemable jerk from the beginning, it wasn't like he'd turned into a saint either. He was still himself, still cocky, but not quite with that same I'm-better-than-everyone attitude. Chen Guo is another one who goes through quite a dramatic development from bullying internet café owner to supportive team manager. Her journey is definitely a bit more up and down and I found myself alternately really liking her character and finding her incredibly annoying. When she was being her bossy, badass self, I really liked her. She was a no nonsense, get stuff done kind of girl and I appreciated that. But once she found out who Ye Xiu was, I found her pandering to him to be annoying and out of character. And then once she became the team manager initially, her wishy washiness and weak willed attitude also seemed out of character. Once she snapped out of that and got back to being a girl boss, I enjoyed her character again. (As a side note, I had zero issues with her age. I didn't think she looked too old at all.) You also have characters like Yi Fan who starts out lacking confidence and acting as a doormat for others and by the end has gained confidence, is vice captain, and helps lead the team to victory. Each character has their own journey and there are a lot of characters who make personal discoveries through playing Glory and finding themselves better for it.

I was not overly fond of Ye Xiu's character for a number of reasons. First and foremost, he was just too perfect. I find characters like that supremely annoying because of how completely unrealistic they are. They're unrelatable and because of that I personally find them uninteresting. Similarly, the fact that he goes undefeated in the game until his weapon breaks, again, just seems unrealistic. I don't think he thought of himself as superior to anyone but his preachiness got irritating after a while. No one always knows the right thing to say in every situation.

Though limited, I really enjoyed the OST. The opening and closing songs were amazing and I enjoyed the other songs as well. My only complaint is that I felt they were overused. You had the same songs used repeatedly and it was noticeable after a while.

Despite overall enjoying this drama, there were definitely some flaws/things I didn't love.
-I like knowing how things work so one big issue I had was not having more information about Glory and the game's dynamics. With that I was left with a number of questions regarding Ye Xiu's Myriad Manifestation Umbrella. Could any player create their own weapon? And how exactly was that done? Were there any limits? And so on and so forth. Obviously not all of those questions could be answered, but I feel like a few of them could have been to give some basics.
-Sticking with game dynamics to an extent, more information on the guilds too and how they were laid out would have been interesting. They didn't play as big of a role after the first half of the drama, but during the first half it would have been nice to have a little more information.
-One aspect that I consider a flaw is that no one seemed to suspect Lord Grim of being Ye Xiu. Ye Xiu retires and suddenly this new, extraordinarily skilled player appears and no one finds that suspicious? Really?
-In these kind of underdog stories, I hate when they throw in gimmicks to make it so they win when they actually lost. They did that twice in this drama, the first time due to an issue with the referee's timer and the second in the finale they only won because Ye Xiu broke a record. To do it once is bad enough, but twice, especially in the final competition is just lame.
-I know Team Happy needed certain types of players for their team, but I didn't love the way they manipulated people to get them to join. Yes, they gave back game cards even after they'd taken them and ultimately no damage was done and people joined willingly, but they were still manipulative and that didn't sit well with me.

To sum it up, this drama left me with a mix of emotions. There were several scenes that left me feeling quite emotional, for example, when the captains and Shao Tian meet Ye Xiu in the Heavenly Domain and welcome him back and when Team Happy all assembles on stage at the conference. Those scenes were so well done, but a lot of the time, those highly emotional scenes would be followed by filler episodes or scenes that just kind of killed the mood. This drama was truly an emotional roller coaster and not necessarily in a good way. I'm glad that I finished it, but if Season 2 ever comes out, I don't think I'll be watching and I don't think this is a drama that I'll be rewatching, certainly not anytime in the near future.

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Poetry in Motion

Chinese dramas are always hit or miss for me. I often find that they struggle with pacing, overinflated casts, and solid storylines. Ancient Love Poetry, to my extreme pleasure, suffered from almost none of these and is on par with Ten Miles of Peach Blossoms in terms of quality. Nearly everything was perfect from the acting to the sets to the OST. I enjoyed every moment of watching it and will definitely watch again in the future.

