6
Fake reality...
Interesting concept but more often than not it didn't blend well together. It felt mostly like a slightly edited behind the scenes fillers than a reality tv implementation. Their "virtual" and "reality" just didn't intertwined as I hoped. Each couple went out on dates irl, but all of these dates were utterly dull and out of touch accompanied by the most boring spectacles. They don't even talk or do anything interesting, they just stand there reacting to the surroundings. You also need to be used to do the editing style of Korean/Japanese TV programs otherwise it will get overwhelming. It's also a bit of extra mental work to keep a mental note of both the cast names and their respective characters names. Honestly, the drama they were filming "iron lady" seems better as a standalone. While I appreciate attempting a different concept for a drama but this execution didn't work. On an unrelated note, about 90% of the runtime consisted of Yura laughing hysterically between every other sentence for some reason.Was this review helpful to you?
2 seasons 2 late...
Finally! It took them 2 seasons to realize there were other gender issues than sexual harassment. Although this season explored other gender issues but it was a bit disorganized. Anyway, it ended when it actually began to get good around episode 7. Despite its very short run but it a good job with the dynamics and characterization nuances. The drama actually provided a complete ending through the characterization of these four leads, it may seems incomplete or rushed on the surface because it didn't lay it out blatantly. On the other hand, they should've doubled the runtime and gave a deeper look into Yoon Ah Young and Young Min, since Do Eun and Hae Joon got the bigger chunk of focus.Was this review helpful to you?
Run, detective! Run!
The drama shouldn't have been split up into 2 seasons since it was a one big continuous story. This split created a few more problems along the way. Some of the baddies cast members had a clearer split between both seasons, focusing on a few of them each season despite having one grand story. This created some coherency problems and made it feel disjointed. Personal stories, relationships and side characters had an unequal amount of focus between both seasons. A case in point, the ML's daughter/family had only some focus in season 1 while being completely absent from season 2 (aside from 1 flashback) which took away from the ML's character and drive. Especially when his entire character was built on the ghosts haunting him from his past. The focus shift was exactly the opposite with Lee Sung Ah between both seasons. Anyway, enough about jumping between seasons. The cast members brought a good performance especially our leading shadow detective. I really appreciate the production not turning on the beauty mode on for Sung Ah & Joo Hyeon. You can see the pressure and exhaustion their carrier put on them over the years. The cinematography was good for the most parts, especially with scenes involving the detective alone, but there were some dodgy shots here and there. The story was well written with a decent pace to match the suspense. The thriller and intrigue were blended nicely with some nice action scenes. However, the last stretch of the story got a bit weak and disorganized after building up the story for a grand finale. Also, some overdramatized deliveries ended up backfiring, making important scenes less impactful. The introduction of the last episode was good, as well as that dream sequence. His speech about him wanting to stop running while reciting his past was the most memorable moment in the drama. If that wasn't enough, the very last scene was the cherry on top to tie it all up.Was this review helpful to you?
Call an ambulance, but not for me
An extremely underwhelming and disappointing medical drama. Every singular frame of this 20 episodes drama screams mediocrity to the nth degree. The medical scenarios were passable but they were stretching it really thin by involving eastern medical practices to perform an emergency procedure to save someone's life! The drama aspect of this drama severely undercut the overall experience. The personal and romantic storylines were its weakest point. The pairings for the romantic relationships, in particular, were straight up bad, out of place and forced, every single one of them. I can't stress enough how bad these romantic relationships and pairings were. The dialogue was generally weak, it often came across as wooden or overly sentimental. The drama struggled to balance its dual focus, with the medical cases usually feeling like an afterthought to the tepid drama. The problems continued with the performances from the cast members, while the main cast were fine, but some side ones like Im Hyung Joon had godawful deliveries for his scenes, he's usually a better actor in other projects. Anyway, there are countless better medical dramas than this one.Was this review helpful to you?
Droughty!
