Moving

✒♥️True Power °8.5° °Excellent°

“You're retired.”

When powered people are “retired,” it's meant to be permanent. Someone is making sure they are gone for good. He has a list. He's checked it more than twice.

M is a 2023 release that is rated 91 on AWiki. It is 1 season consisting of 20 38-58 minute episodes. I've never seen a KDrama open like this… with astral vision, a hard landing, and a harder awakening. The ample budget is showing. It starts in HS. We follow kids with mysterious powers. Before long, we are in the backstory of their parents.

The backstories are /rough/ - Like pull-your-fist-back-and-take-a-moment-to extract-your-opponent’s-teeth-that-got-embedded-under-your-skin-after-a-powered-punch rough. Next, there's a HALL FIGHT!!! Fists of Flame!!! Dooooooood, it's awesome!!! And that episode is titled “The Romanticist”. Then it gets even more violent. It is alittle much- among the most intense I've seen. Clearly, they broke the budget on ep11.

Lee Jung Ha (Nevertheless-7.6, The Auditors, Rookie Historian-7.6) opens the show as the lightweight, Kim Bong “Seok”. Lightweight? More like weightless, at times. He has to wear a weighted backpack to keep himself from floating away like a lost party🎈balloon. This town, that town, new school: To avoid predators, his mother has kept them moving constantly. He's sweet, likable, winsome, and pretty much adorable. Han Hyo Joo (Happiness, W, Blood Free-8.5) is his mother, Lee Mi Hyeon and Zo In Sung (Escape from Mogadishu, That Winter, the Wind Blows-7, It's Okay, That's Love) is his father, Kim Du Sik - He's just killer in the role.

Go Youn Jung (Alchemy of Souls-8.3, Sweet Home-8.4, The School Nurse Files-7.6) is his new schoolmate, Jang “Hui” Su. She's a transfer student, and she's pretty, yet she strangely befriends Bong Seok. I just finished watching AoS-2, in which this actress takes over as the FL. M follows a year later, yet she looks 5 years younger. I wouldn't have recognized her if I hadn't checked the credits. The funniest scene, early on, is when Seok brings her home. His mother's reaction is precious. At first, she's nonplussed. “You're a girl…” is what haltingly comes out. “A girl who's a /friend/…” Hui adds, trying to aid with the processing. “But you're pretty…” Mom is still working on it. When it finally clicks with Mom that her son has brought a pretty girl home, she gets too happy. Too friendly, too. The whole thing is really cute. Ryu Seung Ryong (Portrait of a Family, The Painter of the Wind, Kingdom-8.3) is Hui's father, strongman Jang Ju Won. He is marvelous as well.

Cha Tae Hyun (Team Bulldog: Off-duty Investigation, Brain Works) is the electric Jeon Gye Do. Ryu Seung Beom (No Mercy, Solitude) portrays a very creepy hitman named Frank. Kim Hee Won (Pawn, Han River Police-7.4) is one of the teachers, Choi Il Hwan. Moon Sung Geun (Falsify, Vagabond-8) is the vile governmental department head, Min Yong Jun. The director is Park In Je of Kingdom S2, and the screenwriter is Kang Full from Pain, Love Never Ends.

This production has it all: 💘Love, 😅laughter, 🌞warmth, 😭sadness, 🤕pain, 💥action, and ⚡excitement. The fight scenes are exceptional and put quite a few Hollywood features to shame. The hitman/hunter is Steven Segal; H2K ~ Hard to Kill. They do a great job in speeding up the action in places in a way that multiplies the excitement. They are really showing off. The soundtrack is mostly average but not bad. Alone again Naturally, by Gilbert O'Sullivan circa 1972, unexpectedly showed up.

To be different is to be alone. To be normal is to accept the compromise of conformity which can be difficult to distinguish phoniness. That is the theme as well as the nature of power and what is most important.

“Hero? …What do you think power is? Empathy is what real power looks like. Having the ability to care and understand the emotions of others. What kind of hero breaks other people's hearts? …You acted like you were better than him. What you did wasn't admirable at all… a hero has compassion towards others.” Seok had showed off at school and his classmate was hurt when trying to imitate him. His mother is not impressed. Seok has never fit in. He watched a kid jump off the jungle-gym, claiming he could fly. All the kids cheered. Seok couldn't help but go and show them what his lighter-than-air self could do. But later, the first kid was badly hurt in a fall. His mother is right, but he's just a kid and he wants to fit in. It's a bitter lesson, and it underscores how isolated Seok is. The NK fighters are so sad. They were tortured into what they are. The human brain is terrifying. They are powered, yet still powerless.