The story is relatively simple, but I found that to be a strength. Instead of getting bogged down with multiple side stories or an overcomplicated plot, it pretty well stuck to the main story. And that story is played out very well, with enough action and slow moments to balance things out and keep the viewer engaged. It is, at its heart, a love story, and not just romantic love, but also the love of family and friends and how that love changes and shapes the characters. Pacing, something that I nearly always find fault with in Chinese dramas, was actually quite good. The first few episodes are necessarily slow in order to set the background and build up the characters and story, but I didn't find it boring. There are certainly a few episodes that seemed more filler than substance, but I can't even really complain too much about those as I didn't feel they dragged too much.

The acting is superb, I truly couldn't find much to fault with any of them. Zhou Dong Yu and Xu Kai were excellent in the leading roles. I was very impressed with how they both created such unique and separate character for Shang Gu/Hou Chi and Bai Jue/Qing Mu/Bo Xuan respectively. While they appeared the same, obviously, their characters were so different that there wasn't any chance with confusing one for the other. Jenny Zhang was fantastic as Wu Huan, just every part of her performance was flawless. She made Wu Huan into such a complex character and I really enjoyed watching the character development or devolvement, in her case. I've always enjoyed watching Lai Yi, he's an excellent actor and he just blends into whichever character he plays. While I enjoyed his performance as a younger Gu Jun, I was truly impressed by his acting after the fall of the God Realm. He perfectly played the role of doting father as well as aloof god. His interactions were Zhou Dong Yu were so sweet to watch and I was impressed with the both of them considering there's only a two year age difference. Liu Xue Yi was very entertaining to watch as Tian Qi, I imagine he must have had a lot of fun with that role. As I said before, this was just such a phenomenal cast, from the leads to all the side characters, they all just did such an amazing job bringing this drama to life.

While I often find that Chinese dramas have overinflated casts where there's no possible way to do justice to all the characters, I found that Ancient Love Poetry didn't suffer from this nearly as much. There were a handful of instances where I wondered what had happened to a character since they just seemed to be forgotten, but overall, I was very impressed with how well all of the characters were incorporated and given their own stories. I enjoyed the side couples and was pleased to see that they weren't neglected and actually had solid storylines for the most part. I truly enjoyed each and every character and I didn't really feel that any of them were overly superfluous or unnecessary. I also appreciated the amount of character growth seen, whether good or bad, in many of the characters. Even some more of the minor characters showed significant character growth and I enjoyed seeing that.

Another issue I tend to have with primarily Chinese dramas is their tendency to let off the villains lightly after they've hurt or killed countless people. I have mixed feelings about how Wu Huan was dealt with. On the one hand, her going mad seems to be letting her off easy, but if she was just killed, that would have been too good for her. I also felt like Jing Zhao got off pretty easy with just losing her voice. However, what offsets the disappointment of the villains getting of lighter than I would like, is the fact that nearly everyone who dies comes back. I was so happy to see Hong Ri back there at the end, as well as to hear that Gu Jun and Jing Jian were going to be coming back as well, though I would have really liked to see them reunited with their loved ones.

The OST was gorgeous, the songs fit with the story and emotions of the episodes. I was really impressed with it and have been enjoying continuing to listen to it.

The production was well done, it was obvious that this was a higher budget drama. Despite the extensive use of CGI, for the most part, it didn't look or feel fake. I particularly liked how each location had its own theme in terms of style and how it fit with the characters. The costuming was gorgeous as it always is in these dramas. I liked how the character's costumes changed depending on where they were in life. There's a subtle, but distinct difference between how Shang Gu dressed and how Hou Chi is dressed and the same goes for Bai Jue and Qing Mu as well as other characters. It was all very well done.

I really cannot recommend this drama enough. It captured me from the opening credits and held me until the end credits of the final episode. It was a very enjoyable experience and one I look forward to repeating in the future.

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Unexpectedly Lovely

I didn't have particularly high expectations going into this drama. The synopsis sounded relatively promising and it was short, so even if it was terrible at least I hadn't wasted a huge amount of time on it. This drama, however, proved to be anything but terrible and is one of the best I've watched in a while. I literally stayed up until 4 am just to finish watching it.

The story for me was a fascinating combination of simplicity and complexity. The overall plot is fairly simple, friends who make videos investigating the paranormal. The complexity comes from how the character's lives interweave with that simple story and how their relationships with each other change and grow. Its truly beautiful to watch. I was never bored, despite there being a few parts during the middle when things were a bit slow, but I don't feel like those moments really take away from the drama either. My only qualm is that I feel like they could have used the mystery of the nunnery to better effect. I was really fascinated with it in the beginning and it just kind of fell by the wayside eventually and only cropped up when convenient.

