While I love and agree with your interpretation of this movie, I would like to offer a different perspective.…
Hi! I just wanted to say I really loved your perspective. You brought up so many deep, thoughtful points that stood out to me, because Iâve always been a little biased toward the queen.
As a woman, I naturally found myself interpreting the story more from her side, and it was refreshing to see someone who didnât treat this film like a romance. So many people reduce it to just that, but you didnât, and I appreciated that so much.
To me, this movie was never about love. It was about survival, power, fate, and the constraints of the time. And I loved how you called the king and the guard a âfrozen flowerâ too, someone trapped by both his circumstances and his choices. That was so true. People often ignore the weight of the world he was born into, but you acknowledged it beautifully. He wasnât just cruel or cold, he was shaped by an era that demanded power, control, and sacrifice.
Thatâs also why I felt so strongly for the queen. Her entire purpose was to give birth to an heir. And the moment she did that, she knew sheâd lose everything, sheâd lose the guard (who was never really hers) and sheâd lose the king too. She was always going to be left alone. And for me, thatâs heartbreaking. I couldnât bring myself to view her as manipulative. She was surviving. She did what she knew, what she had to do, because once she served her purpose, she was disposable.
I also appreciated how you talked about the kingâs betrayal. People love painting him as a victim, and yes, in many ways he was. He rebelled the only way he knew. But at the same time, he also betrayed the very people closest to him. He used them, and in return, he was betrayed. Thatâs what made the story so complex. In the end, he was still the last one standing. He had the power to castrate the guard and condemn the queen, even after all that loss. It was cruel, but it made sense in the world he lived in.
And about the guard, yes, I agree he was happy with the king. But I also believe that part of why he turned to the queen so quickly was because he was never really given the chance to explore love beyond the king. The king was all he knew. That lack of freedom, of space to grow emotionally, made him vulnerable to someone like the queen who offered him something different.
Not better, just different. Something that felt like choice.
So yeah, thank you for your response. It really deepened my appreciation of the film, and it felt good to read someone who saw all the nuance without trying to oversimplify it. This wasnât a romance.
This film, with its layers, complications, and shades of gray, is far over your head. Stick to Disney.
Of course you're delusional ass would think I'm hiding it, it's because I had spoilers from the movie that I put the spoiler button. Oh and I knew you were gay man, probably a gay white men, because gay white men like you have a long documented history of weaponizing queerness to dodge accountability while acting just as oppressive as the systems you claim to be victims of.
FYI, I'm a black woman, not some clueless little white girl. Not someone you can gaslight with buzzwords and the label of a homophobe. I'm fully educated, fully aware, and fully capable of clocking what this is.
From how you blamed and hated the queen I could tell you were man. Because not matter if you're gay or not, you're still a man at the end of the day, and still a sexist.
You didn't even try to respond to what I said. You just tried to discredit me the way misogynist always do, by twisting my words and labeling me as something I'm not.
You don't get to hide behind your queerness while acting like a sexist POS. You don't get to weaponize your identity to avoid being called out. I see right through you.
If I, as BI woman is called a homophobe, then you can sure as hell be a fake ally as gay man. LOL
This film, with its layers, complications, and shades of gray, is far over your head. Stick to Disney.
Oh baby, Iâm not even about to waste energy arguing with you.
Youâve already proven youâre not just wrong, youâre loud and confidently fing stupid. You are an uneducated dumbass, a moronic fing clown. Nothing youâre saying makes sense, and you clearly donât have the range to keep up.
Letâs get something straight. You threw out âhomophobicâ like that was gonna land. If I were homophobic, I wouldnât have watched a fing LGBTQ movie in the first place, let alone engage with it on a level your peanut brain canât even process. I never once blamed the king for being gay. Not once. So miss me with that bulls.
Youâre the one infantilizing the king. Just because heâs gay doesnât mean heâs above critique. Youâre out here putting his queerness above his actions, acting like his sexuality makes him a victim in a story where he quite literally orchestrated everyoneâs downfall. Thatâs not defending LGBTQ stories. Thatâs being a f***ing bootlicker for fictional abuse.
And since weâre here, letâs talk about how you brought up my race, my gender, and my ageâall while being dead wrong. Youâre not just ignorant, youâre a racist piece of s***. And no, Iâm not insinuating it. Iâm telling you directly. Youâre a f***ing racist.
