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Nakayama Miho
Update: I watched and wrote my comment a few days before the news broke out. I'm in utter disbelief upon hearing the news of Nakayama Miho passing away at the young age of 54. During the past couple of weeks I went into a binge-watch of all her projects from the 80s and 90s, she was a truly striking, talented and fun actress that gave a unique signature to all the projects she's been in. It's unfortunate what has happened and she will be missed dearly. Rest in peace, mama idol!The drama mirrored the reality of its time with idols culture, ironically, nothing changed since the 80s. Given the setup, the formula was pretty clear with how things were going to be laid out. Each episode gave a focus to one of the characters while cycling through some jokes. Most of these episodes were alright in general but some of the running jokes lasted a bit too long. Take for example the constant interruption of the married leads' 'first night alone' which lasted for several episodes. In fact, they never showed that the leads were actually just sleeping together even after marriage, aside from being together in a bedroom. The female lead's age probably had something to do with that. Instead of wasting time on that and other similar things, they could've gave a reasonable showcase to how they met, fell in love and decided to marry. Anyway, the drama had good dynamics between the characters, nostalgia inducing OST and 80s vibes so it was decent enough.
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Mama wa Idol Reboot
Update: I watched and wrote my comment a few days before the news broke out. I'm in utter disbelief upon hearing the news of Nakayama Miho passing away at the young age of 54. During the past couple of weeks I went into a binge-watch of all her projects from the 80s and 90s, she was a truly striking, talented and fun actress that gave a unique signature to all the projects she's been in. It's unfortunate what has happened and she will be missed dearly. Rest in peace, mama idol!Following the success or appeal (?) of Mama wa Idol (1987) the leads returned for another run, they even brought some of the side cast like the neighbor who still have her eyes on the male lead. In fact, the entire thing felt like a carbon copy of its predecessor, from the cast to the setup, story, dynamics, characters, jaded jokes, setting and production. They were seriously trying too hard to make it as similar as possible without offering anything new. Nakayama Miho is still trying to be a mother of children not of her own while suffering from the same interrupted intimacy trope in every episode. I couldn't find a single thing that might nudge this over Mama wa Idol, they should've aimed to improve over or at least not repeat the same mistakes.
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SUIKA!
This slice-of-life drama was a quirky concoction of midlife crises, emotional constipation, and nostalgia. It’s not going to set your pulse racing or redefine the genre, but it got enough charm to keep you interested, for the most parts. The story follows Motoko, a 34-year-old woman whose life got a kick in the pants when her friend absconded with 300 million yen. Then, there was a sexually frustrated manga artist, a melancholic professor, and an emotionally stunted young landlord. It was basically the setup for a comedic entanglement, but instead, you get slow-burning introspection with the occasional dash of the familiar Japanese absurdity. There’s something hypnotic about watching these women fumble their way to self-discovery, finding happiness in their mundane fractured lives. It had this warm nostalgic glow all over it but that couldn't save it from some inconsistencies and shortcomings. Particularly with its 2nd half where the drama already exhausted most of the personal stories around the housemates and what left was a lot of emptiness. There was an opportunity to dedicate an episode for the young landlord since she was the fourth wheel in the dynamic. Suika was the kind of drama that doesn’t try too hard to impress, and somehow that was its biggest charm. It wasn't revolutionary, but if you’re in the mood for a contemplative drama with a few laughs and a lot of heart, this one might be worth it.Was this review helpful to you?
Surprisingly Good
At the surface, the drama explored the abuse cases as expected from reading the synopsis, however, the rabbit hole was much deeper than initially thought. Each episode peeled one layer after another with more haunting revelations up until the last episode. I was worried we would be presented with a superficial showcase of some traumas but the drama actually took its time with each of leads' struggles and constructed a solid story. Although it went off the rails a little bit at the end but nothing too outrageous. I would've hoped if the ending was more grounded but one can look at it serving a theatrical over-exaggeration for the final act. Moreover, the constant jumping back and forth between different periods could've been done better. The side abuse cases didn't hold up compared to what the leads were going through nor did they blend well with the story. Aside from the intense cruelty, that one menacing soundtrack caught my attention. It's the same soundtrack that was used in Silent Hill 2 (White Noiz) which is strange because it's not the same composer. It definitely gave the drama a unique signature that was absolutely chilling whenever it played, though they almost didn't use it in the last couple of episodes.Was this review helpful to you?