The acting was so good. Erek Lin in particular as Amber was amazing. Every time he was onscreen, I was just riveted by his performance. The depth that he managed to portray with simple looks was truly impressive. Lukas Huang as Le was also quite good. Where I could really feel Amber's pain and distress and believe it, I didn't find Lukas as believable when having to portray more extreme emotions. I really noticed at the end when he talks to his mom. The scene and dialogue are beautiful, but his acting just feels a touch forced and inauthentic. Otherwise though, I really enjoyed his portrayal of Le. Tannie Huang also did a lovely job as Yu He. She portrayed a character that could very easily have been annoying but she managed to find a balance that really worked and I ended up really loving and feeling for her character. Lin Wei Jie and Leo Guo were equally good as Li and Gwan. Though I found Li's portrayal to be a bit over the top at times, he was overall a loveable guy and not too terribly annoying. Gwan sometimes felt like he was just kind of there and I felt like Leo could have used his facial expression to better effect at times, but overall enjoyed his performance as well.

One of the things I loved about this drama was how overall well-rounded the vast majority of the characters were despite its short length. Particularly the characters of Le, Yu He, and Wen-Wen. I know a lot of people found the flashbacks to be annoying, but I personally found them to be very interesting in comparing their personalities as children and then as adults and seeing the ways they were still the same and the ways they had changed.
- Wen-Wen aka Amber obviously had the biggest change, both physically and mentally. Even when he is first introduced as an adult, you can see how mentally and emotionally fragile he is. He is no longer the carefree child. But what is also obvious almost from the get go, is his love for Le and how that has never changed. He is such a sweet character and his story is so unique in terms of BL stories, I've never seen one with a similar character. His rawness and vulnerability are so beautifully portrayed by Erek. And his fear of being found out and rejected is almost palpable. I honestly spent half the drama just wanting to give him a hug. I really enjoyed watching his relationship with Le grow, in a different way from when they were children. The ending with the two of them was just so heartwarming and I was so happy to see him accepted and loved unconditionally.
- I knew I was going to like Le from the first moment; everything about him just screamed that he was an honestly good person. And he did not disappoint. He was a bit of a typical BL guy in that he wasn't interested in anyone and wasn't really looking for love. His sexual preference is never really overtly discussed. Wen-Wen was his childhood sweetheart, but aside from her, there's no impression given that he's ever liked anyone else. But there is an obvious connection between him and Amber pretty much from the first. He's protective of him and far more affectionate towards him than his other friends. While its obvious to anyone else that he has feelings for Amber, he's oblivious to those feelings until Yu He talks it out with him. I think all of it is handled very well. His confusion regarding his feelings is understandable. Are they because he loves Amber for Amber or is it because Amber reminds him of Wen-Wen? And what I love is that he's able to separate the two. He loved Wen-Wen because of who she was when they were children, but he fell in love with Amber because of who he was before he even knew he was once Wen-Wen. Their conversation at the end when they're in the forest was just sheer perfection and really showed to me how far Le had come.
- I was not sure what I was going to think of Yu He initially. Her loud mouth and big personality gave her the potential to be annoying, but this drama did what a lot of BL dramas don't and actually utilized their female character. Instead of having her serve no other purpose than comedic relief or just to push the story along, she was her own person with her own hopes and dreams. I really came to love her character and to appreciate the hard situation she found herself in. I truly admired and appreciated the grace with which she gave up her love for Le, which had to be so incredibly hard since she'd loved him since they were children. They could have turned her into an absolute harpy and used her to hurt both Amber and Le but I'm so happy they didn't. Her reaction to finding out about Amber was completely heartfelt and I really liked that their friendship, though definitely changed was still intact. With that in mind, I can't agree with everything that she did, but I never felt that her intentions were in any way malicious. She came across as very human and relatable. She was just an all around fantastic character and I wish BL dramas had more like her.
- I'm going to lump Li and Gwan here together as I didn't have particularly strong opinions about either of them. Don't get me wrong, I enjoyed them and I thought they made a cute couple, but I wasn't hugely invested in their story and they kind of faded out after their little tiff and making up. There just wasn't a whole lot there to really interest me. What I did like and found unique was having a secondary couple that was already established; they'd been together for four years. And with that was the simple domesticity of their living together. Most dramas are so fraught with the drama of the couples getting together that scenes like that are few and far between if present at all so I did like that addition.
- Le's mom was frankly awesome. She was such a tolerant and supportive mother and that last scene with her and Le was just so heartwarming. I also just loved how she was basically everyone's mom and always welcoming and caring to all of Le's friends.