Also, you want to gatekeep BL discourse? Bitch, I watch BL. Iâve watched more BL than your dumbass could spell. And I still think your takes are trash. Youâre the exact type of dumb b**** that ruins BL discourse. Youâre the reason the genre is flooded with non-consensual, abusive, power-imbalanced garbage and everyone claps like itâs high art.
But when someone like me points that s*** out, suddenly Iâm homophobic? F*** you. You donât get to silence people with fake allyship. Youâre not protecting queer people. Youâre just loud and f***ing stupid.
You keep repeating ânuanceâ like it makes you sound smart. But all youâre doing is fing crying over gay romance like that was ever the fing point. The movie isnât about love. Itâs about power, trauma, manipulation, control. You wouldnât know nuance if it slapped the taste out your dumbass mouth.
And honestly? Itâs obvious this stopped being about the movie for you a long time ago. Youâre not talking themes or characters. Youâre just f***ing obsessed. Digging up old-ass comments like some pressed fangirl with a grudge. Thatâs not critique. Thatâs being deranged. Youâre mentally circling this film like it owes you child support.
Also, if half the comments are saying the king was a fing villain, maybeâjust maybeâ he actually was. Maybe everyone isnât homophobic. Maybe youâre just fing wrong.
So yeah, this is the last time Iâm replying to you, you dumb fing b*. I came here to analyze a film. You came here to project, spiral, and bark like a pressed dog on the internet.
Donât ever bring your crusty-ass, cheeto-fingered, intellectually bankrupt bulls*** back to my comments again.
This film, with its layers, complications, and shades of gray, is far over your head. Stick to Disney.
Let me break this down for you since youâre clearly struggling. You accused my interpretation of lacking nuance yet everything youâve written shows a complete inability to grasp the layers in this film. Youâre defending the king like this is some tragic romance when in reality the entire story is structured around power, control, and inevitability, not love.
The moral of A Frozen Flower is rooted in the inevitability of fate. Thatâs the very thing I said. The king was born into power and chose to preserve it at the expense of love and humanity. He didnât fall victim to betrayal. He created the environment where betrayal was inevitable. That isnât me painting him as the villain. Itâs called cause and effect.
Now letâs talk about the chief guard. You keep referring to his love for the king like it was freely given. But it wasnât. He was conditioned. Raised in service. Trained to adore a man who owned him. Thatâs not affection. Thatâs grooming. Thatâs a lifelong performance of loyalty under hierarchy. So no, he didnât choose love. He was never given the chance to know anything else.
And the queen. I donât know how you managed to miss this, but she was never in control. She was married off, ignored, and used. The king decided she would carry a child and then chose his own lover to sleep with her, not because it was comfortable for her but because he wanted to maintain control over everyone involved. She wasnât offered a choice. She was assigned a role. That isnât romance. Thatâs reproductive coercion.
You keep asking why they didnât stay loyal. Iâd ask why you expect loyalty from people who were consistently disregarded. The king treated them like pawns and then youâre shocked they didnât act like saints. You said yourself the king acted with cruelty yet you defend him as if forgiveness was his right to grant. Youâre seeing this as betrayal and consequence. Iâm seeing it as inevitability and design. Thatâs the difference between your interpretation and mine.
Also, your view of the queen as manipulative is revealing. You claim she threw herself at the guard as if that somehow makes her responsible. But she was isolated, used as a surrogate, and then expected to remain untouched for the rest of her life. Falling for the one man who showed her even the illusion of care isnât manipulation. Itâs survival. But again, your understanding doesnât go that far because youâre too focused on defending the kingâs ego.
You say the king forgave them like thatâs meant to clear him of guilt. You seem to forget he orchestrated the entire situation. He forced it. The guard died in front of him not because of love but because he was still trapped in the psychological grip the king held over him. He was loyal to the end because he didnât know how to be anything else.
You speak of nuance but reduce everything to romance, betrayal, and forgiveness. Meanwhile, I accounted for the power imbalance, the eraâs cultural expectations, the politics of queerness, gendered agency, and psychological manipulation.
You just blamed the queen for âwaving her vagina aroundâ and called the guard a liar. And that, honestly, says everything.
If this level of complexity hurts your brain, do us all a favor and stick to your fluffy BL fantasy shows where power imbalance is romanticized and everyone claps like seals for trauma dressed as love.
This film, with its layers, complications, and shades of gray, is far over your head. Stick to Disney.
