scenophile

Fluffy but mediocre plot

I really liked the vibe of this drama and the fluffiness of scenes — the relationship between the leads and the second leads are adorable, and the bromance and sismance were also really nice.

Though I like individual scenes though, some things just feel really cliche and hard to believe when it came to plot, and development of the story was sometimes lacking cohesion — some things that happen are unclear and led to cliches that I didn’t need. I have to admit that the premise of the drama requires some suspension of disbelief which I had trouble with, but over time I got used to it.

Other than that, most of the obstacles were handled well, but I felt like the last few eps of this drama fall into a melodramatic progression (to be honest a lot of Chinese dramas fall victim to it) but there were the very dramatic tropes of kidnapping, noble idiocy, corporate corruption, etc. All of these are just really annoying and unnecessary to me.

Lastly — I have to say that the OST for this drama is really good, but sometimes doesn't match the scene well.

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Just the romance could have, and would have been enough

This was the drama I've been looking forward to all year, and I was so so disappointed. This drama is what you get when a writer wants to write a rom-com but can't develop it well, so they start inserting random plot points and cute, trope-y moments and just cross their fingers.

I'll be honest. The drama lost me the moment the stomach cancer plot was introduced, for multiple reasons.

From a writing perspective, it just doesn't work. It's a lazy way to evoke empathy and it gave me tonal whiplash — the scenes specifically about Seok-ryu's cancer are well-done and heavy, but the show itches to revert to its light-hearted rom-com moments. It feels like the cancer plot is big for a few episodes and then completely forgotten, save for a few random mentions. The show falls into the unfortunate trap — instead of adding depth, it ends up feeling too light-hearted for such a heavy topic.

On a more serious note, I also just feel like the cancer plot point undermines the commentary on mental health, which I was really enjoying at the start. We have the main character undergoing familial pressure, burnout, and depression — things that are SO relatable to just about every single person — and suddenly the cancer reveal happens, and it's like oh, all those things that Seok-ryu was going through was because of the cancer. Her mother, who just thinks Seok-ryu is going through a phase, suddenly cares because the illness is physical. But the entire time I couldn't help but think it would've been such better writing and so much more touching if there had been no cancer plot and Seok-ryu's mother had grown to understand the importance of mental health instead.

After the cancer reveal, the plot pretty much winds down and starts going through subplots (like the parents' almost-divorce caused by a misunderstanding, and a few fights) that make it feel a little aimless. It's like the drama doesn't really know where to go from there and the writing just takes a steep dive because it never took the time to fully develop either Seok-ryu's cooking journey, or Seung-hyo's architecture company. We only seem to see glimpses of each.

I think the best scenes in the show are actually the flashbacks, where we got to see the chaotic depths of the leads' relationship from each of their perspectives and how it was paralleling present day. The banter that they have is actually pretty fun, but they definitely lose that spark once they get together and just become a very common couple with the common kdrama scenes. The chemistry that had potential at the start isn't there anymore.

As for the second ship...they're fine. They start out cute, but despite the potential of the backstory, I just don't feel like they ever touched my emotions.

Ultimately, I really wish this had either (1) gone full melodrama and given the cancer plot the weight it needed (even the second ship's backstory has a lot of potential for angst), or (2) trusted in the rom-com genre, and that the development between the leads as they followed their dreams together would've been enough to give us an amazing story — without all the extra stuff.

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Good in my brain but average in my heart

It was great seeing these characters again, and in general, I do feel like S3 stayed true to the characters and to the heart of what the Borderlands have meant up till now, but ultimately this season was sort of missing that spark that S1 had in particular, and while I did hope for a S3 because I am an amnesia trope hater, this one ultimately still feels a bit tacked on.

One part of that is the side characters. We always have a little cast of B characters, and while S3's weren't annoying of out-of-place necessarily, I definitely found them the least memorable, aside from the professor/doctor. It doesn't help that Arisu and Usagi spend 95% of the season apart, so we really have no pre-established relationships to rely on for those deep, yet comfortable scenes that gave the show a lot of heart. Arisu/Usagi scenes were probably the strongest in the entire season.

The games ARE fun though, and as usual I enjoyed the stunts a lot. The climax delivers in terms of cinematography and stakes, and the cameos we get at the end are fun and really do provide closure. I'm glad we got this season, but I do think I never quite felt the gut punch I wanted.

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A thrilling end

A really solid second season. It picks up right where the first season leaves off, provides us with more backstory and lore, and wraps up the story cleanly without overstaying its welcome. I do think I like this season a tiny bit less than the first season, but not by much.

I like the focus on Keisuke (my favorite character!); he has an extremely engaging dynamic with many of the side characters, and his own story arc is extremely compelling. The downside is that we really shifted away from Daigo and his family. It doesn't hamper the movement of the story and his journey wraps up nicely, but he definitely feels more like a supporting character this time around as things happen around him.