I really enjoyed the music. The opening song was fun and catchy and the song they used for closing several episodes was really beautiful.

Gorgeous cinematography. Sweeping view of Taiwan's stunning country will never get old.

I adore this drama. It was beautiful and heartfelt and so worth the watch. It had a few minor bumps, but overall I felt it was a well-rounded, well-told story with characters that truly drew you in. I highly, highly recommend watching it. The first couple episodes are maybe a tad slow, but its well worth sticking it out.

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Mixed Up, Tossed Out

This, this was a ride, an occasionally cute, fluffy one, but oftentimes headache inducing, eye rolling one that left me wishing for the magic that was MSP, because this did not have that magic. It tried, it really did, but the fact of the matter is, Gemini and Fourth are growing up and that combined with a lackluster script, inconsistent story, and incohesive characters just exacerbated the issue and it all just kind of snowballed.

I have never read the manga nor have I seen the original Japanese adaptation, so I have nothing to compare this to. My biggest issue with the story was all the inconsistencies. You have Mudmee who in the first half or so of the drama is seen as relatively weak and not great at sports and then suddenly she's The Hulk and an absolute beast. Um, excuse me, when did that happen? Then there's Atom who when faced with having to cook Kongthap's birthday meal suddenly says that he's afraid of cooking because he nearly burned the house down and his mother was severely burned as a result when he was a child. But we saw none of that when he was in the cooking club previously. He didn't seem tense, despite Sin's comment, and he was happily daydreaming about Kongthap while letting the chocolate burn. Atom's mom tells Kongthap during the school festival that Atom has abandonment issues and yet, we never see that. The drama also almost feels episodic in nature. Any issue or conflict that arises is conveniently wrapped up within a single episode which, while working in some cases, with some of the heavier themes, namely Atom coming to terms with his sexuality, figuring out what he wants to do with his life and he and Kongthap coming out to their mothers, those definitely could have used a couple of episodes to really explore them and give them the attention they deserved.

The characters were similarly inconsistent, morphing as needed to fit the story. They're supposed to be this close friend group and yet the only ones that truly felt convincing as friends were Atom and Mudmee. Atom and Half felt less cohesive as friends, particularly when Atom was ready to jump to Mudmee's side without even listening to Half. Their friendship felt stronger towards the beginning but then just started to dissipate as the drama progressed. The romance didn't quite work for me. For one, Atom got over Mudmee far too quickly. I can forgive that given time restrictions, but then I needed to understand why Atom and Kongthap fell for each other and that simply wasn't well developed. They spent time together, but it wasn't like they were having a lot of deep, meaningful conversations that would seem to foster the growth of romantic feelings. Frankly, Mudmee and Half's relationship felt better developed.
- Atom was the most consistent character, but he very much felt like a manga character with his dramatics and over the top behaviour. It got tiring after a while. He did mature to an extent and work to improve himself but the whininess could have been dialed back.
-Kongthap was one of the characters that really seemed to morph as the episode demanded. He would be intelligent one episode and emotionally inept the next. I understand that he was trying to figure out his feelings, but sweet child! I was also deeply unimpressed with his behaviour in Episode 12. He left Atom to fend for himself both times with his own mother (at least go stand next to your man!), and then forced his hand with Atom's mother by saying he wanted to tell her something. I simultaneously wanted to smack him and hug Atom.
-Mudmee was fun. I truly enjoyed her friendship with Atom and I also appreciated her courage to go after the person she liked despite fearing rejection and that she kept showing up despite the obstacles she/they faced. I really wanted her to tell her friends to shut up though with their stupid advice. Like come on, girl, their advice has never been right, stop listening to them!
-Half was simultaneously adorable and smackable. My girl Mudmee kept putting herself out there and he was either oblivious or too afraid to do anything. Thankfully he eventually got his head screwed on straight and became the man she deserved but it took a while. In all seriousness though, I think they could have done more with his character. It didn't feel like there was much to him other than Mudmee's love interest.