Girl respectfully STFU, and take several seats. If it has multiple layers, then it's up for interpretation, and clearly I was opposing other sentiments, and I said "interpretation" clearly in my comment. But from checking your profile, I can tell you're just a yaoi gooner with zero media literacy. It's people like you that make BL fans look bad. The "layers" you speak of are just fantasies of gay fan service your corny ahh projected onto a movie much more deeper than that. Stick to whatever app streams BL fluff for brain dead fujoshis like you.
under 19 is a minor. But thing is in this case Kim Sae Ron was alleged to be 15 when they started dating.
He was 27 and she was 14 when they met...and that is the fundamental issue. The concern is not just the relationship itself but the clear dynamics of grooming. Psychological research shows that adolescent brains are still developing, particularly in the prefrontal cortex, which governs decision-making, impulse control, and risk assessment. This means a 14-year-old is not cognitively equipped to engage in a relationship with a fully developed adult on equal terms. The significant disparity in age, maturity, and life experience creates an imbalance of power, where the older individual can exert undue influence over the younger one. This is why such relationships are considered exploitative rather than consensual.
Its not irrelevant. He dated a child, groomed her. Will he get the same treatment from the industry she did? Even…
Are you seriously this dense? No oneâs denying the parents and public deserve blame, but heâs a predator. The public bullied her. Her parents failed her. Her label failed her. And he groomed her. All of it is true at once. All of these played a role in her turning into a wreck, but her killing herself on his birthday was proof that he was her biggest blow.
She literally told her parents âmy oppa covered it.â When talking about her debts to her family. Not boyfriend. Not ex. Oppa. Because she knew heâd never let her tell anyone. You really think a grown man in his late twenties dating a minor was gonna announce that? He knew it was wrong, which is why he kept it quiet. Thatâs how grooming works.
Her parents probably didnât even know until after she died or when she posted the pictures out of desperation, trying to force a response. And now that sheâs gone, her phone and messages are still there. Her parents could easily go through it and piece together the truth.
So no, this isnât just about the public or her parents. He was part of the problem. Stop pretending otherwise.
Irrelevant? He dated her for six years since she was a minor?? He approached when she was fourteen when he was…
Calling out bad behavior isnât cyberbullying. First, he denied dating her. Then he admitted they dated when she was 19. Which one is it? Innocent people donât hesitate, they tell the truth immediately.
Letâs say dating is irrelevant, even though itâs not because grooming a minor isnât something you just brush off. What about the debt? He promised to cover it, backed out, left her begging for more time, then leaked her phone number to reporters. Thatâs not calculated? Thatâs not harassment?
Her neighbors said she was crying under the stairs almost every day. If she was lying, why would she take it that far? Why kill herself on his birthday if she knew he could clear his name? He hasnât, because he canât. Thatâs why the story keeps changing. Thatâs why photos are disappearing.
And heâs losing money. Brand deals, contracts, followers, all slipping away. If heâs innocent, why would he let that happen? Why would he let himself bleed money when he could clear it up with one statement? Because he knows he canât. Brands donât drop innocent men. You think theyâd walk away from that kind of money without proof? If he was clean, theyâd stand by him. But theyâre not. Because heâs not.
What is going wrong in this country? A young woman took her own life, presumably because of the huge mountain…
Irrelevant? He dated her for six years since she was a minor?? He approached when she was fourteen when he was well into his twenties! How is that piece of info irrelevant? Are now just going to ignore when people are predators?
Exactly! Both parties were at fault, but SYJ apologized and has since been hiding away, while he continues to…
You're taking this too personally, and I'm not going to engage in endless back-and-forth. However, you've proven my point with your own words. He built his career from scratch twice because he was given the chance. He was still offered roles after the scandal, and his ability to choose roles shows that he had the opportunity to rebuild.
SYJ, on the other hand, hasn't been given that chance. She doesn't have the luxury to choose good dramas because she's not being offered any. Claiming that SYJ lacks talent is a clear sign of misogyny. If SYJ was at her peak once, how can you argue that she never had talent?
Moreover, he didnât shoulder all the blame. He played the victim role that the medial gave to him well until his ex-agency leaked messages confirming that he wasnât a victim of gaslighting, as he had done the same to SYJ, such as dictating that she shouldnât touch or kiss her co-stars.
You twist my wordsâreading comprehension is crucial. I never said his career should be ruined. In fact, I think the scandal was blown out of proportion. My point is about the misogyny in the industry.
