Moving

u can't skip the episodes all is really interesting

All thanks to director,screenwriter, editor to bring this drama fabulous
In this drama shows the individual character stories in episodes its makes more viewable
As usual Han Hyo Joo [ Lee Mi Hyun ] her acting is fantastic she played her character well
Lee Jung Ha [ Kim Bong Seok ] and Go Youn Jung [ Jang Hee Soo ] their chemistry is good in appearance
Cha Tae Hyun [ Jeon Gye Do ] he As usual same presence in screen
And iam looking forward for part 2 moving thank you
//////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////
///////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////
////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////

Read More

Long but good

That fight scene (if that’s even what you call that) between Joo Won and the big guy in ep19 was trending on ridiculous. Really they were like I will just stand there and you punch me, then the other one will just also stand there and await the return punch. Really what was that scene?. I was mind blown because that scene was so surreal and not in a good way, It left me completely bewildered in an otherwise stellar production effort so far.
Anyways I did enjoy the drama overall. I actually preferred the adults story more than the kids because the kids really didn’t even have a story IMO and their abilities were significantly less than their parents or they were not properly trained, the north attacked because they felt the south were training new generations of talent, they really shouldn’t have bothered because that school was basically useless in training them, anyways as much as I enjoyed the drama at the beginning and midway point, I was ready for it to be over by the last few episodes.
I highly doubt I will be rewatching this but I still recommend if you like this genre because although there were some eye roll moments the drama was overall, really well done.

Read More

Superpowered or not, good parenting is core

I was in Busan when this show was in second week on air. Saw a lot of ads. First few episodes were less interesting to me but I became invested in episode 5 onwards.

What I like:
1) Parenting styles of 3 different families. Lee Mi-hyun is overprotective of her son Kim Bong Seok because of his supernatural powers but she never stops him from experiencing normal adolescence. He goes to public high school and he is allowed to bring friends home. Jang Ju-won becomes a single father after his wife passed away. You can see his dedication in raising his daughter Jang Hee-soo in safe environment. Lee Jae-man is another exemplary father despite his limitations.
2) Espionage - love episodes when Doo-shik, Ju-won & Mi-hyun were completing their missions. Even Frank's missions were thrilling to watch.
3) Acting - great acting by the cast.
4) Ending was just wonderful.
5) Romance stories of two sets of parents.
6) I am intrigued by the mysterious student who was not detected.
7) The battle at school. I love that Bong Seok carried his mum home.

What I dislike:
1) Higher ups at National Intelligence Services especially Director Min Yong-jun. Opening a school to identify and recruit superpowered individuals without being transparent to all parents is just a bad move.
2) I found the earlier episodes were less interesting because too much focus on Bong Seok and Hee-soo. Once the episodes focused on their parents' past, then I became more invested in the series.

Favourite scene
When Doo-shik was captured by NIS at Mi-hyun's residence and the scene at NIS.

Read More

Disappointed and Confused.

By now everyone must already know the show is definitely not a superhuman genre or even a thriller.
The show for me was very very disappointing, it took me a lot of time to decide on watching a different genre than my usual romance/romcom kdramas.
Suprised why i gave it a rating, me too. How i look at it basically is the shoe the emotion and slight thrill portion very well and basically 3 plot levels made it more of a not only character driven but eccentric to realistic approach to problems of superhumans in a society.
Remember my 9/10 rating is solely for me and highly subjective.
But if i were to objectively rate my whole experience not just plot, 7.5/10 at max.
The 3 plot levels where disjointed and were very loose, some characters were just not fitted well but show made excellent remarks with them and used them to propel more of a eccentric focus on the eotional.flow rather than physical appearances of destruction, revenge , attack or war like most superhero related would .


Yet, even with these hiccups, the show kind of found its own groove by diving deep into emotions. It didn't go the usual superhero route of smashing things up or seeking revenge, which gave it this weird but kind of cool charm. It's this mix of stuff that's got me feeling all sorts of ways, like untangling a messy ball of thoughts that goes way beyond just slapping a number on it.

Read More

A PERFECT SHOW FOR ALL THE SUPERHERO AND GOOD STORY LOVERS !!!!!!!

1. Story and screenplay - It has one of the best written story ( more credit to manhwa) , but the adaption is just awesome .The problem with these type of shows comes with the screenplay or the budget ...... but the visuals , the action here is soo good .... as same to the Hollywood's level.
2. Acting - The cast , there acting is absolute perfect with no extra corniness . Other than Han Hyo joo the other actors are not too famous , but don't care about that there acting is top notch. Both adult and children roles are performed accurately.
3. Rest things - Like pace or backstories are handled with great use of time parallels in the main leads.
4. Characters to watch for :- THE adult MAIN LEADS (all three of them) with the younger MAIN LEADS (the pair) .

Read More

What Are You Waiting For? JUST WATCH IT!

"The people are innocent,
Those who force sacrifices are to blame!"