Gemini and Fourth are good actors. I liked them in MSP and I liked them in Moonlight Chicken. They're talented. They weren't bad here, but it also wasn't either of their strongest performance. A significant part of that I'm going to chalk up to what they had to work with. While I prefer Fourth in more dramatic roles like Moonlight Chicken that allow him to really showcase his talent, he does a good job playing the whiny high schooler here too. Gemini unfortunately fell into the trap that a number of actors do of thinking being reserved means you can't move your face so he came across as stiff at least initially. He did loosen up eventually thankfully, but it also felt a bit too late at that point to completely salvage things. Beyond their acting though, they're both looking older. They no longer have the baby faces that were so present and endearing in MSP and even Moonlight Chicken. They look like young adults now. It's harder for them to blend into that high school scene and bring that same feel. They still have fantastic chemistry, but I think a different genre would be beneficial for both of them.

The music is excellent. The opening song was overused, but I do like it and while the musical made no sense, I very much like the songs from it as well. The amount of product placement was absurd. I've gotten to a point where I can mostly ignore it, but my lord they were just going to town with it in such a way that I could not this time. Do they know what subtlety is? I mean, how many times did we need see Kongthap put in his contact? Also, sir, do you even know how to put in contacts because you're going to have issues when they're touching your eyelashes. Just saying. And I don't know whose brilliant (yes, I'm being very sarcastic) idea it was to run the credits during the last couple minutes of the episodes, but literally why? Was there some reason they couldn't be run at the end like normal so they wouldn't distract from what was happening? I would seriously love an explanation.

While I think GMM was trying desperately to recapture the magic of MSP, they failed dramatically. MLMU lacks that magic and it lacks it in spades. It's saying something when the straight couple is more compelling than the leads which is what I found half the time. I love Gemini and Fourth, they're talented young men, but even they couldn't save this mess. I can only hope that their next project is better than this.

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Fired the Weatherman

It's been a minute since I've seen a drama so completely lackluster and pointless. My expectations weren't high, frankly I wasn't sure what to expect, but I certainly thought it was going to be better than it was. I truly don't understand the relatively high rating this drama has. The relationship is toxic, which is fine, not every relationship is sunshine and daisies and it can be interesting when those kinds of toxic relationships are explored. But there is no exploration here, no sense of why these people are together, and no character development to bring clarity. It's just eight episodes of nothingness that left me wondering what the heck I'd just watched.

Plots are apparently boring as there is barely one present. I kept waiting for something to happen, for some kind of progress, but nothing ever happened. It's basically two men going around in circles and nothing ever gets accomplished. It was incredibly frustrating to watch and I kept wondering, how on earth are they going to give this a satisfying ending? The answer quite simply is that they didn't. The pacing is mediocre, just good enough to keep me watching to the end. That's the best I can say for it.

The characters are frustrating and weak. They're supposed to be in love, but neither one is good at expressing that love or even admitting to it. They can't even communicate to any real degree. Their conversations are by and large short and stilted. There are several instances of miscommunication because they are both incapable of opening their mouths. Segasaki is a meteorologist who's charming on tv, but at home is less than agreeable. He treats Yoh as more of a servant than someone he cares about and that never really goes away. Rather than developing positively as the series progresses, he grows ever more possessive of Yoh to the point that he literally ties him up to prevent him from leaving. Yoh, for his part, is a very passive person who fails to speak up for himself or really do anything for himself period. He takes Segasaki's treatment and while he contemplates leaving him, never actually does anything to facilitate that idea. He's just such an ineffectual character. The ending is very similar to the beginning, except they're supposedly happy. Yoh has apparently come to the conclusion that he likes Segasaki's abuse and Segasaki is ever so slightly more attentive, though still very possessive. They both just lack any kind of real depth of character and there's nothing present to make me care about either of them. It's a huge disconnect between them and the audience. And despite the fact that their initial history with how they met and connected is shown, the in between of that time period and the present is left a mystery. The character development is basically nil which is disappointing because there could have been a lot more to it.