Itâs not âmisogyny, YAWNâ; itâs misogyny, YES, because it does happen and still does. Heâs currently preparing for a comeback, but where is SYJ? That alone truly shows whether there's misogyny or not. Both were involved in a scandal, so why is one continuously getting projects while the other is in hiding?
Exactly! Both parties were at fault, but SYJ apologized and has since been hiding away, while he continues to…
So you did not read my comment? I clearly said both he and SYJ were being toxic to each other yet SYJ was the one who took all the blame. Where in my comment do I not hold SYJ accountable? I just made an observation that SYJ was the one who received the consequences while he was seen as a victim which was not the case
Exactly! Both parties were at fault, but SYJ apologized and has since been hiding away, while he continues to…
Yes, he did. He and SYJ were toxic to each other, which nearly ruined the film he was acting in because he refused to touch his co-star. On the red carpet, where they were supposed to promote their films, he ignored her. Newspapers reported that he made his co-star cry with his behavior and engaged in other nonsense. While some might not see it as a big deal, his unprofessionalism really threw me off. He was there to work, not to let personal issues affect the crew. Most people think he did nothing wrong because of the misogyny in the entertainment industry. Many articles painted SYJ as the villain and him as the victim, even though they both behaved poorly.
Iâm baffled by the comments blaming the guard and the queen. It seems like people completely missed the point of the movie. After watching it multiple times and delving into its deeper details, I feel compelled to set the record straight.
First, letâs talk about the queen. Sheâs the biggest victim of this entire ordeal. The king, who was homosexual, refused to make an heir with her and instead forced her to conceive with a random man. The queen had no choice in this matter, and her heartbreak and humiliation are evident. Imagine being forced into intimacy with a stranger, crying through the whole experience. How can anyone blame her for what she went through?
Now, about the king and the guard. Some say the king loved the guard, but his actions scream otherwise. The kingâs behavior was driven by possessiveness and a desire to monopolize the guard, not genuine love. He forced the guard into a situation where he had to comply with his orders, sending him to the queenâs bed without any regard for his feelings. This isnât love; itâs obsession.
The guard, too, had no choice but to stay with the king due to proximity and circumstance. When he said, âIâm grateful that you introduced me to love,â there was a hint of resentment. He was introduced to love but never given the freedom to explore it. This is why he fell for the queen so quicklyâshe represented his first chance to experience a different kind of love, one he could develop on his own.
The queenâs loneliness and lack of choice made her another tragic victim. She was forced into a situation where she had to conceive with a man she didnât choose and was expected to separate physical intimacy from emotional connection. This expectation is unrealistic, especially given the intimate nature of relationships at that time. The kingâs jealousy and subsequent actions, including castrating the guard, make no sense. If anyone deserved punishment, it was the king.
His death at the end of the movie served as fitting retribution for his cruelty and obsession. The king never truly loved the guard; his actions destroyed any chance of a successful relationship.
Instead of blaming the queen or the guard, we should recognize them as victims of the kingâs actions and pity them for the circumstances they were forced into. The queen, in particular, is a tragic figure, navigating a life devoid of choice and autonomy, and she deserves our sympathy, not our scorn.
In the end, I kind of understand the king. He is a product of the society of the time he lived in. As the king, he would never give up his throne for the guard. He expected things to go his way, and when they didnât, he reacted poorly. But what weâre not going to do is sit here and blame other people because all of this stems from one source: the king. I get that heâs homosexual and cannot be aroused by a woman, but letâs not sit here and blame everybody else. The king was obviously the problem. He had many alternatives he could have chosen, such as letting the queen choose a lover of her own. Instead, he chose the one that hurt almost everyone around him.
People keep saying the queen and the guard betrayed the king, but the truth is, the king betrayed both the queen, his lawfully wedded wife who stood by him, and his lover, by taking away his right to choose and sending him to another personâs bed. He betrayed them both for the sake of maintaining his power. The moral of the story is clear: The inevitability of fate
Exactly! Both parties were at fault, but SYJ apologized and has since been hiding away, while he continues to get work without offering an apology. The misogyny is real, and the girls enabling him make it an even harder pill to swallow.