M is powerful. It isn't the typical sweet and tame Kdrama. The language is rough (is that Hulu's influence, I wonder? Regardless, it isn't unrealistic) and the violence is jarring at times. This isn't for kids. They are keeping the story moving: S2 is in the works! No early retirement here.


QUOTE📢

Crying becomes a habit. A habit becomes a weakness.


〰🖍 IMHO

📣8.5 📝8 🎭8.5 💓6 🦋5 🎨8 🎵/🔊7.3 🔚? 🤗6.5 ▪ 🌞5 ⚡7 😅2 😭4 😱4 😯3 🤢8 🤔5.5 💤0


Age 15+ Violence - an episode on bullying is very emotional and difficult, gore
Language: R-rated w/ many F💣s

Rated TV-MA: Mature Audience Only.

Re-📺? WOULD

In order of ~lite&trite~ to ~heavy&serious~ you may also like:

The Legend of the Blue Sea-7.2
Racket Boys-8.3,
Reply 1988-8.6,
The school nurse files-7.6,
Crash Landing On You 9.1,
Oh My Ghost 10,
It's Okay Not To Be Okay 9,
Descendants Of The Sun-8.3,
Law School -8,

🎎 -
My Only Love Song 8.7 ~ excellent comedy,
Mr. Queen 8.5,
My Sassy Girl 8.5,

⚡/🚀 -
Glitch-8,
Missing: The Other Side-8.3,
Mystic Pop-up Bar-8.2,
K2 8,
Inspector Koo-8.4,
Private Lives 8.1, When the Camellia Blooms-8,
Sisyphus 8,
The Golden Spoon-8.1,
Uncanny counter season-1 only °S1-8.4 S2-4,
Vagabond-8,
Tunnel 8.5,
Signal 8.6, Iris-8,
The Cursed 8.3,
Flower of Evil 8.9,
The Man from Nowhere 8.9, The Wailing-8.8,
Black 9,
Squid Game 8.4,
Kingdom 8.3,
Sweet Home 8.4

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u can't skip the episodes all is really interesting

All thanks to director,screenwriter, editor to bring this drama fabulous
In this drama shows the individual character stories in episodes its makes more viewable
As usual Han Hyo Joo [ Lee Mi Hyun ] her acting is fantastic she played her character well
Lee Jung Ha [ Kim Bong Seok ] and Go Youn Jung [ Jang Hee Soo ] their chemistry is good in appearance
Cha Tae Hyun [ Jeon Gye Do ] he As usual same presence in screen
And iam looking forward for part 2 moving thank you
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Long but good

That fight scene (if that’s even what you call that) between Joo Won and the big guy in ep19 was trending on ridiculous. Really they were like I will just stand there and you punch me, then the other one will just also stand there and await the return punch. Really what was that scene?. I was mind blown because that scene was so surreal and not in a good way, It left me completely bewildered in an otherwise stellar production effort so far.
Anyways I did enjoy the drama overall. I actually preferred the adults story more than the kids because the kids really didn’t even have a story IMO and their abilities were significantly less than their parents or they were not properly trained, the north attacked because they felt the south were training new generations of talent, they really shouldn’t have bothered because that school was basically useless in training them, anyways as much as I enjoyed the drama at the beginning and midway point, I was ready for it to be over by the last few episodes.
I highly doubt I will be rewatching this but I still recommend if you like this genre because although there were some eye roll moments the drama was overall, really well done.

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Superpowered or not, good parenting is core

I was in Busan when this show was in second week on air. Saw a lot of ads. First few episodes were less interesting to me but I became invested in episode 5 onwards.

What I like:
1) Parenting styles of 3 different families. Lee Mi-hyun is overprotective of her son Kim Bong Seok because of his supernatural powers but she never stops him from experiencing normal adolescence. He goes to public high school and he is allowed to bring friends home. Jang Ju-won becomes a single father after his wife passed away. You can see his dedication in raising his daughter Jang Hee-soo in safe environment. Lee Jae-man is another exemplary father despite his limitations.
2) Espionage - love episodes when Doo-shik, Ju-won & Mi-hyun were completing their missions. Even Frank's missions were thrilling to watch.
3) Acting - great acting by the cast.
4) Ending was just wonderful.
5) Romance stories of two sets of parents.
6) I am intrigued by the mysterious student who was not detected.
7) The battle at school. I love that Bong Seok carried his mum home.