In terms of effects and soundtrack, they're still as creepy as ever — this might be the most blood-curdling drama I've ever seen and that's a compliment.

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Peak enemies-to-lovers

Oh, it's been a long while since I've seen a drama do pretty much everything right. THIS is how you do enemies-to-lovers. Yes, the leads have banter from the start and I thought it was just going to be annoyance-to-lovers, but they really ramped it up in the next few episodes and damn. We get actual violence and real betrayal. Yay!

The chemistry between the leads is fantastic, and I think this is one of the few instances where the romance arc weaves into the bigger plot perfectly. As much as I like some couples, it feels often out-of-place to have a "dating" episode where everything is sunshine and rainbows while the plot is put on hold. Instead, we get to see the leads communicating and working together to solve the mystery and catch the bad guy and that just means so much more. I'm just so impressed with the writing from start to finish; the setting and premise are creative and original, and even the subplots and mini-cases were impressive, and the show did an amazing job of raising the stakes and keeping them high.

I don't have any many criticisms about this drama, and if I do they're pretty minor; the transitions are just a little weird — it's like the show made it really clear where the ad breaks are, and the drama fades to black at the most inopportune times, like during really tense scenes. It's a really small thing but it did feel jarring sometimes.

Other than that, fantastic watch. I'm not a rewatcher but I think I might make an exception here.

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Real romance is BACK.

I’ve been craving a soft romance like this for a while and finally got it: a drama that is slow and quiet (with a soothing OST) and gives the characters and the story time to breathe, but one where it’s not quite a melodrama either because it’s full of life and has dashes of humor in all the right places. I was just so impressed with the story of this show and the pacing it was given. The case-of-the-week subplot style really works in tandem with the overarching growth of our characters.

The two leads are fantastic. Ji-yun is a headstrong and ambitious female lead, but she never comes across as cold or rude (which many male CEO characters do); she’s just passionate about her job and very very good at it. Eun-ho is such a green flag male lead as well; he’s soft and warm, an amazing father, and good at his job too. In fact, Eun-ho is the character that owns the

I feel like it’s actually pretty rare to see a drama where both main characters have equal footing in the story, instead of one being the lead and one being the love interest.

I also just love how mature they both are and what that did for the romance. There are the butterflies and the nervousness of falling in love and not wanting to overstep your bounds, but the communication between the leads was actually really great and the romance never felt frustrating.

The second leads and side characters are really great as well. Yes, there’s some unrequited love (as dramas always have) but it’s also not stretched out unnecessarily, and they also approach everything with maturity. The side characters are surprisingly memorable even without much screen time, and they really add to the feeling of closeness at their workplace.

I’ve seen a few comments about how the addition of childhood connection is unnecessary, and I actually do agree. The characters had built up a very solid foundation already, and it would’ve meant even more if they grew from their past without it being forcefully shoved in their faces.

Although this is probably the only reason why this isn’t getting a full rating, but honestly the addition of this plot didn’t affect my enjoyment of the drama that much. The main leads’ communication and maturity stopped the show from getting frustrating, and other than this trope, I was pleasantly surprised at how this show subverted most other clichés.

Love Scout is one of the few dramas this year that stayed strong until the very end, and I’m SO happy that it’s what I started the year with. Highly recommend!

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Simultaneously good and bad

So for a short drama there are parts of this that are genuinely impressive — the cinematography is good, the sound mixing fits the vibes, and I admit...some steamy scenes were great and a breath of fresh air from the cutesiness that c-dramas usually stick to.

With that being said, it felt somewhat overdone. I lost count of how many times the ML kabedonned our FL or pinned her wrists down, and because the drama WAS so short, I felt like we really needed to just cut some of the kiss scenes and just work on the plot more.

There are moments where the story jumps around; it's not crazy and you can still follow the overarching plot (which is actually quite solid and needed more screentime), but I was still left feeling confused as to when we got from Point A to Point B.

The acting is also inconsistent. There are some very impressive moments, like a particular crying scene for our ML. But every single character feels a little stiff at some point and the dubbing doesn't help at all.

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Good vibes, bad pacing of character development

I think this drama had a very good start and I didn't mind that there would be another guy to pressure our leads, even though we all knew he had no chance. Just overall, I really loved the vibe of the show as well; the music and soft cinematography were really comforting, not to mention how the chemistry between our leads was off the charts.

The ending felt a little rushed, however. I'd say that the show was decently paced until the last episode, where the main leads went through getting back together, breaking up, some individual character development, and then getting back together again.