I don't know why everybody is calling this clickbait and missing the point. JJH is not joking the dog is protected, safe, get rest time, they are indeed treated better then the actors. Actors in SK are treated like shit, no resting, expected to work in whatever type of weather/environment, and are not safe. I am glad he's speaking out on it. SK needs to start to treat their workers right, it seems like they have a problem in that area.
Are you living on earth?First things first, Hyeri, who had been in a relationship for seven yearsâseven!âhad…
Girl this is a damn website the hell I gotta be scared for? Wait for the waters to calm down? Are you mentally okay? Go outside and touch some grass please, ain't no body scared of a troll like you!
As a woman, I naturally found myself interpreting the story more from her side, and it was refreshing to see someone who didnât treat this film like a romance. So many people reduce it to just that, but you didnât, and I appreciated that so much.
To me, this movie was never about love. It was about survival, power, fate, and the constraints of the time. And I loved how you called the king and the guard a âfrozen flowerâ too, someone trapped by both his circumstances and his choices. That was so true. People often ignore the weight of the world he was born into, but you acknowledged it beautifully. He wasnât just cruel or cold, he was shaped by an era that demanded power, control, and sacrifice.
Thatâs also why I felt so strongly for the queen. Her entire purpose was to give birth to an heir. And the moment she did that, she knew sheâd lose everything, sheâd lose the guard (who was never really hers) and sheâd lose the king too. She was always going to be left alone. And for me, thatâs heartbreaking. I couldnât bring myself to view her as manipulative. She was surviving. She did what she knew, what she had to do, because once she served her purpose, she was disposable.
I also appreciated how you talked about the kingâs betrayal. People love painting him as a victim, and yes, in many ways he was. He rebelled the only way he knew. But at the same time, he also betrayed the very people closest to him. He used them, and in return, he was betrayed. Thatâs what made the story so complex. In the end, he was still the last one standing. He had the power to castrate the guard and condemn the queen, even after all that loss. It was cruel, but it made sense in the world he lived in.
And about the guard, yes, I agree he was happy with the king. But I also believe that part of why he turned to the queen so quickly was because he was never really given the chance to explore love beyond the king. The king was all he knew. That lack of freedom, of space to grow emotionally, made him vulnerable to someone like the queen who offered him something different.
Not better, just different. Something that felt like choice.
So yeah, thank you for your response. It really deepened my appreciation of the film, and it felt good to read someone who saw all the nuance without trying to oversimplify it. This wasnât a romance.
FYI, I'm a black woman, not some clueless little white girl. Not someone you can gaslight with buzzwords and the label of a homophobe. I'm fully educated, fully aware, and fully capable of clocking what this is.
From how you blamed and hated the queen I could tell you were man. Because not matter if you're gay or not, you're still a man at the end of the day, and still a sexist.
You didn't even try to respond to what I said. You just tried to discredit me the way misogynist always do, by twisting my words and labeling me as something I'm not.
You don't get to hide behind your queerness while acting like a sexist POS. You don't get to weaponize your identity to avoid being called out. I see right through you.
If I, as BI woman is called a homophobe, then you can sure as hell be a fake ally as gay man. LOL
Youâve already proven youâre not just wrong, youâre loud and confidently fing stupid. You are an uneducated dumbass, a moronic fing clown. Nothing youâre saying makes sense, and you clearly donât have the range to keep up.
Letâs get something straight. You threw out âhomophobicâ like that was gonna land. If I were homophobic, I wouldnât have watched a fing LGBTQ movie in the first place, let alone engage with it on a level your peanut brain canât even process. I never once blamed the king for being gay. Not once. So miss me with that bulls.
Youâre the one infantilizing the king. Just because heâs gay doesnât mean heâs above critique. Youâre out here putting his queerness above his actions, acting like his sexuality makes him a victim in a story where he quite literally orchestrated everyoneâs downfall. Thatâs not defending LGBTQ stories. Thatâs being a f***ing bootlicker for fictional abuse.
And since weâre here, letâs talk about how you brought up my race, my gender, and my ageâall while being dead wrong. Youâre not just ignorant, youâre a racist piece of s***. And no, Iâm not insinuating it. Iâm telling you directly. Youâre a f***ing racist.
Also, you want to gatekeep BL discourse? Bitch, I watch BL. Iâve watched more BL than your dumbass could spell. And I still think your takes are trash. Youâre the exact type of dumb b**** that ruins BL discourse. Youâre the reason the genre is flooded with non-consensual, abusive, power-imbalanced garbage and everyone claps like itâs high art.