Fake Messiness
The drama started with enough intrigue to keep me curious for where it was heading. However, it quickly became apparent what type of drama this was going to be. Things were messy and over bloated with way too many plotlines that were forcefully connected to the mother's pregnancy to give the illusion of a grand story. Most of these plotlines didn't get the treatment they deserve and were brushed off hastily, take for example the younger daughter at school. On the other hand, the older brother story with the gang business and whatnot was just seriously stupid writing that didn't mix well with the overall story at all. The drama was also painfully filled with extreme cliches at every turn, scene and dialogue, which the Japanese consider mandatory for every 'family' drama. If we were to focus on the mother (and maybe eldest daughter?) then the drama is decent enough.Was this review helpful to you?
Delusional Love
Surprisingly atrocious! To start, reading the synopsis would give you all the spoilers you need as it will play out exactly as suggested. Given the supposed 'moral' dilemma, the drama resulted to shifting genres at around episode 9 to diverge the attention from the characters' relationships when it reached a pivotal moment, which is why we ended up with a corporate corruption plot. This was the main reason why the plot crumbled under its own weight, because the writers couldn't follow through with what they created. Well, it was problematic from the beginning, there was simply little to no room to navigate such a set up for a story where the FL fell in love with her brother-in-law immediately after her sister's death. The plot wasn't particularly unique but other ones at least had a reasonable justification by utilizing a time-skip or concealed identity. All of that doesn't come close to the tone deaf ending where the entire cast were casually hanging out at the bar as the credit rolled.Was this review helpful to you?
Love? Never
The drama’s main plot revolves around a woman whose one defining characteristic is being perpetually sad. Why is she sad? Who knows! The writers certainly didn’t seem to. Maybe because the men in her life are about as reliable as a dial-up internet connection, or maybe it’s because the script was clearly written by someone going through a mid-life crisis and decided, “You know what’s relatable? Pain. Just… constant, nonsensical pain.” Nothing really makes sense, it was unbelievably dull as everything kept going in empty circles through the same events. Every man and woman were interested in the leads for some reason. Breakup was an expected element in such a plot but it was seriously poorly executed. It's the type of breakup you might see in an anime at the first slight misunderstanding, justified by a cheap trope rather than proper character writing. Why would their love be so great? The leads romantic chemistry has all the fire and passion of a wet sponge, it just couldn't sell the viewers on the long distance relationship and love. The drama was just a bloated, meandering, self-indulgent slog that mistakes misery for profundity.Was this review helpful to you?
Delinquents, Rise Up!
A ridiculous amount of face slaps with every other scene regardless of age and gender which was very fitting for the 80s vibes. It's a surprisingly good well-written drama, well, for the most part. The drama had a solid run checking all the boxes for its first half, but, for some reason, they couldn't keep the same momentum for its 2nd half. There was a significant drop in quality and the story took weird turns especially with that creepy classmate. Maybe its length was problematic for the writer and he couldn't plan for 18 episodes properly. Even the ending was kind of whatever, not much thought was put into it. I will probably only remember it for its first half. In comparison, the remake was the definition of pure manufactured waste. Utterly shameful to have a remake as that one. Just stick to the original one even with the 2nd half being a bit of a let down.Was this review helpful to you?
Kidz Bop Makjang
This was an attempt to make a melodrama from the kids' perspective and there's a very good reason why there's not many like it. Mainly, because it's utterly absurd to showcase this, especially for events related to the kids between themselves. It's less of a problem when it's between the kids and the adults. When looking at the whole picture with the adults, it's a pretty standard watered down melodrama because of the given theme. It wants to be targeted at kids/teens but it doesn't do a good job in that regard so it end up being stuck in this weird middle ground. Earlier on, the drama had plenty of animation but they stopped doing these because they realized how atrocious and unnecessary these were. The story, cast and performance were all pretty average and lazy.Was this review helpful to you?
Too young to care...