Solid idea and setting with an interesting start but it was missing something to bring it to life. The plot just didn't click, the villains were as generic as they could come and the main uninspired conflict reeked of boredom. Dialogue that aimed for wit and intensity often missed the mark, coming off as either overly dramatic or just plain dull. Honestly, the only thing that was keeping it watchable was the handful of recognizable names from the cast members, at least the characters were well-portrayed by a competent cast. On the bright side, it was just six episodes, so it didn't overstay its welcome.Was this review helpful to you?
Dear Slim,
Right off the bat, the drama did a poor job establishing the mysterious M and its mystery. The story was so soulless and shallow it made the 12 episodes runtime so damn dreadful. The whole trio couples were lackluster from all angles, both the actors and their characters. Dialogue was riddled with platitudes and awkward exchanges, making each interaction painful. Even the central mystery, which could have been the saving grace, was handled so clumsily that it failed to generate any suspense or intrigue. The mysterious M could've been an alien for all I care. The ML's sister was the only real sensible semi-functional piece of story in the entire thing. One more thing: from a production standpoint, it adopted the deplorable style of cutting everything short and prematurely; nothing plays in full.Was this review helpful to you?
Pick a Season
The only valid play here is the nostalgic journey of the female lead and her middling experience of loss. The drama was overloaded with too many trite moments and rundown turns, using molds from far too many clones of its genre. What initially seemed to be promising characters quickly turned into one-dimensional archetypes with limited emotional attachment that gradually weathered away as it got deeper. The dialogues were mostly stiff accompanied by an obnoxious OST. The students from the present were straight up insufferable. Its cinematography was decent, yet it didn't substitute for the hollowness in the text. The cast presented a mixed bag of performances with the teen cast members being mostly awkward and stiff. Although it was short, the drama had some potential if it were to take the more serious route to better fit its themes rather than being excessively bubbly and sentimental.Was this review helpful to you?
Disappointing!
About a few episodes in, there was a clear pattern that seemed it was going to adopt and it did. The drama had the bad habit of always escaping from conflicts, keep dancing around them until enough time had passed and the viewers won't notice. It didn't dare to go for direct confrontations and real dialogues. Take for example the main conflict in the drama between the male lead and the female lead, it kept getting delayed and pushed around until enough time passed and everything suddenly worked out. No real conversations/confrontations/stakes/tension/emotions. This also resulted in reaching the finale early. The drama practically ended with episode 37, not even before finishing the episode. The remainder of the episodes were a disastrous nightmare to sit through. It kept cycling through empty dialogues between the supporting cast with the highest degrees of mawkish sentimentality and cringe. I had to double and triple check, something must've gone seriously wrong with the production for the drama to turn this way. This kind of practice is what keep veteran actors and actresses from picking up daily drama projects. I could feel the pain some of the cast members had to go through enduring this drama reluctantly. Just look at how modern daily dramas projects has become.Was this review helpful to you?
KDramas Second Best Attempt At Comedy
Season 1The drama did a great job in blending humor and heart, creating an enjoyable mix with a lively dynamic, for the most part. The comedy was sharp and varied, ranging from slapstick to witty banter, however, this didn't apply for every segment and joke. Some of these went on for too long or weren't interesting in the slightest, these were also more present in the 2nd half than the first one. Nonetheless, not only the drama had great humor but also had a progressing story that fit right in. The dynamic chemistry among the cast enhanced the comedic timing, while the well-paced storyline balanced these moments with memorable scenes. Speaking of dynamics, Doo Shik remained a sidekick and a third wheel in every situation and scene, he was never a lead and always the weakest link, even the actor himself. The drama should've wrote him better to fit the dynamic rather than having a wasted slot. Anyway, it's an enjoyable fun watch for what it had to offer. However, I highly advise against watching season 2.