This line defines the whole drama. And the title itself gives you an idea of what it'll be. I thought it would be the typical action supernatural drama where the good fights against the evil and wins at the end. However, it was more than that. I love how it's shown not only the main characters but also the supporting characters' background story. Not one scene is dulled. And it may be because of the outstanding acting by all the cast members, the chemistry between the leads, flawless cinematography and directing, great soundtrack and top-notch action scenes.

No doubt Moving is on my top drama list and the best drama of 2023!

I wanna fangirl over every character!! Mother Han Hyo Joo was mothering! I didn't know that her chemistry with Zo In Sung was something we NEEDED. T-T Let's not forget about our bear papa Jang Joo Won. His love story was heartbreaking. I broke down so hard while watching how he wailed in the elevator. And finally come my babies Hee Soo, Kang Hoon and my boba ball Bong Seokie! They were the heart of the drama. I think it's time to stop my fangirling.

The only thing I was disappointed with is about having no Kim Doo Shik in the present line. I wanted to see more about his timeline in North Korea. Unfortunately, we didn't get to see it. By the way, the last twist I didn't see coming. I never thought that the girl Hee Soo saved was......! (I leave it here. No more spoilers :D)

So without hesitation, GO and JUST WATCH IT NOW!
I HIGHLY RECOMMEND IT.

Read More

The kids deserved better. The adults needed editing.

This is a drama that shines brightest when it focuses on its younger characters. The early episodes build a compelling emotional core around Bong‑seok, Hui‑soo, and Gang‑hoon, grounding their powers in vulnerability, survival, and family bonds. Their present‑day struggles carry urgency and heart, and the show feels most alive when it follows their attempts to navigate danger, secrecy, and adolescence. Whenever the story centers on them, the pacing is tight and the emotional stakes feel real.

But this drama also wants to be a thoughtful superhero drama, but half the time it’s paranoia in a trench coat. The show builds its world on preemptive punishment—eliminating people not for what they’ve done, but for what they might do—dressed up as national security. It’s less “protect the future” and more “kill first, justify later.” Powers are framed as curses, not gifts, which could’ve been compelling if the series didn’t keep circling the same moral drain without adding anything new. Ironically, the story feels most alive when it stops philosophizing and simply follows the kids trying to survive the mess adults created.

For me, the school bullying arc is where the show’s moral compass wobbles hardest. Hui‑soo gets expelled after being attacked by seventeen students—on camera—because she dared to fight back. If she didn’t have powers, she’d be dead. Meanwhile, the bullies walk away untouched. For a drama that pretends to care about justice, the takeaway is uncomfortably tone‑deaf: victims should endure abuse quietly unless they’re superhuman. It’s a frustrating contrast to the kids’ otherwise grounded, emotionally resonant arcs, which carry the show whenever they’re on screen.

Then comes the adult backstory block, a pacing sinkhole that nearly derails the momentum. Tragic spies, doomed love, institutional betrayal—yes, it adds context, but it drags. Doo‑sik’s fate is cruel in a way that feels more exhausting than impactful, and the show never explains why the bus‑driving Beungeman is still employed after demolishing public property. By the time the narrative returns to the present, the action ramps up so aggressively that the final stretch becomes a blur of blood, bodies, and battles that go on far too long.

Despite the uneven pacing, Moving delivers powerful thematic payoffs. The downfall of the corrupt leadership is satisfying, and the unexpected alliances — like former enemies becoming family, or past bullies stepping up to protect the very kids they once tormented — give the finale emotional weight. These moments highlight the show’s core message: institutions exploit, but individuals can choose loyalty, growth, and connection.

Read More

Mixed feelings

Mixed feelings about this drama. It was good but I guess supernatural stuff is not really my cup of tea.
I had very high expectations for it, people had been hyping it up so I thought it would be a crazy masterpiece but to be honest it was just a regular superhero story but the production (except those flying scenes) and acting was above average compared to other kdramas. There were certain characters and stories I liked and if you like superhero/action/thriller dramas then I definitely recommend but I am not sure if it was good enough to recommend it to everyone.
It had quite a bit of romance and I even cried because of one story. My favourite was Ryu Seung Ryong and his character as Jang Joo Won. His story was the best in my opinion.
It felt a bit too USA-like and that's the part I dislike about superhero movies. Those cheesy lines between fighting scenes and the background music....
I felt the ending was a bit rushed and they could have showed us more scenes in present time if they had cut down on all those flashbacks. I was binging the show so it felt boring to me since I remembered those past scenes well.
Overall a decent kdrama but the genre is not my cup of tea, I gave it a chance because of those tiktok edits of that office romance. I don't regret watching it but once again I proved to myself that superhero stuff is not for me.