But when someone like me points that s*** out, suddenly Iâm homophobic? F*** you. You donât get to silence people with fake allyship. Youâre not protecting queer people. Youâre just loud and f***ing stupid.
You keep repeating ânuanceâ like it makes you sound smart. But all youâre doing is fing crying over gay romance like that was ever the fing point. The movie isnât about love. Itâs about power, trauma, manipulation, control. You wouldnât know nuance if it slapped the taste out your dumbass mouth.
And honestly? Itâs obvious this stopped being about the movie for you a long time ago. Youâre not talking themes or characters. Youâre just f***ing obsessed. Digging up old-ass comments like some pressed fangirl with a grudge. Thatâs not critique. Thatâs being deranged. Youâre mentally circling this film like it owes you child support.
Also, if half the comments are saying the king was a fing villain, maybeâjust maybeâ he actually was. Maybe everyone isnât homophobic. Maybe youâre just fing wrong.
So yeah, this is the last time Iâm replying to you, you dumb fing b*. I came here to analyze a film. You came here to project, spiral, and bark like a pressed dog on the internet.
Donât ever bring your crusty-ass, cheeto-fingered, intellectually bankrupt bulls*** back to my comments again.
The moral of A Frozen Flower is rooted in the inevitability of fate. Thatâs the very thing I said. The king was born into power and chose to preserve it at the expense of love and humanity. He didnât fall victim to betrayal. He created the environment where betrayal was inevitable. That isnât me painting him as the villain. Itâs called cause and effect.
Now letâs talk about the chief guard. You keep referring to his love for the king like it was freely given. But it wasnât. He was conditioned. Raised in service. Trained to adore a man who owned him. Thatâs not affection. Thatâs grooming. Thatâs a lifelong performance of loyalty under hierarchy. So no, he didnât choose love. He was never given the chance to know anything else.
And the queen. I donât know how you managed to miss this, but she was never in control. She was married off, ignored, and used. The king decided she would carry a child and then chose his own lover to sleep with her, not because it was comfortable for her but because he wanted to maintain control over everyone involved. She wasnât offered a choice. She was assigned a role. That isnât romance. Thatâs reproductive coercion.
You keep asking why they didnât stay loyal. Iâd ask why you expect loyalty from people who were consistently disregarded. The king treated them like pawns and then youâre shocked they didnât act like saints. You said yourself the king acted with cruelty yet you defend him as if forgiveness was his right to grant. Youâre seeing this as betrayal and consequence. Iâm seeing it as inevitability and design. Thatâs the difference between your interpretation and mine.
Also, your view of the queen as manipulative is revealing. You claim she threw herself at the guard as if that somehow makes her responsible. But she was isolated, used as a surrogate, and then expected to remain untouched for the rest of her life. Falling for the one man who showed her even the illusion of care isnât manipulation. Itâs survival. But again, your understanding doesnât go that far because youâre too focused on defending the kingâs ego.
You say the king forgave them like thatâs meant to clear him of guilt. You seem to forget he orchestrated the entire situation. He forced it. The guard died in front of him not because of love but because he was still trapped in the psychological grip the king held over him. He was loyal to the end because he didnât know how to be anything else.
You speak of nuance but reduce everything to romance, betrayal, and forgiveness. Meanwhile, I accounted for the power imbalance, the eraâs cultural expectations, the politics of queerness, gendered agency, and psychological manipulation.
You just blamed the queen for âwaving her vagina aroundâ and called the guard a liar.
And that, honestly, says everything.
If this level of complexity hurts your brain, do us all a favor and stick to your fluffy BL fantasy shows where power imbalance is romanticized and everyone claps like seals for trauma dressed as love.
She literally told her parents âmy oppa covered it.â When talking about her debts to her family. Not boyfriend. Not ex. Oppa. Because she knew heâd never let her tell anyone. You really think a grown man in his late twenties dating a minor was gonna announce that? He knew it was wrong, which is why he kept it quiet. Thatâs how grooming works.
Her parents probably didnât even know until after she died or when she posted the pictures out of desperation, trying to force a response. And now that sheâs gone, her phone and messages are still there. Her parents could easily go through it and piece together the truth.
So no, this isnât just about the public or her parents. He was part of the problem. Stop pretending otherwise.