Season 2
In comparison, season 2 was a complete utter failure in all regards, however, as a stand alone drama, it was a passable cheap inoffensive forgettable watch, for the most part. It failed miserably to capture the same magic that made the first season so endearing. The second season felt like a pale imitation, struggling to find its footing. One major issue was the lack of continuity in the cast, with many beloved characters and dynamics from the first season absent with no worthy replacements. This shift disrupted the chemistry and dynamic that were crucial to the show's initial charm. The new characters, while sometimes amusing, didn't bring the same level of depth, humor and relatability, resulting in a series of forced and often flat comedic moments. Speaking of comedy, the writing in season 2 leaned heavily on repetitive gags and clichéd scenarios, lacking the creativity and originality that kept the first season fresh and engaging. Not to mention its poor job in recycling some of the gags and scenarios, as well as most of the romances and its archetypes from season 1. Seriously shameful! The brief storylines were disjointed, and the emotional moments that once balanced the humor now came across as contrived and artificial. The romantic relationships, while they never were the main focus, were really stupid and tasteless. The pacing also suffered, with episodes dragging without the slightest engaging interplay of humor and character moments that previously defined the show. Second season tried to replicate the success of its predecessor but fell quite short, the charm, wit, and warmth that made the first season a hit were noticeably missing. I highly advise watching S1 and ignoring S2.
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Wasted!!
Season 1The drama did a great job in blending humor and heart, creating an enjoyable mix with a lively dynamic, for the most part. The comedy was sharp and varied, ranging from slapstick to witty banter, however, this didn't apply for every segment and joke. Some of these went on for too long or weren't interesting in the slightest, these were also more present in the 2nd half than the first one. Nonetheless, not only the drama had great humor but also had a progressing story that fit right in. The dynamic chemistry among the cast enhanced the comedic timing, while the well-paced storyline balanced these moments with memorable scenes. Speaking of dynamics, Doo Shik remained a sidekick and a third wheel in every situation and scene, he was never a lead and always the weakest link, even the actor himself. The drama should've wrote him better to fit the dynamic rather than having a wasted slot. Anyway, it's an enjoyable fun watch for what it had to offer. However, I highly advise against watching season 2.
Season 2
In comparison, season 2 was a complete utter failure in all regards, however, as a stand alone drama, it was a passable cheap inoffensive forgettable watch, for the most part. It failed miserably to capture the same magic that made the first season so endearing. The second season felt like a pale imitation, struggling to find its footing. One major issue was the lack of continuity in the cast, with many beloved characters and dynamics from the first season absent with no worthy replacements. This shift disrupted the chemistry and dynamic that were crucial to the show's initial charm. The new characters, while sometimes amusing, didn't bring the same level of depth, humor and relatability, resulting in a series of forced and often flat comedic moments. Speaking of comedy, the writing in season 2 leaned heavily on repetitive gags and clichéd scenarios, lacking the creativity and originality that kept the first season fresh and engaging. Not to mention its poor job in recycling some of the gags and scenarios, as well as most of the romances and its archetypes from season 1. Seriously shameful! The brief storylines were disjointed, and the emotional moments that once balanced the humor now came across as contrived and artificial. The romantic relationships, while they never were the main focus, were really stupid and tasteless. The pacing also suffered, with episodes dragging without the slightest engaging interplay of humor and character moments that previously defined the show. Second season tried to replicate the success of its predecessor but fell quite short, the charm, wit, and warmth that made the first season a hit were noticeably missing. I highly advise watching S1 and ignoring S2.
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Stealer: He Steals Stuff
The drama should've been called Karma or Skunk, more appropriate than whatever this mouthful title is. Anyway, the drama was quite average, delivering a forgettable experience that was hard to get excited about. Despite the intriguing concept of treasure hunting, it quickly devolved into a series of predictable and uninspired scenes. The characters and their backstories were bland, making it difficult to care about what happens to them and round them. The dialogue was often stale and lacked the sharpness or humor that could have added some much needed zest. Speaking of humor, while the drama was structured as an action comedy but the latter often fell short on delivering good material, with barely a couple of memorable comedic moments at the end. On the other hand, the action was a constant juggling act between enjoyable performances and half-arsed imitations. The police force in this drama was as incompetent as every other drama involving police work, as expected. They went out of their way to shamefully show how bad the police force was and subsequently made Skunk step down to an equal level just to make the dynamic between the two work, forcefully. The drama had an idea to work with but it barely done anything worthy with it.Was this review helpful to you?