Read More

Excellent Production - with Loads and Loads of Violence on the Side

Ahhh i don't want to be one of the few who were slightly disappointed with the show overall, because i can see so many extremely enthusiastic comments.
___________________________________________________________
For those worried about the violence, here's all you need to be wary of(spoiler free, without naming anyone):
VIOLENT CONTENT:
A character's head is cut off, and the camera stays on the decapitated corpse. The camera lingers on all the mutilated bodies. Blood pours generously over everyone and everything. Characters are repeatedly run over, stabbed with knives/needles, hit with clubs, mercilessly, recklessly shot(all kinds of guns, from pistols to sub-machine guns), electrocuted, drowned, rammed into walls, bones broken/dislocated. Many of the murders are done callously, with no real time to register shock or emotion. A character who can heal himself is subject to every kind of graphic violence imaginable, and cuts open his abdomen to make a point. An eye is squelched out. Limbs are blown off. Hands dipped in boiling oil. A skeletal corpse, people imprisoned in dark dungeons.
Multiple suicides by jumping/falling off high places.

AGAINST MINORS:
Scene where children are being abused(Violent, not sexual) by men in military uniforms/skin branded/shot at/made to kill each other(not shown in detail, but you can gather the idea).
Students are subjected to bullying. Extreme 17-to-1 catfight near school premises among female high-schoolers where the intention is clearly to kill(Weapons include a club and a retractable blade).
___________________________________________________________
Just finished watching, I'm unsure of how exactly I feel... the production was obviously freaking awesome, the cast did an amazing job with their characters, the plot was intriguing and full of action. Sometimes they dragged out scenes to heighten tension, but there's a line between tension and plain boring, and they crossed it a lot. The VFX and screenplay was absolutely stunning, but all the death, gore, and gratituous, callous violence got to me after a while. I thought I'd be scared or traumatized, but I got sick of it after a while. They use a main character with regenerative powers(Jang Juwon, played by Ryu Seung Ryong) to inflict and sustain every type of horrible violence imaginable. The characters I actually liked didn't get enough screen time(except Han Hyo Joo, who was amazing, as always). Zo In Sung was my favorite, playing the cool, badass, flying superhero so so well(he was also the least violent but smartest good guy, so go figure). Everyone's back-stories are beautifully written.

The kids storylines were initially a big snoozefest, but got better later, around Ep 7. Again, my favorite character, Lee Ganghoon, played by the cutie rookie from The Law Cafe, didn't get as much screentime as I would have liked, and he was the one with the most layered, intriguing personality. His story with his super-strong, mentally impaired dad jut kept bringing tears to my eyes. I would have had Second Lead Syndrome if this was a classic Kdrama, but the romance was the least interesting thing about the kids anyway. I didn't have the time or patience to watch them fall in love, and every moment was excruciatingly slow.

I'd recommend watching it for the plot and production, as long as you're okay with constant, extremely graphic violence. Many, many characters die gruesome deaths, with the camera lingering on their grossly mutilated bodies, but we don't really get to know them well enough to care. It just highlights the absolutely tragic pointlessness of war, and how it's the common people who always suffer most.

They tied up the ending for the main characters pretty fine, but hint heavily at a season 2. Lots of open endings with the overarching crime plot/villain-scheming...
I feel a sense of fatigue with all the repeated violence, and the attempts at bringing heart-rending scenes kinda fell flat most of the time, imo. I only really cried once, and that was when a bunch of young ordinary soldiers(none of whom we know and who we never see again) die in an NK-SK superhuman scuffle, and that's because I cannot stand such scenes no matter what show. Watching high-seated officials send young boys into meaningless death and destruction makes me see red and bawl my eyes out.

Read More

Moved up my list of best shows in 2023

With this line-up for a cast (I mean they had, Cha Taehyun, Ryu Seong Ryong, Han Jyo Joo, Kim Sung Kyung), a popular webtoon that already has a healthy following and Dalparan (music director/composer for the Good, the Bad, the Weird, and Secretly, Greatly, Kingdom) participating in the OST, this was firming up to be epic. The genre (supernatural, fantasy, action, romance) was also right up my alley and needless to say my expectations were pretty high; and i'm glad i wasn't disappointed. I waited for all the episodes to be out before binge watching and did not regret this decision; can only imagine the painful wait I would have had to endure for some episodes with the type of cliff-hangers they were dishing out.
This has easily become one of my favorite dramas of 2023. There's so much to like! The innocent, sweet blossoming romance between the 2 young leads (i struggle with identifying the MC because each character could well be a MC of their own), the heart tugging back stories of their parents and the villains which helped us understand why they did what they did, the amazing action scenes (ok there were some rather questionable CGI scenes, like when the characters had to be made to look younger, but it's a TV production so i'll give it a discount), the fantastic acting (MCs and supporting cast included), the comic book style inspired cinematography, and the satisfying OST. Happy to report that there weren't any overly cringey dialogues, which tend to happen in webtoon, manga or anime adaptations.
Rated the rewatch value lower only because I don't usually rewatch shows and I fear that a rewatch would just make the experience less satisfying given how good it was the first time around.

Read More