What I dislike:
1) Higher ups at National Intelligence Services especially Director Min Yong-jun. Opening a school to identify and recruit superpowered individuals without being transparent to all parents is just a bad move.
2) I found the earlier episodes were less interesting because too much focus on Bong Seok and Hee-soo. Once the episodes focused on their parents' past, then I became more invested in the series.

Favourite scene
When Doo-shik was captured by NIS at Mi-hyun's residence and the scene at NIS.

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Disappointed and Confused.

By now everyone must already know the show is definitely not a superhuman genre or even a thriller.
The show for me was very very disappointing, it took me a lot of time to decide on watching a different genre than my usual romance/romcom kdramas.
Suprised why i gave it a rating, me too. How i look at it basically is the shoe the emotion and slight thrill portion very well and basically 3 plot levels made it more of a not only character driven but eccentric to realistic approach to problems of superhumans in a society.
Remember my 9/10 rating is solely for me and highly subjective.
But if i were to objectively rate my whole experience not just plot, 7.5/10 at max.
The 3 plot levels where disjointed and were very loose, some characters were just not fitted well but show made excellent remarks with them and used them to propel more of a eccentric focus on the eotional.flow rather than physical appearances of destruction, revenge , attack or war like most superhero related would .


Yet, even with these hiccups, the show kind of found its own groove by diving deep into emotions. It didn't go the usual superhero route of smashing things up or seeking revenge, which gave it this weird but kind of cool charm. It's this mix of stuff that's got me feeling all sorts of ways, like untangling a messy ball of thoughts that goes way beyond just slapping a number on it.

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A Superhero Drama That Puts Family at the Heart of Every Fight

Moving is one of the most compelling K-dramas to come out in recent years. While it features people with extraordinary superpowers, the series never loses sight of what truly matters: family, love, sacrifice, and the emotional weight of protecting the people you care about.

The story follows high school students who begin to discover their inherited abilities while their parents—who share similar powers and painful pasts do everything they can to shield them from dangerous forces. What starts as a mystery gradually unfolds into an emotional, action-packed narrative that balances suspense, heartfelt moments, and character-driven storytelling.

One of the drama's greatest strengths is its cast. Every actor delivers a convincing performance, making both the younger and older generations equally engaging. The flashbacks are especially memorable, adding depth to the characters and making their present-day choices even more meaningful.

The action scenes are intense and well-choreographed, but they never overshadow the emotional core of the story. Instead, every fight feels personal and carries real consequences. The series also excels at blending genres, seamlessly moving between action, thriller, romance, comedy, and drama without feeling inconsistent.

Visually, Moving is impressive, with cinematic production quality and special effects that enhance rather than distract from the storytelling. The pacing may feel slow in the early episodes, but the gradual build-up pays off with powerful reveals and satisfying character arcs.

Overall, Moving is much more than a superhero series. It is a moving story about courage, family, and humanity, wrapped in an exciting and emotionally rich narrative. Whether you're a fan of action or heartfelt dramas, this series offers something memorable.

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A Rare Masterpiece That Balances Superpowers, Family, Emotion, and Suspense Perfectly

Moving is one of the best Korean dramas ever made, and it absolutely deserves a perfect score in every category. What makes this drama special is how naturally it combines action, emotion, mystery, romance, family bonds, and human pain into one unforgettable story.

The writing is incredible from beginning to end. Every character feels important, layered, and emotionally real. Instead of focusing only on superpowers, the drama focuses on the people behind them — their fears, sacrifices, loneliness, and love for their families. That emotional depth is what makes Moving stand out from typical action dramas.

The acting is flawless. Every cast member delivered performances that felt genuine and powerful, especially during the emotional family moments. The chemistry between parents, children, and even side characters felt authentic and heartfelt. The younger cast and veteran actors balanced each other perfectly.

The action scenes are intense, cinematic, and beautifully choreographed, but the emotional scenes are what truly leave a lasting impact. Some episodes make you excited, while others completely break your heart. The pacing is also surprisingly strong for a long series because every backstory adds meaning to the overall plot.

The music and cinematography elevate everything even more. The soundtrack fits every emotional moment perfectly, and many scenes stay in your mind long after finishing the drama.

What impressed me most is how Moving manages to be thrilling and deeply emotional at the same time. It’s not just a superhero story — it’s a story about parents protecting their children, people carrying emotional scars, and finding hope despite pain.

This is one of those rare dramas that deserves all the hype. A complete 10/10 in story, acting, music, emotional impact, and rewatch value. Once you start it, it’s almost impossible to stop watching.