It was full of cheap "pseudo" mature themes to grab attention but underneath the surface it was an empty shell of nothingness. The entertainment value was low as well since the characters and their dynamics lacked the necessary appeal to begin with. So what left was the nostalgic late 80s vibes which was nice to see but not sufficient enough to compensate the plethora of shortcomings.Was this review helpful to you?
Mad World
Captivating storytelling and multifaceted characters, making it a standout in the world of Japanese dramas. The drama had a good mystery plot but there were a few things that held it back. The pacing was alright but the lack of a sensible urgency messed up the flow a bit. The drama overdone it with the amount of repetition sprinkled throughout beyond what could been considered functional for a mystery piece, it didn't contribute to the story/characters/themes/atmosphere, just plain repetition, relaying the same information countless times. The cinematography and music further enriched the experience, capturing the drama's haunting and enigmatic mood, however, it could've benefited more from a more unified color palette with its own signature. While it was a great mystery drama but I wish the characters had a better dynamic between them and maybe some deeper involvement of other characters.Was this review helpful to you?
Fly Away!
Not good. Sky high was aptly named to the number of love interests roaming around. Trashy love through and through, every man was chasing the same woman and every woman was chasing the same man. Love triangle/square/pentagon/hexagon and other polygons, it was just plain stupid. The story in general was bad, you can tell just from how they made the setup. This also led for it to have a terrible pacing, the plot involving the leads didn't start to move forward until the last 5 episodes, way too much slacking around for absolutely nothing. Even then, their lack of chemistry didn't allow for anything noteworthy to happen. At the very least, they should've gave it a simple reasonable send off instead whatever they did.Was this review helpful to you?
Goong C-
It was a really hard sell when a core part of the plot was the male lead treating the female lead like a piece of shit, combined with the "oh no he doesn't know how to express his feelings", these tropes are better left in fanfiction. The case was even worse due to the absolute lack of any chemistry between any of the four leads, this was the definition of negative rizz. It got even worse, all of the three leading cast Ju Ji Hoon & Song Ji Hyo & Kim Jeong Hoon brought an utterly abysmal joke of a performance, admittedly, this was their first main role and was totally incomparable with their current performance, all of them went to do much better and bigger things, it's better to forget they worked on this drama. On the other hand, Yoon Eun Hye was pulling the entire thing together, solo carrying whatever left to be salvaged. Her dynamic with her friends and family was quite good, but not with any of the leads. The puppets at the end of each episode were a nice touch, it would have been nicer if they incorporated that in the drama itself. The earlier parts of the drama were generally better, the events in the palace were a bit boring. To build up for the climax, the last 4 episodes created the last point of tension however it was seriously atrocious writing, one of the worst conflicts I've seen a writer come up with. It was just pure bad writing from that point until the last frame of the drama. If they slapped in some random terminal illness nuances it would've been a better serviceable finale. If anything, I'm only remembering this drama for its awful last few episodes. At least it was much better than Boys Over Flowers (2009).Was this review helpful to you?
Goong F
How could they ever think this remake was a good idea? It didn't take more than half an episode to know everything you need going forward. Setting the expectations really low from the beginning. They immediately jumped into the premise with little to no build up. Yer a prince, Harry! Deal with it. The setup was bad, the writing was shameful and the characters were garbage. The main cast members were barely functional and their chemistry was a constant struggle that never washed away. The original Goong had a plethora of problems but, in contrast, this remake made me appreciate season 1 for whatever it had .Was this review helpful to you?
The Answer is Money
The drama epitomized frustration with its portrayal of a braindead female lead whose actions and decisions often questioned the existence of a cerebrum in that skull. The leads consistently made choices that were not only repetitive but also pathetic. Almost every character was repeating the same mistakes and facing the same consequences. A group of monkeys would perform and produce a better result under a shock therapy. The side plots were generally bad, maybe only the ML's brother one was acceptable but the rest were kinda cringe. The drama advertised itself around the bigger sister and her younger siblings (as title suggests too) but the siblings played such a small side role in the story while the love triangle was the main focus. The drama practically ended 6-7 episodes early and the remainder was pure fluff of nothingness. It didn't help its case when the resolution was lame anyway.Was this review helpful to you?