Both actors are fairly generically cute and that was the biggest thing they had going for them since their acting skills left something to be desired. Even if characters lack in vocal communication, a lot can be conveyed in other ways. Unfortunately that didn't happen here. Their overall performance was as lackluster as the story. Funnily enough, their chemistry during the intimate scenes was actually quite good. It's just a pity that didn't translate to the more mundane scenes.

The production value was good as is to be expected with a Japanese production. The opening and ending credits were very aesthetically pleasing with music that meshed well.

Ultimately I found this drama to be disappointing and incredibly mediocre. It's aesthetics are about all it has going for it and that's simply not enough. With a stronger story and characters, it could have been compelling and unique but unfortunately, it is neither of those. If you want a drama that leaves you feeling unsatisfied, this is the one for you.

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Seek Your Destiny Elsewhere

Destiny Seeker gets added to the list of mediocre BLs that have some interesting aspects, but are underdeveloped and try to get by with steamy NSFW scenes and little else. To make matters worse in this situation, there were the absolutely ghastly English subtitles, some of the worst I've seen which did nothing to boost my opinion. It is, for the most part, a mess, but hidden in the mess are some little treasures that made it bearable and even enjoyable at times.

I will give this drama credit for actually having a plot. It was a very thin plot, but there was one which was a nice change after a string of plotless dramas. The majority of the drama revolved around Ai and Songkhram and their slowly developing relationship. There's really nothing new here, no groundbreaking revelations, but it's not horribly done either. Their transition from rivals to boyfriends feels relatively natural and not overly forced. That being said, there were some aspects that didn't make a whole lot of sense, like Songkhram claiming he'd been in love with Ai since their freshman year and making comments that he'd been pursuing him all that time which we don't really see or get the impression of. There were also a number of flashbacks scattered throughout which were not clearly demarcated from the rest of the story so there were a few scenes where it took a moment to realize that we had suddenly jumped back in time. The sorting of the boys into different dorms based on their talents was an interesting concept and I wish more had been done with it. It's only purpose here seemed to be using it as an excuse for why Ai and Songkhram had to be rivals. Which, that was another aspect that was not well explained. I get that there was the rivalry between their dorms, but why? And was it just their two dorms that had a rivalry or were there rivalries between the other dorms as well? There was, in general, a serious lack of information about this college. Again, the translation was garbage, so I may have misunderstood some information, but it seemed like they had all gotten their degrees at other colleges and were there to get their master's degrees, maybe? Also, it was obviously a coed college, but where were all the girls? I think I saw maybe five or six girls throughout and that was it. I know some of that's nitpicking, but information like that just deepens the world building and allows the viewer to become more involved. And lastly, is anyone else getting sick and tired of every BL being centered around engineering students? Is that a requirement? Must be gay in order to be an engineer. There are so many other degrees out there. Get creative for once!

Destiny Seeker did feel trope heavy, particularly with the whole engineering background. But we also get the sick mother, though of a less serious nature here and thankfully they didn't feel the need to kill her off for dramatic effect. We also have Ai moving abroad, but this was less annoying than in previous dramas because it didn't cause unnecessary drama between our leads. Ai gets caught in the rain once and is instantly sick, but he and Songkhram get caught in the rain in the final episode and are just fine. There's a hint of the gay for you trope. It's not explicitly stated, but it is almost implied with both Bright and Plustor.

The characters felt very one dimensional. They were all just kind of thrown in there with very little background information or information regarding their motives, their reasoning or anything that would allow the viewer to get a handle on them. The villains especially. For one they were very disappointing villains. They were so pleased with themselves when all I could think was, really, guys, that's the best you can do? But why were they the way that they were. Tum showed up only a couple of times and no information was given as to why he was such an ass. And he went from wanting Ai for himself to wanting to ruin his chances of getting the funding for his idea. Again, no reason as to why unless it was because Ai was with Songkhram at that point and it was some weird if I can't have him then I'm going ruin him kind of thing. Ohm was similar. His relationship with Ai wasn't super clear cut. He seemed to have an unhealthy attachment to him which may have been because it doesn't sound like his father was very present. But his actions seemed way over the top. Ai didn't side with him one time and he decided the best course of action was to betray him by selling his project to Tum? And then he tried to flip things around and blame everything on Ai. Like what? And wrapping up our villains, I didn't get why the other team seemed to have it out for Ai's team. Maybe I missed something, but I don't recall anything happening between any of them to cause any kind of friction. All in all, they were just a pathetic group of villains that really can't even be called that.