I feel like the contents of the entire last episode should've been distributed more evenly throughout all the previous episodes and the amount of love-triangle scenes could've been lessened (and I'm saying that as a love triangle enjoyer).

Hyunseo's insecurity problem should've prevented them from getting back together in the first place, and the ensuing episodes could have been spent on communication and her trying to work on that, rather than having them get back together first and THEN bringing back the insecurity issue to break them up again. With so much being stuffed in the last episode, there also just wasn't enough time to have the leads communicate more, and it made their final reunion feel abrupt and unearned. If we'd seen more character development outside of the romance it would've helped as well — like seeing Hyunseo's journey with the piano and Suho's journey with trying to find happiness in the little things again after working so hard the past few years.

Overall, I still think this was a light watch; Steve Noh is fantastic and I would love to see him in more melodrama/romcoms because he was great at both emotional and comedic scenes. I've loved the softness of both this series and the prequel Soundtrack #1, and I hope they follow this up with another miniseries.

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Mystery > Romance

I rarely find myself preferring the thriller to the romance in a thriller romance, but that was definitely the case here. So it was kind of a shame that this drama only really doubled down on the main mystery plot in the last few episodes, which turned out to be my favorite.

I really didn’t connect to the romance for multiple reasons, the first one being that the main female lead was possessed by someone else for much of it. I found myself constantly questioning who the ML was really falling for and when it was all reasoned at the end into “it was her all along,” it didn’t really feel earned. Other than that, the chemistry between the leads wasn’t really there and it felt like there was a large age gap (or at least maturity gap) between the leads.

My main issue with the romance and general plot, though, happens during those moments of possession. The second female lead (the ghost) thinks the reason she can’t pass on is because she died a virgin, and so she spends all of her screen time trying to sleep with the ML by touching him, climbing into his bed, etc. It’s really uncomfortable to watch, especially since all of it is just played off for laughs. I don’t think this aspect added anything to the story either — she could’ve very well thought she had another grudge and still made her personality loud and bubbly so that the ML would notice her acting different.

If they had spent less time with the romance, we could’ve really gotten more time expanding on the mystery, which was the most interesting part. The unearthing of the backstory is satisfying, but I wish we got more reactions from other characters, or some explanation about character motivations and plot developments.

Still, this is pretty light-hearted and fun watch. It feels like another 2010s drama classic, for sure.

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Inferior to S1 in every way

It was really great being able to revisit these characters that I had grown to care for but the first word that comes to mind when I think about this drama is "unnecessary." Season 1 left off in a great place and I felt like this season had no idea what overarching story it wanted to tell, it left some beloved side characters in the dust, and it also gave up on the past-present parallels.

Our main character went through a lot of character development in the first season, whereas in this one I felt like for everyone we pretty much ended right where we started. Conflicts that seemed to make little sense (as the result of actions that felt out of character) were introduced and then resolved at the end, expectedly.

One thing that I loved about the first season was the way it tied the present timeline into the past. In every episode of this season it was like they tried to do the same thing but couldn't quite think of a story. The scenes jumped back and forth a little more haphazardly and I struggled to understand why this flashback was being shown or honestly what was even happening.

Because of the wishy-washinesss of the plot, it also just felt like many important characters and relationships were sidelined.

I will say that the acting still stays pretty consistent and I still love the casting of the main female lead and her younger self; it just feels so natural with the way they talk and argue and act and it really pulls me in.

It's a great drama to learn about the little bits of Taiwanese culture and language but as a drama I think the first season was way better.

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Plot vs. Plot Triggers

To start with, the world-building was a little confusing, but it definitely definitely grew on me. I grew to enjoy the different rules, aesthetics, and customs in different Clans — it's sad that we rarely see all of the groups get together because so much of the story is focused on individual characters, but as a backdrop they were still great to see.

The characters were plentiful but not confusing (at least not once you got used to them) and I particularly liked the female lead Baiqian, who was a strong female lead both in name and in personality. The relationship with Yehua was also great — a male lead who was so faithful and never wavered is always so satisfying to watch, even though there were some scenes where he was forceful and it made me uncomfortable.

Other than that, there is one thing that really bothered me and that's how the plot points were triggered — always by the cliche backstabbing, jealous, second female lead trying to sabotage the main leads' relationship. I've always been very annoyed by how the misogyny present in the writing of second female leads, and it was so obvious in this drama. It felt like there was an entire magic world and a faction war out there and yet everything was triggered by the pettiness of female characters. There had to be over three of them, and I honestly can't think of many female side characters that were genuinely good and important. I'd rather have the Ghost King or another antagonist be the main plot-driver.

Still, I think this drama played on tropes pretty well — while amnesia and time jumps usually bother me a lot and still sometimes felt convenient or rushed, I understand how both of them were an essential part of the plot and were explained generally well.

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