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A PERFECT SHOW FOR ALL THE SUPERHERO AND GOOD STORY LOVERS !!!!!!!

1. Story and screenplay - It has one of the best written story ( more credit to manhwa) , but the adaption is just awesome .The problem with these type of shows comes with the screenplay or the budget ...... but the visuals , the action here is soo good .... as same to the Hollywood's level.
2. Acting - The cast , there acting is absolute perfect with no extra corniness . Other than Han Hyo joo the other actors are not too famous , but don't care about that there acting is top notch. Both adult and children roles are performed accurately.
3. Rest things - Like pace or backstories are handled with great use of time parallels in the main leads.
4. Characters to watch for :- THE adult MAIN LEADS (all three of them) with the younger MAIN LEADS (the pair) .

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What Are You Waiting For? JUST WATCH IT!

"The people are innocent,
Those who force sacrifices are to blame!"

This line defines the whole drama. And the title itself gives you an idea of what it'll be. I thought it would be the typical action supernatural drama where the good fights against the evil and wins at the end. However, it was more than that. I love how it's shown not only the main characters but also the supporting characters' background story. Not one scene is dulled. And it may be because of the outstanding acting by all the cast members, the chemistry between the leads, flawless cinematography and directing, great soundtrack and top-notch action scenes.

No doubt Moving is on my top drama list and the best drama of 2023!

I wanna fangirl over every character!! Mother Han Hyo Joo was mothering! I didn't know that her chemistry with Zo In Sung was something we NEEDED. T-T Let's not forget about our bear papa Jang Joo Won. His love story was heartbreaking. I broke down so hard while watching how he wailed in the elevator. And finally come my babies Hee Soo, Kang Hoon and my boba ball Bong Seokie! They were the heart of the drama. I think it's time to stop my fangirling.

The only thing I was disappointed with is about having no Kim Doo Shik in the present line. I wanted to see more about his timeline in North Korea. Unfortunately, we didn't get to see it. By the way, the last twist I didn't see coming. I never thought that the girl Hee Soo saved was......! (I leave it here. No more spoilers :D)

So without hesitation, GO and JUST WATCH IT NOW!
I HIGHLY RECOMMEND IT.

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The kids deserved better. The adults needed editing.

This is a drama that shines brightest when it focuses on its younger characters. The early episodes build a compelling emotional core around Bong‑seok, Hui‑soo, and Gang‑hoon, grounding their powers in vulnerability, survival, and family bonds. Their present‑day struggles carry urgency and heart, and the show feels most alive when it follows their attempts to navigate danger, secrecy, and adolescence. Whenever the story centers on them, the pacing is tight and the emotional stakes feel real.

But this drama also wants to be a thoughtful superhero drama, but half the time it’s paranoia in a trench coat. The show builds its world on preemptive punishment—eliminating people not for what they’ve done, but for what they might do—dressed up as national security. It’s less “protect the future” and more “kill first, justify later.” Powers are framed as curses, not gifts, which could’ve been compelling if the series didn’t keep circling the same moral drain without adding anything new. Ironically, the story feels most alive when it stops philosophizing and simply follows the kids trying to survive the mess adults created.

For me, the school bullying arc is where the show’s moral compass wobbles hardest. Hui‑soo gets expelled after being attacked by seventeen students—on camera—because she dared to fight back. If she didn’t have powers, she’d be dead. Meanwhile, the bullies walk away untouched. For a drama that pretends to care about justice, the takeaway is uncomfortably tone‑deaf: victims should endure abuse quietly unless they’re superhuman. It’s a frustrating contrast to the kids’ otherwise grounded, emotionally resonant arcs, which carry the show whenever they’re on screen.

Then comes the adult backstory block, a pacing sinkhole that nearly derails the momentum. Tragic spies, doomed love, institutional betrayal—yes, it adds context, but it drags. Doo‑sik’s fate is cruel in a way that feels more exhausting than impactful, and the show never explains why the bus‑driving Beungeman is still employed after demolishing public property. By the time the narrative returns to the present, the action ramps up so aggressively that the final stretch becomes a blur of blood, bodies, and battles that go on far too long.

Despite the uneven pacing, Moving delivers powerful thematic payoffs. The downfall of the corrupt leadership is satisfying, and the unexpected alliances — like former enemies becoming family, or past bullies stepping up to protect the very kids they once tormented — give the finale emotional weight. These moments highlight the show’s core message: institutions exploit, but individuals can choose loyalty, growth, and connection.

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