








Left alone on a trip to Hong Kong, Tomoko, a sales woman from Japan finds herself the victim of a purse-snatching. The police arrest the man she points out, but it turns out to be the wrong person: a young Korean man named Ji Hoon. Despite his anger and humiliation, he takes her out to dinner since she has lost all her money, and in return, she agrees to model for his amateur film. What follows is a magical and romantic two days. Upon returning to their respective countries, Tomoko must return to her nine-to-five job and Ji Hoon must resume studying to join the family business rather than pursuing his dream of becoming a film director. But soon the two begin to email each other and rekindle their relationship despite the distance and obstacles between them. Marking the very first time in television history that a drama has been co-produced between Japan and South Korea, the story shows us that love has no borders.


30-year-old Kamata Rinko is single and a struggling scriptwriter. She has no boyfriend and keeps having night outs at drinking spots with her girlfriends Kaori and Koyuki. “If I become beautiful, a better guy will appear!” “If we grow to like each other, we can get married!” They will not stop talking about these hypothetical questions. Then a younger, handsome, golden-haired guy suddenly utters, “These “what if” women!” and the trio have to face the harsh reality that they are no longer girls. Rinko enters her 30s while still immature, seeking happiness and struggling with romance and work.

When his boss, Dae Jung, goes missing in a ship accident, the company sends Woo Joo to Osaka to finish his business. On his last day in the city, Woo Joo chases someone looking exactly like Dae Jung to Taisho, an area in Osaka. He ends up losing him, but the sound of a guitar draws Woo Joo to a small bar, Pier 34. Its owner, Snow, somehow reminds him of Dae Jung, and listening to his music brings back memories. After passing out right there, Woo Joo ends up missing his flight back to Korea. He quits his job on a whim and soon meets Haruna, who is learning how to play the guitar from Snow. Woo Joo decides to stay at Pier 34 until he finds Dae Jung and so begins an unlikely vacation for him.


30-year-old Kamata Rinko is single and a struggling scriptwriter. She has no boyfriend and keeps having night outs at drinking spots with her girlfriends Kaori and Koyuki. “If I become beautiful, a better guy will appear!” “If we grow to like each other, we can get married!” They will not stop talking about these hypothetical questions. Then a younger, handsome, golden-haired guy suddenly utters, “These “what if” women!” and the trio have to face the harsh reality that they are no longer girls. Rinko enters her 30s while still immature, seeking happiness and struggling with romance and work.

In the age of globalization, where mobility is often accompanied by rootlessness, many couples struggle to find a way to stay connected, both with each other and with whatever place they once called home. Such is the case with Arthur and Vivian. A Parisian immigrant, whose visa is set to expire soon, Arthur has spent the past four years with Vivian, a once-famous actress who moved to Paris to escape the hectic life of a celebrity. With his time in the city drawing to a close, Arthur would love nothing more than to have Vivian join him as he begins his round-about journey home. Committed to her own career, Vivian isn’t eager to agree to Arthur’s request; leaving them both to ponder their own desires, both as individuals and as a couple.
Just as Arthur and Vivian struggle to define the terms of their relationship, Amanda, a recently married American step-mom struggles to find her place within her new family. Trying to find a way to cope with the emotional ups and downs that come with marrying a Japanese widower, Amanda isn’t sure if she’ll ever find a way to step out of the shadow of her husband’s late wife. While Amanda tries to find ways to fit into her new life, June and Palm, contemplate starting a new life of their own. Currently living in Bangkok, the couple have an opportunity to relocate to America but June isn’t sure if leaving home is really the best idea.
Each faced with their own struggles of identity and belonging, three different couples must decide what it is they want most and where in the world they truly feel at home.
Just as Arthur and Vivian struggle to define the terms of their relationship, Amanda, a recently married American step-mom struggles to find her place within her new family. Trying to find a way to cope with the emotional ups and downs that come with marrying a Japanese widower, Amanda isn’t sure if she’ll ever find a way to step out of the shadow of her husband’s late wife. While Amanda tries to find ways to fit into her new life, June and Palm, contemplate starting a new life of their own. Currently living in Bangkok, the couple have an opportunity to relocate to America but June isn’t sure if leaving home is really the best idea.
Each faced with their own struggles of identity and belonging, three different couples must decide what it is they want most and where in the world they truly feel at home.