Letâs say dating is irrelevant, even though itâs not because grooming a minor isnât something you just brush off. What about the debt? He promised to cover it, backed out, left her begging for more time, then leaked her phone number to reporters. Thatâs not calculated? Thatâs not harassment?
Her neighbors said she was crying under the stairs almost every day. If she was lying, why would she take it that far? Why kill herself on his birthday if she knew he could clear his name? He hasnât, because he canât. Thatâs why the story keeps changing. Thatâs why photos are disappearing.
And heâs losing money. Brand deals, contracts, followers, all slipping away. If heâs innocent, why would he let that happen? Why would he let himself bleed money when he could clear it up with one statement? Because he knows he canât. Brands donât drop innocent men. You think theyâd walk away from that kind of money without proof? If he was clean, theyâd stand by him. But theyâre not. Because heâs not.
Whatâs not clicking?
SYJ, on the other hand, hasn't been given that chance. She doesn't have the luxury to choose good dramas because she's not being offered any. Claiming that SYJ lacks talent is a clear sign of misogyny. If SYJ was at her peak once, how can you argue that she never had talent?
Moreover, he didnât shoulder all the blame. He played the victim role that the medial gave to him well until his ex-agency leaked messages confirming that he wasnât a victim of gaslighting, as he had done the same to SYJ, such as dictating that she shouldnât touch or kiss her co-stars.
You twist my wordsâreading comprehension is crucial. I never said his career should be ruined. In fact, I think the scandal was blown out of proportion. My point is about the misogyny in the industry.
Itâs not âmisogyny, YAWNâ; itâs misogyny, YES, because it does happen and still does. Heâs currently preparing for a comeback, but where is SYJ? That alone truly shows whether there's misogyny or not. Both were involved in a scandal, so why is one continuously getting projects while the other is in hiding?
Iâm baffled by the comments blaming the guard and the queen. It seems like people completely missed the point of the movie. After watching it multiple times and delving into its deeper details, I feel compelled to set the record straight.
First, letâs talk about the queen. Sheâs the biggest victim of this entire ordeal. The king, who was homosexual, refused to make an heir with her and instead forced her to conceive with a random man. The queen had no choice in this matter, and her heartbreak and humiliation are evident. Imagine being forced into intimacy with a stranger, crying through the whole experience. How can anyone blame her for what she went through?
Now, about the king and the guard. Some say the king loved the guard, but his actions scream otherwise. The kingâs behavior was driven by possessiveness and a desire to monopolize the guard, not genuine love. He forced the guard into a situation where he had to comply with his orders, sending him to the queenâs bed without any regard for his feelings. This isnât love; itâs obsession.
The guard, too, had no choice but to stay with the king due to proximity and circumstance. When he said, âIâm grateful that you introduced me to love,â there was a hint of resentment. He was introduced to love but never given the freedom to explore it. This is why he fell for the queen so quicklyâshe represented his first chance to experience a different kind of love, one he could develop on his own.
The queenâs loneliness and lack of choice made her another tragic victim. She was forced into a situation where she had to conceive with a man she didnât choose and was expected to separate physical intimacy from emotional connection. This expectation is unrealistic, especially given the intimate nature of relationships at that time. The kingâs jealousy and subsequent actions, including castrating the guard, make no sense. If anyone deserved punishment, it was the king.
His death at the end of the movie served as fitting retribution for his cruelty and obsession. The king never truly loved the guard; his actions destroyed any chance of a successful relationship.
Instead of blaming the queen or the guard, we should recognize them as victims of the kingâs actions and pity them for the circumstances they were forced into. The queen, in particular, is a tragic figure, navigating a life devoid of choice and autonomy, and she deserves our sympathy, not our scorn.
In the end, I kind of understand the king. He is a product of the society of the time he lived in. As the king, he would never give up his throne for the guard. He expected things to go his way, and when they didnât, he reacted poorly. But what weâre not going to do is sit here and blame other people because all of this stems from one source: the king. I get that heâs homosexual and cannot be aroused by a woman, but letâs not sit here and blame everybody else. The king was obviously the problem. He had many alternatives he could have chosen, such as letting the queen choose a lover of her own. Instead, he chose the one that hurt almost everyone around him.
People keep saying the queen and the guard betrayed the king, but the truth is, the king betrayed both the queen, his lawfully wedded wife who stood by him, and his lover, by taking away his right to choose and sending him to another personâs bed. He betrayed them both for the sake of maintaining his power. The moral of the story is clear: The inevitability of fate