As for the good guys, they lack a lot as well. We get a little more background with Ai and Songkhram since their our leads, but there's still a lot left out. Things like they're both children of single parents, but what happened to their other parent? I think it's mentioned in passing that Ai's father died, but I don't recall any explanation for what happened to Songkhram's mother. They both also have their quirks that could have been delved into a bit more, things like Ai's aversion to dirt and Songkhram's apparent interest in plants. Little things that could have been used to flesh out their characters and made it feel like there was more to them. I did appreciate their relationship once they got together. Although Ai's over the top reactions every time they were almost caught was overdone. The rest though, I liked. They were just genuinely sweet and adorable together and if nothing else, they did give me warm fuzzy feelings with their interactions. The scene where they keep sneaking kisses while watching something in the final episode was just perfection. I was very happy they didn't throw in any unnecessary drama between them in the last couple of episodes. Songkhram came through as the quintessential boyfriend, supporting Ai through everything life kept throwing at him from losing the project funding to his mother's collapse and moving to Germany. As for the rest of the gang, they don't really get much of a backstory aside from Meen and Bright since they knew each other since middle school. We get some flashbacks of them to show how their relationship has progressed. They were a confusing couple, mostly in Bright's case because so little was revealed about what he was thinking. He's been in love with Meen for years, but pursued Ai to try to forget him? It made no sense, which, I mean love doesn't always make sense, but that seemed really out there. I would have been interested to know more about him just because he was so hot and cold with Meen. I also would have just liked to have seen a more gradual development of their relationship. It felt like things happened very quickly. Plustor and Nano, similarly to Ai and Songkhram, had the rivals to lovers storyline, but like with Meen and Bright, their relationship progressed very quickly and without a whole lot of build up. One thing I was not a fan of in the cases of both relationships was the way that both Bright and Plustor forced themselves on their love interest. I will give credit to Plustor for apologizing to Nano for his behaviour, but we don't get any such apology from Bright. Touch was an entertaining addition to their group and I enjoyed his interactions with everyone. Again, there wasn't much too him aside from comic relief, but he served that purpose pretty well.

There were also a number of characters that just didn't make sense or weren't explained. There was the woman who was seen addressing the boys several times and flirting with them which just seemed inappropriate. No idea who she was other than some kind of administrator, I guess. There were also the two token girls who joined the guys group at one point. I know the one was Amber's daughter, but they stood out like sore thumbs. They just didn't seem to fit in well.

The acting wasn't bad, but also wasn't anything to write home about. However, considering the fact that for most of the cast this was their first drama or one of their first, I really can't be too hard on them. Even Earth, who has the most credits to his name, has only been at this for about a year it looks like. So considering their inexperience, I think they were overall solid. All of the couples had pretty decent chemistry. Bank and Earth had the least natural kisses initially. They seemed a bit awkward, but it also kind of worked for their characters with starting a new relationship. I look forward to seeing them all growing and improving.

The production was okay, nothing really spectacular. I did find it both interesting and somewhat helpful the way they differentiated Dorms 2 and 3 by the colors their characters wore. It was relatively unobtrusive and like I said, it was helpful at times to keep track of who was in which dorm.

There were a couple of other things I liked that I'll mention here. The way that there is never a scene where Ai is afraid of telling his mother that he's gay or her being shocked when she finds out was so refreshing. It felt very natural. There was no need to make a big deal about it, it's just who he was and this is his boyfriend and welcome to the family! The ending with Ai and Songkhram apparently having adopted a baby was pleasantly surprising. I don't think I've ever seen another BL where they took that next step to their characters actually having a family and I really liked that they added it in.

There's nothing that really stands out about Destiny Seeker to make it memorable. I saw a lot of reviews talking about how the first part of it was meh, but the ending was brilliant. I have to admit that I didn't see any brilliance here. It's one of those dramas that I have a feeling I'll pretty soon forget about. But, that being said, it's not horrible, it has it's good moments as well as it's disappointing ones. I don't think it's good enough to warrant multiple viewings, but watching it once isn't a total waste of time.

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