Insurance Fraud
It's the type of drama with episodic cases where these cases occupied the majority of its run, however, half of the cases were bland and generic, these were only tolerable because of how the characters were handling them. While the cast size may have been small but they were active enough to keep things moving. Each character had a brief personal story that was brought up at some point along with the cases, just like the cases, these were also a mixed bag where some of them didn't fit or translate well. The drama was casual and light; hence, the comedy, which was alright but the fart jokes weren't funny, as always. Finally, they really wanted to add a bit of romance between the three leads to have something for the cast to banter around, but that was an unsuccessful maneuver.Was this review helpful to you?
Out of Tune
It's probably one of the worst non-makjang daily family drama out there. Which is really tough to get this low for a family drama but somehow they did it. You may divide the drama into 3 sections 50 episodes each, the first 50 episodes was a regular family drama with somewhat smooth progression, the second 50 episodes the drama created an impossible predicament, the last 50 episodes everything got out of control in the worst possible way. Not much more to say about the first 1/3, however, the problem it created in the second 1/3 was a big stretch when it comes to creating tension and conflict, it spent the next 100 episodes, including the ending of the drama, without overcoming what it created, what kind of writing is this? The last 1/3, every relationship became extremely complicated and unreasonable. At that point, it was impossible to salvage the drama. Even the female lead became totally irrelevant in the last 1/3. It was blatantly obvious what was happening with the writer, she was extremely disorganized and incoherent after the initial batch of episodes.Was this review helpful to you?
Fanfic Junk!
Oh dear! How could a full production team, crew and cast members be this damn oblivious to what they're making! The drama was the apotheosis of human failure, an insidious plague upon the landscape of television, a wretched abomination birthed from the depths of creative bankruptcy and soulless commercialism, a festering wound that infects the very essence of storytelling with its repulsive presence. Its premise was a nauseating blend of techno-narcissism and romantic idiocy, an affront to the intelligence of any sentient being unfortunate enough to bear witness to its abomination, a grotesque mutation of what once passed for entertainment. Characters were grotesque caricatures of humanity, mere vessels for the perpetuation of vapid romantic fantasies and insipid melodrama and their interactions were a cacophony of soulless platitudes and contrived emotional manipulation, each scene got progressively worse than the last. The writing was an insult to the very concept of coherent narrative structure, a labyrinth of a garbled mess and mind numbingly banal dialogue that defies comprehension. In fact, this drama wasn't just bad television, it was an abomination of the highest order, a blight upon the collective consciousness of humanity and the very fabric of reality itself that must be expunged from existence with extreme prejudice. Anyone who dares to defend this abhorrent monstrosity deserves nothing less than eternal damnation, condemned to spend eternity in the deepest, darkest depths of cinematic purgatory, tormented by the ceaseless repetition of its insipid drivel until the end of time itself. Anyway, it could've been worse, I guess.Was this review helpful to you?
Undisclosed Terms
The drama descended into the depths of revulsion with its gratuitous and sensationalistic approach to storytelling, leaving us appalled by its lack of subtlety and tact. Its heavy reliance on cheap tactics and low blows served only to alienate and inflame. The writing veered into the abyss of absurdity, sacrificing logical leniency and impartiality for the sake of eliciting visceral reactions. Broken balance system by design to further push this same narrative. A case in point, Eun Pa and Yun Tek as well as their individual paths. There was a big opportunity for the drama to do some real character reflection but it decided to ignore it, it only did it very briefly with Eun Pa in the first 1/3 of the drama. The drama had the audacity to deliver a message at the end of the drama from the cast members on what the "terms of endearment" means while miserably failing to portray what they preached in the message itself, pathetic and shameful. There were two main stories running in parallel, one for each of the sisters, however, they didn't interconnect well. The older sister had her world falling part, yet she was always emotionally discharged and normal when helping her younger sister, detracting from the seriousness and tension of her own story. On the other hand, the third sister was utterly useless in the entire dynamic, she should have played the linking bridge between everyone. In general most of the stories remained underdeveloped, cut short or had no direction, even the side ones, despite having a very generous long runtime. In its quest for conspicuous sensationalism, the drama lost sight of any memorable qualities, leaving us disheartened by its blatant disregard for a reasonable delivery to what it preached.Was this review helpful to you?
