The Most Successful Asian Films of 2016 In the southern province of Chumporn in 1939, Khun Pan is a police detective who has defeated a gang of bandits despite having just one bullet in his pistol. Khun Pun is renowned for his sorcery and spells, which give him a supernatural protective power. After defeating the Pa Daeng gang, Khun Pan volunteers take on the most dangerous mission: to hunt the ferocious Alhawee Yalu, the dark lord of the southernmost provinces who’s also skilled in black magic and who spreads terror across the Budo Mountain. Alhawee Yalu is feared for his invulnerability – no bullets can hurt him – while his dagger is the most ruthless weapon. Edit Translation
- English
- magyar / magyar nyelv
- dansk
- Norsk
- Native Title: ขุนพันธ์
- Also Known As: ขุนพันธ์
- Screenwriter: Namo Thongpao Tongkumnerd
- Screenwriter & Director: Khom Kongkiat Khomsiri
- Genres: Thriller, Historical, Mystery, Supernatural
Cast & Credits
- Ananda EveringhamKhun PanMain Role
- Sukosol Clapp KrissadaAlhawee YaluMain Role
- Son Sonthaya ChitmaneeKhaitoMain Role
- Deaw Chupong ChangprungSangMain Role
- Aom Karnpitchar KetmaneeMalaiMain Role
- Namo Thongpao TongkumnerdAl-havee-yah-loo [Teenage]Support Role
Reviews
I'm honestly not sure what to make of this.
Legend writ enormously large around a real person who may not have contributed much, if anything, aside from his name, his job and the location.
A Thai take on westerns - like it belongs in the lineage of Tears of the Black Tiger, though not as far afield. Violent, very violent and very stylised, muted browns and dirt, the use of water. Parts felt almost surreal, which is one way of making supernatural powers real within a film, like this was just normal in their world, rare but known.
It was difficult and I took a few breaks, looking this or that thing up. It's like the opposite of the two hours + Thai movies I love, where they wander around exploring their wee world before revealing their poignancy and it's gentle and comforting. Only here it's the hour 38 minutes of a Thai action movie, traveling through the violence of its world. And then it shifts, surreal but grounded within the language of the film, and ends in something else. It gave some sense of meaning and closure, satisfying in the moment, but perhaps not all that deep. Exhausting to get there too. Maybe it felt worth it, in the end.
But there were clearly layers I do not have the knowledge to feel, even if I can think my way through some of them. Sometimes my sense of being an outsider is particularly sharp. This is one.
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