Both are:
- Taking place in an isolated quarantined place (Hyosan in All of us are Dead, Makuhara in Bokura no Yuuki).
- About a deadly mysterious virus (Turn people into Zombies in All of us are dead, kill people over 18 years old in Bokura no Yuuki)
- Featuring kids having to survive alone, abandonned by adults
- Featuring the army trying to understand the virus and preventing people from escaping the city.
The big difference is that "All of us are dead" is more centered on zombie survival and fight, while Bokura no Yuuki has no zombie but focus more on the relations between the kids and the rivalry between the different survivor factions.
- Taking place in an isolated quarantined place (Hyosan in All of us are Dead, Makuhara in Bokura no Yuuki).
- About a deadly mysterious virus (Turn people into Zombies in All of us are dead, kill people over 18 years old in Bokura no Yuuki)
- Featuring kids having to survive alone, abandonned by adults
- Featuring the army trying to understand the virus and preventing people from escaping the city.
The big difference is that "All of us are dead" is more centered on zombie survival and fight, while Bokura no Yuuki has no zombie but focus more on the relations between the kids and the rivalry between the different survivor factions.
Totally different plots at a surface level. Strangers From Hell is by far more sinister while All of Us Are Dead is upfront with its brutality. However, if you enjoy stories that dismantle humanity, you may well enjoy both titles.
Another contrast is that, while both focus on humanity, Strangers From Hell picks normal people apart piece by piece, whereas All of Us Are Dead uses a catastrophe to bring out the absolute best - and worst - of its characters. As far as viewer experience goes, Strangers From Hell twists you along with it, whereas All of Us Are Dead makes you a witness, but you probably won’t lose yourself in quite the same way.
Another contrast is that, while both focus on humanity, Strangers From Hell picks normal people apart piece by piece, whereas All of Us Are Dead uses a catastrophe to bring out the absolute best - and worst - of its characters. As far as viewer experience goes, Strangers From Hell twists you along with it, whereas All of Us Are Dead makes you a witness, but you probably won’t lose yourself in quite the same way.
It follows the trouble-filled daily life of a mysterious and strikingly beautiful vampire novelist who assists the police in criminal investigations, and a rookie editor who finds himself at the mercy of a non-human existence.
Zen Misaki is a wildly popular bestselling author whose true identity is, unexpectedly, that of a vampire. Using supernatural abilities unique to his inhuman nature, such as nensha (the power to read a person’s memories from their blood), mind reading, and hypnosis, along with his sharp deductive skills, Misaki stylishly solves difficult cases that have left the police at a dead end.
Having long since abandoned his life as a human, Misaki begins the story having lost his sense of purpose, lacking the passion to write new novels and harboring a cynical, world-weary outlook. However, through his interactions with a young editor and an up-and-coming detective, and by solving case after case, he gradually rediscovers his capacity for love, friendship, and the very emotions that make him human.
Zen Misaki is a wildly popular bestselling author whose true identity is, unexpectedly, that of a vampire. Using supernatural abilities unique to his inhuman nature, such as nensha (the power to read a person’s memories from their blood), mind reading, and hypnosis, along with his sharp deductive skills, Misaki stylishly solves difficult cases that have left the police at a dead end.
Having long since abandoned his life as a human, Misaki begins the story having lost his sense of purpose, lacking the passion to write new novels and harboring a cynical, world-weary outlook. However, through his interactions with a young editor and an up-and-coming detective, and by solving case after case, he gradually rediscovers his capacity for love, friendship, and the very emotions that make him human.



