Both involve quietly powerful, cunning women who come to serve and be loved by their king/emporer in a dangerous political enviroment. They also both involve love lines with ambitious princes trying to take down their siblings to get to the throne. They both also involve a foreign prince/princess with a strong and untamable heart.
Crown Prince Yi Gak finds that he has been transported from the Joseon Dynasty to modern-day Seoul. He meets Hong Se Na, who bears a striking resemblance to his dead wife, and is determined to solve the 300-year-old mystery of her death. With his own resemblance to the CEO’s grandson at the company where Se Na works, Gak assumes the identity of the young man to stay close to her. Can the Crown Prince navigate a modern corporation to find clues to his own time period?
In 1867, Sin Jae Hyo leads the Dongrijungsa, which teaches pansori (traditional Korean musical storytelling). A young girl, Chae Seon, who wants to perform pansori, appears in front of him. Chae Seon has dreamed of performing pansori since she first heard Sin Jae Hyo perform when she was little, but Sin Jae Hyo turns her down because women are not allowed to perform pansori. Chae Seon then disguises herself as a man and enters the Dongrijungsa to learn pansori, but Sin Jae Hyo doesn’t accept her as his student. One day, he hears Daewongun, the most powerful man in Joseon and the father of the King, is going to hold a national competition of pansori performers known as “Naksungyeon”. Sin Jae Hyo decides to teach Chae Seon, who has a true voice to perform “Chunhyangga". If anyone finds out that Chae Seon is a woman, Sin Jae Hyo and Chae Seon will both face death.
